I was chosen for this mission.

A paper manufacturer, still doing business in New York City, after

seeing me "perform" in trial bouts, was induced to "put up" the

necessary money for my side of the purse, and we were matched to fight

in Pittsburg.

We "weighed in" at one hundred and forty pounds.

This, our first encounter, lasted twenty-seven rounds. The "humanity"

of our seconds and backers prevented us from going any further. Our

physical condition was the cause for stirring that "humanity."

We were smeared with blood, but that alone would not have been

sufficient to terminate the fight. A broken arm, a torn ear, a gash

from eye to lower part of cheek, constituted Tommy Gibbons' principal

injuries. I was damaged to the extent of two broken thumbs and a broken

nose, not mentioning minor disfigurements. But, what of that? Had not

the noble cause of sport derived a new impetus from our performance?

Had not the hearts and aspirations of the "select" crowd of spectators

been moved to higher emotions?

We had behaved so right manfully, that, at the ringside, we were matched

again for another meeting. In that, after seventeen rounds, I was

declared the winner on a "foul" of Gibbons.

Again we were matched, this time to fight according to London prize ring

rules--they permitting more latitude for our brutish instincts. It

resulted in a "draw," but not until we had entertained the very flower

of the sporting world for forty-three rounds.

Not yet satisfied as to which one of us was the greater brute, another

meeting was arranged, and I had the proud distinction of being the

victor in this fight of eleven rounds.

Poor Tommy Gibbons took his defeat very much to heart. His fistic

prestige was gone, and he went speedily to "the bad." He ended his busy

life at the hands of the hangman, paying therewith the penalty for one

of the most horrible murders ever committed.

Too bad that such a promising light in the sporting world should meet

with such ignoble end!

My backer, the paper manufacturer, who did so much, by effort and

expenditure, for the cause of sport, is still on my list of

acquaintances. He is eminently respectable, the father of an adoring

family, the model for striving young men, a pillar of his church, a

power in commercial life, and, withal, an enthusiastic follower of the

Manly Art of Self-Defense, provided the specimen of it is not too tame.

Apropos of the manly art of self-defense I want to record my individual

opinion that it is a lost art, if it really has ever been an art. In

the knightly art of fencing, skill, artful skill, is necessary and

acquired. Not so in boxing; at least not in that branch of boxing which

is only practised for money. Men who step into the ring for a "finish

fight" are not prompted by the desire of giving a clever exhibition of

boxing. Their only desire--if the fight "is on the level"--is to "put

out" their man somehow, as quickly as possible, and to collect their end

of the purse as promptly as possible. I have seen my quota of fights in

my life time, but never one in which claims of "fouls" were not made.

Is it not logical to suppose that leading exponents of their art should

be able to give a demonstration of it without resorting to foul means?

Although I have given "physical culture lessons" of a certain kind I

have but little knowledge of how boxing lessons are conducted in

academies and reputable gymnasiums. The popularity of this branch of

athletics indicates that the lessons are conducive to corporal

perfection, and teach men how to use their strength to best advantage

when driven to the point of defense.

This principle is not observed by "scrappers." They pay less, if any

attention to boxing than to learning tricks of their trade. It is all

very well for sporting writers to speak about Fitzsimmons' and

Sullivan's art, but I am quite sure that one or more efficient tricks is

the real mainspring of many pugilistic reputations.

The rules of the prize ring are fair and formed to protect men from foul

methods. For that very reason, all the tricks learned--and they are

many and efficient--are, if not absolutely fouls, so near the dividing

line that the margin of distinction is almost nil.

Through the press of the country we are informed that prizefighters

now-a-days make considerable fortunes. Then they did not, and having a

surprisingly healthy appetite in a healthy body, the fighting profession

sadly delayed the perfect development of my _embonpoint_.

*LIVING BY MY WITS.*

*CHAPTER V.*

*LIVING BY MY WITS.*

True, my fights with Tommy Gibbons and others had brought me some money,

but the social obligations were so many and the celebrations so frequent

that, after a short time of plenty, I always found myself "dead broke"

and compelled to resort to my "wits" for making a living.

All Chatham street--now Park Row--and the Bowery teemed with "sporting

houses," which offered opportunities to men of my class. In many of

these places boxing was the real or pretended attraction.

On an elevated stage from three to six pairs of boxers and wrestlers

furnished nightly entertainment for a roomful of foolish men,

and--more's the pity!--women. The real purpose of these gatherings must

remain nameless here, but this fact we must note, that all of these

"sporting-houses," these hells of blackest iniquity, were run by

so-called statesmen, patriots, politicians, many of them lawmakers, or

else by their figureheads.

The figureheads were chosen with great carefulness. To become a proxy

owner of a "sporting-house" one had to have a reputation, sufficient to

attract that particularly silly and morbid crowd of _habitues_. Some of

the reputations were made in the prize ring, viz: Frank White, manager

of the Champion's Rest, on the Bowery, two doors north of Houston

street; Billy Madden, Mike Cleary and other "prominent" prizefighters.

A few of them, as Billy Madden and Frank Stevenson, later branched out

as backers of pugilists, policy shops and gambling houses.

Reputations made in prisons were also accepted as qualifications, and

"Fatty" Flynn, Billy McGlory, Tommy Stevenson, Jimmy Nugent, of

Manhattan Bank robbery fame, and other ex-inmates of jails owed their

wide popularity and money-making capacity to their terms spent behind

the bars. An isolated position of especially luminous glamor was

acceptably filled by the famous Mr. Steve Brodie, the bridge-jumper, and

greatest "fake" and fraud of the period.

In places where boxing was not the attraction, the vilest passions of

human nature were vainly incited by painted sirens, who, by experience

and compulsion of their employers, had become perfect in their shrewd

wickedness. In front of these "joints"--frequently called "bilking

houses"--glaring posters, picturing the pleasures within, were displayed

in most garish array.

In addition to these places described, a number of dance-halls, notably

Billy McGlory's Armory Hall, and "Fatty" Flynn's place in Bond street,

completed the boast of the day that New York City was a "wide-open

town," and the "only place in the world fit to live in."

It was not very difficult for one, accustomed to the environment, to

"make a living" in it by his "wits."

Any one, not minding a short spell of strenuousness, could always get

from a dollar and a half to two dollars for "donning the mitts" in the

"sporting-houses," where boxing was the special feature. Others, having

neither the training or inclinations to take part in these "set-to's,"

officiated as waiters--"beer-slingers"--and found it more remunerative,

if more tedious work.

It seems to be a distinct trait of people who visit these "dives" and

"joints" to leave their small allowance of intelligence at the door.

Men, who, in their daily occupation, are fairly alert and awake to their

interests, permit themselves to be cheated by the most transparent

devices of the "beer-slingers."

To give these fellows a bill in payment of drinks is simply inviting

them to experiment on you. Over charging, "palming"--retaining a coin in

the palm of the hand between ball of thumb and fleshy

part--"flim-flamming"--doubling a bill in a number of them, and counting

each end of it as one separate bill--are the most common means of

cheating employed. Whenever any of these tricks failed, the money was

either withheld or taken away by force, and the victim--the

"sucker"--bodily thrown into the streets as a "disorderly person."

My Mamie Rose: The Story of My Regeneration · 第 13 / 53 题