In modern times, La Fontaine has given us an admirable collection of

fables, and the artist Grandville has added a new charm to them, by a

very happy conceit. With infinite wit, he has dressed up the wolves,

foxes, and other animals which figure in the fables, in human attire,

yet so skilfully as to seem natural—thus aiding the imagination, in

conceiving of the actors and speakers in the fables, as performing

their several parts. By the aid of his magical pencil, even trees,

kettles and kegs assume an appearance of life, and seem to justify the

wit and wisdom which they are imagined to utter. The humor of these

designs is inimitable; and thus not only is greater effect given to

the particular fables illustrated, but greater scope, to the fable

generally. We are indebted, in this country, for a most excellent

translation of La Fontaine, with many of Grandville’s designs, to

Professor Wright.

[Illustration]

[Footnote 13: “The frogs, living an easy, free life everywhere among

the lakes and ponds, assembled together one day, in a very tumultuous

manner, and petitioned Jupiter to let them have a king, who might

inspect their morals, and make them live a little honester. Jupiter,

being at that time in pretty good humor, was pleased to laugh heartily

at their ridiculous request; and, throwing a little log down into

the pool, cried, ‘There is a king for you,’ The sudden splash which

this made, by its fall into the water, at first terrified them so

exceedingly, that they were afraid to come near it. But, in a little

time, seeing it remain without moving, they ventured, by degrees, to

approach it; and, at last, finding there was no danger, they leaped

upon it, and, in short, treated it as familiarly as they pleased.

“But not contented with so insipid a king as this was, they sent their

deputies to petition again for another sort of one; for this they

neither did nor could like. Upon that Jupiter sent them a stork, who,

without any ceremony, fell to devouring and eating them up, one after

another, as fast as he could. Then they applied themselves privately to

Mercury, and got him to speak to Jupiter in their behalf, that he would

be so good as to bless them again with another king, or to restore them

to their former state. ‘No,’ says Jove, ‘since it was their own choice,

let the obstinate wretches suffer the punishment due to their folly.’”]

[Illustration]

SOLON.

Solon, one of the seven wise men of Greece, was born at Salamis, 637

B. C. and educated at Athens. His father was one of the descendants of

king Codrus, and, by his mother’s side, he reckoned among his relations

the celebrated Pisistratus. After he had devoted part of his time to

philosophical and political studies, Solon travelled over the greatest

part of Greece; but at his return home he was distressed at beholding

the dissensions among his countrymen.

All now fixed their eyes upon him as a deliverer, and he was

unanimously elected archon. He might have become absolute, but he

refused the dangerous office of king of Athens, and, in the capacity

of lawgiver, he began to make a reform in every department of the

government. The complaints of the poorer citizens found redress; all

debts were remitted, and no one was permitted to seize the person of

his debtor, if he was unable to make payment. After he had established

the most salutary regulations in the state, and bound the Athenians

by a solemn oath that they would faithfully observe his laws for the

space of one hundred years, Solon resigned the office of legislator,

and removed himself from Athens. He visited Egypt, and the court of

Croesus,[14] king of Lydia—celebrated for his wealth, and the vanity

of desiring to be esteemed the happiest of mankind. He here declared

to the monarch that an Athenian, who had always seen his country

flourish—who had virtuous children, and who fell in defence of his

native land, had a happier career than the proudest emperor on the

globe.

After ten years’ absence, Solon returned to Athens; but he had the

mortification to find the greatest part of his regulations disregarded,

through the factious spirit of his countrymen and the usurpation of

Pisistratus. Not to be longer a spectator of the divisions that reigned

in his country, he retired to Cyprus, where he died at the court of

king Philocyprus, in the eightieth year of his age. The laws of Solon

became established in Athens, and their salutary consequences can be

discovered in the length of time they were in force in the republic.

For above four hundred years they flourished in full vigor, and Cicero,

who was himself a witness of their benign influence, passes the highest

encomiums upon the legislator, whose superior wisdom framed such a code

of regulations.

It was the intention of Solon to protect the poorer citizens; and by

dividing the whole body of the Athenians into four classes, three of

which were permitted to discharge the most important offices and

magistracies of the state, and the last to give their opinion in the

assemblies, but not have a share in the distinctions and honors of

their superiors; the legislator gave the populace a privilege, which,

though at first small and inconsiderable, soon rendered them masters

of the republic, and of all the affairs of government. He made a

reformation in the Areopagus, increased the authority of the members,

and permitted them yearly to inquire how every citizen maintained

himself, and to punish such as lived in idleness, and were not employed

in some honorable and lucrative profession. He also regulated the

Prytaneum, and fixed the number of its judges to four hundred.

The sanguinary laws of Draco were all cancelled except that against

murder; and the punishment denounced against every offender was

proportioned to his crime; but Solon made no law against parricide

or sacrilege. The former of these crimes, he said, was too horrible

to human nature for a man to be guilty of it, and the latter could

never be committed, because the history of Athens had never furnished

a single instance. Such as had died in the service of their country,

were buried with great pomp, and their families were maintained at

the public expense; but such as had squandered away their estates,

such as refused to bear arms in defence of their country, or paid no

attention to the infirmity and distress of their parents, were branded

with infamy. The laws of marriage were newly regulated; it became an

union of affection and tenderness, and no longer a mercenary contract.

To speak with ill language against the dead, as well as against

the living, was made a crime; for the legislator wished that the

character of his fellow-citizens should be freed from the aspersions of

malevolence and envy. A person that had no children was permitted to

dispose of his estates as he pleased; females were not allowed to be

extravagant in their dress or expenses; licentiousness was punished;

and those accustomed to abandoned society, were deprived of the

privilege of addressing the public assemblies. These celebrated laws

were engraved on several tables; and that they might be better known

and more familiar to the Athenians, they were written in verse.

If we consider the time in which Solon lived, we shall see occasion to

regard him as a man of extraordinary wisdom and virtue. Nearly all the

systems of government around him were despotic. That government should

be instituted and conducted for the benefit of the governed; and that

the people are the proper depositories of power—principles recognised

in his institutions—were truths so deeply hidden from mankind, as to

demand an intellect of the highest order for their discovery.

Nor are his virtues and humanity less conspicuous than his sagacity.

While repealing the bloody code of Draco, he substituted mild and

equitable laws; he shunned the harsh and savage system of Lycurgus,

which sacrificed all the best feelings of the heart, and the most

refined pleasures of life, in order to sustain the martial character

of the state; and while he sought to soften the manners, he strove

to exalt the standard of public and private virtue, not only by his

laws, but by his conversation and example. He was thus, not only

the benefactor of Athens and of Greece, but—as one of the great

instruments of civilization throughout the world, and especially as

one of the leaders in the establishment of free government—mankind at

large owe him a lasting debt of gratitude.

[Illustration]

[Footnote 14: Croesus was the fifth and last of the Mermadæ, who

reigned in Lydia, and during his time he passed for the richest of

mankind. He was the first who made the Greeks of Asia tributary to

the Lydians. His court was the asylum of learning; and Æsop, the

famous fable-writer, among others, lived under his patronage. In a

conversation with Solon, Croesus wished to be thought the happiest of

mankind; but the philosopher apprized him of his mistake, and gave the

preference to poverty and domestic virtue. Croesus undertook a war

against Cyrus, the king of Persia, and marched to meet him with an army

of 420,000 men, and 60,000 horse. After a reign of fourteen years he

was defeated, B. C. 548; his capital was besieged, and he fell into

the conqueror’s hands, who ordered him to be burnt alive. The pile

was already on fire, when Cyrus heard the conquered monarch exclaim,

“Solon! Solon! Solon!” with lamentable energy. He asked him the reason

of his exclamation, and Croesus repeated the conversation he once had

with Solon, on human happiness. Cyrus was moved at the recital; and,

at the recollection of the inconstancy of human affairs, he ordered

Croesus to be taken from the burning pile, and he was afterwards one

of his most intimate friends. The kingdom of Lydia became extinct in

his person, and the power was transferred to Persia. Croesus survived

Cyrus. The manner of his death is unknown. He is celebrated for the

immensely rich presents which he made to the temple of Delphi, from

which he received an obscure and ambiguous oracle, which he interpreted

in his favor, but which was fulfilled in the destruction of his

empire.]

[Illustration]

LYCURGUS.

This Spartan lawgiver is supposed to have been born about 900 B. C. He

was the youngest son of king Eunomus, and was entitled to the throne

upon the death of his brother, Polydectes; but he relinquished it in

behalf of his unborn son, and administered the government in his name.

By the wisdom of his measures, he won general esteem; and his noble

disinterestedness raised his glory to a height which awoke envy against

him in the minds of some of the most distinguished Spartans, who now

conspired against him. Partly to escape the danger which threatened

him, and partly to gratify the desire of seeing foreign nations, and

learning their manners, he left Sparta, and travelled in various

countries.

After visiting Crete, and admiring the wise laws of Minos, he went to

Iona. The effeminate and luxurious life of the inhabitants, and the

feebleness of their laws, which formed a striking contrast with the

simplicity and vigor of those of Crete, made a deep impression upon

him. Here, however, he is said to have become acquainted with the poems

of Homer, which he collected and carried to Greece. From hence he is

said to have travelled into Egypt, India, and Spain; but this seems

improbable.

In the meanwhile, the two kings who succeeded him at Sparta, Archelaus

and Charilaus, were esteemed neither by the people nor by the

nobility; and, as there were no laws sufficient to maintain the public

tranquillity, the confusion passed all bounds. In this dangerous

situation, Lycurgus was the only man from whom help and deliverance

could be expected. The people hoped from him protection against

the nobles, and the kings believed that he would put an end to the

disobedience of the people. More than once, ambassadors were sent to

entreat him to come to the assistance of the state.

He long resisted, but at last yielded to the urgent wishes of his

fellow-citizens. At his arrival in Sparta, he found that not only

particular abuses were to be suppressed, but that it would be necessary

to form an entirely new constitution. The confidence which his

personal character, his judgment, and the dangerous situation of the

state, gave him among his fellow-citizens, encouraged him to encounter

all obstacles. The first step which he took, was to add to the kings a

senate of twenty-eight persons, venerable for their age, without whose

consent the former were to undertake nothing. He thus established a

useful balance between the power of the kings and the licentiousness

of the people. The latter at the same time obtained the privilege of

giving their voice in public affairs. They had not, however, properly

speaking, deliberative privileges, but only the limited right of

accepting or rejecting what was proposed by the kings or the senate.

The Spartans conformed in general to the institutions of Lycurgus; but

the equal division of property which he effected, excited among the

rich such violent commotions, that the lawgiver fled to the temple, to

save his life. On the way, he received a blow, which struck out one of

his eyes. He merely turned round, and showed to his pursuers his face

streaming with blood. This sight filled all with shame and repentance;

they implored his pardon, and led him respectfully home. The person who

had done the deed, a young man of rank, and of a fiery character, was

given up to him. Lycurgus pardoned him, and dismissed him, covered with

shame.

After having thus formed a constitution for Sparta, Lycurgus endeavored

to provide for its continuance. He made all the citizens take a

solemn oath that they would change nothing in the laws which he had

introduced, before his return. He then went to Delphi, and asked the

gods whether the new laws were sufficient for the happiness of Sparta.

The answer was, “Sparta will remain the most prosperous of all states

as long as it observes these laws.” He sent this answer to Lacedæmon,

and left his country forever. He died of voluntary starvation, and

ordered his body to be burned, and the ashes scattered in the sea, lest

they should be carried to Sparta, and his countrymen be released from

their oath.

Though the patriotism of Lycurgus appears to have been of the most

exalted nature, his institutions were exceedingly barbarous, in many

respects. He cherished no such thing as family ties, but required

everything to yield to the good of the state. The children did not

belong to the parents; feeble children were destroyed; meals were all

taken in common; unmarried men were punished. Thus the private liberty

of the people was taken away, and they were made slaves, in their daily

habits, thoughts and feelings, to that power which was called the

state. The design of the lawgiver seemed to be to rear up a nation of

soldiers—not for conquest, but for defence. He would not permit Sparta

to be encircled with walls, preferring that its defence should depend

on the arms of the citizens. The men were wholly trained for martial

life. Sensibility to suffering, and the fear of death, were treated

with contempt. Victory or death, in battle, was their highest glory;

cowardice was attended with the most deadly shame.

The difference between the institutions of Lycurgus and those of Solon,

may be seen in their results. The Spartans became a stern and haughty

nation of soldiers; but they have left nothing behind but their story,

to instruct mankind; while the Athenians, exalted by the genial breath

of liberty, continue to this very hour to be the admiration of the

world, for their literature, their arts, and their institutions.

[Illustration]

[Illustration]

HOMER.

The Iliad is often spoken of as the greatest production of the human

mind; yet it has been seriously questioned whether such a person

as Homer ever lived! This paradox is to be explained by admitting,

that, although the Iliad is a wonderful performance for the time and

circumstances of its composition, still, it is by no means entitled to

the supremacy which scholastic fondness assigns to it; and that the

doubts thrown upon its authorship are but the mists engendered in the

arena of hypercriticism.

By Homer, we mean the author of the Iliad, whatever may have been his

true name. The period at which he flourished is matter of doubt, but

it is fixed by the Arundelian Marbles,[15] at 907 B. C., which is

probably not far from the true date. A great many tales are handed

down to us, in relation to him, which are mere fictions. The only well

established facts, in his life, are that he was a native of Asiatic

Greece, and a wandering poet, or rhapsodist, who went about the country

reciting his compositions, according to the custom of those times. The

story of his being blind is without authority.

Such are the meagre facts which can be gathered amid the obscurity of

that remote age in which Homer lived. There is something painful in

this barrenness,—and we almost feel that the critics, in exploding the

fond fictions which antiquity has woven around the name of the great

poet, have performed an ungracious office. They have indeed dissipated

fables, but they have left us little but darkness or vacuity in their

place. Such is the yearning of the mind, in respect to those who have

excited its emotions, and created an interest in the bosom, that it

will cherish even the admitted portraitures of fiction and fancy,

rather than content itself with the blank canvass of nothingness. The

heart, as well as nature, abhors a vacuum.

The fictitious history of Homer—which, however, is of some antiquity,

and has passed current for centuries—is briefly as follows. His mother

was named Critheis: she was married to Mæon, king of Smyrna, and gave

birth to a child, on or near the banks of the river Meles, from which

circumstance he was called Meles genes. The mother soon died, and he

was brought up and educated under the care of Mæon. The name of Homer

was afterwards given to him, on account of his becoming blind.

The legends proceed in general to state that Homer himself became a

schoolmaster and poet of great celebrity, at Smyrna, and remained

there till Mentes, a foreign merchant, induced him to travel. That the

author of the Iliad and Odyssey must have travelled pretty extensively

for those times, is unquestionable; for besides the accurate knowledge

of Greece which these works display, it is clear that the poet had a

familiar acquaintance with the islands both in the Ægean and the Ionian

seas, the coasts of Asia Minor, Crete, Cyprus, and Egypt—which still

bear the names he gave them—and possessed also distinct information

with respect to Lybia, Æthiopia, Phoenicia, Caria and Phrygia.

In his travels, as the legends say, Homer visited Ithaca, and there

became subject to a disease in his eyes, which afterwards terminated in

total blindness. From this island he is said to have gone to Italy, and

even to Spain; but there is no sign, in either of the two poems, of his

possessing any definite knowledge westward of the Ionian sea. Wherever

he went, Homer recited his verses, which were universally admired,

except at Smyrna, where he was a prophet in his own country. At Phocæa,

a schoolmaster, of the name of Thestorides, obtained from Homer a copy

of his poetry, and then sailed to Chios, and there recited these verses

as his own. Homer went soon after to the same place, and was rescued

by Glaucus, a goatherd, from the attack of his dogs, and brought by

him to Bolissus, a town in Chios, where he resided a long time, in the

possession of wealth and a splendid reputation.

According to Herodotus, Homer died at Io, on his way to Athens, and

was buried near the sea-shore. Proclus says he died in consequence of

falling over a stone. Plutarch tells a different story. He preserves

two responses of an oracle to the poet, in both of which he was

cautioned to beware of the young men’s riddle; and relates that the

poet, being on a voyage to Thebes, to attend a musical or poetical

contest at the feast of Saturn, in that city, landed in the island

of Io, and, whilst sitting on a rock by the sea-shore, observed some

young fishermen in a boat. Homer asked them if they had anything, and

the young wags, who, having had no sport, had been diligently catching

and killing as many as they could, of certain personal companions of a

race not even yet extinct, answered,—“As many as we caught, we left;

as many as we could not catch, we carry with us.” The catastrophe of

this absurd story is, that Homer, being utterly unable to guess the

riddle, broke his heart, out of pure vexation; and the inhabitants of

the island buried him with great magnificence, and placed the following

inscription on his tomb:—

Here Homer, the divine in earthly bed,

Poet of Heroes, rests his sacred head.

The general theory in regard to the poems of Homer, is that they were

composed and recited by him, to the people living upon the islands and

the main land along the coasts of Asia Minor. At that time books were

unknown, and it is a question whether even the art of writing was then

practised. Homer, therefore, published his poems in the only way he

could do it—by oral delivery. Whether his verses were sung, or only

recited, we cannot determine; but there is no doubt that he obtained

both fame and maintenance by his performances.

So deep was the impression made by the poet, that his verses were

learned by heart, and preserved in the memories of succeeding

rhapsodists and minstrels. His reputation was diffused over all Greece;

and Lycurgus, who had heard of his compositions, is supposed to have

taken pains, during his travels, to have them written down, and to have

brought them in a collected form to Greece. They were, however, still

in fragments, and the task of arranging and uniting them was performed

by Pisistratus, with the help of the poets of his time. In this way,

they received nearly the form they now possess; the division of each of

the two epics into twenty-four books, corresponding with the letters

of the Greek alphabet, being the work of the Alexandrian critics,

some centuries after. It must be remembered, however, that although

the poems of Homer were thus committed to writing in the time of

Pisistratus, they continued to be recited by the rhapsodists, who were

much favored in Greece, and in this way alone, for several centuries,

were popularly known. It is probable that in these recitations, there

was a good deal of dramatic action, and that they possessed something

of the interest which belongs to theatrical representation.

The vicissitudes to which Homer’s reputation and influence have been

subject, deserve notice. From the arrangement of the Iliad and Odyssey,

in the time of the Pisistratidæ, to the promulgation of Christianity,

the love and reverence with which the name of Homer was regarded, went

on constantly increasing, till at last public games were instituted in

his honor, statues dedicated, temples erected, and sacrifices offered

to him, as a divinity. There were such temples at Smyrna, Chios, and

Alexandria; and, according to Ælian, the Argives sacrificed to, and

invoked the names and presence of, Apollo and Homer together.

But about the beginning of the second century of the Christian era,

when the struggle between the old and the new religions was warm

and active, the tide turned. Heathenism, says Pope, was then to be

destroyed, and Homer appeared to be the father of those fictions which

were at once the belief of the Pagan religion, and the objections of

Christianity against it. He became, therefore, deeply involved in the

question, not with that honor which had hitherto attended him, but as

a criminal, who had drawn the world into folly. These times, however,

are past, and Homer stands on the summit of the ancient Parnassus, the

boast and glory of Greece, and the wonder and admiration of mankind.

The Iliad, with the exception of the Pentateuch and some others of the

books of the Old Testament, is the most ancient composition known. It

is interesting not only as a splendid poem, but also on account of the

light it throws upon the history and manners of the remote ages in

which it was written. We are struck with the similarity of the customs

of the Asiatic Greeks to those of the Hebrews, as set forth in the

Bible; and also with the fact that the Jupiter of Homer rises to that

unchecked omnipotence assigned to Jehovah.

Famous Men of Ancient Times · 第 16 / 18 段