40 Is. xlvi. 1.

41 This is the value of the ideographic sign by which the abode of the

dead is designated. It also bears two other names, which are of

great importance, as proving that the Semites, far from borrowing

from the Greeks their belief in another life, have, on the contrary,

furnished the latter with the names which they have bestowed on the

regions of the departed. In the poem of the descent of Istar into

hell this region is, in fact, denominated _Eribus_, probably meaning

“the house of darkness,” from _Ereb_, “evening,” from whence the

Erebus of the Greeks; and _bit edie_, “the house of the eternities,”

from _ed_, “eternity,” from whence comes doubtless the Greek Hades.

The etymology αίδης is not historical, and may easily be an

arbitrary invention. Acheron, also, seems very probably derived from

_Acharon_, the West, the place of darkness, the land of the dead.

(See Talbot, _Transactions of the Society of Biblical Archæology_.)

42 _Prem. Civ._ The original text of this poem is given in _Choix de

Textes Cuneiformes_, pp. 100, 105.

43 _Transactions of the Soc. of Bibl. Archæol._ vol. i., p. 107, and

partially translated by Lenormant, _Prem. Civ._

44 See the two articles by M. Renan upon, or rather _against_, the

“Expédition en Mesopotame” of M. Oppert, in the _Journal des

Savants_, 1859.

45 “Let my mouth be filled with thy praise, alleluia, that I may sing,

alleluia; my lips shall greatly rejoice when I shall sing to thee,

alleluia, alleluia.”

The Catholic World, Vol. 20, October 1874‐March 1875 · 第 154 / 221 题