“Twenty years ago. The Black Prince, King Richard’s father, has been

dead about ten years, and he must often have come to this Savoy Palace

to see John of Gaunt, his brother, and his so-called prisoner King

John, of whom every one was very fond.”

They had fortunately lingered some time before the palace of the Savoy,

to allow the Black monks to land at steps near it. Afterwards there was

a long wait while the waterman who rowed the boat, followed them up a

narrow lane over-arched with white hawthorn, and was seen to enter a

little house with tiny latticed-paned windows and a swinging sign-board

above its porch.

“That’s a tavern, and he’s gone to drink what he no doubt calls ‘a

stoup of wine,’” said Godmother. “The muddy lane there, all overhung

with trees, is now one of the narrow streets near the Savoy Hotel,

leading into the Strand. At this moment of the _twentieth_ century, it

is blocked with motor omnibuses and taxicabs!” she added with a smile.

Betty was glad of the delay, for it gave her time to look long at the

stately palace, and at the other great houses lining the right bank of

the river, with their backgrounds of gardens and orchards melting into

green fields and woods where now, streets and innumerable buildings

stretch for miles and miles. Presently the boatman returned, whistling

a cheerful air, and wiping his lips on the sleeve of his leather

jerkin. Springing into the boat he began to row very quickly, and in a

few minutes, as it seemed, Godmother said, “Here we are at the Palace

of Westminster.”

All Betty could see from the river, was a strong brick wall, turreted

and pierced with gates.

“The Palace of Westminster? There isn’t one now, is there?” she asked,

as they went up steps from the river.

“Not in reality. There is no actual palace here in our time. Yet

because it stands on the same ground, another name for our modern

Houses of Parliament is ‘The Palace of Westminster.’”

“Why, yes! The wide road outside it, is called Old Palace Yard, of

course. I remember now. But there isn’t any of the old palace left, is

there?”

“There is just one building left of what was the home of all the Kings

of England from long before William the Conqueror till the time of

Henry the Eighth.”

They were passing under the arch of the gateway at the moment—a fine

stone gateway.

“This has only just been built by the present King,” Godmother

observed. “It is quite a new gate, as you see.”

But Betty gave a cry of amazement when on passing through the gate

she found herself in what was practically a little walled town, apart

from the rest of London. The wall enclosed not only the Palace, and

the great Abbey, but also little streets full of houses in which lived

carpenters, stonemasons, armourers, jewellers, the makers of priestly

robes, goldsmiths, blacksmiths—in fact, traders of every kind who

worked either for the Palace or the Abbey, or for both.

Her thoughts went back to the swampy island of a thousand years ago.

Here she was, standing on the very same isle. Yet how changed! Instead

of a forest of reeds and bushes, here was a stately Palace and a still

more stately Abbey. Busy men and women lived, where formerly only birds

and water-rats made their homes. The island had, in fact, become a

little town, divided from the greater city by massive walls.

“We are facing the Palace now,” said Godmother presently. “Do you see

anything about it that looks familiar?”

“Why, surely that’s Westminster Hall?” Betty exclaimed after a moment,

pointing to a long steep-roofed building in the midst of towers and

pinnacles that were strange to her.

“Yes, and the only part of the Old Palace that will remain to the time

in which you and I live. It was built by William Rufus, so it is old,

even in this fourteenth century.”

“But it looks so new.”

“That’s because it has just been altered and almost rebuilt by the King

now reigning. Let us go and look at the beautiful inner roof of the

Hall.”

“The next time I see it, when we’ve moved on to our own time, it won’t

look like this,” Betty observed, gazing up at its rafters as they

entered Westminster Hall. “It will be all dark and old, won’t it? But

it will be awfully interesting to think I saw it just after it was

rebuilt and improved.”

“That’s Richard’s coat of arms up there below the line of windows,”

said Godmother. “You see the white hart is repeated again and again.

Don’t forget to look out for it when you see this Hall again—in

ordinary circumstances, I mean, without the ‘magic.’ And don’t forget

either that, except for the Tower, there’s no building in our history

that has seen so much misery,” she added. “Think of all the famous

people who have been tried here, and condemned to death.”

“Poor Charles the First was one, wasn’t he? Oh, Godmother, isn’t it

strange to think it hasn’t happened yet—and won’t happen for—let me

see?—about two hundred years!”

“Now for just a glimpse of the Abbey,” said Godmother after a moment,

“and then we’ll slip back into our own day for a little while. It won’t

do to see too much all at once.”

“I could stay for ever in this London!” Betty declared. “You’ll bring

me back again, won’t you, Godmother? I mean to just this time in the

fourteenth century. It’s so frightfully interesting.”

She had turned round to gaze at the beautiful Abbey in front of the

Palace, the very Abbey so near to which her godmother lived. But at

first sight she scarcely recognized it as the old grey place she knew,

blackened by the years and the smoke of ages.

“It looks so clean and white,” she said. “And where are the towers

that you see when you come up Victoria Street? And where is Henry the

Seventh’s Chapel?”

“Now there’s a silly child!” cried Godmother. “How could there be a

Henry the Seventh’s Chapel when we are only at the reign of Richard the

Second—nearly a hundred years before Henry the Seventh reigned?”

“I forgot,” said Betty meekly.

“As for the towers you mention, they weren’t built till the eighteenth

century, long after Henry the Seventh’s time.”

“But though the Abbey looks different, it’s quite as _big_ as it is

now, don’t you think so?”

“Yes, it covers quite as much ground, though, as you see, a good deal

of it looks different from the Abbey of our day. That’s because from

time to time, certain parts have been pulled down, and built in another

way. We’ll sit down here in the porch a moment and watch the people

going in.”

As they rested in the deep sculptured porch with the image of the

Virgin above it, men, women, and children of all ranks were continually

entering or leaving the Church. Now it was a soldier in a tight leather

cap, leather tunic or jerkin, and long hose. Now a great lady arriving

in a litter borne by serving-men from which she alighted in the porch,

and swept into the Church. One of these wore a short velvet jacket

edged with ermine, over a long silken skirt. Her hair was twisted up

into bosses on either side of her ears, and covered with a golden net,

and her cloak, kept together in front with a jewelled clasp, trailed

behind her as she walked.

Following her came a boy, perhaps her son, as fantastically dressed

as the young man Betty had recently seen on London Bridge. All of the

people, she noticed, crossed themselves as they passed the statue of

the Virgin on entering the Abbey, and this reminded her that England

was still a Roman Catholic country.

[Illustration]

She thought she would never be tired of watching the scene before her,

nor of letting her eyes wander over all the monasteries and gardens

enclosed by the walls of Westminster.

The bells began to ring for service within the Abbey.... They were

still ringing when she found the white-panelled walls of Godmother’s

parlour round her, and rubbed her eyes as though to clear them of a

vision....

“The Abbey bells!” exclaimed Godmother. “Ringing just as they rang long

ago, when Chaucer was alive.”

“You said we might perhaps see him,” said Betty. “But we didn’t.”

She knew something about Chaucer, for she had read one or two of the

stories from the “Canterbury Tales,” and now that she had looked at

London as it was when he lived in it, she was anxious to see the great

poet himself.

“Plenty of time. Didn’t I promise you should go back again? As soon as

we’ve taken a little walk about the Westminster of to-day, we can slip

into fourteenth-century London as soon as we please.”

“The best of this magic is that it doesn’t _really_ take any time, and

yet it seems that we’ve been away hours and hours!” remarked Betty, as

they turned out of Godmother’s quiet road.

They were in Victoria Street now, with the Houses of Parliament

shutting out the view of the river, and on their right the Abbey. There

was a roar of traffic, and all the ground on the left was covered with

great modern buildings.

Betty remembered the walled town she had just seen, with its quaint

houses, its shops full of workmen, its gardens and monasteries. Nothing

of that olden Westminster remained, except the Abbey itself and

Westminster Hall, just opposite to her, with its sloping roof, which

at the moment modern workmen, standing upon scaffolding, were busy

repairing.

She gave a long sigh. “Isn’t it _wonderful_ to think it has changed

like this,” she said. “Even the Abbey doesn’t look the same because

of Henry the Seventh’s Chapel at the back there and the towers in

front,—which weren’t built the last time we saw it.”

“I might go on telling you about that Abbey and its changes, all day,”

was Godmother’s answer. “There’s so much to learn about it that I only

propose to talk about a little bit at a time. We’ll just walk through

it now, and out into the cloisters.”

Betty followed her, looking up at the beautiful soaring arches as they

passed quickly across the Church and out at a little leather-covered

door into a wonderful colonnade, enclosing a square of emerald-green

grass.

“This is a very, very old part of the building,” said Godmother. “But

long before even this colonnade, or cloister as it is called, was

built, there was a church here. Sit down, and I’ll tell you a pretty

story about the first Abbey. Now,” she began, “you must think of the

swampy island you saw in Roman times, and remember that our feet are on

that very island now. Well, as you know, time passed, the Romans went,

and our ancestors, the first English people came. They were heathens,

worshipping wild gods like Thor and Woden, of whom you may have heard.

Then, after years had gone by, they were converted to Christianity by

Roman monks, and Sebert, one of their kings (who was really only what

we should call the chief of a warlike tribe), built a church on this

very spot, which though it had become by this time fairly dry, was so

covered with rough thickets that it was called the Isle of Thorns, or

Thorney Island. The church, which we must picture to ourselves as a

very simple building, was to be called _St. Peter’s_. At last it was

finished and ready to be consecrated, that is, dedicated to God, and

the Bishop Mellitus, who was the first Bishop of London, was coming to

perform the ceremony.

“Now the day before the consecration, was a Sunday, and in the twilight

that Sunday evening a certain fisherman called Edric, was busy with

his nets on the banks of this Isle of Thorns, when he saw near the

newly-built church of St. Peter a mysterious light. Presently he saw

approaching, a venerable-looking man who asked to be rowed across a

stream which lay between the shores of the island and the church. Edric

consented, and on reaching the opposite bank, followed the stranger

towards the church. On the way the old man struck the ground twice

with his staff, and to the fisherman’s amazement, each time, a spring

of water gushed forth from the earth. But his wonder was increased

when he saw the new building a blaze of light, and on entering, found

it radiant with angels, each of whom held a candle. Then in the midst

of the heavenly light the old man went through all the ceremonies of

consecrating the church, while above its roof in a shining stream,

Edric saw angels ascending and descending.

“When this lovely vision had disappeared, Edric rowed the old man back

over the stream, and was bidden to tell the bishop next day that the

church was already consecrated by no less a person than St. Peter

himself! He was also to tell the bishop that the church must be called

the Abbey of Westminster.

“The old man, who was no other than St. Peter, also said that Edric

might always be sure of catching many fish, on two conditions. First

that he should never again work on a Sunday, and secondly, that he

never forgot to take a certain quantity of the fish to the monks of the

Abbey.

“So next day, when Bishop Mellitus came to perform the ceremony of

consecration, Edric told him all that had happened, and showed him the

crosses on the doors, and the wax spilt on the floor from the candles

the angels had held, and the springs of water (which, as wells, remain

to this day). The bishop was convinced of the truth of the fisherman’s

story, and changed the name of the island from Thorney, to Westminster.

So in remembrance of this appearance of St. Peter to Edric, the

Thames fishermen for nearly four hundred years from that time, always

brought a tithe of their fish to the Collegiate Church of St. Peter in

Westminster, for that is the full and proper name of Westminster Abbey.”

“It’s a nice story,” said Betty. “The fisherman in it reminds me of the

time when we came to this place in Roman days in a fisherman’s boat.

But that was long before it was called Thorney Island, of course.”

“Well,” continued Godmother, “part of what I’ve just told you is only a

legend. Now we come to real history. That first church built by Sebert,

stood here for about four hundred years. Then Edward the Confessor came

to the throne. He, as his name tells you, was a very pious king, and he

had made a vow to God to build a great church. So he pulled down the

one already standing on Thorney Island (as it was still called by the

people) and on its foundations built another huge one—quite as large

as this present Abbey. It was finished just before he died, and the

very next year, in 1066, William the Conqueror took possession not only

of the palace in which Edward the Confessor and the kings before him,

had lived (that old palace we have so lately seen, you know)—but of

the great new church belonging to it.

“It stood as Edward the Confessor left it, for two hundred years. Then

King Henry the Third pulled nearly all of it down, so that very little

is left of the first ancient building now. The Chapel of the Pyx, which

we will see one day, is, however, a part of Edward the Confessor’s

Abbey, and so are some of the walls of this very cloister we are in.

“Edward the First, Henry’s son, went on with the re-building, and while

Chaucer was alive, a great deal was added to it. The famous Jerusalem

Chamber, for instance, was only just finished when you saw the Abbey

by magic this morning, and so was the greater part of this cloister in

which we are sitting.”

“No wonder the Abbey looked all bright and new,” said Betty. “What is

the _Jerusalem_ Chamber?”

“We’ll go and see it, and I’ll tell you about it when we’re there.”

They went through a little ancient court into a beautiful old room with

a stained-glass window at one end.

“Chaucer may have seen that glass,” said Godmother, “for it was painted

long before he was born. This room was built during his lifetime, for

the use of the Abbot’s guests when they came to stay with him. It was

probably called the Jerusalem Chamber because there used to be tapestry

on its walls showing the history of Jerusalem. And about that there is

a curious story.”

“Do tell me!” Betty urged.

“I will, when we go home. Or rather, I’ll let Shakespeare tell you,

because he has used the story in one of his plays.

“Many things have happened in this Jerusalem Chamber from the days when

Chaucer saw it, up to our own time. Not so very long ago, for instance,

when the Bible was revised—(that is, translated again, and much of

the wording altered) the learned men who worked at it sat here.... Now

we’ve seen as much of the Abbey as was in existence when Richard the

Second was king. But of course an enormous amount of its history comes

after his time.”

“Does the story of the Jerusalem Chamber come after?” Betty asked.

“Yes, but so soon afterwards that we’ll read it in the play of _Henry

the Fourth_.”

“He was the very next king after Richard, wasn’t he? Oh yes, of

course. He was the man who usurped the throne, and had poor Richard

murdered.”

Directly they reached the parlour at home, Betty ran to the bookcase

for a “Shakespeare,” and Godmother turned to the play.

“I must tell you what had happened before the few last words which are

all I’m going to read!” she said. “King Henry the Fourth was setting

out on a journey to the Holy Land, and just before he started, he went

to pray in the Abbey. But there, before the altar, he was suddenly

taken ill, and became unconscious. They carried him into the Abbot’s

guest-chamber—the Jerusalem Room which you’ve just seen, but later

moved him to another apartment. There when he was dying, remembering

the place to which he had first been carried from the Abbey, he said:

‘Doth any name particular belong

Unto the lodging where I first did swoon?’

and Earl Warwick answered:

‘’Tis called _Jerusalem_, my noble lord.’

“Then the king, remembering a prophecy about the place of his death,

replied:

‘Laud be to Heaven!—even there my life must end.

It hath been prophesied to me many years,

I should not die but in Jerusalem;

Which vainly I supposed the Holy Land:—

But bear me to that chamber; there I’ll lie;

In that Jerusalem shall Harry die.’”

“And that’s true? He really _did_ die there?” asked Betty.

“Yes. So in a way the old prophecy, you see, was fulfilled, for he

died in a room _called_ ‘Jerusalem.’ There too, according to the old

story which Shakespeare also tells in the same play, Prince Henry,

when he was watching by his father’s bedside, put on the crown he was

afterwards to wear as Henry the Fifth. But we’re getting too far away

from the days of Richard the Second, and as we’re going back to them as

soon as we’ve had tea, I mustn’t confuse you.”

Later on in the afternoon, when the magic rite of book and chain had

been duly performed, to her great delight Betty found herself again

standing at the gate leading on to London Bridge. After a short

interval of modern days, she was delighted to be once more back in the

Middle Ages.

“You remember _Thames_ Street?” said Godmother,—“the street so crowded

this morning with motor lorries that we had to turn out of it? Well,

here it is!”

She pointed to the entrance of a lane open on one side to the clear

sparkling river, and on the other lined with the quaintest of what

Betty called “fairy-book” houses. They were built of wood, with timber

beams across the front, each story projecting farther than the one

below it, so that the topmost windows hung far out above the street

below. Boards painted with various signs, such as fiery dragons, golden

fish, and green bushes, swung over the dark little shops on the ground

floor. The street upon which they opened, was muddy and unpaved, but

it was filled with a bustling crowd of gaily-dressed people. Recalling

the Thames Street of this morning’s visit, the river hidden by enormous

warehouses, motor vehicles blocking the roadway, Betty could scarcely

believe this to be the same spot.

“I want you to look at that house,” said Godmother, pointing to one

of the gabled dwellings that had a wine shop below it. “Because

there, Geoffrey Chaucer, the poet, was born and lived for some years.

His father, as you may guess, by the sign over the door, was a wine

merchant—or _vintner_ as he would say.”

“Doesn’t Chaucer live there still?”

“No, he’s an old man now, and he’s living in that little walled town of

Westminster, close to the Abbey. The year we’re in—1388—is the last

year of his life, and he has still to write his most famous poem.”

“That’s the ‘Canterbury Tales,’ I know!”

Just at the moment, and before Godmother could answer, there was a stir

and commotion in Thames Street. Children began to run, shouting to one

another, “The Pilgrims!” “The Pilgrims come!” and there was a general

rush in one direction.

Betty and her godmother followed the crowd. “Let us stand here in the

middle of the bridge, outside the Chapel of St. Thomas,” suggested

Godmother. “Then we shall see them come in at the north gate and go out

at the one at the other end of the bridge, into Southwark.”

They had just taken their places, when an elderly quiet-looking man

dressed in a long brown garment, with a hood whose long peak hung to

his shoulder, came up, stepping softly, and stood beside them.

[Illustration]

“Do you know who this is?” Godmother asked. “No other than Geoffrey

Chaucer, the great poet!”

Betty was torn between her desire to look at him, and her excitement

at the approach of a train of people on horseback, who now came

clattering through the gateway on to the bridge.

“This is a company of pilgrims just setting out on their journey to

Canterbury to visit the tomb of St. Thomas à Becket,” Godmother told

her. “Do you notice how intently the poet is watching them?”

Betty glanced at him, and saw him smiling quietly as the procession

passed by.

“He will go home presently and perhaps begin to write the ‘Canterbury

Tales’ this very day, making an Introduction or _Prologue_ to it which

will describe all those people on horseback just as you see them.”

“Do look at that pretty nun. How she’s laughing!” exclaimed Betty. “Oh!

what a lovely coat!” she cried again, as a handsome young man rode by,

gaily and beautifully dressed. “And look at the fat woman with the

scarlet stockings, and the enormous hat.... But what a lot of monks and

nuns there are, aren’t there?”

“Yes,” agreed Godmother, “London is full of them. Everywhere there are

great rich monasteries, and some of the monks and nuns are becoming

very lazy and neglecting their duties. You may read in the Introduction

to the ‘Canterbury Tales’ how Chaucer makes fun of them. Though he

doesn’t forget to do honour to those of them who are good,” she added.

“Look at that kind-faced priest with the shabby robe. No doubt Chaucer

is at this moment planning how he will describe that very man as the

good priest, who practises what he preaches.”

Betty glanced at the poet again, and wondered what he was thinking.

“Let us follow the pilgrims a little way,” Godmother suggested. “Before

they actually leave London they are sure to go into some inn to have a

meal or to drink wine, and you would perhaps be interested to see what

fourteenth-century inns were like?”

Betty was more than willing, and glancing back she saw that the

quiet-looking, brown-clad poet was following them.

“Now we are in Southwark,” Godmother said as they went off the bridge

through the gateway under the tower. “Think of Southwark as you saw it

this morning! _There_,” she pointed to a meadow golden with buttercups,

“ran the railway bridge over which trains were thundering, and where as

far as you can see now, there are hedges and woods, if we had walked

this morning we should have gone through miles of streets in Bermondsey

and Newington.”

“Oh! And look at the church!” exclaimed Betty. “It’s the St. Saviour’s

we saw this morning, isn’t it? But that beautiful great building near

it is a monastery, I suppose?”

She remembered the narrow strip of churchyard she had seen a short time

previously, and gazed with astonishment at the gardens and broad green

lands that now surrounded the church.

“Oh, how different. _What_ a pity!” she sighed. “I wish we didn’t live

at the time we do, don’t you, Godmother?”

“Our times have _some_ advantages,” said Godmother. “We’ll count up our

blessings some day. But I agree that we haven’t improved Southwark,”

she went on, smiling. “A few houses, but only a few, as you see, are

standing on this side of the river in the fourteenth century, and most

of these, as you may notice, are inns.”

The train of pilgrims was entering the courtyard of one of them at the

moment, and soon Betty and Godmother stood in the archway looking round

at the quaint old place.

“This inn is called the _Tabard_,” Godmother told her. “It is the very

one that Chaucer, now, as you observe, talking to the fat landlord, is

going to describe as the meeting-place of his pilgrims.”

“What does the Tabard mean?” Betty asked, looking at the sign-board over

the main door. “There’s something painted on that sign, but I don’t

know what it is.”

Magic London · 第 3 / 11 段