" 142. Uns ist ein Kind geboren.
" 143. Lobe den Herrn, meine Seele.
" 144. Nimm, was dein ist.
" 145. So du mit deinem Munde.
" 146. Wir müssen durch viel Trübsal.
" 147. Herz und Mund und That und Leben.
" 148. Bringet dem Herrn Ehre seines Namens.
" 149. Man singet mit Freuden von Sieg.
" 150. Nach dir, Herr, verlanget mich.
THIRTY-FIRST YEAR.
_First Issue:_
WORKS FOR ORCHESTRA.
Overtures in C major, B minor, D major, D major; _Sinfonia_ in F
major. (With a Supplement to Year XXIX.)
_Second Issue:_
_Das musikalische Opfer_ (Musical Sacrifice), 1747.
Appendix. Resolution of the Canons in the Musical Sacrifice.
_Third Issue:_
CHAMBER MUSIC. VOL. VII.
Two Concertos for three pianofortes, with orchestral accompaniment.
No. 1 in D minor, No. 2 in C major.
THIRTY-SECOND YEAR.
CHURCH CANTATAS. VOL. XVI.
No. 151. For the second day after Christmas: "Mein süsser Trost."
" 152. " Sunday after Christmas: "Tritt auf die Glaubensbahn."
" 153. " Feast of the Circumcision: "Schau, lieber Gott."
" 154. " first Sunday after the Epiphany: "Mein liebster
Jesus."
" 155. " second " " " "Mein Gott, wie
lange."
" 156. " third " " " "Ich steh' mit einem
Fuss."
" 157. " Feast of the Purification of the B.V.M.: "Der Friede
sei mit Dir."
" 158. " " " " " " "Ich lasse
Dich nicht."
" 159. " Quinquagesima: "Sehet, wir geh'n hinauf gen
Jerusalem."
" 160. " Monday in Easter-week: "Ich weiss, dass mein Erlöser
lebt."
THIRTY-THIRD YEAR.
CHURCH CANTATAS. VOL. XVII.
No. 161. Komm, du süsse Todesstunde.
" 162. Ach, ich sehe, jetzt da ich zur Hochzeit gehe.
" 163. Nur Jedem das Seine.
" 164. Ihr, die ihr euch von Christo nennt.
" 165. O heil'ges Geist- und Wasserbad.
" 166. Wo gehest du hin.
" 167. Ihr Menschen, rühmet Gottes Liebe.
" 168. Thue Rechnung! Donnerwort.
" 169. Gott soll allein mein Herze haben.
" 170. Vergnügte Ruh', beliebte Seelenlust.
THIRTY-FOURTH YEAR.
VOCAL CHAMBER MUSIC. VOL. IV.
Serenata. "Durchlaucht'ster Leopold."
Cantata. "Schwingt freudig euch empor." "Die Freude reget sich."
Dramma per musica. "Lasst uns sorgen, lasst uns wachen."
" " "Tönet, ihr Pauken! Erschallet, Trompeten!"
Cantata gratulatoria in adventum regis (Thanksgiving Cantata upon the
Accession of the King). "Preise dein Glücke, gesegnetes Sachsen."
Appendix. I. Dramma per musica. "Angenehmes Wiederau."
" II. " " "Auf, schmetternde Töne der muntern
Trompeten."
THIRTY-FIFTH YEAR.
CHURCH CANTATAS. VOL. XVIII.
No. 171. Gott, wie dein Name, so ist auch dein Ruhm.
" 172. Erschallet, ihr Lieder.
" 173. Erhöhtes Fleisch und Blut.
" 174. Ich liebe den Höchsten von ganzem Gemüthe.
" 175. Er rufet seinen Schafen mit Namen.
" 176. Es ist ein trotzig und verzagt Ding.
" 177. Ich ruf' zu dir, Herr Jesu Christ.
" 178. Wo Gott der Herr nicht bei uns hält.
" 179. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei.
" 180. Schmücke dich, o liebe Seele.
THIRTY-SIXTH YEAR.
PIANOFORTE WORKS. VOL. IV.
Suites. Toccatas, Preludes, Fugues, Fantasies, and other pieces.
Appendix I: Additional versions of the foregoing pianoforte
compositions, as well as of some pieces in Vol. III.
Appendix II: Fragments of Suites, various single movements and
unfinished pieces.
THIRTY-SEVENTH YEAR.
CHURCH CANTATAS. VOL. XIX.
No. 181. Leichtgesinnte Flattergeister.
" 182. Himmelskönig, sei willkommen.
" 183. Sie werden euch in den Bann thun. (Second Setting.)
" 184. Erwünschtes Freudenlicht.
" 185. Barmherziges Herze der ewigen Liebe.
" 186. Ärg're dich, o Seele, nicht.
" 187. Es wartet Alles auf dich.
" 188. Ich habe meine Zuversicht.
" 189. Meine Seele rühmt und preist.
" 190. Singet dem Herrn ein neues Lied. (Lobe, Zion, deinen Gott.)
THIRTY-EIGHTH YEAR.
ORGAN WORKS. VOL. III.
_First Part:_
Preludes, Fugues, Fantasies, and other pieces.
_Second Part:_
Concertos, from Antonio Vivaldi.
Appendix I. Supplementary reading of No. XIV, and unfinished pieces.
" II. Compositions whose authenticity is not fully established.
" III. The first movement of the second concerto in Vivaldi's
original.
THIRTY-NINTH YEAR.
_First Part:_
MOTETS.
No. 1. "Singet dem Herrn ein neues Lied," for eight voices.
" 2. "Der Geist hilft unsrer Schwachheit auf," for eight voices.
" 3. "Jesu, meine Freude," for five voices.
" 4. "Fürchte dich nicht, ich bin bei dir," for eight voices.
" 5. "Komm, Jesu, komm," for eight voices.
" 6. "Lobet den Herrn, alle Heiden." Psalm 117, for four voices and
_continuo_.
Appendix.
I. Instrumental accompaniment and figured organ part to the Motet
"Der Geist hilft unsrer Schwachheit auf."
II. Motet: "Ich lasse dich nicht, du segnest mich denn," for eight
voices.
III. " "Sei Lob und Preis mit Ehren," for four voices.
_Second Part:_
CHORALES AND SONGS.
Chorales for four voices from the collection of Carl Philipp Emanuel
Bach.
Sacred songs and arias with figured or unfigured bass, from Schemell's
_Gesangbuch_ and from Anna Magdalena Bach's _Notenbüchlein_.
FORTIETH YEAR.
ORGAN WORKS. VOL. IV.
_First Part:_
Chorale-preludes in Kirnberger's collection.
_Second Part:_
Other Chorale-preludes.
_Third Part:_
Chorale-variations.
Appendix.
I. Supplementary readings and detached pieces.
II. Compositions and MSS. whose authenticity is not fully established.
FORTY-FIRST YEAR.
CHURCH MUSIC. SUPPLEMENTARY VOLUME.
Cantata No. 191. Gloria in Excelsis Deo.
Three incomplete church cantatas.
No. 1. Nun danket alle Gott.
" 2. Ihr Pforten zu Zion.
" 3. Ehre sei Gott in der Höhe.
Two incomplete Marriage Cantatas.
No. 1. O ewiges Feuer, o Ursprung der Liebe.
" 2. Herr Gott, Beherrscher aller Dinge.
Single movements.
Appendix I.
Four Church Cantatas, whose authenticity as of Sebastian Bach's
composition is not fully established.
No. 1. Gedenke, Herr, wie es uns gehet.
" 2. Gott der Hoffnung erfülle euch.
" 3. Siehe, es hat überwunden der Löwe.
" 4. Lobt ihn mit Herz und Munde.
Appendix II.
Catalogue of the Church Compositions of Johann Ludwig Bach in
Meiningen.
Supplementary notes and comments.
FORTY-SECOND YEAR.
PIANOFORTE WORKS. VOL. V.
Transcriptions of works of Bach's own composition and of that of
others. Various Preludes, Fugues, and other pieces whose authenticity
is probable.
Appendix I.
Compositions whose authenticity is not fully established, and some
supplementary readings.
Appendix II.
Concerto No. 2 of Vivaldi and Fugue of Erselius in their original
form.
FORTY-THIRD YEAR.
_First Issue:_
CHAMBER MUSIC. VOL. VIII.
Three sonatas for flute and figured bass.
Sonata and Fugue for violin and figured bass.
Sonata for two pianofortes.
Concerto for four pianofortes, from Antonio Vivaldi.
Appendix.
Concerto for four violins by Antonio Vivaldi in its original form.
_Second Issue:_
Musical pieces in Anna Magdalena Bach's _Notenbüchlein_.
FORTY-FOURTH YEAR.
Joh. Seb. Bach's handwriting, in facsimile and chronological order.
FORTY-FIFTH YEAR.
Part I: English and French Suites (new corrected edition).
Part II: Passion-music according to St. Luke.
FORTY-SIXTH YEAR.
History of the German Bach-Society.
Thematic and Alphabetical Indices.
INDEX OF REFERENCES
TO WORKS OF J.S. BACH.
I. FOR ORGAN.
_Alla Breve_, in D major, 46.
_Alla Breve_ (from P. & F., P. III, 7), 35.
Canzone, 41-45.
Chorales: XVII, 5, 18, 59 _et seq._
Chorale Preludes, 63 _et seq._
Allein Gott in der Höh' sei Ehr', 63, 90.
An Wasserflüssen Babylons, 64.
Aus tiefer Noth schrei' ich zu dir, 67.
Christ lag in Todesbanden, 59.
Ein' feste Burg ist unser Gott, 67, 74.
Wie schön leuchtet der Morgenstern (Prelude), 59.
Herr Jesus Christ, dich zu uns wend, 63.
Nun komm, der Heiden Heiland, 63.
" " " " " (Fantasie), 64.
Schmücke dich, o liebe Seele, 64, 65.
Vater Unser im Himmelreich, 67, 91.
Von Himmel hoch da komm' ich her (Canonic Variations), 66.
Wenn wir in höchsten Nöthen sein; or, Vor deinen Thron trete ich, 68.
Orgelbüchlein, 59 _et seq._
Alle Menschen müssen sterben, 60.
Durch Adams Fall ist ganz verderbt, 60.
Gottes Sohn ist kommen, 62, 73.
Herzlich thut mich verlangen, 61.
Heut' triumphiret Gottes Sohn, 61 (footnote).
Hilf Gott, das mir gelinge, 62.
Ich ruf' zu dir, Herr Jesus Christ, 62.
In dir ist Freude, 61, 74, 76.
In dulci jubilo, 62, 73.
O Mensch, bewein' dein' Sünde gross, 60.
Wenn wir in höchsten Nöthen sein, 62.
Wer nur den lieben Gott lässt walten, 62.
Partitas:
Christ, der du bist der helle Tag, 58, 59.
Gott, du frommer Gott, 58.
Concertos (Vivaldi), 39.
Fantasie (P. IV, II), 33.
Fantasie (concerto) in G major (P. IX, 6), 33.
Fantasie and Fugue in G minor (P. II, 4), 53-55.
Fugues (see also Preludes and Fugues):
In C minor (P. IV, 6), 41.
" C " (P. II, 6), 49, 57.
" C " (P. IV, 9), 29.
" D major (P. IV, 3), 35.
" E flat major (P. III, 1), xviii.
" G minor (P. IV, 7), 52^2.
" B " (P. II, 10), xvii.
" B " (P. IV, 8), 41.
Passacaglia, XVIII, 46.
Pastorale, XVIII, 83.
Preludes (see also Preludes and Fugues):
In C major (P. II, 1), 57.
" C minor (P. II, 6), 57.
" C " (Fantasie) (P. III, 6), 49.
" E flat major (P. III, 1), 83.
" G major (P. VIII, 11), 30.
Preludes and Fugues:
In C major (P. II, 7), 57.
" C " (B.-G. in E major), (P. III, 7), 35.
" C minor (P. IV, 5), 29.
" E flat major (III, 1), 55.
" E minor (II, 9), 56.
" E " (III, 10), 34.
" F " (II, 5), 48, 89.
" G " (III, 5), 36.
" G major (II, 2), 52^4.
" A " (II, 3), 51, 52.
" A minor (II, 8), xviii, 57.
" A " (III, 9), 30.
" B " (II, 10), 56.
Eight short Preludes and Fugues, 36.
Sonatas (Trios), 52, 53, 82.
In D minor, 52.
" E " 52, 82.
Toccatas:
In C major (P. III, 8), 40, 52, 62 (Adagio).
" D minor (P. III, 3) (with fugue), 49, 83.
" F major (P. III, 2) (with fugue), xviii (?), 49, 51.
Toccata and Fugue in D minor (P. IV, 4), 35.
II. OTHER COMPOSITIONS.
a. Instrumental.
_Capriccio sopra la lontananza..._, 45^1.
Chorale-accompaniments, 68.
Clavierbüchlein, 89^1.
Clavierübung, 55, 56, 66.
Concertos, xviii.
In C major (for 2 Clavecins), 57.
Instrumental Chamber Music, 97.
Prelude for violin, xviii.
Suite for orchestra, xviii.
Well-tempered Clavichord, the, 96, 97.
b. Choral.
Cantatas, xvii, 96, 98.
Ach, bleib' bei uns, 74 (footnote).
Die Himmel erzählen, 52^4, 82.
Gott ist mein König, 96^2.
Ich hatte viel Bekümmerniss, 52^4.
Reformationscantate, 67.
Tritt auf die Glaubensbahn, 52.
Wer sich selbst erhöhet, der soll erniedriget werden, 97.
Wer weiss, wie nahe mir mein Ende? 82.
Zur Rathswahl zu Leipzig, xviii, 81.
Magnificat, 74 (footnote).
Masses:
In B minor, 98.
Et in unum Deum, 91.
Sanctus, xviii.
Missae Breves, 98.
Motets, xviii, 98.
Passions, 97.
St. Matthew, xvii, xviii, 88.
Ich will bei meinem Jesu wachen, xviii.
O Haupt voll Blut und Wunden, 62 (footnote).
O Lamm Gottes, unschuldig, 81.
O Mensch, bewein' dein' Sünde gross, 81.
Wenn ich einmal soll scheiden, 99.
Oratorios:
Christmas, 98.
Pastorale, 83.
Easter, 98.
Ascension, 98.
Theoretical.
Die Kunst der Fuge, 68.
End of Project Gutenberg's Johann Sebastian Bach, by A. [André] Pirro