CHAPTER 1. Sun and Shadow

LITTLE DORRIT

By Charles Dickens

CONTENTS

Preface to the 1857 Edition

BOOK THE FIRST: POVERTY

1. Sun and Shadow

2. Fellow Travellers

3. Home

4. Mrs Flintwinch has a Dream

5. Family Affairs

6. The Father of the Marshalsea

7. The Child of the Marshalsea

8. The Lock

9. little Mother

10. Containing the whole Science of Government

11. Let Loose

12. Bleeding Heart Yard

13. Patriarchal

14. Little Dorrit’s Party

15. Mrs Flintwinch has another Dream

16. Nobody’s Weakness

17. Nobody’s Rival

18. Little Dorrit’s Lover

19. The Father of the Marshalsea in two or three Relations

20. Moving in Society

21. Mr Merdle’s Complaint

22. A Puzzle

23. Machinery in Motion

24. Fortune-Telling

25. Conspirators and Others

26. Nobody’s State of Mind

27. Five-and-Twenty

28. Nobody’s Disappearance

29. Mrs Flintwinch goes on Dreaming

30. The Word of a Gentleman

31. Spirit

32. More Fortune-Telling

33. Mrs Merdle’s Complaint

34. A Shoal of Barnacles

35. What was behind Mr Pancks on Little Dorrit’s Hand

36. The Marshalsea becomes an Orphan

BOOK THE SECOND: RICHES

1. Fellow Travellers

2. Mrs General

3. On the Road

4. A Letter from Little Dorrit

5. Something Wrong Somewhere

6. Something Right Somewhere

7. Mostly, Prunes and Prism

8. The Dowager Mrs Gowan is reminded that ‘It Never Does’

9. Appearance and Disappearance

10. The Dreams of Mrs Flintwinch thicken

11. A Letter from Little Dorrit

12. In which a Great Patriotic Conference is holden

13. The Progress of an Epidemic

14. Taking Advice

15. No just Cause or Impediment why these Two Persons should

not be joined together

16. Getting on

17. Missing

18. A Castle in the Air

19. The Storming of the Castle in the Air

20. Introduces the next

21. The History of a Self-Tormentor

22. Who Passes by this Road so late?

23. Mistress Affery makes a Conditional Promise, respecting her

Dreams

24. The Evening of a Long Day

25. The Chief Butler Resigns the Seals of Office

26. Reaping the Whirlwind

27. The Pupil of the Marshalsea

28. An Appearance in the Marshalsea

29. A Plea in the Marshalsea

30. Closing in

31. Closed

32. Going

33. Going!

34. Gone

PREFACE TO THE 1857 EDITION

I have been occupied with this story, during many working hours of two

years. I must have been very ill employed, if I could not leave its

merits and demerits as a whole, to express themselves on its being read

as a whole. But, as it is not unreasonable to suppose that I may have

held its threads with a more continuous attention than anyone else can

have given them during its desultory publication, it is not unreasonable

to ask that the weaving may be looked at in its completed state, and

with the pattern finished.

If I might offer any apology for so exaggerated a fiction as the

Barnacles and the Circumlocution Office, I would seek it in the

common experience of an Englishman, without presuming to mention the

unimportant fact of my having done that violence to good manners, in the

days of a Russian war, and of a Court of Inquiry at Chelsea. If I might

make so bold as to defend that extravagant conception, Mr Merdle, I

would hint that it originated after the Railroad-share epoch, in the

times of a certain Irish bank, and of one or two other equally

laudable enterprises. If I were to plead anything in mitigation of the

preposterous fancy that a bad design will sometimes claim to be a good

and an expressly religious design, it would be the curious coincidence

that it has been brought to its climax in these pages, in the days of

the public examination of late Directors of a Royal British Bank. But,

I submit myself to suffer judgment to go by default on all these counts,

if need be, and to accept the assurance (on good authority) that nothing

like them was ever known in this land.

Some of my readers may have an interest in being informed whether or no

any portions of the Marshalsea Prison are yet standing. I did not know,

myself, until the sixth of this present month, when I went to look. I

found the outer front courtyard, often mentioned here, metamorphosed

into a butter shop; and I then almost gave up every brick of the jail

for lost. Wandering, however, down a certain adjacent ‘Angel Court,

leading to Bermondsey’, I came to ‘Marshalsea Place:’ the houses in

which I recognised, not only as the great block of the former prison,

but as preserving the rooms that arose in my mind’s-eye when I became

Little Dorrit’s biographer. The smallest boy I ever conversed with,

carrying the largest baby I ever saw, offered a supernaturally

intelligent explanation of the locality in its old uses, and was very

nearly correct. How this young Newton (for such I judge him to be) came

by his information, I don’t know; he was a quarter of a century too

young to know anything about it of himself. I pointed to the window of

the room where Little Dorrit was born, and where her father lived so

long, and asked him what was the name of the lodger who tenanted that

apartment at present? He said, ‘Tom Pythick.’ I asked him who was Tom

Pythick? and he said, ‘Joe Pythick’s uncle.’

A little further on, I found the older and smaller wall, which used

to enclose the pent-up inner prison where nobody was put, except for

ceremony. But, whosoever goes into Marshalsea Place, turning out of

Angel Court, leading to Bermondsey, will find his feet on the very

paving-stones of the extinct Marshalsea jail; will see its narrow yard

to the right and to the left, very little altered if at all, except that

the walls were lowered when the place got free; will look upon rooms

in which the debtors lived; and will stand among the crowding ghosts of

many miserable years.

In the Preface to Bleak House I remarked that I had never had so many

readers. In the Preface to its next successor, Little Dorrit, I have

still to repeat the same words. Deeply sensible of the affection and

confidence that have grown up between us, I add to this Preface, as I

added to that, May we meet again!

London May 1857

BOOK THE FIRST: POVERTY

CHAPTER 1. Sun and Shadow

Thirty years ago, Marseilles lay burning in the sun, one day.

A blazing sun upon a fierce August day was no greater rarity in southern

France then, than at any other time, before or since. Everything in

Marseilles, and about Marseilles, had stared at the fervid sky, and been

stared at in return, until a staring habit had become universal there.

Strangers were stared out of countenance by staring white houses,

staring white walls, staring white streets, staring tracts of arid road,

staring hills from which verdure was burnt away. The only things to be

seen not fixedly staring and glaring were the vines drooping under their

load of grapes. These did occasionally wink a little, as the hot air

barely moved their faint leaves.

There was no wind to make a ripple on the foul water within the harbour,

or on the beautiful sea without. The line of demarcation between the two

colours, black and blue, showed the point which the pure sea would not

pass; but it lay as quiet as the abominable pool, with which it never

mixed. Boats without awnings were too hot to touch; ships blistered at

their moorings; the stones of the quays had not cooled, night or

day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese,

Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks,

descendants from all the builders of Babel, come to trade at Marseilles,

sought the shade alike--taking refuge in any hiding-place from a sea too

intensely blue to be looked at, and a sky of purple, set with one great

flaming jewel of fire.

The universal stare made the eyes ache. Towards the distant line of

Italian coast, indeed, it was a little relieved by light clouds of mist,

slowly rising from the evaporation of the sea, but it softened nowhere

else. Far away the staring roads, deep in dust, stared from the

hill-side, stared from the hollow, stared from the interminable

plain. Far away the dusty vines overhanging wayside cottages, and the

monotonous wayside avenues of parched trees without shade, drooped

beneath the stare of earth and sky. So did the horses with drowsy bells,

in long files of carts, creeping slowly towards the interior; so did

their recumbent drivers, when they were awake, which rarely happened;

so did the exhausted labourers in the fields. Everything that lived or

grew, was oppressed by the glare; except the lizard, passing swiftly

over rough stone walls, and the cicala, chirping his dry hot chirp, like

a rattle. The very dust was scorched brown, and something quivered in

the atmosphere as if the air itself were panting.

Blinds, shutters, curtains, awnings, were all closed and drawn to keep

out the stare. Grant it but a chink or keyhole, and it shot in like a

white-hot arrow. The churches were the freest from it. To come out of

the twilight of pillars and arches--dreamily dotted with winking lamps,

dreamily peopled with ugly old shadows piously dozing, spitting, and

begging--was to plunge into a fiery river, and swim for life to the

nearest strip of shade. So, with people lounging and lying wherever

shade was, with but little hum of tongues or barking of dogs, with

occasional jangling of discordant church bells and rattling of vicious

drums, Marseilles, a fact to be strongly smelt and tasted, lay broiling

in the sun one day.

In Marseilles that day there was a villainous prison. In one of its

chambers, so repulsive a place that even the obtrusive stare blinked at

it, and left it to such refuse of reflected light as it could find for

itself, were two men. Besides the two men, a notched and disfigured

bench, immovable from the wall, with a draught-board rudely hacked upon

it with a knife, a set of draughts, made of old buttons and soup bones,

a set of dominoes, two mats, and two or three wine bottles. That was all

the chamber held, exclusive of rats and other unseen vermin, in addition

to the seen vermin, the two men.

It received such light as it got through a grating of iron bars

fashioned like a pretty large window, by means of which it could be

always inspected from the gloomy staircase on which the grating gave.

There was a broad strong ledge of stone to this grating where the bottom

of it was let into the masonry, three or four feet above the ground.

Upon it, one of the two men lolled, half sitting and half lying, with

his knees drawn up, and his feet and shoulders planted against the

opposite sides of the aperture. The bars were wide enough apart to

admit of his thrusting his arm through to the elbow; and so he held on

negligently, for his greater ease.

A prison taint was on everything there. The imprisoned air, the

imprisoned light, the imprisoned damps, the imprisoned men, were all

deteriorated by confinement. As the captive men were faded and haggard,

so the iron was rusty, the stone was slimy, the wood was rotten, the air

was faint, the light was dim. Like a well, like a vault, like a tomb,

the prison had no knowledge of the brightness outside, and would have

kept its polluted atmosphere intact in one of the spice islands of the

Indian ocean.

The man who lay on the ledge of the grating was even chilled. He jerked

his great cloak more heavily upon him by an impatient movement of one

shoulder, and growled, ‘To the devil with this Brigand of a Sun that

never shines in here!’

He was waiting to be fed, looking sideways through the bars that he

might see the further down the stairs, with much of the expression of

a wild beast in similar expectation. But his eyes, too close together,

were not so nobly set in his head as those of the king of beasts are in

his, and they were sharp rather than bright--pointed weapons with little

surface to betray them. They had no depth or change; they glittered,

and they opened and shut. So far, and waiving their use to himself, a

clockmaker could have made a better pair. He had a hook nose, handsome

after its kind, but too high between the eyes by probably just as much

as his eyes were too near to one another. For the rest, he was large and

tall in frame, had thin lips, where his thick moustache showed them at

all, and a quantity of dry hair, of no definable colour, in its shaggy

state, but shot with red. The hand with which he held the grating

(seamed all over the back with ugly scratches newly healed), was

unusually small and plump; would have been unusually white but for the

prison grime.

The other man was lying on the stone floor, covered with a coarse brown

coat.

‘Get up, pig!’ growled the first. ‘Don’t sleep when I am hungry.’

‘It’s all one, master,’ said the pig, in a submissive manner, and not

without cheerfulness; ‘I can wake when I will, I can sleep when I will.

It’s all the same.’

As he said it, he rose, shook himself, scratched himself, tied his brown

coat loosely round his neck by the sleeves (he had previously used it

as a coverlet), and sat down upon the pavement yawning, with his back

against the wall opposite to the grating.

‘Say what the hour is,’ grumbled the first man.

‘The mid-day bells will ring--in forty minutes.’ When he made the

little pause, he had looked round the prison-room, as if for certain

information.

‘You are a clock. How is it that you always know?’

‘How can I say? I always know what the hour is, and where I am. I was

brought in here at night, and out of a boat, but I know where I am. See

here! Marseilles harbour;’ on his knees on the pavement, mapping it all

out with a swarthy forefinger; ‘Toulon (where the galleys are), Spain

over there, Algiers over _there_. Creeping away to the left here, Nice.

Round by the Cornice to Genoa. Genoa Mole and Harbour. Quarantine

Ground. City there; terrace gardens blushing with the bella donna. Here,

Porto Fino. Stand out for Leghorn. Out again for Civita Vecchia, so away

to--hey! there’s no room for Naples;’ he had got to the wall by this

time; ‘but it’s all one; it’s in there!’

He remained on his knees, looking up at his fellow-prisoner with a

lively look for a prison. A sunburnt, quick, lithe, little man, though

rather thickset. Earrings in his brown ears, white teeth lighting up his

grotesque brown face, intensely black hair clustering about his brown

throat, a ragged red shirt open at his brown breast. Loose, seaman-like

trousers, decent shoes, a long red cap, a red sash round his waist, and

a knife in it.

‘Judge if I come back from Naples as I went! See here, my master! Civita

Vecchia, Leghorn, Porto Fino, Genoa, Cornice, Off Nice (which is in

there), Marseilles, you and me. The apartment of the jailer and his keys

is where I put this thumb; and here at my wrist they keep the national

razor in its case--the guillotine locked up.’

The other man spat suddenly on the pavement, and gurgled in his throat.

Some lock below gurgled in _its_ throat immediately afterwards, and then

a door crashed. Slow steps began ascending the stairs; the prattle of

a sweet little voice mingled with the noise they made; and the

prison-keeper appeared carrying his daughter, three or four years old,

and a basket.

‘How goes the world this forenoon, gentlemen? My little one, you see,

going round with me to have a peep at her father’s birds. Fie, then!

Look at the birds, my pretty, look at the birds.’

He looked sharply at the birds himself, as he held the child up at

the grate, especially at the little bird, whose activity he seemed to

mistrust. ‘I have brought your bread, Signor John Baptist,’ said he

(they all spoke in French, but the little man was an Italian); ‘and if I

might recommend you not to game--’

‘You don’t recommend the master!’ said John Baptist, showing his teeth

as he smiled.

‘Oh! but the master wins,’ returned the jailer, with a passing look of

no particular liking at the other man, ‘and you lose. It’s quite another

thing. You get husky bread and sour drink by it; and he gets sausage of

Lyons, veal in savoury jelly, white bread, strachino cheese, and good

wine by it. Look at the birds, my pretty!’

‘Poor birds!’ said the child.

The fair little face, touched with divine compassion, as it peeped

shrinkingly through the grate, was like an angel’s in the prison. John

Baptist rose and moved towards it, as if it had a good attraction for

him. The other bird remained as before, except for an impatient glance

at the basket.

‘Stay!’ said the jailer, putting his little daughter on the outer ledge

of the grate, ‘she shall feed the birds. This big loaf is for Signor

John Baptist. We must break it to get it through into the cage. So,

there’s a tame bird to kiss the little hand! This sausage in a vine

leaf is for Monsieur Rigaud. Again--this veal in savoury jelly is for

Monsieur Rigaud. Again--these three white little loaves are for Monsieur

Rigaud. Again, this cheese--again, this wine--again, this tobacco--all

for Monsieur Rigaud. Lucky bird!’

The child put all these things between the bars into the soft, Smooth,

well-shaped hand, with evident dread--more than once drawing back

her own and looking at the man with her fair brow roughened into an

expression half of fright and half of anger. Whereas she had put the

lump of coarse bread into the swart, scaled, knotted hands of John

Baptist (who had scarcely as much nail on his eight fingers and two

thumbs as would have made out one for Monsieur Rigaud), with ready

confidence; and, when he kissed her hand, had herself passed it

caressingly over his face. Monsieur Rigaud, indifferent to this

distinction, propitiated the father by laughing and nodding at the

daughter as often as she gave him anything; and, so soon as he had

all his viands about him in convenient nooks of the ledge on which he

rested, began to eat with an appetite.

When Monsieur Rigaud laughed, a change took place in his face, that

was more remarkable than prepossessing. His moustache went up under his

nose, and his nose came down over his moustache, in a very sinister and

cruel manner.

‘There!’ said the jailer, turning his basket upside down to beat the

crumbs out, ‘I have expended all the money I received; here is the note

of it, and _that’s_ a thing accomplished. Monsieur Rigaud, as I expected

yesterday, the President will look for the pleasure of your society at

an hour after mid-day, to-day.’

‘To try me, eh?’ said Rigaud, pausing, knife in hand and morsel in

mouth.

‘You have said it. To try you.’

‘There is no news for me?’ asked John Baptist, who had begun,

contentedly, to munch his bread.

The jailer shrugged his shoulders.

‘Lady of mine! Am I to lie here all my life, my father?’

‘What do I know!’ cried the jailer, turning upon him with southern

quickness, and gesticulating with both his hands and all his fingers,

as if he were threatening to tear him to pieces. ‘My friend, how is it

possible for me to tell how long you are to lie here? What do I know,

John Baptist Cavalletto? Death of my life! There are prisoners here

sometimes, who are not in such a devil of a hurry to be tried.’

He seemed to glance obliquely at Monsieur Rigaud in this remark; but

Monsieur Rigaud had already resumed his meal, though not with quite so

quick an appetite as before.

‘Adieu, my birds!’ said the keeper of the prison, taking his pretty

child in his arms, and dictating the words with a kiss.

‘Adieu, my birds!’ the pretty child repeated.

Her innocent face looked back so brightly over his shoulder, as he

walked away with her, singing her the song of the child’s game:

‘Who passes by this road so late?

Compagnon de la Majolaine!

Who passes by this road so late?

Always gay!’

that John Baptist felt it a point of honour to reply at the grate, and

in good time and tune, though a little hoarsely:

‘Of all the king’s knights ‘tis the flower,

Compagnon de la Majolaine!

Of all the king’s knights ‘tis the flower,

Always gay!’

Which accompanied them so far down the few steep stairs, that the

prison-keeper had to stop at last for his little daughter to hear the

song out, and repeat the Refrain while they were yet in sight. Then the

child’s head disappeared, and the prison-keeper’s head disappeared, but

the little voice prolonged the strain until the door clashed.

Monsieur Rigaud, finding the listening John Baptist in his way before

the echoes had ceased (even the echoes were the weaker for imprisonment,

and seemed to lag), reminded him with a push of his foot that he had

better resume his own darker place. The little man sat down again

upon the pavement with the negligent ease of one who was thoroughly

accustomed to pavements; and placing three hunks of coarse bread before

himself, and falling to upon a fourth, began contentedly to work his way

through them as if to clear them off were a sort of game.

Perhaps he glanced at the Lyons sausage, and perhaps he glanced at the

veal in savoury jelly, but they were not there long, to make his mouth

water; Monsieur Rigaud soon dispatched them, in spite of the president

and tribunal, and proceeded to suck his fingers as clean as he could,

and to wipe them on his vine leaves. Then, as he paused in his drink

to contemplate his fellow-prisoner, his moustache went up, and his nose

came down.

‘How do you find the bread?’

‘A little dry, but I have my old sauce here,’ returned John Baptist,

holding up his knife.

‘How sauce?’

‘I can cut my bread so--like a melon. Or so--like an omelette. Or

so--like a fried fish. Or so--like Lyons sausage,’ said John Baptist,

demonstrating the various cuts on the bread he held, and soberly chewing

what he had in his mouth.

‘Here!’ cried Monsieur Rigaud. ‘You may drink. You may finish this.’

It was no great gift, for there was mighty little wine left; but Signor

Cavalletto, jumping to his feet, received the bottle gratefully, turned

it upside down at his mouth, and smacked his lips.

‘Put the bottle by with the rest,’ said Rigaud.

The little man obeyed his orders, and stood ready to give him a lighted

match; for he was now rolling his tobacco into cigarettes by the aid of

little squares of paper which had been brought in with it.

‘Here! You may have one.’

‘A thousand thanks, my master!’ John Baptist said in his own language,

and with the quick conciliatory manner of his own countrymen.

Monsieur Rigaud arose, lighted a cigarette, put the rest of his stock

into a breast-pocket, and stretched himself out at full length upon the

bench. Cavalletto sat down on the pavement, holding one of his ankles in

each hand, and smoking peacefully. There seemed to be some uncomfortable

attraction of Monsieur Rigaud’s eyes to the immediate neighbourhood of

that part of the pavement where the thumb had been in the plan. They

were so drawn in that direction, that the Italian more than once

followed them to and back from the pavement in some surprise.

‘What an infernal hole this is!’ said Monsieur Rigaud, breaking a long

pause. ‘Look at the light of day. Day? the light of yesterday week, the

light of six months ago, the light of six years ago. So slack and dead!’

It came languishing down a square funnel that blinded a window in the

staircase wall, through which the sky was never seen--nor anything else.

‘Cavalletto,’ said Monsieur Rigaud, suddenly withdrawing his gaze from

this funnel to which they had both involuntarily turned their eyes, ‘you

know me for a gentleman?’

‘Surely, surely!’

‘How long have we been here?’

‘I, eleven weeks, to-morrow night at midnight. You, nine weeks and three

days, at five this afternoon.’

‘Have I ever done anything here? Ever touched the broom, or spread

the mats, or rolled them up, or found the draughts, or collected the

dominoes, or put my hand to any kind of work?’

‘Never!’

‘Have you ever thought of looking to me to do any kind of work?’

John Baptist answered with that peculiar back-handed shake of the

right forefinger which is the most expressive negative in the Italian

language.

‘No! You knew from the first moment when you saw me here, that I was a

gentleman?’

‘ALTRO!’ returned John Baptist, closing his eyes and giving his head a

most vehement toss. The word being, according to its Genoese emphasis,

a confirmation, a contradiction, an assertion, a denial, a taunt,

a compliment, a joke, and fifty other things, became in the present

instance, with a significance beyond all power of written expression,

our familiar English ‘I believe you!’

‘Haha! You are right! A gentleman I am! And a gentleman I’ll live, and

a gentleman I’ll die! It’s my intent to be a gentleman. It’s my game.

Death of my soul, I play it out wherever I go!’

He changed his posture to a sitting one, crying with a triumphant air:

‘Here I am! See me! Shaken out of destiny’s dice-box into the company

of a mere smuggler;--shut up with a poor little contraband trader, whose

papers are wrong, and whom the police lay hold of besides, for placing

his boat (as a means of getting beyond the frontier) at the disposition

of other little people whose papers are wrong; and he instinctively

recognises my position, even by this light and in this place. It’s well

done! By Heaven! I win, however the game goes.’

Again his moustache went up, and his nose came down.

‘What’s the hour now?’ he asked, with a dry hot pallor upon him, rather

difficult of association with merriment.

‘A little half-hour after mid-day.’

‘Good! The President will have a gentleman before him soon. Come!

Shall I tell you on what accusation? It must be now, or never, for I

shall not return here. Either I shall go free, or I shall go to be made

ready for shaving. You know where they keep the razor.’

Signor Cavalletto took his cigarette from between his parted lips, and

showed more momentary discomfiture than might have been expected.

‘I am a’--Monsieur Rigaud stood up to say it--‘I am a cosmopolitan

gentleman. I own no particular country. My father was Swiss--Canton de

Vaud. My mother was French by blood, English by birth. I myself was born

in Belgium. I am a citizen of the world.’

His theatrical air, as he stood with one arm on his hip within the folds

of his cloak, together with his manner of disregarding his companion

and addressing the opposite wall instead, seemed to intimate that he

was rehearsing for the President, whose examination he was shortly to

undergo, rather than troubling himself merely to enlighten so small a

person as John Baptist Cavalletto.

‘Call me five-and-thirty years of age. I have seen the world. I have

lived here, and lived there, and lived like a gentleman everywhere. I

have been treated and respected as a gentleman universally. If you try

to prejudice me by making out that I have lived by my wits--how do

your lawyers live--your politicians--your intriguers--your men of the

Exchange?’

He kept his small smooth hand in constant requisition, as if it were a

witness to his gentility that had often done him good service before.

‘Two years ago I came to Marseilles. I admit that I was poor; I had been

ill. When your lawyers, your politicians, your intriguers, your men of

the Exchange fall ill, and have not scraped money together, _they_ become

poor. I put up at the Cross of Gold,--kept then by Monsieur Henri

Barronneau--sixty-five at least, and in a failing state of health. I had

lived in the house some four months when Monsieur Henri Barronneau had

the misfortune to die;--at any rate, not a rare misfortune, that. It

happens without any aid of mine, pretty often.’

John Baptist having smoked his cigarette down to his fingers’ ends,

Monsieur Rigaud had the magnanimity to throw him another. He lighted the

second at the ashes of the first, and smoked on, looking sideways at his

companion, who, preoccupied with his own case, hardly looked at him.

‘Monsieur Barronneau left a widow. She was two-and-twenty. She had

gained a reputation for beauty, and (which is often another thing) was

beautiful. I continued to live at the Cross of Gold. I married Madame

Barronneau. It is not for me to say whether there was any great

disparity in such a match. Here I stand, with the contamination of a

jail upon me; but it is possible that you may think me better suited to

her than her former husband was.’

He had a certain air of being a handsome man--which he was not; and

a certain air of being a well-bred man--which he was not. It was mere

swagger and challenge; but in this particular, as in many others,

blustering assertion goes for proof, half over the world.

‘Be it as it may, Madame Barronneau approved of me. _That_ is not to

prejudice me, I hope?’

His eye happening to light upon John Baptist with this inquiry, that

little man briskly shook his head in the negative, and repeated in an

argumentative tone under his breath, altro, altro, altro, altro--an

infinite number of times.

‘Now came the difficulties of our position. I am proud. I say nothing

in defence of pride, but I am proud. It is also my character to govern.

I can’t submit; I must govern. Unfortunately, the property of Madame

Rigaud was settled upon herself. Such was the insane act of her late

husband. More unfortunately still, she had relations. When a wife’s

relations interpose against a husband who is a gentleman, who is proud,

and who must govern, the consequences are inimical to peace. There

was yet another source of difference between us. Madame Rigaud was

unfortunately a little vulgar. I sought to improve her manners and

ameliorate her general tone; she (supported in this likewise by her

relations) resented my endeavours. Quarrels began to arise between us;

and, propagated and exaggerated by the slanders of the relations of

Madame Rigaud, to become notorious to the neighbours. It has been said

that I treated Madame Rigaud with cruelty. I may have been seen to slap

her face--nothing more. I have a light hand; and if I have been seen

apparently to correct Madame Rigaud in that manner, I have done it

almost playfully.’

If the playfulness of Monsieur Rigaud were at all expressed by his smile

at this point, the relations of Madame Rigaud might have said that

they would have much preferred his correcting that unfortunate woman

seriously.

‘I am sensitive and brave. I do not advance it as a merit to be

sensitive and brave, but it is my character. If the male relations of

Madame Rigaud had put themselves forward openly, I should have known how

to deal with them. They knew that, and their machinations were conducted

in secret; consequently, Madame Rigaud and I were brought into frequent

and unfortunate collision. Even when I wanted any little sum of money

for my personal expenses, I could not obtain it without collision--and

I, too, a man whose character it is to govern! One night, Madame Rigaud

and myself were walking amicably--I may say like lovers--on a height

overhanging the sea. An evil star occasioned Madame Rigaud to advert to

her relations; I reasoned with her on that subject, and remonstrated on

the want of duty and devotion manifested in her allowing herself to be

influenced by their jealous animosity towards her husband. Madame Rigaud

retorted; I retorted; Madame Rigaud grew warm; I grew warm, and provoked

her. I admit it. Frankness is a part of my character. At length, Madame

Rigaud, in an access of fury that I must ever deplore, threw herself

upon me with screams of passion (no doubt those that were overheard

at some distance), tore my clothes, tore my hair, lacerated my hands,

trampled and trod the dust, and finally leaped over, dashing herself to

death upon the rocks below. Such is the train of incidents which

malice has perverted into my endeavouring to force from Madame Rigaud

a relinquishment of her rights; and, on her persistence in a refusal to

make the concession I required, struggling with her--assassinating her!’

He stepped aside to the ledge where the vine leaves yet lay strewn

about, collected two or three, and stood wiping his hands upon them,

with his back to the light.

‘Well,’ he demanded after a silence, ‘have you nothing to say to all

that?’

‘It’s ugly,’ returned the little man, who had risen, and was brightening

his knife upon his shoe, as he leaned an arm against the wall.

‘What do you mean?’

John Baptist polished his knife in silence.

‘Do you mean that I have not represented the case correctly?’

‘Al-tro!’ returned John Baptist. The word was an apology now, and stood

for ‘Oh, by no means!’

‘What then?’

‘Presidents and tribunals are so prejudiced.’

‘Well,’ cried the other, uneasily flinging the end of his cloak over his

shoulder with an oath, ‘let them do their worst!’

‘Truly I think they will,’ murmured John Baptist to himself, as he bent

his head to put his knife in his sash.

Nothing more was said on either side, though they both began walking

to and fro, and necessarily crossed at every turn. Monsieur Rigaud

sometimes stopped, as if he were going to put his case in a new light,

or make some irate remonstrance; but Signor Cavalletto continuing to

go slowly to and fro at a grotesque kind of jog-trot pace with his eyes

turned downward, nothing came of these inclinings.

By-and-by the noise of the key in the lock arrested them both. The sound

of voices succeeded, and the tread of feet. The door clashed, the voices

and the feet came on, and the prison-keeper slowly ascended the stairs,

followed by a guard of soldiers.

‘Now, Monsieur Rigaud,’ said he, pausing for a moment at the grate, with

his keys in his hands, ‘have the goodness to come out.’

‘I am to depart in state, I see?’

‘Why, unless you did,’ returned the jailer, ‘you might depart in so many

pieces that it would be difficult to get you together again. There’s a

crowd, Monsieur Rigaud, and it doesn’t love you.’

He passed on out of sight, and unlocked and unbarred a low door in the

corner of the chamber. ‘Now,’ said he, as he opened it and appeared

within, ‘come out.’

There is no sort of whiteness in all the hues under the sun at all like

the whiteness of Monsieur Rigaud’s face as it was then. Neither is there

any expression of the human countenance at all like that expression in

every little line of which the frightened heart is seen to beat. Both

are conventionally compared with death; but the difference is the whole

deep gulf between the struggle done, and the fight at its most desperate

extremity.

He lighted another of his paper cigars at his companion’s; put it

tightly between his teeth; covered his head with a soft slouched hat;

threw the end of his cloak over his shoulder again; and walked out into

the side gallery on which the door opened, without taking any further

notice of Signor Cavalletto. As to that little man himself, his whole

attention had become absorbed in getting near the door and looking out

at it. Precisely as a beast might approach the opened gate of his den

and eye the freedom beyond, he passed those few moments in watching and

peering, until the door was closed upon him.

There was an officer in command of the soldiers; a stout, serviceable,

profoundly calm man, with his drawn sword in his hand, smoking a cigar.

He very briefly directed the placing of Monsieur Rigaud in the midst of

the party, put himself with consummate indifference at their head, gave

the word ‘march!’ and so they all went jingling down the staircase. The

door clashed--the key turned--and a ray of unusual light, and a breath

of unusual air, seemed to have passed through the jail, vanishing in a

tiny wreath of smoke from the cigar.

Still, in his captivity, like a lower animal--like some impatient ape,

or roused bear of the smaller species--the prisoner, now left solitary,

had jumped upon the ledge, to lose no glimpse of this departure. As he

yet stood clasping the grate with both hands, an uproar broke upon his

hearing; yells, shrieks, oaths, threats, execrations, all comprehended

in it, though (as in a storm) nothing but a raging swell of sound

distinctly heard.

Excited into a still greater resemblance to a caged wild animal by his

anxiety to know more, the prisoner leaped nimbly down, ran round the

chamber, leaped nimbly up again, clasped the grate and tried to shake

it, leaped down and ran, leaped up and listened, and never rested until

the noise, becoming more and more distant, had died away. How many

better prisoners have worn their noble hearts out so; no man thinking

of it; not even the beloved of their souls realising it; great kings

and governors, who had made them captive, careering in the sunlight

jauntily, and men cheering them on. Even the said great personages dying

in bed, making exemplary ends and sounding speeches; and polite history,

more servile than their instruments, embalming them!

At last, John Baptist, now able to choose his own spot within the

compass of those walls for the exercise of his faculty of going to sleep

when he would, lay down upon the bench, with his face turned over on his

crossed arms, and slumbered. In his submission, in his lightness, in his

good humour, in his short-lived passion, in his easy contentment with

hard bread and hard stones, in his ready sleep, in his fits and starts,

altogether a true son of the land that gave him birth.

The wide stare stared itself out for one while; the Sun went down in

a red, green, golden glory; the stars came out in the heavens, and the

fire-flies mimicked them in the lower air, as men may feebly imitate

the goodness of a better order of beings; the long dusty roads and the

interminable plains were in repose--and so deep a hush was on the sea,

that it scarcely whispered of the time when it shall give up its dead.

Little Dorrit · 第 1 / 43 章