CHAPTER XI--A Christmas Song and Recognition

The entire number of guests who had been together at Esther's and Dick

Ashton's Christmas-eve dinner, agreed to be at church the following

morning in order to hear Esther sing.

In spite of the fact that Boston is one of the most musical of American

cities and Esther the most modest of persons, even in so short a time

her beautiful voice had given her an enviable reputation. The papers in

giving notice of the morning service had mentioned the fact that the

solo would be given by Mrs. Richard Ashton. But church music must have

been Esther's real vocation, for no matter how large the congregation

nor how difficult her song she never felt any of her old nervousness and

embarrassment. For one thing she was partly hidden behind the choir

screen, so she need not fear that critical eyes were upon her; she could

be alone with her music and something that was stronger and higher than

herself.

On Christmas morning Betty entered their pew with her brother Dick,

Mollie O'Neill and Billy Webster. She was wearing a dark green

broadcloth with a small black velvet toque on her red-brown hair and a

new set of black fox furs that her brother and sister had given her that

morning for a Christmas present. She was pale and a little tired from

yesterday's festivities, so that a single red rose which had come to her

from some unknown source that morning, was the only really bright color

about her except for the lights in her hair. Mollie was flushed and

smiling with the interest in the new place and people and the

companionship of tried friends.

Betty thought that Margaret Adams also seemed weary when she came in

with Mr. Hunt a few moments later. She was glad that the great lady

happened to be placed next her so that she might feel the thrill of her

nearness. For genius is thrilling, no matter how simple and

unpretentious the man or woman who possesses it. Margaret Adams wore a

wonderful long Russian sable coat and a small velvet hat and, just as

naturally as if she had been another girl, slipped her hand into Betty's

and held it during the service.

So that in spite of her best efforts Betty could not keep her attention

from wandering now and then. She knew that Margaret Adams was almost

equally as devoted to Polly O'Neill as she herself and wondered what she

thought of their friend's conduct. She wished that they might have the

opportunity to talk the matter over before Miss Adams finished her stay

in Boston. Then, though realizing her own bad manners, Betty could not

help being a little curious over the friendship between Miss Adams and

Mr. Hunt. They seemed to have known each other such a long, long time

and to have acted together so many times. Of course Margaret Adams was

several years older, but that scarcely mattered with so unusual a

person.

Moreover, there were other influences at work to keep Betty Ashton's

mind from being as firmly fixed upon the subject of the morning's sermon

as it should have been. For was she not conscious of the presence of Meg

and John Everett and Anthony Graham in the pew just back of her? And

though it did seem vain and self-conscious of her, she had the sensation

that at least two pairs of eyes were frequently concentrated upon the

back of her head or upon her profile should she chance to turn her face

half way around.

When the offertory was finally announced and Esther began the first

lines of her solo, not only was her sister Betty's attention caught and

held, but that of almost every other human being in the church. It was

not a beautiful Christmas day, outside there were scurrying gray clouds

and a kind of bleak coldness. But the church was warmly and beautifully

lighted, the altar white with lilies and crimson with roses, speaking of

passion and peace. And Esther's voice had in it something of almost

celestial sweetness. She was no longer a girl but a woman, for Dick's

love and a promise of a fulfilment equally beautiful had added to her

natural gift a deeper emotional power. And she sang one of the simplest

and at the same time one of the most beautiful of Christmas hymns.

Betty was perfectly willing to allow all the unhappiness and

disappointments of the past few months to relieve themselves in the

tears that came unchecked. Then she saw Margaret Adams bite her lips and

close her eyes as if she too were shutting out the world of ordinary

vision to live only in beautiful sound and a higher communion.

"Hark! the herald angels sing

Glory to the new-born King;

Peace on earth, and mercy mild,

God and sinners reconciled!

Joyful, all ye nations, rise,

Join the triumph of the skies;

With the angelic host proclaim,

Christ is born in Bethlehem.

Hark! the herald angels sing

Glory to the new-born King.

"Christ, by highest heaven adored;

Christ, the everlasting Lord;

Late in time behold Him come,

Offspring of a virgin's womb.

Veil'd in flesh the Godhead see,

Hail, th' Incarnate Deity!

Pleased as man with man to dwell,

Jesus, our Emmanuel!

Hark! the herald angels sing

Glory to the new-born King.

"Hail, the heaven-born Prince of Peace!

Hail, the Sun of righteousness!

Light and life to all He brings,

Risen with healing in His wings.

Mild He lays His glory by,

Born that man no more may die;

Born to raise the sons of earth,

Born to give them second birth.

Hark! the herald angels sing

Glory to the new-born King."

At the close of the service, turning to leave the church, Betty Ashton

felt a hand laid on her arm, and glancing up in surprise found Anthony

Graham's eyes gazing steadfastly into hers.

"We are friends, are we not, Betty? You would not let any

misunderstanding or any change in your life alter that?" he asked

hurriedly.

For just an instant the girl hesitated, then answered simply and

gracefully:

"I don't think any one could be unfaithful to an old friendship on

Christmas morning after hearing Esther sing. It was not in the least

necessary, Anthony, for you to ask me such a question. You know I shall

always wish you the best possible things."

Then, without allowing the young man to reply or to accompany her down

the aisle, she hurried away to her other friends, and, slipping her arm

firmly inside Mollie O'Neill's, she never let go her clasp until they

were safely out of church.

"It is no use, Meg, nothing matters," Anthony Graham said a quarter of

an hour later, when he and Margaret Everett were on their way home

together, John having deserted them to join the other party. "The fact

is, Betty does not care in the least one way or the other what I say or

do."

"Then I wish you would let me tell her the truth," Meg urged. "You see,

Anthony, the Princess and I have always been such intimate friends and I

have always admired her more than any of the other girls. I don't wish

her to misunderstand us. She may not be so brilliant as Polly, nor so

clever as Sylvia or your sister Nan, but somehow Betty is--well, I

suppose she is what a real Princess ought to be. That is what Polly

always declared. It is not just because she is pretty and generous, but

she is so high-minded. Nothing would make her even appear to take

advantage of a friend." And Meg sighed, her usually happy face clouding.

In silence, then, the girl and young man walked on for a few moments

when Anthony replied: "You must do as you like, of course, Meg. I have

no right to ask you anything else. But this understanding between us

means everything in the world to me and it was your own offer in the

beginning."

Meg nodded. "Yes, I know; but truly I don't think as much of my idea as

I did at first. Still I am willing to keep quiet for a while longer if

you wish it."

At this moment there was no further opportunity for intimate

conversation, for Meg's Harvard friend, Ralph Brown, made his appearance

with a five-pound box of candy, elaborately tied with red ribbon, under

his arm, and an expression on his face that suggested politely but

firmly that Anthony Graham retire for the present, leaving the field to

him.

Of their friends in Boston only Margaret Adams and Richard Hunt had been

invited by Esther and Dr. Ashton to have an informal Christmas dinner

with them. For the dinner party the evening before had been such a

domestic strain upon the little household that they wished to spend the

following day quietly. But it was impossible to think of Margaret Adams

dining alone in a great hotel, and she would certainly accept no

invitation from her wealthier and more fashionable acquaintances in

Boston. Moreover, Betty hoped that in the afternoon there might be a

chance to talk of Polly. At the beginning no one had dreamed of

including Richard Hunt in the invitation, as he was a comparative

stranger; but Dick, having taken a sudden fancy to him, had calmly

suggested his returning for Christmas day without due consultation with

his family.

Five minutes after starting for home with Dick and Esther, Mollie, Betty

and Miss Adams, Mr. Hunt, with a murmured excuse which no one

understood, asked to be excused from going further. He would join the

party later if possible, but should he chance to be delayed dinner must

on no account be kept waiting for him.

His conduct did seem rather extraordinary, and although Dick and Esther

betrayed no surprise, it was plain enough that Margaret Adams felt

annoyed. She had introduced Mr. Hunt to her friends and so naturally

felt responsible for his conduct.

Though the man was aware of his apparent eccentricity and though his

manners were usually nearly perfect, he now deliberately turned away

from the little company. And in spite of his half-hearted suggestion of

re-joining them he had little idea at present of when he would return.

Deliberately he retraced his steps to the church which he had quitted

only a few moments before.

Already the place was nearly deserted. On the sidewalk the clergyman was

saying farewell to a few final members of his congregation, while inside

the sexton was closing the doors of the two side aisles, although the

large door in the center still remained open. Hurriedly Mr. Hunt

entered. And there, just as he had hoped to find her, was the figure of

a girl sitting in a rather dejected attitude in one of the last pews.

She had on a dark dress and a heavy long coat and about her head a thick

veil was tied.

Before he could reach her she had risen and was starting away.

"Wait here for a moment, Miss O'Neill; we can find no other spot so

quiet in which to have a talk," the man said sternly.

Then as Polly flashed an indignant glance at him, attempting to pass as

though she had neither seen nor recognized him, he added:

"I know I have no right to intrude upon you, but unless you are willing

to give me some explanation of why you are here and what you are doing,

I shall tell the friends who are nearer to you than I am of my having

seen you not only this morning, but last night as well."

"Oh, please don't!" Polly's voice was trembling. "Really, truly, I am

not doing anything wrong in staying here in Boston and not letting

people hear. My mother knows where I am and what I am doing and of

course I am not alone. Yes, it was utterly silly and reckless of me to

have peeped in at Esther's dining-room window last night, but I was so

dreadfully lonely and wanted to see everybody so much. How could I have

dreamed that that wretched curtain would go banging away up in the air

as it did? But anyhow, Mr. Hunt, I shall always be everlastingly

grateful to you for not telling on me last night. I did not suppose you

saw me and certainly never imagined you could have recognized me when I

crouched down in the shadow."

Unexpectedly Polly O'Neill laughed. "What a perfect idiot I should have

looked if you had dragged me in before the dinner party like a spy or a

thief or a beggar! I can just imagine Esther's and Mollie's

expressions."

"Yes, but all this is not quite to the point, Miss Polly," Richard Hunt

continued, speaking however in a more friendly tone. "Am I to tell

Margaret Adams and Betty Ashton that I have discovered you, or will you

take me into your secret and let me decide what is best to be done

afterwards?"

"But you have not the right to do either the one thing nor the other,"

the girl argued, lifting her veil for an instant in order to see if

there was any sign of relenting in the face of her older friend.

There was not the slightest. And Polly recognized that for once in her

life she was beaten.

"Don't say anything today then, please," she urged, looking into her

pocketbook and finding there a card with a name and address written upon

it. "But come to see me tomorrow if you like. And don't think that I am

ungrateful or--or horrid," she ended abruptly, rushing away so swiftly

that it would have been impossible for any one to have followed her

without creating attention.

Rather grimly Richard Hunt gazed at the card he held in his hand. It

bore a name that was not Polly O'Neill's and the address of a quiet

street in Boston. What on the face of the earth could she be doing? It

was impossible to guess, and yet it was certainly nothing very unwise if

her mother knew and approved of it.

Whether or not he had the right to find out, Richard Hunt had positively

decided to take advantage of his recognition of Polly O'Neill and insist

upon her confidence. He could not have explained even to himself why he

was so determined on this course of action. However, it was true, as her

friend Betty Ashton had insisted the night before, whether or not you

happened to feel a liking for Polly, you were not apt to forget her.

In the past few months it was curious how often he had found himself

wondering what had become of the girl. He recalled her having run away

several years before to make her first stage appearance and then their

meeting in Margaret Adams' drawing room in London later on. Well,

perhaps curiosity was not alone a feminine trait of character, for

Richard Hunt felt convinced he would be more at peace with himself and

the world when he had learned Polly's story from her own lips.

The Camp Fire Girls' Careers · 第 11 / 21 章