CHAPTER VI

THE BLIGHTED BEING

KATHARINE HOLLAND was distinctly unpopular during her first weeks in the

Ryder School. Miss Lucilla Ryder treated her courteously, but Miss

Lucilla's courtesy had a frappé quality not conducive to heart

expansion. Miss Emmeline showed even more than her usual gentle

propitiatory kindliness toward the quiet, unresponsive girl, but

kindliness from Miss Emmeline had the flavour of overtures from a faded

daguerreotype or a sweetly smiling porcelain miniature. It was a

slightly vague, impersonal, watery kindliness not calculated to draw a

shy or sensitive girl from her reserve.

The teachers, all save Belinda, voted Katharine difficult and

unimpressionable. As for the girls, having tried the new pupil in the

schoolgirl balance, and having found her lamentably wanting in

appreciation of their friendliness, they promptly voted her "snippy,"

and vowed that she might mope as much as she pleased for all they

cared--but that was before they knew that she was a "Blighted Being."

The moment that the cause of Katharine's entrance into the school fold

and of her listless melancholy was revealed to her schoolfellows, public

opinion turned a double back-somersault and the girl became the centre

of school interest. Her schoolmates watched her every move, hung upon

her every word, humbly accepted any smallest crumbs of attention or

comradeship she vouchsafed to them. No one dared hint at a knowledge of

her secret, but in each breast was nursed the hope that some day the

heroine of romance might throw herself upon that breast and confide the

story of her woes. Meanwhile, it was much to lavish unspoken sympathy

upon her and live in an atmosphere freighted with romance.

Amelia Bowers was the lucky mortal who first learned the new girl's

story and had the rapture of telling it under solemn pledge of secrecy

to each of the other girls. Sentiment gravitates naturally toward

Amelia. She is all heart. Possibly it would be more accurate to say she

is all heart and imagination; and if a sentimental confidence, tale, or

situation drifts within her aura it invariably seeks her out. Upon this

occasion the second-floor maid was the intermediary through which the

romantic tale flowed. She had been dusting the study while Miss Lucilla

and Miss Emmeline discussed the problem of Katharine Holland, and

happening to be close to the door--Norah emphasised the accidental

nature of the location--she had overheard the whole story.

Norah herself had loved, early and often. Her heart swelled with

sympathy, and she sped to Amelia, in whom she had discovered a kindred

and emotional soul.

Fifteen minutes later Amelia, in one of her many wrappers, and with but

one side of her hair done up in kids, burst in upon Laura May Lee and

Kittie Dayton, who were leisurely preparing for bed. Excitement was

written large upon the visitor's pink and white face. She swelled

proudly with the importance of a bearer of great tidings.

"Girls, what do you think?" She paused dramatically.

The girls evidently didn't think, but they sat down upon the bed,

big-eyed and expectant.

"Cross your hearts, hope to die?"

They crossed their hearts and solemnly hoped they might perish if they

revealed one word of what was coming.

"You know Katharine Holland?"

They did.

"Awful stick," commented Laura May.

Amelia flamed into vivid defence.

"Nothing of the sort. I guess you'd be quiet too, Laura May Lee, if your

heart was broken."

With one impulse the girls on the bed drew their knees up to their chins

and hugged them ecstatically. This was more than they had hoped for.

[Illustration: "The girls on the bed drew their knees up to their

chins"]

"Yes, sir, broken," repeated Amelia emphatically.

"How d'you know?" asked Kittie Dayton.

"Never you mind. I know all about it."

"She didn't tell you?"

"No, she didn't tell me, but I know. She's madly in love with an enemy

of her house."

"Not really?" Laura May's tone was tremulous with interest.

Kittie gave her knees an extra hug. "It's like Romeo and Juliet," she

said. Kittie was a shining light in the English Literature classes.

Satisfied with the impression she had made Amelia gathered her forces

for continuous narrative.

"You see, her folks have got lots of money, and she's their only child,

but her father's an awful crank and her mother don't dare say her soul's

her own."

"Don't Katharine's father like her?"

Amelia was annoyed.

"If you'll keep still, Kittie, I'll tell you all about it. If you can't

wait I won't tell you at all."

Kittie subsided, and the story flowed on.

"He adores her, but he's very stubborn, and there's a man he hates worse

than poison. They had some sort of a business quarrel a long time ago,

and Mr. Holland is as bitter as can be yet and never allows one of his

family to speak to one of the other family. He said he'd shoot any Clark

who stepped a foot on his grounds."

Amelia's face was radiant with satisfaction. Her voice was hushed for

dramatic effect.

"There's a Clark boy," she went on; then, not pleased with the ring of

her sentence, began again.

"The hated enemy has a son." That was much better, and it gave her a

good running start. "He's handsome as a prince, and perfectly lovely in

every way." Miss Lucilla hadn't confided this fact to Miss Emmeline, but

there are some things one knows instinctively, and Amelia believes in

poetic license as applied to drama. "He's been away at school, but he

came home last June, and he and Katharine got acquainted somewhere. She

didn't dare tell her father she had met him, but she loved him

desperately at first sight." Once more Miss Lucilla's bald facts were

being elaborated.

"Did he fall in love that way, too?" Kittie was athirst for detail.

"He was crazy over her the minute he set eyes on her, and he just had to

see her again, and he got a friend to take her walking and let him meet

them, and it went on that way until they got so well acquainted that he

could make love to her, and then they got rid of the friend and used to

go walking all by themselves, and finally somebody saw them and told

Katharine's father. My, but he was mad. He sent for Katharine and she

wouldn't lie to him. She said she and the young man were engaged and

she was going to marry him, and her father swore something awful, and

her mother cried, and Katharine was just as white as marble, but she

kept perfectly calm." Amelia was warming to her work. "And they

imprisoned her in her room, and her father used to go and try to make

her promise she'd never speak to her lover again, and her mother used to

cry and beg her to give him up. But they couldn't break her spirit or

make her false to her vows, and finally they decided to send her away,

so they wrote to Miss Lucilla and told her all about it. Miss Lucilla

said she hated to have such a responsibility, but that they offered so

much money she didn't feel she could refuse to take the girl--and that,

anyway, the parents probably knew best, and it was for Katharine's best

interests she should be separated from the boy. So Mr. Holland brought

Katharine here, and she's not to stir out without a teacher, and she's

not to have any mail save what passes through Miss Lucilla's hands and

is opened by her, and she's not to receive any callers unless they bring

a note from her father, and she's not to write letters except to her

mother."

"How'll they help it, I'd like to know? They can't watch her all the

time," chorused the two listeners, each mentally devoting her inkstand,

pen, stationery and services as postman to the cause of unfortunate

love.

"How we've misjudged her," sighed Laura May.

"I thought it was funny she came here when she's so old. She must be

eighteen, isn't she?" asked Kittie.

"Pretty near. I'd elope and defy my cruel parents if I was eighteen, but

she says she won't elope--that she'll wait until she's twenty-one, and

then if her father won't give in, and can't show her anything bad about

the man, she'll marry him anyhow. Miss Lucilla had a talk with her, and

she said Katharine seemed to be a very nice girl and very reasonable

except when it came to breaking off her love affair, but that she was

just as stubborn as a rock about that."

"What do you suppose they'll do?"

Amelia meditated, turning the searchlight of memory upon her favourite

novels.

"Well, she may waste away. She's pretty thin. I guess her father would

feel dreadful when he stood by her deathbed. And then her lover may

persuade her to fly with him. I wish she'd let me help her fly. Or she

may just wait till she's twenty-one and then leave home with her

father's curses on her head, and if she did that her mother'd probably

die of grief, and everything her father'd touch would fail, and finally

he'd be a lonely, miserable old man and send for Katharine to forgive

him, and she'd bring her little daughter to him and----"

"Why, Amelia Bowers!" protested Kittie, whose slow brain had been

following the rapid pace with difficulty, and who had not lost her

schoolmate in the cursed and married heroine.

"Well, it's pretty dreadful any way you fix it. She's a Blighted Being,"

said Amelia cheerfully. "We must be very considerate of her.

Good-night."

She hurried away, intent upon spreading her news before the "lights-out"

bell should ring, and with each telling the tale grew in detail and

picturesqueness.

The next morning the girls began being considerate of Katharine. If the

Blighted Being noticed the sudden change of attitude it must have

occasioned her some wonder, if not considerable annoyance. She was not a

girl to air her wrongs nor bid for sympathy, although she was not brave

enough to assume a cheerful manner and keep her heartache out of her

face. She learned her lessons, did her tasks, was respectful to the

teachers, polite to the girls, but she held aloof from everyone--was, in

the arrogant fashion of youth, absorbed in her own unhappiness.

Occasionally, when she met Belinda's smiling, friendly eyes, her face

softened and an answering smile hovered around her sensitive lips, but

the relaxing went no further.

Amelia and her mates found the victim of parental tyranny an absorbing

interest. They missed no word or act or movement of hers when she was

with them. They offered her caramels and fudge with an air of fervent

sympathy. They left the best orange for her at breakfast. They allowed

her to head the crocodile during morning walk, day after day, and

allotted the honor of walking with her to a different girl each day, the

names being taken in alphabetical order.

[Illustration: "They offered her caramels with fervent sympathy"]

They gave her the end seat on the open cars, in church, at the theatre.

They surreptitiously sharpened her pencils and cleaned her desk for her.

They made offerings of flowers. They volunteered to loan her their

novels even before they had read them.

And Katharine, not understanding the spring from which all this

friendliness flowed, unbent slightly as the days went by, paid more

attention to the life around her, yet kept the tightly closed lips and

the unhappy eyes. She was very young, very much in love, and her pride

suffered even more than her heart. Mr. Holland's method of parental

government was, to put it mildly, not diplomatic.

James, the handy man of the school, was the only person upon whom she

was ever actually seen to smile, but she appeared to have a liking for

James. Amelia several times saw her talking to the man in the hall, and

once something white and square passed from the girl's hands to the

man's.

"She's getting James to mail letters," announced Amelia breathlessly,

breaking in upon Laura May and Kittie.

"Bully for James!" crowed Kittie inelegantly. "But won't he catch it if

Miss Lucilla finds out."

Miss Lucilla didn't find out, but an avenging Nemesis apparently

overtook James, for a few days later he failed to appear at the school

in the morning, and the cook had to attend to the furnace.

Later came a most apologetic note from the missing handy man. He was

ill--seriously ill. The doctor had forbidden his leaving the house for

at least a week. He was greatly distressed--in English of remarkable

spelling--because he was inconveniencing Miss Ryder, but he didn't want

to give up the place altogether, and if he might be allowed to send a

substitute for a week or so he would surely be able to take up work

again at the end of that time. He had a friend in mind--a nice,

respectable young fellow who would do the work well and could be trusted

even with the silver--a bit youngish, perhaps, but willing and handy.

Should he send him?

Miss Lucilla answered by messenger. The young man was to come at once.

The snow must be shoveled from the steps and walk before time for the

day scholars to arrive. She hoped James would soon be able to return,

but she would give his friend a trial.

Half an hour later a manly young fellow in very shabby clothes presented

himself, had an interview with Miss Lucilla, who told her sister that he

seemed a very decent person, and adjusted to his shoulders the burden of

duties laid down by James. He bore the burden lightly, did his work

with cheerful conscientiousness, and made himself useful in many ways

unknown to the former incumbent. Norah and the other maid smiled upon

him ineffectively.

"Always ready to lend ye a hand at an odd job, but divil a kiss or a bit

of love-making behind the door," Norah explained to Amelia, who had

sniffed an incipient romance below stairs when she first saw the new

man.

Miss Lucilla congratulated herself upon the addition to her staff of

servants and sought an excuse for letting James go altogether and

cleaving to his friend. The teachers sang the praises of Augustus, the

girls found him obliging and resourceful in smuggling, the servants

couldn't pick quarrels with him. Evidently here was a gem of purest ray

serene--that pearl beyond price, a perfect servant.

The incomparable Augustus was seldom in evidence above the basement,

save when he went to the study for orders, moved the furniture, or did

odd jobs of carpentering; but he was intrusted with the cleaning and

setting in order of the big schoolroom, and Katharine Holland was

occasionally in his way there. She liked to study before breakfast.

One Tuesday night, when study hour was over, the girls had gone to their

rooms, and the downstairs lights were out, Belinda sat in her room,

correcting examination papers. She struggled through the pile, reached

the last paper, and found that several sheets of it were missing. A

careful search in the room failed to bring them to light; and the

Youngest Teacher, with a frown of vexation between her pretty brows,

picked up a match, girded her dressing gown about her, and making no

noise in her knitted bedside slippers, went swiftly down the stairs.

The door of the large schoolroom, where she expected to find her missing

papers, was closed; and as Belinda stopped before it she fancied that

she heard a murmur of voices beyond the door. She hesitated, smiled at

herself, struck a match sharply, and threw open the door.

There was a sudden movement in the room--a smothered exclamation. The

light of the match fell full upon a man who held a girl in his arms.

So much Belinda saw before she put out her hand to the electric button

and turned on the light.

Before her stood the incomparable Augustus, shabby, handsome, defiant;

and to his arm clung Katharine Holland, white and frightened, but with

her head up and a challenge in her eyes.

Belinda stared for a second in bewilderment. Then she understood. She

tried to remember that she was a teacher and to fix the culprits with an

icy glare, but Belinda is not very old herself, and in common with all

the world she loves a lover. The situation was shocking--but--the look

on the girl's face was too much for the Youngest Teacher's severity.

Impulsively Belinda held out her arms.

"Oh, you poor child," she said. "You poor, foolish, hurt child." Her

voice was athrill with tenderness. Her face was aglow with the

mother-love that lives in the woman heart from doll days to the end of

life.

With a little sob the girl moved forward blindly. Belinda's arms went

round her and drew her close.

"Hush, dear. Don't cry. This is all wrong, but you've been very unhappy

and you didn't mean to do wrong."

The Youngest Teacher's eyes met those of the boy who stood,

crimson-cheeked, uncertain, under the glare of the electric light; and

she studied his face--a good-looking, determined face, with honest

manliness under its boyish recklessness.

"It wasn't fair," she said softly. "It wasn't fair to her. You would

take care of her better than this if you loved her."

The recklessness faded, leaving the manliness.

"They've treated us abominably."

"Yes, I know, but she is only seventeen--and clandestine meetings are

vulgar and dangerous."

"Her father can't give any reason except that ridiculous family feud."

"A scandal would furnish an excellent reason, and justify him in his

attitude toward you."

"But there isn't going to be any scandal."

"Suppose someone else had found you here and told the story broadcast."

He winced.

"But I can't live without seeing her sometimes."

"Then your love is a very small, boyish thing. A man who loved her could

wait."

He had come forward now and was looking straight into her accusing face.

"I suppose you are going to tell Miss Ryder, and Katharine will be sent

home in disgrace?"

Belinda shook her head. "What I do depends upon you. Perhaps I ought to

tell. I owe a duty to Miss Ryder--but then I owe something to Katharine,

too. She needs sympathy and sane counsel more than harshness. I think

you are honest--though that was a dishonest, underhand trick of yours.

If you will give me your word of honour as a gentleman not to try to see

Katharine again while she is here I will say nothing about this."

He hesitated, looked down at the rumpled head upon Belinda's shoulder.

"Shall I do it, Katharine?"

Belinda's face flamed indignantly.

"Are you coward enough to shift the responsibility to her? Aren't you

man enough to do what is best for her, no matter what she says?"

The broad shoulders squared themselves.

"I'll promise."

"Does any one know about this escapade?"

"James."

"Can you shut his mouth securely?"

"I will."

"You would better go now."

He moved a step nearer.

"Good-by, dear."

Katharine lifted a tear-stained face.

"You'll not stop caring?" There was a sob in her voice.

"It's only a question of waiting, sweetheart," he said gently; "and we

love each other well enough to wait."

He looked beseechingly at the Youngest Teacher, who, being a very human

pedagogue, turned her back upon the tragic young things; but a moment

later she held out a friendly hand to the departing lover.

"Good-by. I'll trust you."

"Good-by. You may. I do love her. Be good to her," he added brokenly as

he disappeared through the door.

Belinda was good to her; and long after the girl was asleep, the

Youngest Teacher lay awake, puzzling over problems of right and wrong,

of duty and impulse, of justice and mercy.

"They are only children," she said from her pinnacle of two-and-twenty

years.

"But children's hurts are hard to bear while they last," her heart

answered promptly.

"Perhaps I was all wrong. Probably I ought to have been more severe--but

now I've promised"--and Belinda was asleep.

The next morning the incomparable Augustus had disappeared from the

horizon. The faithful James, attired in a sporty new suit, new shoes and

necktie, and looking astonishingly well and prosperous for a man who

reported himself as just back from the gates of death, was once more in

his accustomed place.

"James is a good soul, but Augustus had so much more resourcefulness and

initiative," said Miss Lucilla regretfully.

"He had," agreed Belinda.

Concerning Belinda · 第 6 / 10 章