III.

In the pause before the service began, Margaret’s eyes drifted

aimlessly about the dim body of the small but pretentious seaside

chapel. It held the same incongruous gathering so often to be seen

at coast resorts, a mingling of ultra-fashionable summer visitors,

and homely and uncomfortably well-dressed village folk. There was

Mrs. Atherton, whose bounty had elevated the parish from a threadbare

existence, with simple service and plain altar furniture, to a devout

adherence to High Church methods, with candles and rich vestments, and

a never-failing welcome for stylish visiting clergymen from the city;

there was the wife of the proprietor of the Beach Hotel, whose costumes

were always faithful second editions of Mrs. Atherton’s; there were

the rector’s two daughters and the usual sprinkling of familiar faces

that she had passed on the drive or the beach walk.

The lawn outside was shimmering with the heat that had followed an

over-night shower, and the pewed calm oppressed her. Her limbs were

nettled with teasing pricks of restlessness.

The open windows let in a heavy, drenched rose-odor, tinged with a

distant salt smell of sea. The air was weighted with it--it was the

same mingled odor that had filled her nostrils when she stood with

Daunt on the shore, with the wet wind in their faces and fluttering

petals of the crushed roses she had worn staining the dun sand and

crisp, strown seaweed like great drops of blood. It overpowered her

senses. She breathed it deeply, feeling a delicious intoxication, and

its suggested memory ran through her veins like an ethereal ichor,

tingling to her finger ends.

Her eyes, heavy and swimming, were full of the iridescent colors of the

stained-glass window opposite, with the dull yellow aureole about the

head of the central figure. The hues wove and blended in a background

of subdued harmony, lending life and seeming movement to the features.

“A man somewhat tall and comely, his hair the color of a ripe chestnut,

curling and waving.” The description recurred to her, not as though

written to the Roman Senate by Lentulus, Governor of Judea, but as if

printed in bossed letters about the rim of the picture. “In the middle

of his head a seam parteth it, after the manner of the Nazarites. His

forehead is plain and very delicate, his face without spot or wrinkle,

beautified with a lovely red; his nose and mouth of charming symmetry.

His look is very innocent and mature; his eyes gray, clear and quick.

His body is straight and well proportioned, his hands and arms most

delectable to behold.”

“His eyes gray, clear and quick.” From the window they followed

her--the eyes that had looked into hers on the beach, full of longing

light--the eyes that had charmed her and had seemed to draw up her soul

to look back at them.

She dragged her gaze away with a quick shudder, to a realization of

her surroundings. A paining recoil seized her at the temerity of her

thought, and her imaginings shrank within themselves. A vivid shame

bathed her soul. She felt half stifled.

The dulled and droning intonation of the reader came to her as

something banal and shop-worn. He was large and heavy-voiced.

His hair was sandy and thin, and his skin was of that peculiar

pallor and pursiness bred of lack of exercise and a full diet. It

reminded her irresistibly of pink plush. He had a double chin, and

he intoned with eyes cast down, and his large hands clasped before

him, after the fashion affected by the higher church. His monotonous

and nasal utterance glossed the periods with unctuous and educated

mispronunciation. The congregation was punctuated with nodding heads.

To Margaret, listening dully, there seemed to be an inexpressible

incongruity between the man and the office, between the face and

the robes, which should have lent a spirituality. She looked about

her furtively. Surely, surely she must see that thought reflected

from other faces; but her range of vision took in only countenances

overflowing with conscious Sabbath rectitude, heads nodding with

rhythmic sleepiness and eyes shining with churchly complacency.

Suddenly through the rolling periods the meaning struck through to

Margaret, and her wandering mind was instantly arrested.

“_For they that are after the flesh do mind the things of the flesh;

but they that are of the Spirit, the things of the Spirit. For to be

carnally minded is death, but to be spiritually minded is life and

peace._”

She heard the words with painful eagerness. Her mind seemed suddenly as

acute, as quick to record impressions as though she had just awakened

from a long sleep.

A woman in a pew to Margaret’s right dropped her prayer-book with a

smart crash onto the wooden floor. The smooth brows drew together

sharply and his voice, pauseless, took on a note of asperity, of

irritated displeasure. Reading was a specialty of his, and to be

interrupted spoiled the general effect and displeased him.

“_Because the carnal mind is enmity against God: for it is not

subject to the law of God, neither indeed can be._”

“_So then they that are in the flesh cannot please God._”

An old man, bent and deaf, sat close up under the reader’s desk. He

leaned forward with elbow on knee and one open palm behind a hairy

ear. His eyes were raised, and his look was rapt. Margaret could see

his side-face from where she sat. He saw only the sanctified figure of

the priest and heard no human monotone, but the voice of God, speaking

through the lips of His anointed. He was a real worshipper. For her

the spiritual was swallowed up. That one bodily image stood before her

inner self. It had blotted out her diviner view; it had even thrust

itself behind the flowing robes and sandaled feet and had dared to

usurp the place of the eternal symbol of human spirituality!

She locked her hands about her prayer-book, pinching them between her

knees. The woman directly in front of her wore a hot, figured silk

and a drab mull boa that looked dreadfully like bunched caterpillars.

The riotous rose-odor made her faint and sick, and she had a horrible

feeling that the carved heads of the jutting stone work were laughing

evilly at her.

A strangling terror of herself seized her--a terror of this new and

hideous darkness that had descended upon her spirit--a terror of

this overmastering impulse which threatened her soul. It was part of

the dominance of the flesh that its senses should be opened only to

itself, only to the earthy and the lower. This penalty was already upon

her; of all in that congregation, she, only she, must see the bestial

lurking everywhere, even in God’s house, and in the vestments of His

minister.

“_So then they that are in the flesh cannot please God._”

It was part of their punishment that they could no longer please

themselves. Out from every shape of nature and art, from the shadows

of grove and the sunshine of open plain, from the crowded street and

from the silent church must start forever this spectre, this unsightly

comrade of fleshly imagination. This was what it meant to be carnally

minded. Margaret’s soul was weak and dizzy with pain.

* * * * *

For in some such way will every woman cry. The very purity of her

soul will rise to bar out the love that is of earth, earthy--the

beautiful human love so young, so tender-eyed and warm-fingered, and

with the lovely earth-light that is about its brows. And then, when

the soul grows weary of the pallid thoughts, when the chill of the

shadows strikes through--when the walls grow cold and the soul lifts

iron bar and chain to let in the human sunshine, then the pale images

that throng the house gather and are frightened at the very joy of the

sun, and they try to shut the door again against the shining, and sit

sorrowful in a trembling dark.

The cry of the woman is, “Give me soul! Give me spirituality!” Oh,

loved hand! Oh, eyes! Oh, kissed lips and fondled hair! The woman’s

love gives to each of you a soul. You will shine for her in her

nethermost heaven.

“Tell me not of my love,” she cries, “that it is corporeal and must

fade! Tell me only that it is of the spirit, a fond and heavenly light,

such as never was in earthly sunrise or in evening star! A soul, but

not a body! An essence, but no substance! It is too lovely to be of

earth, too sweet to be only of this failing human frame. Its speech is

the speech of angels, and its eyes are like the cherubim. Tell me not

that it is not all of the soul!” So, until she dreams the last dream of

love in earth-gardens, until she closes her soul’s eyes to dream of the

humanity of love, the dignity of human passion, until then she perfumes

the lily and paints the rose.

When the temperament that loves much and is oversensitive opens the

gates of its sense to human passion, if its spiritual side recoils,

it recoils with self-renunciation and with tears. The pain of such

renunciation makes woman’s soul weak. Its self-probings and the whips

of its conscience, made a very inquisitor, form for her a present

horror. She cries out for the old dream, the old ideal, the old faith!

It is the tears she sheds for this which drop upon the wall of the

world’s convention and temper it to steel.

“_Therefore, brethren, we are debtors not to the flesh to live

after the flesh. For, if ye live after the flesh, ye shall die: but

if ye through the Spirit do mortify the deeds of the body, ye shall

live._”

The droning voice of the reader hummed in Margaret’s ears. She came

to herself again, almost with a start, dimly conscious that the woman

in crêpe in the next pew was watching her narrowly. She must sit out

the service. She fell to studying the pattern of the embroidery on the

altar cloths. It was in curiously woven arabesques, grouped about the

monogram of Christ. Anything to withdraw her eyes from the face of the

reader, for which she was beginning to feel a growing and unreasoning

repulsion.

Throughout the remainder of the sermon she kept her gaze upon her open

Bible, turning up mechanically all the cross references to the word

“flesh.” She followed the contradistinction of flesh and spirit through

the New Testament. It was the _flesh_ lusting against the _spirit_, and

the _spirit_ against the _flesh_, contrary the one to the other. The

lust of the flesh and the lust of the eyes and the pride of life--these

all of the world.

The voice of the priest ran along in pauseless flow. It seemed to

Margaret that he was repeating, with infinite variations, the same

words over and over: “So they that are in the flesh cannot please God.”

As she rose for the final benediction, her knees felt weak and she

trembled violently. She remembered what happened afterward only

confusedly. The next thing she really knew was the sense of a moist

apostolic palm pressed against her forehead as she half sat on the

stone bench to the right of the entrance, and a smooth, rounded voice

saying:

“Mrs. Atherton! Mrs. Starr! will you come back here a moment? This dear

young woman appears to be overcome with the heat!”

A Furnace of Earth · 第 10 / 31 题