CHAPTER XIX.

"TEARS AND SUCH THINGS."

Marguerite and her friend had no sooner taken their seats to drive

home from the studio the day the sketch was made than Marguerite began

a perfect prattle. Her eyes still shone exaltedly, and leaped and fell

and darkened and brightened with more than the swift variety of a

fountain in the moonlight, while she kept trying in vain to meet her

companion's looks with a moment's steady regard.

Claude was found! and she trembled with delight. But, alas! he had

heard her passionate call and yet stood still; had looked down upon

her in silence, and drawn again the curtain between them. She had

thought until the last moment, "He will come; he will confront us as

we pass out the door--will overtake us at the foot of the stairs--on

the sidewalk--at the carriage window." But it had not been so; and

now they were gone from the place; and here sat this friend, this gay,

cynical knower of men's and women's ways, answering her chatter in

short, smiling responses, with a steady eye fixed on her, and reading,

Marguerite believed, as plainly as if it were any of the sign-boards

along the rattling street, the writing on her fluttering heart. And

so, even while she trembled with strange delight, pain, shame, and

alarm pleaded through her dancing glances, now by turns and now in

confusion together, for mercy and concealment. But in fact, as this

friend sat glancing upon the young face beside her with secret

sympathy and admiration, it was only this wild fear of betrayal that

at length betrayed.

Reaching the house, the street door was hardly shut behind them when

Marguerite would have darted up to her chamber; but her friend caught

her hands across the balustrade, and said, with roguery in her own

eyes:

"Marguerite, you sweet rowdy--"

"W'at?"

"Yes, _what_. There's something up; what is it?"

The girl tried to put on surprise; but her eyes failed her again. She

leaned on the rail and looked down, meanwhile trying softly to draw

away up-stairs; but her friend held on to one hand and murmured:

"Just one question, dearie, just one. I'll not ask another: I'll die

first. You'll probably find me _in articulo mortis_ when you come

down-stairs. Just one question, lovie."

"_W'at_ it is?"

"It's nothing but this; I ask for information." The voice dropped to

a whisper,--"Is he as handsome as his portrait?"

The victim rallied all her poor powers of face, and turned feebly upon

the questioner:

"Po'trait? Who?" Her voice was low, and she glanced furtively at the

nearest door. "I dawn't awnstan you." Her hand pulled softly for its

freedom, and she turned to go, repeating, with averted face, "I dawn't

awnstan you 't all."

"Well, never mind then, dear, if you don't understand," responded the

tease, with mock tenderness. "But, _ma belle Créole_--"

"_Je suis Acadienne._"

"You're an angel, faintly disguised. Only--look around here--only,

Angelica, don't try to practise woman's humbug on a woman. At least,

not on this old one. It doesn't work. I'll tell you whom I mean." She

pulled, but Marguerite held off. "I mean," she hoarsely whispered,--"I

mean the young inventor that engineer told us about. Remember?"

Marguerite, with her head bowed low, slowly dragged her hand free, and

moved with growing speed up the stairs, saying:

"I dawn't know what is dat. I dawn't awnstan you 't all." Her last

words trembled as if nigh to tears. At the top of the stairs the

searching murmur of her friend's voice came up, and she turned and

looked back.

"Forgive me!" said the figure below. The girl stood a moment, sending

down a re-assuring smile.

"You young rogue!" murmured the lady, looking up with ravished eyes.

Then she lifted herself on tiptoe, made a trumpet of both little

hands, and whispered:

"Don't--worry! We'll bring it out--all right!"

Whereat Marguerite blushed from temple to throat, and vanished.

The same day word came from her mother of her return from Terrebonne,

and she hastened to rejoin her in their snug rooms over the Women's

Exchange. When she snatched Zoséphine into her arms and shed tears,

the mother merely wiped and kissed them away, and asked no

explanation.

The two were soon apart. For Marguerite hungered unceasingly for

solitude. Only in solitude could she, or dared she, give herself up to

the constant recapitulation of every minutest incident of the morning.

And that was ample employment. They seemed the happenings of a month

ago. She felt as if it were imperative to fix them in her memory now,

or lose them in confusion and oblivion forever. Over them all again

and again she went, sometimes quickening memory with half-spoken

words, sometimes halting in long reverie at some intense juncture: now

with tingling pleasure at the unveiling of the portrait, the painter's

cautionary revelation of the personal presence above, or Claude's

appearance at the window; now with burnings of self-abasement at the

passionate but ineffectual beseechings of her violin; and always

ending with her face in her hands, as though to hide her face even

from herself for shame that with all her calling--her barefaced, as

it seemed to her, her abject calling--he had not come.

"Marguerite, my child, it is time for bed."

She obeyed. It was all one, the bed or the window. Her mother, weary

with travel, fell asleep; but she--she heard the clock down-stairs

strike, and a clock next door attest, twelve--one--two--three--four,

and another day began to shine in at the window. As it brightened, her

spirits rose. She had been lying long in reverie; now she began once

more the oft-repeated rehearsal. But the new day shone into it also.

When the silent recital again reached its end, the old distress was no

longer there, but in its place was a new, sweet shame near of kin to

joy. The face, unhidden, looked straight into the growing light.

Whatever else had happened, this remained,--that Claude was found. She

silently formed the name on her parted lips--"Claude! Claude! Claude!

Claude!" and could not stop though it gave her pain, the pain was so

sweet. She ceased only when there rose before her again the picture of

him drawing the curtain and disappearing; but even then she remembered

the words, "Don't worry; we'll bring it out all right," and smiled.

When Zoséphine, as the first sunbeam struck the window-pane, turned

upon her elbow and looked into the fair face beside her, the eyes were

closed in sleep. She arose, darkened the room, and left it.

Bonaventure: A Prose Pastoral of Acadian Louisiana · 第 19 / 22 章