CHAPTER VIII

LE MARQUIS DE PLOEUC

In the Château de Ker-Guélegaan, near Quimper, lived an old friend of

my family's, the Marquis de Ploeuc. The château was one of the oldest

in Finisterre, an immense weather-beaten pile with a moat, a

drawbridge, a great crenellated tower, and a turret that, springing

from the first story, seemed, with its high-pointed roof, to be

suspended in the air. Tall, dark trees rose in ordered majesty about

the château, and before it a wide band of lawn, called a _tapis vert_,

ran to the lodge-gates that opened on the highroad. From the upper

windows one saw the blue Brittany sea. Along the whole length of the

front façade ran a stone terrace with seven wide steps; the windows of

the _salle d'honneur_ opened upon this, and the windows of the _petit

salon_ and the dining- and billiard-room. The furniture in the _salle

d'honneur_ was of Louis XV white lacquer, court chairs, and

_tabourets de cour_. There were tall mirrors all along the walls, and

in the corners hung four great crystal chandeliers. The curtains and

portières were of a heavy, white silk that had become gray with time;

they were scattered with bouquets of faded flowers, and caught up and

looped together with knots of ribbon that had once been rose-colored.

This glacial and majestic room was seldom used; it was in the _petit

salon_, leading from it, that guests usually sat. Here the chairs were

carved along their tops with garlands of roses and ribbons so delicate

that we children were specially forbidden to touch them. The walls

were hung with tapestries, at which I used often to gaze with delight.

One saw life-sized ladies and gentlemen dancing in stately rounds or

laughing under trees and among flowers and butterflies. The great

dining-room was paneled with dark wood carved into frames around the

portraits of ancestors that were ranged along it. The coffers and the

sideboards, where the silver stood, were of the same carved wood. I

remember once going down to peep at the kitchen in the basement, and

the dark immensity, streaming, as it were, with cooks, servants,

kitchen-boys, and maids, so bewildered and almost frightened me that I

never ventured there again.

The old marquis was a widower, and his married daughters, the Marquise

de L---- and Mme. d'A----, usually lived with him and his unmarried

daughter Rosine, who became a nun. He was a splendid old gentleman,

tall, with a noble carriage and severe, yet radiant, countenance. In

the daytime he dressed always in gray coat and knee-breeches, with

gray-and-black striped stockings and buckled shoes. At night his

thick, white hair was gathered into a _catogan_,--a little square

black-silk bag, that is to say,--tied with a bow, and he wore a

black-silk suit. On festal occasions, Christmas, Easter, or his

fête-day, he became a magnificent figure in brocaded coat and

white-satin waistcoat and knee-breeches; he had diamond shoe- and

knee-buckles, diamond buttons on his waistcoat, and golden

_aiguillettes_ looped across his breast and shoulder.

The diamond buckles he left to me, to be given to me on my first

communion, and in his lifetime he had made for me a beautiful missal

bound in white parchment and closed with a diamond and emerald clasp;

inside were old illuminations.

In his youth M. de Ploeuc had been an officer of the Chouans, and he

was, of course, a passionate royalist. He always wore the Croix de St.

Louis, a fleur-de-lis, with the little cross attached by blue ribbon.

I asked him once if it was the same sort of decoration as my

Grandfather de Rosval's, which, I said, was larger and was tied with

red, and I remember the kindly and ironic smile of my old friend as he

answered, "Oh, no; that is only the Légion d'honneur."

[Illustration: "He was a splendid old gentleman"]

Brittany had many marquises, some of them also old and distinguished;

but he was the _doyen_ of them all, and was always called simply _le_

marquis. Any disputes or difficulties among the local _noblesse_ were

always brought to him for his decision, and on such occasions, if the

discussions became heated, he would say, "_Palsan bleu, mes seigneurs,

il me semble que vous vous oubliez ici_," using the dignified oath

already becoming obsolete. His French was the old French of the court.

He never, for instance, said, "_Je vous remercie_," but, "_Je vous

rends gráce_."

Guests at Ker-Guélegaan arrived with their own horses and carriages to

stay a month or more, and open house was kept. Breakfast was at six

for those who did not take communion at the mass that was celebrated

every morning in the chapel adjoining the château; these breakfasted

on returning. It was permissible for ladies, at this early hour, to

appear very informally in _peignoirs_ and _bigoudics_. _Bigoudics_ are

curl-papers or ribbons. The marquis almost always took communion, but

he usually appeared at the six o'clock breakfast. After mass, once his

correspondence dealt with, he played billiards with Rosine, the

beautiful girl who became a nun in the order of the Carmelites, an

order so strict that those who entered it died, to all intents and

purposes, since their relatives never saw them again, and at that time

were not even informed of their death. I see Rosine very clearly,

bending over the billiard-table under her father's fond gaze, and I

can also see her kneeling to pray in a corner of the _petit salon_. It

was with such simplicity that any suspicion of affectation or parade

was out of the question. In the midst of a conversation she would

gently ask to be excused and would go there apart and pray, sometimes

for an hour. The ladies quietly gossiping over their embroidery-frames

took it quite as a matter of course that Rosine should be praying near

them.

[Illustration: "Guests at Ker-Guélegaan arrived with their own horses

and carriages"]

_Déjeuner_ was at ten, and it was then that one saw how strongly

feudal customs still survived at Ker-Guélegaan. The marquis sat at the

head of the table, and behind his chair stood his old servant Yvon,

dressed in Breton mourning-costume in memory of his defunct mistress;

that is to say, in blue, black, and yellow. The other servants wore

the livery of the house. Half-way down the table the white cloth

ended, and the lower half had a matting covering. Here sat all the

farmers of Ker-Guélegaan and their families, taking their midday meal

with their master, while M. de Ploeuc and his guests and family sat

above. We children were usually placed at a little side-table. The

meal aways began by M. de Ploeuc rising and blessing the company with

two outstretched fingers, like a bishop, and he then recited a

benediction. He was always served first, another survival of

patriarchal custom, forced upon him, rather, for I remember his

protesting against it and wishing my mother, who sat next him, to be

served before him; but she would not hear of it. During the repasts a

violinist and a _biniou_-player, dressed in his Breton costume, played

to us.

After luncheon the ladies drove or rode or walked as the fancy took

them, or, assembled in the _petit salon_, talked over their work. On

hot days the blinds would be drawn down before the open windows, but

in the angle of each window was fixed a long slip of mirror, so that

from every corner one could see if visitors, welcome or unwelcome,

were driving up to the _perron_. _Goûter_, at three, consisted of

bread, fruit, and milk, and dinner was at five. After that the ladies

and gentlemen assembled in the _petit salon_ and talked, told

ghost-stories and legends, or played games till the very early

bedtime of the place and period.

This was the _train de vie_ at Ker-Guélegaan; but my memories of the

place center almost entirely around the figure of my old friend. I was

his constant companion. When he rode out after luncheon to visit his

farms, I would sit before him on his old horse Pluton. He never let

Pluton gallop for fear of tiring him. "Do you see, _ma petite_," he

would say, "Pluton is a comrade who has never failed me. He has earned

a peaceful old age." We passed, in the wood behind the château, a

monument of a Templar that frightened and interested me. He lay with

his hands crossed over his sword, his feet stayed against a couchant

hound, and I could not understand why he wore a knitted coat. My old

friend burst out laughing when I questioned him, and said that I was

as ignorant as a little carp, and that it was high time I went to the

Sacré Coeur. He told me that the knitted coat was a coat of mail,

and tried to instil a little history into my mind, telling me of the

crusades and St. Louis; but I am afraid that my mind soon wandered

away to Pluton's gently pricked ears and to the wonders of the woods

that surrounded us. We had walks together, too, and went one day to

the sea-shore, where there was a famous grotto often visited by

strangers. When we arrived at the black arch among the rocks and I

heard it was called the Devil's Grot, I was terrified, clinging to M.

de Ploeuc's hand and refusing to enter.

[Illustration: "_Maman_ wrote secretly to _bon papa_ in Paris"]

"But why not, Sophie? Why not?" he questioned me. "I am here to take

care of you, and there is no danger at all. See, Yann is lighting the

torches to show us the way."

"But the devil--the devil will get me," I whispered; "Jeannie told me

so."

Jeannie, indeed, was in the habit of punishing or frightening me by

tales of the devil and his fork and tail and flames, and of how he

would come and carry off disobedient little girls; so it was not to be

wondered at that I feared to enter his grot. I imagined that he

himself lurked there and would certainly carry me off, for I was well

aware that I was often very disobedient. M. de Ploeuc sat down on a

rock, took me on his knee, and said:

"It is very wrong of Jeannie to fill your head with such nonsense, my

little one. Nothing like her devil exists in the whole world, and you

must pay no attention to her stories."

He told me that the cavern was filled with beautiful stalactites, like

great clusters of diamonds, and was so gentle and merry and reasonable

that the devil was exorcised from my imagination forever, and I

consented to enter the grotto.

Yann and the guide, a young farmer of Ker-Guélegaan, led us in with

their lighted torches, and I suddenly saw before me, strangely

illuminated, a somber, yet gorgeous, fairy-land. Diamonds indeed!

Pillars of diamonds rose from the rocky floor to the roof, and

pendants hung in long clusters, glittering in inconceivable vistas of

splendor. I was so dazzled and amazed that I gave the vaguest

attention to M. de Ploeuc's explanation of the way in which the

stalactites were formed among the rocks. Indeed, that night I could

not sleep, still seeing diamond columns and pillars, and my dear

old friend was full of self-reproach next day when he heard that

during the night the Devil's Grot had given me a fever.

[Illustration: "As a country gentleman he had lived and as a country

gentleman he intended to go on living"]

Sometimes the Marquis de L---- accompanied us on our expeditions, and

sometimes I was even left in his charge for an afternoon. I disliked

this very much, for he had no amusing stories to tell me and walked

very fast, and when my pace flagged, he would pause to look at me

reproachfully, tapping his foot on the ground, and crying out, as

though I were one of his horses, "Get up! Get up!"

M. de Ploeuc often took me, after lunch, into his little study and

played the flute to me. I liked being in the study, but it rather

frightened me to see my old friend remove his teeth before beginning

to play. Their absence sadly altered his beautiful and stately

countenance, and gave, besides, an odd, whistling timbre to his music.

Still, I listened attentively, looking away now and then from his

rapt, concentrated countenance to the _tapis vert_ outside, where the

cows were cropping the short grass, or glancing around rather

shrinkingly at the headless bust of Marie Antoinette that stood on the

mantelpiece. The head lay beside the bust, and there was, even to my

childish imagination, a terrible beauty in the proud shoulders thus

devastated. This was one of two such busts that had been decapitated

by the Revolutionists. The other belonged, I think, later on, to the

Empress Eugénie. When the marquis had finished his thin, melancholy

airs, it was my turn to perform, and that I liked much better. I saw

that he loved to hear the old Breton songs sung in my sweet, piping

little voice, and it was especially pleasant, our music over, to be

rewarded by being given chocolate pastils from a little enamel box

that stood on the writing-desk. While I softly crunched the pastils M.

de Ploeuc told me about the countries where the plant from which the

chocolate came grew. It was not at all common in Brittany at that

time, and the pastils much less sweet than our modern bon bons. M. de

Ploeuc also carried for his own delectation small violet and

peppermint lozenges in a little gold box that he drew from his

waistcoat-pocket, and these gave the pleasantest fragrance to his

kiss. I often sat on with him in the study, looking at the pictures in

the books he gave me while he read or wrote. He wore on the third

finger of his right hand an odd black ring that had a tiny

magnifying-glass fixed upon it, and while he read his hand moved

gently across the page.

I owe a great deal to this dear old friend. He took the deepest

interest in my deportment, and _maman_ was specially delighted that he

should extirpate from my speech provincial words and intonations. He

entirely broke me of the bad habits of shrugging my shoulders and

biting my nails.

"Only wicked men and women bite their nails," he told me, and pointed

out to me as a terrible warning the beautiful and coquettish Mme. de

G----, one of his guests, who had bitten her nails to the quick and

quite ruined the appearance of her hands.

"And is she so wicked?" I asked. At which he laughed a little, and

said that she must become so if she continued to bite her nails. He

made me practise coming into and going out of a room until he was

satisfied with my ease and grace.

"Do you see, _ma petite Sophie_," he said, "a woman, when she walks

well, is a goddess. Walk always as if on clouds, lightly and loftily.

Or imagine that you are skimming over fields of wheat, and that not an

ear must bend beneath your tread."

A Childhood in Brittany Eighty Years Ago · 第 8 / 12 章