TO CONTRIBUTORS, CORRESPONDENTS, &C.

We thank our correspondent C. W. L. for pointing out the resemblance

between the little epigram entitled "_The Mistake Corrected_," in our

last, and the "_Surprise_," in Little's poems, which he quotes. The

resemblance is certainly strong, and it is quite probable that the

former if not borrowed was at least suggested by the latter. We cannot

agree however, that it is a "plagiarism," in the proper sense of that

term; for we know too well the personal and literary character of the

gentleman who presented us with the trifle referred to, to suspect him

for a moment of so paltry a proceeding. We rather conclude therefore,

that its resemblance to Moore's bagatelle, is either the result of

casual coincidence,--or more probably, perhaps, of an accidental

mistake of the product of memory for that of fancy; a kind of mistake

which those who have read much are very liable to make.

We assure our correspondent B. R. B. that we have carefully compared

the lines published in our last with his manuscript, and find them to

correspond _verbatim_. He wrongs us much if he thinks we would do him

wilful injustice; and if one word has been substituted for another in

the lines referred to, so as to change their sense, he must ascribe it

to himself. We hope with this explanation he will excuse us from

inserting his letter at full length.

There is a great deal of feeling in many of the communications sent to

the publisher by T. H. C., M.D.; but to our poor taste, there is not

much _poetry_. We question whether the Doctor will not find the lancet

and pill box of more profit in that warm region to which he has

emigrated, than the offerings of his prolific muse. The poetical

manufacture depends more upon the _quality_ than the _quantity_ of its

fabrics, for success.

We have received the following communication since the publication of

our last number, from "_Fra Diavolo_," (_Horresco referens!_) which,

as it is brief, we spread before our readers. His sneers at our

"literary morality" and "critical acumen," we receive with great

composure. Perhaps indeed, our vanity might be wounded if we had a

tithe only of what seems to belong to the writer himself; but as our

pretensions are very humble, we care not a farthing whether they are

disputed or not. His request not to publish his poetry, (except on his

own terms) shall be complied with; and should we consign his impure

effusions to the flames, as he also desires, the world will have

little or no cause to regret it. So long as we can secure the rich

contributions received from other quarters, we shall console ourselves

with the loss of "_Fra's_" favors, and even endeavor to survive his

unprovoked resentment. To "give the devil his due," however, we shall

continue to lament the downward flight of our correspondent's muse;

and uninitiated as we profess to be in the sublime mysteries of the

school to which he belongs, we shall even be so perverse as to prefer

the "modest mien and plain attire" of mediocrity, to the more flashy

but less useful adornments of brilliant but misguided genius. One word

in justification of ourselves. We did not admit the "_Doom_" into our

columns without reluctance; a reluctance which nothing would have

overcome but the conviction that a useful moral might be deduced from

the fate of the "_Lover Fiend_," who figures as the hero of the story.

As to the "_Passage of the Beresina_," whether it be "balderdash" or

not, is matter of taste and opinion. One thing is certain; it is from

the pen of a highly accomplished scholar.

Mr. White,--_I have just seen your sixth number of the Southern

Literary Messenger, and shall decline having my contribution published

on condition of any improvement of the poetry by your most chaste and

wise editor. The admission of such balderdash as the "Doom" and "The

Passage of the Beresina," is quite enough evidence of his literary

morality and good taste. I require no further token of it; least of

all in my own case, where I am to be martyred at the shrine of such

critical acumen--God save the mark! Put the manuscript into the fire,

and oblige yours,_

The southern literary messenger, Vol. I., No. 7, March, 1835 · 第 87 / 89 题