"Swipe me!" he croaked hoarsely. "Pipe de eyes on de Doc! Dere'll be

somethin' doin' now!"

--XIX--

THE SANCTUARY OF DARKNESS

There was a grim, merciless smile on Madison's lips; and a whiteness in

his face windowed the passion that seethed within him. He stood

motionless, listening, in Helena's room. He heard the automobile going

away again; then he heard Helena's light step in the hallway

without--and the smile died as his lips thinned.

But she did not come in--instead, he heard her go into the Patriarch's

room, heard her talking to the Patriarch, and bid the Flopper go to the

kitchen and make her some tea. Then the Flopper's step sounded, passing

down to the rear, of the cottage.

The minutes passed--then that light footfall again. The door of the room

swung suddenly wide--and closed--there was a cry--and Helena, wide-eyed,

the red of her cheeks fading away, leaned heavily back against the door.

Neither spoke. Madison, in the center of the room, did not move. The

smile came back to his lips.

Helena's great brown eyes met the gray ones, read the ugly glint,

dropped, raised again--and held the gray ones steadily.

Madison gave a short laugh--that was like a curse. His hands at his

sides knotted into lumps.

Then Madison spoke.

"Why don't you say, 'you!--_you_!'--and scream it out and clutch at your

bosom the way they do in story books!" he flung out raucously. "Why

don't you do your little stunt--go on, you're on for the turn--you can

put anything over me, I'm only a complacent, blind-eyed fool! Anything

goes! Why don't you start your act?"

"You don't know what you are saying," she said in a low voice. "If

there's anything you want to talk about, we'd better wait until you're

cooler."

"Oh, hell!" he roared, his passion full to the surface now. "Cut out the

bunk--cut it out! _Anything_! No, it isn't much of anything--for

you--out all night with Thornton. Do you think I'm going to stand for

it! Do you think I'm going to sit and suck my thumb and _share_ you,

and--"

"You lie!" She was away from the door now, close before him, her breath

coming fast, white to the lips, and in a frenzy her little fists

pummelled upon him. "It's a lie--a lie--a lie! It's a lie--and you know

it!"

He pushed her roughly from him.

"It is, eh?"--his words came in a sort of wild laugh. "And I know it--do

I? Why should I know it? What do you think you are? Say, you'd think you

were trying to kid yourself into believing you're the real thing--the

real, sweet, shy, modest Miss Vail. Cut it out! You're name's

Smith--maybe! And it's my money that's keeping you, and you belong to

me--do you understand?"

She stood swaying a little, her hands still tightly clenched, breathing

through half parted lips in short, quick, jerky inhalations like dry

sobs.

"It's true," she faltered suddenly--and suddenly buried her face in her

hands. And then she looked up again, and the brown eyes in their depths

held an anger and a shame. "It's true--I was--was--what you say. But

now"--her voice hurried on, an eagerness, a strange earnestness in

it--"you must believe me--you must. I'll make you--I must make you."

"Oh, don't hurt yourself trying to do it!" jeered Madison. "We're

talking plain now. I'm not taking into account how you feel about it

--don't you fool yourself for a minute. The sanctity of my home hasn't

been ruined--because it couldn't be! Get that? Thornton don't get

you--not for _keeps_! But you and he don't make a monkey of me again. Do

you understand--say, do you get that? You're _mine_--whether you like

it or not--whether you'd rather have Thornton or not. But I'll fix you

both for this--I'm no angel with a cherub's smile! I'll take it out of

Thornton till the laugh he's got now fades to a fare-thee-well; and I'll

put you where there aren't any strings tying me up the way there are

here. Do you understand!" His voice rose suddenly, and for a moment he

seemed to lose all control of himself as he reached for her and caught

her shoulder. "I love you," he flashed out between his teeth. "I love

you--that's what's the matter with me! And you know that--you know

you've got me there--and you'd play the fool with me, would you!" He

dropped his hands--and laughed a short, savage bark--and stepped back

and stared at her.

"Will you listen?"--she was twisting her hands, her head was drooped,

the long lashes veiled her eyes, her lips were quivering. "Will you

listen?" she said again, fighting to steady her voice. "It was an

accident."

"I saw the machine when you drove up--it was a wreck!" snapped Madison

sarcastically.

"We ran out of gasoline," she said quietly.

And then Madison laughed--fiercely--in his derision.

"Oh, keep on!" he rasped. "I told you I was only a blind fool that you

could put anything over on! That accounts for it, of course--a breakdown

isn't so easy to get away with. Gasoline!"

"We were miles from anywhere," she went on. "We had taken what we

thought was a short cut. Mr. Thornton built a shelter for me in the

woods, and went to--to--"

He caught up her hesitation like a flash.

"Fake the lines, Helena, if you haven't had enough rehearsals," he

suggested ironically. "Anything goes--with me."

And now a tinge of color came to Helena's cheeks, and the brown eyes

raised, and flashed, and dropped.

"He went to try and find help," she said. "He was out all night in the

storm. I do not know how far he must have walked. I know the nearest

house was five or six miles away--and there was no horse there--the man

had driven to some town that morning. It was almost daylight before Mr.

Thornton at last came back with a team. We were forty miles from

here--we sent the team to the nearest town for gasoline and then motored

back." She stopped--and then, with a catch in her voice: "He--he was

very good to me."

"Good to me"--the words seemed to stab at Madison, seemed to ring in his

ears and goad him with a fiercer jealousy--and her story of the night,

what she had been saying, save those words, was as nothing, meant

nothing, was swept from his consciousness--and only she, standing there

before him, glorious, maddening in her beauty, remained. Soul, mind and

body leaped into fiery passion--she was his, and his she always would

be--those eyes, those lips, the white throat, those perfect arms to

cling about his neck--and all of heaven and hell and earth were naught

beside her.

"I love you!"--his face was white, his words fierce-breathed, almost

incoherent--and he leaned toward her with a sudden, uncontrollable

movement, his arms sweeping out to clasp her. "I love you, Helena--I

love you. Do you understand--it's _you_! You--I love you!"

"You _love_ me!"--she retreated from him, but her head was raised now,

and her voice rang with a bitterness cold as the touch of death. "Love!

What do you know of _love_! We talk plain, you say. Love--love for me!

Passion, vice, lust, sin--and, oh, my God, degradation and misery and

shame--love! Love! That is _your_ love!"

He stood for a moment and stared at her again--and her face was as

pallid ivory. And something seemed to daze him, and he brushed his hand

across his eyes--the logic was faulty, torn and pitiful, and he groped

after the flaw.

"It's--it's your love as well as mine," he said in a stumbling way--then

his brain flashed quick into action. "My love--what other love have

_you_ known but that?" he cried. "It's _our_ love--the love we have

known together--and we're going back to it--see? I've had enough of

this. You pack your trunks--and pack them quick! We're going to beat it

out of here! We're going back to our--love. We're going back where I

don't have to sit around like a puling fool and watch Thornton chuck you

under the chin--we're going where he'll want a tombstone if he ever

shows his face there. You thought the game would hold me to the last

jackpot--did you? Well, I've got enough--and there's no game big enough

to make me stand for this. That looks like love--doesn't it?" He burst

again into a sudden, mirthless laugh--and once again swept his

hand across his eyes. "We're going to beat it out of here

now--to-night--to-morrow morning."

But now she had drawn further away from him--and there was a frightened

look in her eyes, and her lips quivered pitifully.

"No--I can't--I can't," she cried out. "No, no--I can't--I can't go back

to _that_."

"That! That--is love," he said wildly. "The only love you know. What

more do you want? There's loot enough now, and--ha, ha!--that little

contribution of Thornton's, to give you all the money you want. Love,

Helena--you and I--the old love--you and I together again, Helena. I

tell you I love you--do you hear? I love you--and I'll have you--I love

you! What do you know, what do you care about any other kind of love!"

She looked at him, misery and fear still in her eyes, and her slight

figure seemed to droop, and her hands hung heavy, listless, at her

sides.

"I care"--the words came in a strange mechanical way from her lips. "Oh,

I care. I can't--I won't go back to that. And I know--I know now. I have

learned what love is."

Quick over Madison's face surged the red in an unstemmed tide--volcanic

within him his love that he knew now possessed his very soul, jealousy

that, blinding, robbed him of his senses, roused him to frenzy.

"Oh, you've learned what love is, have you--_with him_!" he cried--and

sprang for her and snatched her into his arms. "And you won't come, eh?

Well, I've learned what love is too in the last month--and if I can't

get it one way, I'll get it another"--he was raining mad kisses upon her

face, her hair, her eyes--"I love you, I tell you--I love you!"

With a cry she tried to struggle from him--and then fought and struck at

him, beating upon his face with her fists. Fiercer, closer he held

her--around the little room, staggering this way and that, they circled.

He kissed her, laughing hoarsely like a madman, laughing at the blows,

beside himself, not knowing what he did--mad--mad--mad. He kissed her,

kissed the white throat where the dress was torn now at the neck;

imprisoned a little fist that struck at him and kissed the quivering

knuckles; kissed the wealth of glorious, burnished-copper hair that,

unloosened, fell about her, kissed it and buried his face in its rare

fragrance. And then--and then his arms were empty--and he was staring at

the calm, majestic figure of the Patriarch--and Helena was crouched upon

the floor, and, sobbing, was clinging with arms entwined around the old

man's knees.

And so for a little while Madison stood and stared--what had brought the

Patriarch there--the Patriarch who could neither see nor hear nor

speak--what had brought him from his own room across the hall! And

Madison stared, and his hands crept to his temples and pressed upon

them--weak he seemed as from some paroxysm of madness that had passed

over him. The sunlight streaming through the window sheened the

luxuriant mass of hair that falling over shoulders and to the waist

seemed alone to cloak the little figure in its crouched position--the

little figure that shook so convulsively with sobs--the little figure

that clung so desperately at the feet of this god-like, regal man, whose

beard was silver, whose hair was hoary white, upon whose face, marring

none its strength or self-possession, was a troubled, anxious,

questioning look.

Strange! Strange! Madison's hands fell to his sides. The Patriarch's

eyes were turned full upon him, wavering not so much as by the fraction

of an inch--full upon him. And then, as into some holy sanctuary,

fending her from harm and danger, the Patriarch turned a little to

interpose himself before Madison, and, raising Helena, held her in his

arms, her head against his bosom--and one hand lay upon her head and

stroked it tenderly. But upon Madison was still turned those sightless

eyes, that noble face, serene, commanding even in its perturbation, even

in its alert and searching look.

Madison stirred now--stirred uneasily--while the silence held. There was

a solemnity in the silence that seemed to creep upon and pervade the

room--a sense of a vast something that was the antithesis of turmoil,

passion, strife, that seemed to radiate from the saintly figure whose

lips were mute, whose ears heard no sound, whose eyes saw no sight. And

upon Madison it fell potent, masterful, and passion fled, and in its

place came a strange, groping response within him, a revulsion, a

penitence--and he bowed his head.

And then Helena spoke--but her head was turned away from him, hidden on

the Patriarch's breast.

"Once," she said, and her words were like broken whispers, for she was

sobbing still, "once, long, long ago, when I was a little girl, I read

the story of Mary Magdalen. I had almost forgotten it, it was so long

ago, but it has come back to me, and--and it is a glad story--at the

end."

She stopped--and Madison raised his head, and his face was strained as

with some sudden wonder as he looked at her.

"It is a glad story," she said presently. "It--it is my story."

"You mean"--Madison's voice was hoarse--"you mean that you've

turned--_straight_!"

"They love me here," she said. "They trust me and they think me good--as

they are. All think me that--the little children and this dear man

here--and for a little while, since I have been here, I have lived like

that. They made me believe that it was true--_true_. And there was shame

and agony--and hope. It seemed they could not all be wrong, and I have

asked and prayed that I might make it true always--and--and forgiveness

for what I was."

"You mean," he said again hoarsely, and he stepped toward her now, "you

mean that you are--_straight_!"

She did not answer--only now she turned her face toward him and lifted

up her head.

And for a long minute Madison gazed into the tear-splashed eyes, deep,

brave in chastened wistfulness, gazed--and like a man stunned walked

from the room, the cottage, and out across the lawn.

--XX--

TO THE VICTOR ARE THE SPOILS

Many were still about the lawn as he left the cottage--they were all

about him, those sick, half frantic creatures--and still they made

noises; still some of them cried and sobbed; still in their waning

paroxysms they moved hither and thither. They appealed to some numbed,

dormant sense in Madison, in a subconscious way, as things to be

avoided. And so, almost mechanically, he took the little path that,

striking off at right angles to the wagon track where it joined the

Patriarch's lawn, came out again upon the main road at the further end

of the village.

And, as he walked, like tidal waves on-rushing, emotions, utterly at

variance one with another, hurled themselves upon him, and he was swept

from his mental balance, tossed here and there, rolled gasping,

strangling in the chaos and turmoil of the waters, as it were, and,

rising, was hurled back again.

White as death itself was Madison's face; and at times his fingers with

a twitching movement curled into clenched fists, at times his open palms

sought his temples in a queer wriggling way and pressed upon them.

Doubt, anger, fear, a rage unhallowed--in cycles--buffeted him until

his brain reeled, and he was as a man distraught.

It began at the beginning, that cycle, and dragged him along--and left

him like one swooning, tottering, upon the edge of a precipice. And then

it began over again.

And it began always with a picture of the Roost that night--the vicious,

unkempt, ragged figure of the Flopper--the sickly, thin, greedy face of

Pale Face Harry, the drug fiend, winching a little as he plunged the

needle into his flesh--the easy, unprincipled gaiety and eagerness of

Helena for the new path of crime--crime--crime--the Roost exuded

crime--filth--immorality--typified them, framed them well as they had

sat there, the four of them, while that bruised-nosed bouncer had

brought them drink on his rattling tin tray. And then his own

self-satisfied, smug, complacent egotism at his own cleverness, his

unbounded confidence in his own ability to pull off the game, and--

Well, he had pulled it off--he'd won it--won it--won it--everybody had

fallen for it--the boobs had been plentiful--the harvest rich. What was

the matter with him! He'd won--was winning every time the clock ticked.

Somebody back there was probably throwing good hard coin at him this

minute--the damned fool! Madison threw back his head to laugh in

derision, for there was mocking, contemptuous laughter in his soul--but

the laugh died still-born upon his lips.

It was fear now--fear--staggering, appalling him. He was facing

something--_something_--his brain did not seem to define it--something

that was cold and stern and immutable, that was omnipotent, that

embodied awe--a condemnation unalterable, unchangeable, before which he

shrank back with his soul afraid. Before him seemed to unfold itself the

wagon track, the road to the Patriarch's cottage; and he was there

again, and whispering lips were around him, and men and women and

children were there, and in front of them, leading them, slithered that

twisted, misshapen, formless thing--and now they were upon the lawn, and

about him everywhere, everywhere, everywhere was a sea of white faces

out of which the eyes burned like living coals. What power was this

that, loosed, had stricken them to palsied, moaning things!

Madison shivered a little--and a sweat bead oozed out and glistened upon

his forehead. Hark--what was that! Clarionlike, clear as the chimes of a

silver bell, rang now that childish voice--rang out, and rang out

again--and the crutch was gone--and the lame boy ran, ran--_ran_! And

who was that, that stood before him now--that golden-haired woman beside

an empty wheel-chair, whose face was radiant, who cried aloud that she

was _cured_! And who were these others of later days, this motley crowd

of old and young, that passed before him in procession, that cried out

the same words that golden-haired woman by the wheel-chair had

cried--and cried out: "Faith! Faith! Faith!"

Madison swept the sweat bead from his forehead with a trembling hand. It

was a lie--a lie--a lie! He had taught them to say that--but it was all

bunk--and all were fools! He could laugh at them, jeer at them, mock at

them, deride them--they were his playthings--and faith was his

plaything--and he could laugh at them all!

And again he raised his head to laugh; and again the laugh was choked in

his throat, still-born--_Helena was straight_! To his temples went his

twitching hands. Anger raged upon him--and died in fear. Anger, for the

instant maddening him, that he should lose her; rage in ungovernable

fury that the game, his plans, the hoard accumulated, was bursting like

a bubble before his eyes--died in fear. No, no; he had not meant to

laugh or mock--no, no; not that, not that! What was this loosed titanic

power that had done these things--that had brought this change in

Helena; that had brought a change in the Flopper, transforming the

miserable, pitiful, whining thief into a man reaching out for decent

things; that had wrought at least a physical metamorphosis in Pale Face

Harry--that had transfigured those three who, in their ugly, abandoned

natures then, had hung like vultures on his words in the Roost that

night! What was this power that he was trifling with, that brought him

now this cold, dead fear before which he quailed! What was this

_something_ that in his temerity he had dared invoke--that rose now

engulfing him, a puny maggot--that snatched him up and flung him

headlong, shackled, before this nebulous, terrifying tribunal, where out

of nothingness, out of a void, the calm, majestic features of the

Patriarch took form and changed, and changed, and kept changing, and

grew implacable, set with the stamp of doom. What was it--in God's name,

what was it brought these sweat beads bursting to his forehead! Was he

going mad--was he mad already!

And then the cycle again--doubt, anger, fear--until his brain,

exhausted, seemed to refuse its functions; and it was as though, heavy,

oppressing, a dense fog shut down upon his mind and enveloped it; and

now he walked as a man in great haste, hurrying, and now his pace was

slow, uncertain.

And so he went on, following the little path that bordered the woods on

one hand and the fields on the other; went on until he neared the

village--and then he stopped suddenly, and turned about. Some one had

called his name.

From the field, a man climbed over the fence and came toward him. The

man's face was tanned and rugged, his form erect, and the sleeves rolled

back above the elbows displayed browned and muscular forearms. Madison

stared at the man apathetically. This was the farm of course where Pale

Face Harry boarded, and this was Pale Face Harry--but--

"Doc," said Pale Face Harry, and he shuffled his feet and looked down,

"Doc, I got something I've been wanting to say to you for a week."

Madison still gazed at him apathetically--Pale Face Harry for the moment

was as some unwarrantable apparition suddenly appearing before him.

Pale Face Harry raised his eyes, lowered them, kicked at a clod of earth

with the toe of his boot--and raised his eyes again.

"Say," he blurted out, "I'm through, Doc. I'm--I'm going to quit."

Into Madison's stumbling brain leaped and took form but one idea--and he

jumped forward, reaching savagely for Pale Face Harry's throat.

"You'd throw me, would you! You'd throw the game--would you!" he

snarled, as his fingers locked.

Pale Face Harry, twisting, wriggled free--and retreated a step.

"No; I ain't!" he gasped--and then his sentences came tumbling out upon

each other jerkily, as though he were trying to compress what he had to

say into as few words as possible and as quickly as he could, while he

watched Madison warily. "I ain't throwing nothing. I just want to quit

myself. I keeps my mouth shut--see? I don't want none of the share

what's coming. Say, I've got more'n a hundred times that out of it. Look

at me, Doc! Say, I'm like a horse. That's the Patriarch and living

honest. Say, in all me life I never knew what it was before till we

comes here. If I took the dough what's coming I'd go back to the old

hell, and I'd go down and out again. Say, it ain't worth it, there's

nothing in it. I ain't throwing you, Doc--I just blows out of here with

me trap closed. Say, look at me, Doc--don't you get what I mean?"

And then Madison burst into a peal of wild, strange laughter; and, as

though no man stood before him, started on along the path--and Pale Face

Harry sidled out of his way and stared after him.

"For--for God's sake, Doc," he called out, stammering, "what's the

matter?"

But Madison made no answer. He heard Pale Face Harry call out behind

him; in a subconscious, mazed way, he sensed the other following him,

gropingly, hesitantly, for a few yards, then hold back--and finally

stop.

The path swerved. Madison went on--blindly, mechanically, as though,

once set in motion, he must go on. Some ghastly, unnatural thing was

clogging his brain; not only in a mental way, but clogging it until

there was physical hurt and pain, an awful tightness--something--if he

could only reach it with his fingers and claw it away! There was black

madness here, and a pain insufferable--a damnable impotence, robbing him

of even the power, the faculty to think or reason, or to make himself

understand in any logical degree the meaning or the cause of this thing

that sent his brain swirling sick.

He halted. His lips were working; the muscles of his face quivered. And

suddenly, snatching his hat from his head, he flung himself on the

ground and plunged face and head, feverishly, tigerishly, into the

little brook that ran beside the path. Again and again he buried his

face in the cold, clear, refreshing water--and then, still on hands and

knees, he raised his head to listen. Softly, full of a great peace, full

of a strange sweetness that knew no discord, no strife, the notes of the

chapel bell floated across the fields. Evening had come; the day's work

was done--it was benediction time. It was the call of the faithful--the

Angelus of those who believed.

The Miracle Man · 第 12 / 15 段