SCENE I.

[Illustration: STRATFORD ON AVON

From photograph. Copyright, 1898, Published by A. W. Elson, Boston.

Engraved by Robert Varley.]

THE

CYR READERS

_ARRANGED BY GRADES_

BY

ELLEN M. CYR

BOOK EIGHT

BOSTON, U.S.A.

GINN & COMPANY, PUBLISHERS

The Athenæum Press

1901

COPYRIGHT, 1899, 1901

BY GINN & COMPANY

ALL RIGHTS RESERVED

TO

MY LITTLE SON

Ruel Stevenson Smith

PREFACE.

The appreciative reading of a piece of good literature is an experience

far reaching in its influence. There is a delight in following a great

author as he reveals the treasure of his thought or presents to the

imagination the beauty which he beholds and interprets.

The study of literature assists one to enjoy these experiences and

profit by them.

Among the countless books which have been written are a few which have

been chosen by all mankind. They stand the test of time and change; for

they are the outcome of those giant souls, who were not limited by time

nor space and who seemed to gaze with far-seeing eyes into eternity.

A large proportion of the pupils in our grammar schools would never read

these classics, if their interest in them were not awakened in the

schoolroom.

Many of these books are represented in this series, for this has been

the end constantly in view. The names of the world’s greatest writers

and their faces have become familiar to the child, so that he is now

able to take down from the shelves the writings of many great men, and

giving his imagination to the author’s leading, be transported into any

region or age, and experience joys and sorrows outside of his own life.

I acknowledge my indebtedness to Dr. Edward Everett Hale and Little,

Brown & Co., for extract from “The Man without a Country”; also to

Messrs. Elliot & Frye, London, for use of a copyright photograph of

Carlyle.

ELLEN M. CYR.

CONTENTS.

PAGE

A MYSTERIOUS VISITOR. _Thomas Carlyle_ 2

A SCENE FROM WILLIAM TELL. _Sheridan Knowles_ 8

ADDRESS TO THE SURVIVORS OF THE BATTLE OF BUNKER

HILL. _Daniel Webster_ 17

THE AMERICAN UNION. _Daniel Webster_ 21

RECESSIONAL. _Rudyard Kipling_ 23

WILLIAM HICKLING PRESCOTT. 26

STORMING THE FORTRESS. _William Hickling Prescott_ 31

A COUNTRY SUNDAY. _Joseph Addison_ 38

THE KING OF GLORY 43

THE MAN WITHOUT A COUNTRY. _Edward Everett Hale_ 44

LOVE OF COUNTRY. _Sir Walter Scott_ 55

THE HEROINE OF NANCY 55

HUMANITY. _William Cowper_ 62

AN ICEBERG. _Richard Henry Dana, Jr._ 63

JOHN MILTON 66

DEATH OF SAMSON. _John Milton_ 71

SONG ON A MAY MORNING. _John Milton_ 73

ON HIS BLINDNESS. _John Milton_ 74

A CHEERFUL SPIRIT. _Sir John Lubbock_ 75

THE RELIEF OF LUCKNOW 76

THE BIVOUAC OF THE DEAD. _Theodore O’Hara_ 79

ELEGY WRITTEN IN A COUNTRY CHURCH-YARD. _Thomas Gray_ 82

BELSHAZZAR’S FEAST 89

THE BATTLE OF QUEBEC. _Francis Parkman_ 94

THE STARLING. _Laurence Sterne_ 100

THE BELFRY PIGEON. _Nathaniel Parker Willis_ 105

LADY UNA AND THE LION. _Edmund Spenser_ 107

PURITY OF CHARACTER 112

DELIGHTS OF READING. _Sir John Lubbock_ 113

BREAK, BREAK, BREAK. _Alfred Tennyson_ 116

WILLIAM SHAKESPEARE 117

THE THREE CASKETS. _William Shakespeare_ 123

QUOTATIONS FROM SHAKESPEARE 132

SHAKESPEARE’S POETRY. _Francis Jeffrey_ 133

HOME. _Henry W. Grady_ 135

A PALACE IN A VALLEY. _Dr. Samuel Johnson_ 139

TRUE HEROISM 146

THE PEN. _Edward Bulwer Lytton_ 147

CHARACTER OF WASHINGTON. _George Bancroft_ 148

NATIONAL HYMN. _Samuel Francis Smith_ 155

THE LARK IN THE GOLD-FIELDS. _Charles Reade_ 157

SWEET HOME. _John Howard Payne_ 165

ANTONY’S ADDRESS TO THE ROMANS. _Shakespeare_ 165

THE TWO ROADS. _Jean Paul Richter_ 170

NAPOLEON’S GREATNESS. _William Ellery Channing_ 173

THE BATTLE OF TRAFALGAR. _Robert Southey_ 177

THE CHAMBERED NAUTILUS. _Oliver Wendell Holmes_ 195

A PICNIC BY THE BALTIC 197

NATURE. _Emerson_ 205

HENRY ESMOND. _William M. Thackeray_ 212

A GOOD DAUGHTER. _John Gorham Palfrey_ 222

THE SPIRIT OF THE AIR. _John Ruskin_ 225

THANATOPSIS. _William Cullen Bryant_ 228

JOAN OF ARC. _Thomas De Quincey_ 231

* * * * *

GUIDE TO PRONUNCIATION 241

WORD LIST 242

THE CYR READERS

BOOK EIGHT

A MYSTERIOUS VISITOR.

THOMAS CARLYLE.

THOMAS CARLYLE was born in a little village in Scotland, in the

year 1795.

His father, James Carlyle, was a poor mason, so poor that at times

there was scarcely enough food in the house for his family; but the

father resolved that the boy should have an education, and saved,

little by little, the money to pay for it.

When Thomas was ten years old, he and his father walked to the town

of Annan, where Thomas was to enter the academy. The father little

dreamed, as they trudged along together, that one day his son would

be famous as one of the world’s greatest writers, so great that

even the Queen of England would wish to talk with him.

[Illustration]

He studied at the academy of Annan for three years. His father,

dressed in his coarse workman’s clothes, once visited him there.

Thomas was afraid that the other boys would laugh at him, but the

sturdy Scotchman was so dignified that he won their respect.

When Thomas reached the age of thirteen his parents decided to send

him to the great University at Edinburgh. They walked through the

village streets with him and watched him start on the highway. It

was a journey of a hundred miles, and he traveled all the way on

foot.

These experiences made the boy brave and resolute. He was not

afraid of the world.

A few years after leaving the University he began to earn his

living by writing. For many years his income was small, as he

would only write what he thought would make the world better. He

used to say that he would write his books as his father built his

houses, so that they would last. He scolded the world for its

faults, but he was very kind-hearted.

His “History of the French Revolution” is a wonderful work. When

the first volume of this history was written, Carlyle loaned it to

a friend, and the manuscript was accidentally destroyed. Carlyle

did not utter a word of reproach, although the loss meant months of

study and thought, but set manfully to work and wrote it once more.

He was fond of German literature, and translated the “Wilhelm

Meister” by Goethe. He wrote many other books, and became so famous

that when Gladstone retired from office as Lord Rector of

Edinburgh, Carlyle was made his successor. It was a great triumph

for the mason’s son; but in the midst of his new honors his wife

died, and there was no one to share his happiness.

Not long after this, Queen Victoria sent for Carlyle and granted

him a personal interview. On his eightieth birthday he was honored

by gifts from Scotland, England, and Germany. He died in 1881.

IN the village of Entepfuhl dwelt Andreas Futteral and his

wife--childless, in still seclusion, and cheerful, though now verging

toward old age.

Andreas had been grenadier sergeant and even regimental schoolmaster

under Frederick the Great; but now, quitting the halbert and ferule for

the spade and pruning hook, cultivated a little orchard, on the produce

of which he lived not without dignity.

Fruits, the peach, the apple, the grape, with other varieties came in

their season, all of which Andreas knew how to sell. On evenings he

smoked or read (as beseemed a regimental schoolmaster), and talked to

the neighbors about the victory of Rossbach; and how “Fritz the Only”

had once with his own royal lips spoken to him, and had been pleased to

say, when Andreas as camp sentinel demanded the password, “Peace,

hound!” before any of his staff adjutants could answer. “There is what I

call a king!” would Andreas exclaim; “but the smoke of Kunersdorf was

still smarting his eyes.”

Gretchen, the housewife, had been won by the deeds rather than the looks

of her husband, nevertheless she at heart loved him both for his valor

and wisdom. Was not Andreas in very deed a man of order, courage,

downrightness, that understood Büsching’s Geography, had been in the

victory of Rossbach, and left for dead on the battlefield?

The good Gretchen, for all her fretting, watched over him and hovered

round him as only a true house-mother can; she cooked and sewed and

scoured for him; so that not only his old regimental sword and grenadier

cap, but the whole habitation, where on pegs of honor they hung, looked

ever trim and gay; a roomy cottage, embowered in fruit trees and forest

trees, evergreens and honeysuckles, rising many-colored from amid shaven

grass plots, flowers struggling in through the very windows; under its

long projecting eaves nothing but garden tools and seats where,

especially on summer nights, a king might have wished to sit and smoke

and call it his.

Into this home, one meek, yellow evening, it was that a stranger of

reverend aspect entered, and, with grave salutation, stood before the

two rather astonished housemates. He was closely muffled in a wide

mantle, which without farther parley unfolding, he deposited therefrom

what seemed some basket, over-hung with green Persian silk, saying only:

“Good Christian people, here lies for you an invaluable loan; take all

heed thereof, in all carefulness employ it; with high recompense, or

else with heavy penalty will it one day be required back.” Uttering

which singular words in a clear, bell-like, forever memorable tone, the

stranger gracefully withdrew; and before Andreas and his wife, gazing in

expectant wonder, had time to fashion either question or answer, was

gone.

Neither out of doors could aught of him be seen or heard; he had

vanished in the thickets, in the dusk; the orchard gate stood quietly

closed; the stranger was gone once and always. So sudden had the whole

transaction been in the autumn stillness and twilight, so gentle and

noiseless, that the Futterals could have fancied it all a trick of

imagination, or a visit from some spirit; only that green silk basket,

such as neither imagination nor spirits are wont to carry, still stood

visible and tangible on their little parlor table.

Toward this the astonished couple, now with lit candle, hastily turned

their attention. Lifting the green veil to see what invaluable it hid,

they descried there, amid down and rich white wrappings, no Pitt

diamond or Hapsburg regalia, but in the softest sleep a little

red-colored infant! Beside it lay a roll of gold, the exact amount of

which was never publicly known; also a baptismal certificate, wherein,

unfortunately, nothing but the name was decipherable.

To wonder and conjecture were unavailing then and thenceforth. Nowhere

in Entepfuhl did tidings transpire of any such figure as the stranger.

Meanwhile, for Andreas and his wife, the grand practical problem was

what to do with this little sleeping infant! Amid amazements and

curiosities which had to die away without satisfying, they resolved, as

in such circumstances charitable, prudent people needs must, on nursing

it, if possible, into manhood.

Young Diogenes, or rather young Gneschen, for by such diminutive had

they in their fondness named him, traveled forward by quick but easy

stages. I have heard him noted as a still infant, that kept his mind

much to himself; above all, that he seldom cried. He already felt that

time was precious; that he had other work cut out for him than

whimpering.

Most graceful is the following little picture: “On fine evenings I was

wont to carry forth my supper, bread crumbs boiled in milk, and eat it

out of doors. On the coping of the orchard wall, which I could reach by

climbing, or still more easily if Father Andreas would set up the

pruning ladder, my porringer was placed; there many a sunset have I,

looking at the western mountains, consumed my evening meal.

“Those hues of gold and azure, that hush of the world’s expectation as

day died, were still a Hebrew speech for me; nevertheless I was looking

at the fair, illuminated letters, and had an eye for their gilding.”

With the little one’s friendship for cattle and poultry we shall not

much intermeddle. It may be that hereby he acquired a certain deeper

sympathy with animated nature. He says again: “Impressive enough was it

to hear in early morning the swineherd’s horn, and know that so many

hungry quadrupeds were, on all sides, starting in hot haste to join him

for breakfast on the heath. Or to see them at eventide, all marching in

again with short squeak, almost in military order; and each trotting off

in succession to the right or left, through its own lane, to its own

dwelling.”

Thus encircled by mystery, waited on by the four seasons, with their

changing contributions, for even grim winter brought its skating

matches, its snowstorms and Christmas carols, did the child sit and

learn. These things were the alphabet whereby in after time he was to

syllable and partly read the grand volume of the world; what matters it

whether such alphabet be in large gilt letters or in small ungilt ones,

so you have an eye to read it?

For Gneschen, eager to learn, the very act of looking thereon was a

blessedness that gilded all; his existence was a bright, soft element of

joy, out of which wonder after wonder bodied itself forth to teach by

charming.

_From “Sartor Resartus.”_

A SCENE FROM WILLIAM TELL.

SHERIDAN KNOWLES.

SCENE I.

[WILLIAM TELL, ALBERT HIS SON, AND GESLER.]

_Gesler._ What is thy name?

_Tell._ My name?

It matters not to keep it from thee now:--

My name is Tell.

_Ges._ Tell!--William Tell?

_Tell._ The same.

_Ges._ What! he so famed ’bove all his countrymen

For guiding o’er the stormy lake the boat?

And such a master of his bow, ’tis said

His arrows never miss!--Indeed--I’ll take

Exquisite vengeance!--Mark! I’ll spare thy life--

Thy boy’s too!--both of you are free--on one

Condition.

_Tell._ Name it.

_Ges._ I would see you make

A trial of your skill with that same bow

You shoot so well with.

_Tell._ Name the trial you

Would have me make.

_Ges._ You look upon your boy

As though instinctively you guessed it.

_Tell._ Look upon my boy! What mean you? Look upon

My boy as though I guessed it!--Guessed the trial

You’d have me make!--Guessed it

Instinctively! you do not mean--no--no--

You would not have me make a trial of

My skill upon my child!--Impossible!

I do not guess your meaning.

_Ges._ I would see

Thee hit an apple at the distance of

A hundred paces.

_Tell._ Is my boy to hold it?

_Ges._ No.

_Tell._ No!--I’ll send the arrow through the core!

_Ges._ It is to rest upon his head.

_Tell._ Great Heaven, you hear him!

_Ges._ Thou dost hear the choice I give--

Such trial of the skill thou art master of,

Or death to both of you; not otherwise

To be escaped.

_Tell._ O monster!

_Ges._ Wilt thou do it?

_Albert._ He will! he will!

_Tell._ Ferocious monster!--Make

A father murder his own child.

_Ges._ Take off

His chains, if he consent.

_Tell._ With his own hand!

_Ges._ Does he consent?

_Alb._ He does. [_Gesler signs to his officers, who proceed

to take off Tell’s chains. Tell all the time unconscious

what they do._]

_Tell._ With his own hand!

Murder his child with his own hand--This hand!

The hand I’ve led him, when an infant, by!

’Tis beyond horror--’tis most horrible.

Amazement! [_His chains fall off._] What’s that you’ve done to me.

Villains! put on my chains again. My hands

Are free from blood, and have no gust for it,

That they should drink my child’s! Here! here! I’ll not

Murder my boy for Gesler.

_Alb._ Father--father!

You will not hit me, father!--

_Tell._ Hit thee!--Send

The arrow through thy brain--or, missing that,

Shoot out an eye--or, if thine eye escape,

Mangle the cheek I’ve seen thy mother’s lips

Cover with kisses!--Hit thee--hit a hair

Of thee, and cleave thy mother’s heart--

_Ges._ Dost thou consent?

_Tell._ Give me my bow and quiver.

_Ges._ For what?

_Tell._ To shoot my boy!

_Alb._ No, father--no!

To save me!--You’ll be sure to hit the apple--

Will you not save me, father?

_Tell._ Lead me forth--

I’ll make the trial!

_Alb._ Thank you!

_Tell._ Thank me! Do

You know for what?--I will not make the trial,

To take him to his mother in my arms,

And lay him down a corpse before her!

_Ges._ Then he dies this moment--and you certainly

Do murder him whose life you have a chance

To save, and will not use it.

_Tell._ Well--I’ll do it: I’ll make the trial.

_Alb._ Father--

_Tell._ Speak not to me:

Let me not hear thy voice--Thou must be dumb;

And so should all things be--Earth should be dumb

And Heaven--unless its thunders muttered at

The deed, and sent a bolt to stop it! Give me

My bow and quiver!--

_Ges._ When all’s ready.

_Tell._ Well! lead on!

The Cyr Readers: Book 8 Arranged by grades · 第 1 / 5 章