With a barber's shop in Lichfield is associated an amusing s

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[Illustration: The House of Commons in the time of Sir Robert Walpole.

Wigs in Parliament.]

AT THE SIGN

OF THE BARBER'S POLE

STUDIES IN HIRSUTE HISTORY

BY

WILLIAM ANDREWS

AUTHOR OF "BYGONE ENGLAND"

ETC.

COTTINGHAM, YORKSHIRE

J.R. TUTIN

1904

PREFACE

Connected with the barber and his calling are many curiosities of

history. In the following pages, an attempt has been made, and I trust

not without success, to bring together notices of the more interesting

matters that gather round the man and his trade.

In the compilation of this little book many works have been consulted,

and among those which have yielded me the most information must be

mentioned the following:--

"Annals of the Barber-Surgeons of London," by Sidney Young, London,

1890.

"An Apology for the Beard," by Artium Magister, London, 1862.

"Barbers' Company," by G. Lambert, F.S.A., London, 1881.

"Barber-Surgeons and Chandlers," by D. Embleton, M.D.,

Newcastle-on-Tyne, 1891.

"Barber's Shop," by R.W. Proctor, edited by W.E.A. Axon,

Manchester, 1883.

"Philosophy of Beards," by T.S. Cowing, Ipswich.

"Some Account of the Beard and the Moustachio," by John Adey

Repton, F.S.A., London, 1839.

"Why Shave?" by H.M., London.

_Notes and Queries_, and other periodicals, as well as encyclopædias,

books on costume, and old plays, have been drawn upon, and numerous

friends have supplied me with information. I must specially mention with

gratitude Mr Everard Home Coleman, the well-known contributor to _Notes

and Queries_.

Some of my chapters have been previously published in the magazines, but

all have been carefully revised and additions have been made to them.

In conclusion, I hope this work will prove a welcome contribution to the

byways of history.

WILLIAM ANDREWS.

ROYAL INSTITUTION, HULL,

_August 11th_, 1904.

CONTENTS

PAGE

THE BARBER'S POLE 1

THE BARBER'S SHOP 8

SUNDAY SHAVING 21

FROM BARBER TO SURGEON 26

BYGONE BEARDS 33

TAXING THE BEARD 56

POWDERING THE HAIR 59

THE AGE OF WIGS 71

STEALING WIGS 93

THE WIG-MAKERS' RIOT 95

THE MOUSTACHE MOVEMENT 96

INDEX 117

LIST OF ILLUSTRATIONS

PAGE

The House of Commons in the time of Sir Robert Walpole.

Wigs in Parliament _Frontispiece_

The Barber's Shop, from "Orbis Pictus" 3

A Barber's Shop in the time of Queen Elizabeth 10

William Shakespeare (the Stratford Portrait) 15

Henry VIII. receiving the Barber-Surgeons 29

Bayeux Tapestry 34

John Knox, born 1505, died 1572 37

John Taylor, the Water Poet, born 1580, died 1654 38

The Lord Mayor of York escorting Princess Margaret

through York in 1503. Shows the Beard of the Lord

Mayor 39

Beards in the Olden Time 42

The Gunpowder Conspirators, from a print published

immediately after the discovery. Shows the Beards in

Fashion in 1605 45

Geoffrey Chaucer, born about 1340, died 1400 52

Russian Beard Token, A.D. 1705 58

Egyptian Wig (probably for female), from the British

Museum 72

The Earl of Albemarle 78

Man with Wig and Muff, 1693 (_from a print of the period_) 80

Campaign Wig 81

Periwig with Tail 82

Ramillie Wig 83

Pig-tail Wig 84

Bag-Wig 84

Heart-Breakers 89

With and Without a Wig 90

Lord Mansfield 93

Stealing a Wig 94

George Frederick Muntz, M.P. 100

Charles Dickens, born 1812, died 1870 106

THE BARBER'S POLE

In most instances the old signs which indicated the callings of

shopkeepers have been swept away. Indeed, the three brass balls of the

pawn-broker and the pole of the barber are all that are left of signs of

the olden time. Round the barber's pole gather much curious fact and

fiction. So many suggestions have been put forth as to its origin and

meaning that the student of history is puzzled to give a correct

solution. One circumstance is clear: its origin goes back to far distant

times. An attempt is made in "The Athenian Oracle" (i. 334), to trace

the remote origin of the pole. "The barber's art," says the book, "was

so beneficial to the publick, that he who first brought it up in Rome

had, as authors relate, a statue erected to his memory. In England they

were in some sort the surgeons of old times, into whose art those

beautiful leeches, [Footnote: This is the old word for doctors or

surgeons.] our fair virgins, were also accustomed to be initiated. In

cities and corporate towns they still retain their name

Barber-Chirurgeons. They therefore used to hang their basons out upon

poles to make known at a distance to the weary and wounded traveller

where all might have recourse. They used poles, as some inns still

gibbet their signs, across a town." It is a doubtful solution of the

origin of the barber's sign.

[Illustration: The Barber's Shop, from "Orbis Pictus."]

A more satisfactory explanation is given in the "Antiquarian Repertory."

"The barber's pole," it is there stated, "has been the subject of many

conjectures, some conceiving it to have originated from the word poll or

head, with several other conceits far-fetched and as unmeaning; but the

true intention of the party coloured staff was to show that the master

of the shop practised surgery and could breathe a vein as well as mow a

beard: such a staff being to this day by every village practitioner put

in the hand of the patient undergoing the operation of phlebotomy. The

white band, which encompasses the staff, was meant to represent the

fillet thus elegantly twined about it." We reproduce a page from

"Comenii Orbis Pictus," perhaps better known under its English title of

the "Visible World." It is said to have been the first illustrated

school-book printed, and was published in 1658. Comenius was born in

1592, was a Moravian bishop, a famous educational reformer, and the

writer of many works, including the "Visible World: or a Nomenclature,

and Pictures of all the chief things that are in the World, and of Men's

Employments therein; in above an 150 Copper Cuts." Under each picture

are explanatory sentences in two columns, one in Latin, and the other in

English, and by this means the pupil in addition to learning Latin, was

able to gain much useful knowledge respecting industries and other

"chief things that are in the World." For a century this was the most

popular text-book in Europe, and was translated into not fewer than

fourteen languages. It has been described as a crude effort to interest

the young, and it was more like an illustrated dictionary than a child's

reading-book. In the picture of the interior of a barber's shop, a

patient is undergoing the operation of phlebotomy (figure 11). He holds

in his hand a pole or staff having a bandage twisted round it. It is

stated in Brand's "Popular Antiquities" that an illustration in a missal

of the time of Edward the First represents this ancient practice.

In a speech made in the House of Peers by Lord Thurlow, in support of

postponing the further reading of the Surgeons' Incorporation Bill, from

July 17th, 1797, to that day three months, the noble lord said that by a

statute still in force, the barbers and surgeons were each to use a

pole. The barbers were to have theirs blue and white, striped, with no

other appendage; but the surgeon's pole, which was the same in other

respects, was likewise to have a galley-pot and a red rag, to denote the

particular nature of their vocation.

A question is put in the _British Apollo_ (London, 1708):--

"... Why a barber at port-hole

Puts forth a party-coloured pole?"

This is the answer given:--

"In ancient Rome, when men lov'd fighting,

And wounds and scars took much delight in,

Man-menders then had noble pay,

Which we call surgeons to this day.

'Twas order'd that a hughe long pole,

With bason deck'd should grace the hole,

To guide the wounded, who unlopt

Could walk, on stumps the others hopt;

But, when they ended all their wars,

And men grew out of love with scars,

Their trade decaying; to keep swimming

They joyn'd the other trade of trimming,

And on their poles to publish either,

Thus twisted both their trades together."

During his residence at his living in the county of Meath, before he was

advanced to the deanery of St Patrick's, Dean Swift was daily shaved by

the village barber, who gained his esteem. The barber one morning, when

busy lathering Swift, said he had a great favour to ask his reverence,

adding that at the suggestion of his neighbours he had taken a small

public-house at the corner of the churchyard. He hoped that with the two

businesses he might make a better living for his family.

"Indeed," said the future Dean, "and what can I do to promote the happy

union?"

"And please you," said the barber, "some of our customers have heard

much about your reverence's poetry; so that, if you would but condescend

to give me a smart little touch in that way to clap under my sign, it

might be the making of me and mine for ever."

"But what do you intend for your sign?" inquired the cleric.

"The 'Jolly Barber,' if it please your reverence, with a razor in one

hand and a full pot in the other."

"Well," rejoined Swift, "in that case there can be no great difficulty

in supplying you with a suitable inscription." Taking up a pen he

instantly wrote the following couplet, which was duly painted on the

sign and remained there for many years:--

"Rove not from pole to pole, but step in here,

Where nought excels the shaving but--the beer."

Another barber headed his advertisement with a parody on a couplet from

Goldsmith as follows:--

"Man wants but little beard below,

Nor wants that little long."

A witty Parisian hairdresser on one of the Boulevards put up a sign

having on it a portrait of Absalom dangling by his hair from a tree, and

Joab piercing his body with a spear. Under the painting was the

following terse epigram:--

"Passans, contemplez le malheur

D'Absalom pendu par la nuque;

Il aurait évité ce malheur,

S'il eut porté une perruque."

The lines lose some of their piquancy when rendered into English as

follows:--

"The wretched Absalom behold,

Suspended by his flowing hair:

He might have 'scaped this hapless fate

Had he chosen a wig to wear."

THE BARBER'S SHOP

The old-fashioned barber has passed away. In years agone he was a

notable tradesman, and was a many-sided man of business, for he shaved,

cut hair, made wigs, bled, dressed wounds, and performed other offices.

When the daily papers were not in the hands of the people he retailed

the current news, and usually managed to scent the latest scandal, which

he was not slow to make known--in confidence, and in an undertone, of

course. He was an intelligent fellow, with wit as keen as his razor;

urbane, and having the best of tempers. It has been truthfully said of

this old-time tradesman that one might travel from pole to pole and

never encounter an ill-natured or stupid barber.

Long days are usually worked in the barber's shop, and many attempts

have been made to reduce the hours of labour. We must not forget that

compulsory early closing is by no means a new cry, as witness the

following edict, issued in the reign of Henry VI., by the Reading

Corporation: "Ordered that no barber open his shop to shave any man

after 10 o'clock at night from Easter to Michaelmas, or 9 o'clock from

Michaelmas to Easter, except it be any stranger or any worthy man of the

town that hath need: whoever doeth to the contrary to pay one thousand

tiles to the Guildhall."

[Illustration: A Barber's Shop in the Time of Queen Elizabeth.]

In the reign of Queen Elizabeth the rich families from the country

thought it no disgrace in that simple age to lodge in Fleet Street, or

take rooms above some barber's shop. At this period, indeed, the

barber-surgeon was a man of considerable importance. His shop was the

gathering-place of idle gallants, who came to have their sword-wounds

dressed after street frays. The gittern, or guitar, lay on the counter,

and this was played by a customer to pass away the time until his turn

came to have his hair trimmed, his beard starched, his mustachios

curled, and his love-locks tied up. We give a picture of a barber's shop

at this period; the place appears more like a museum than an

establishment for conducting business. We get a word picture of a

barber's shop in Greene's "Quip for an Upstart Courtier," published in

1592. It is related that the courtier sat down in the throne of a chair,

and the barber, after saluting him with a low bow, would thus address

him: "Sir, will you have your worship's hair cut after the Italian

manner, short and round, and then frounst with the curling irons to make

it look like a half-moon in a mist; or like a Spaniard, long at the ears

and curled like to the two ends of an old cast periwig; or will you be

Frenchified with a love-lock down to your shoulders, whereon you may

wear your mistress's favour? The English cut is base, and gentlemen

scorn it; novelty is dainty. Speak the word, sir, my scissors are ready

to execute your worship's will." A couple of hours were spent in combing

and dressing the ambrosial locks of the young Apollo; then the barber's

basin was washed with camphor soap. At last the beard is reached, and

with another congee the barber asks if his worship would wish it to be

shaven; "whether he would have his peak cut short and sharp, and amiable

like an inamorato, or broad pendent like a spade, to be amorous as a

lover or terrible as a warrior and soldado; whether he will have his

crates cut low like a juniper bush, or his subercles taken away with a

razor; if it be his pleasure to have his appendices primed, or his

moustachios fostered to turn about his ears like vine tendrils, fierce

and curling, or cut down to the lip with the Italian lash?--and with

every question a snip of the scissors and a bow." If a poor man entered

the shop he was polled for twopence, and was soon trimmed around like a

cheese, and dismissed with scarce a "God speed you."

The Puritans looked askance at the fashions introduced by the barbers.

No wonder when the talk in the shop was about the French cut, the

Spanish cut, the Dutch and the Italian mode; the bravado fashion, and

the mean style. In addition to these were the gentleman's cut, the

common cut, the Court cut, and county cut. "And," wrote Stubbes with

indignation, "they have other kinds of cuts innumerable, and, therefore,

when you come to be trimmed they will ask you whether you will be cut to

look terrible to your enemy, or amiable to your friend; grim and stern

in countenance, or pleasant and demure; for they have diverse kinds of

cuts for all these purposes, or else they lie! Then when they have done

all their feats, it is a world to consider how their mowchatows must be

preserved and laid out from one cheek to another; yea, almost from one

ear to another, and turned up like two horns towards the forehead.

Besides that, when they come to the cutting of the hair, what tricking

and trimming, what rubbing, what scratching, what combing and clawing,

what trickling and toying, and all to tawe out money, you may be sure.

And when they come to washing--oh, how gingerly they behave themselves

therein! For then shall your mouth be bossed with the lather or foam

that riseth of the balls (for they have their sweet balls wherewith they

use to wash), your eyes closed must be anointed therewith also. Then

snap go the fingers full bravely, God wot. Thus this tragedy ended,

comes the warm clothes to wipe and dry him withall; next the ears must

be picked, and closed together again, artificially, forsooth! The hair

of the nostrils cut away, and everything done in order, comely to

behold. The last action in the tragedy is the payment of money; and lest

these cunning barbers might seem unconscionable in asking much for their

pains, they are of such a shameful modesty as they will ask nothing at

all, but, standing to the courtesy and liberality of the giver, they

will receive all that comes, how much soever it be, not giving any

again, I warrant you; for take a barber with that fault, and strike off

his head. No, no; such fellows are rarae aves in terris, nigrisque

simillimæ cygnis--rare birds on the earth, and as scarce as black swans.

You shall have also your fragrant waters for your face, wherewith you

shall be all besprinkled; your musick again, and pleasant harmony shall

sound in your ears, and all to tickle the same with rare delight, and in

the end your cloak shall be brushed, and 'God be with you, gentlemen!'"

John Gay issued in 1727 the first series of his "Fables," and in the one

entitled "The Goat Without a Beard" we get a description of the barber's

shop of the period:--

"His pole, with pewter basins hung,

Black, rotten teeth in order strung,

Rang'd cups that in the window stood,

Lin'd with red rags, to look like blood,

Did well his threefold trade explain,

Who shav'd, drew teeth, and breath'd a vein."

The wooden chair is next referred to, and then it is stated:--

"Mouth, nose, and cheeks, the lather hides:

Light, smooth, and swift, the razor glides."

Old barbers' shops had their regulations in poetry and prose. Forfeits

used to be enforced for breaches of conduct as laid down in laws which

were exhibited in a conspicuous manner, and might be read while the

customer was awaiting his turn for attention at the hands of the knight

of the razor. Forfeits had to be paid for such offences as the

following:--

For handling the razors,

For talking of cutting throats,

For calling hair-powder flour,

For meddling with anything on the shop-board.

Shakespeare alludes to this custom in "Measure for Measure," Act v. sc.

1, as follows:--

"The strong statutes

Stand like the forfeits in a barber's shop,

As much in mock as mark."

[Illustration: William Shakespeare (the Stratford Portrait).]

Half a century ago there was hanging a code of laws in a barber's shop

in Stratford-on-Avon, which the possessor mounted when he was an

apprentice some fifty years previously. His master was in business as a

barber at the time of the Garrick Jubilee in 1769, and he asserted that

the list of forfeits was generally acknowledged by all the fraternity to

have been in use for centuries. The following lines have found their

way into several works, including Ingledew's "Ballads and Songs of

Yorkshire" (1860). In some collections the lines are headed "Rules for

Seemly Behaviour," and in others "The Barber of Thirsk's Forfeits." We

draw upon Dr Ingledew for the following version, which is the best we

have seen:--

"First come, first served--then come not late,

And when arrived keep your sate;

For he who from these rules shall swerve

Shall pay his forfeit--so observe.

"Who enters here with boots and spurs

Must keep his nook, for if he stirs

And gives with arm'd heel a kick,

A pint he pays for every prick.

"Who rudely takes another's turn

By forfeit glass--may manners learn;

Who reverentless shall swear or curse

Must beg seven ha'pence from his purse.

"Who checks the barber in his tale,

Shall pay for that a gill of yale;

Who will or cannot miss his hat

Whilst trimming pays a pint for that.

"And he who can but will not pay

Shall hence be sent half-trimmed away;

For will he--nill he--if in fault,

He forfeit must in meal or malt.

"But mark, the man who is in drink

Must the cannikin, oh, never, never clink."

The foregoing table of forfeits was published by Dr Kenrick in his

review of Dr Johnson's edition of Shakespeare in 1765, and it was stated

that he had read them many years before in a Yorkshire town. This matter

has been discussed at some length in _Notes and Queries_, and it is

asserted that the foregoing is a forgery. Some interesting comments on

the controversy appeared in the issue of March 20th, 1869.

Women barbers in the olden time were by no means uncommon in this

country, and numerous accounts are given of the skilful manner they

handled the razor. When railways were unknown and travellers went by

stage-coach it took a considerable time to get from one important town

to another, and shaving operations were often performed during the

journey, and were usually done by women. In the byways of history we

meet with allusions to "the five women barbers who lived in Drury-lane,"

who are said to have shamefully maltreated a woman in the days of

Charles II. According to Aubrey, the Duchess of Albemarle was one of

them.

At the commencement of the nineteenth century a street near the Strand

was the haunt of black women who shaved with ease and dexterity. In St

Giles'-in-the-Fields was another female shaver, and yet another woman

wielder of the razor is mentioned in the "Topography of London," by J.T.

Smith. "On one occasion," writes Smith, "that I might indulge the humour

of being shaved by a woman, I repaired to the Seven Dials, where in

Great St Andrew's Street a female performed the operations, whilst her

husband, a strapping soldier in the Horse Guards, sat smoking his pipe."

He mentions another woman barber in Swallow Street.

Two men from Hull some time ago went by an early morning trip to

Scarborough, and getting up rather late the use of the razor was

postponed until they arrived at the watering-place. Shortly after

leaving the station they entered a barber's shop. A woman lathered their

faces, which operation, although skilfully performed, caused surprise

and gave rise to laughter. They fully expected a man would soon appear

to complete the work, but they were mistaken. The female took a piece of

brown paper from a shelf, and with this she held with her left hand the

customer's nose, and in an artistic manner shaved him with her right

hand. Some amusement was experienced, but the operation was finished

without an accident. The gentlemen often told the story of their shave

at Scarborough by a woman barber.

At Barnard Castle a wife frequently shaved the customers at the shop

kept by her husband, who was often drunk and incapable of doing his

work. Louth (Lincolnshire) boasted a female barber, who is said to have

shaved lightly and neatly, and much better than most men.

Many stories, which are more or less true, are related respecting

barbers. The following is said to be authentic, and we give it as

related to us. The Duke of C---- upon one occasion entered a small

barber's shop in Barnard Castle, and upon inquiring for the master was

answered by an apprentice of fourteen that he was not at home. "Can you

shave, then?" asked the duke. "Yes, sir, I always do," was the reply.

"But can you shave without cutting?" "Yes, sir, I'll try," answered the

youth. "Very well," said the duke, while seating himself, and loading

his pistol; "but look here, if you let any blood, as true as I sit here

I'll blow your brains out! Now consider well before you begin." After a

moment's reflection, the boy began to make ready, and said, "I'm not

afraid of cutting you, sir," and in a short time had completed the feat

without a scratch, to the complete satisfaction of the duke. In gentle

tones his grace asked, "Were you not afraid of having your brains blown

out, when you might have cut me so easily?"

"No, sir, not at all; because I thought that as soon as I should happen

to let any blood, before you could have time to fire I would cut your

throat."

The smart reply won from the duke a handsome reward. It need scarcely to

be added he never resumed his dangerous threats in a barber's shop. A

lesson was taught him for life.

The barber of an English king boasted, says a story, that he must be the

most loyal man in the realm, as he had every day the regal throat at his

mercy. The king was startled at the observation, and concluded that the

barbarous idea could never have entered an honest head, and for the

future he resolved to grow a beard as a precautionary measure against

summary execution.

With a barber's shop in Lichfield is associated an amusing story, in

which the chief figure was Farquhar, a dramatist, who attained a measure

of success in the eighteenth century. His manner was somewhat pompous,

and he resented with a great show of indignation the dalliance of the

master of the shop. Whilst he was fuming, a little deformed man came up

to him and performed the operation satisfactorily. The same day Farquhar

was dining at the table of Sir Theophilus Biddulph, when he noticed the

dwarf there. Taking the opportunity of following his host out of the

room, he asked for an explanation of his conduct, and said that he

deemed it an insult to be seated in such inferior company. Amazed at the

charge, Sir Theophilus assured the dramatist that every one of the

guests was a gentleman, and that they were his particular friends.

Farquhar was not satisfied. "I am certain," he said, "that the little

humpbacked man who sat opposite me is a barber who shaved me this

morning." The host returned to the room and related the story which he

had just heard. "Ay, yes," replied the guest, who was a well-born

gentleman, "I can make the matter clear. It was I who was in the

barber's shop this morning, and as Farquhar seemed in such a hurry, and

the barber was out, I shaved him."

The works of the old dramatists and other publications contain allusions

to barbers' music. It was the practice, as we have said, when a

customer was waiting for his turn in a barber's shop to pass his time

playing on the gittern. Dekker mentions a "barber's cittern for every

serving-man to play upon." Writing in 1583, Stubbes alludes to music at

the barber's shop. In the "Diary of Samuel Pepys" we read: "After supper

my Lord called for the lieutenant's cittern, and with two candlesticks

with money in them for symballs, we made barber's music, with which my

lord was well pleased." "My Lord was easily satisfied," says a

well-known contributor to _Punch_, "and in our day would probably have

enjoyed 'the horgans.'" We may rest assured that barber's music was of

questionable melody.

SUNDAY SHAVING

In bygone England, the churchyard was a common place for holding fairs

and the vending of merchandise, and it was also customary for barbers to

shave their customers there. In 1422, by a particular prohibition of

Richard Flemmyng, Bishop of Lincoln, the observance of the custom was

restrained.

The regulations of the Gild of Barber-Surgeons of York deal with Lord's

Day observance. In 1592 a rule was made, ordering, under a fine of ten

shillings, "that none of the barbers shall work or keep open their shop

on Sunday, except two Sundays next or before the assize weeks." Another

law on the question was made in 1676 as follows:--"This court, taking

notice of several irregular and unreasonable practices committed by the

Company of Barber-Surgeons within this city in shaving, trimming, and

cutting of several strangers' as well as citizens' hair and faces on the

Lord's Day, which ought to be kept sacred, it is ordered by the whole

consent of this court, and if any brother of the said Company shall at

any time hereafter either by himself, servant, or substitute, tonse,

barb, or trim any person on the Lord's Day, in any Inn or other public

or private house or place, or shall go in or out of any such house or

place on the said day with instruments used for that purpose, albeit the

same cannot be positively proved, or made appear, but in case the Lord

Mayor for the time being shall upon good circumstances consider and

adjudge any such brother to have trimmed or barbed as is aforesaid, that

then any such offender shall forfeit and pay for every such offence

10s., one half to the Lord Mayor, and the other to the use of the said

Company, unless such brother shall voluntarily purge himself by oath to

the contrary; and the searchers of the said Company for the time being

are to make diligent search in all such as aforesaid public or private

places for discovery of such offenders."

The following abstract of an order of the Barber-Surgeons of Chester

shows that the members of the Company were strict Sabbatarians:--

"1680, seconde of July, ordered that no member of the Company or his

servant or apprentice shall trim any person on the Lord's Day commonly

called Sunday."

In the Corporation records of Pontefract under the year 1700 it is

stated: "Whereas divers complaints have been made that the barbers of

the said borough do frequently and openly use and exercise their

respective trades upon the Lord's Day in profanation thereof, and to the

high displeasure of Almighty God. To prevent such evil practices for the

future it is therefore ordered that no barber shall ... use or exercise

the trade of a barber within the borough of Pontefract upon the Lord's

Day, commonly called Sunday, nor shall trim or shave any person upon

that day, either publicly or privately." We have in the last clause an

indication of public shaving performed in the churchyard or the market

place.

The churchwardens of Worksop parish, Nottinghamshire, in 1729 paid

half-a-crown for a bond in which the barbers bound themselves "not to

shave on Sundays in the morning."

At a meeting of the barber-surgeons of Newcastle-on-Tyne held in 1742 it

was ordered that no one should shave on a Sunday, and that "no brother

should shave John Robinson till he pays what he owes to Robert Shafto."

The operation was in bygone Scotland pronounced sinful if performed on a

Sunday. Members of congregations are entitled to object to the

settlement of ministers, says the Rev. Dr Charles Rogers, provided they

can substantiate any charge affecting their life or doctrine. Mr

Davidson, presentee to Stenton in 1767, and Mr Edward Johnstone,

presentee to Moffat in 1743, were objected to for desecrating the

Sabbath by shaving on that day. The settlement of Mr Johnstone was

delayed four years, so persistent were the objectors in maintaining what

they regarded as the proper observance of the Sabbath.

The Rev. Patrick Brontë, father of the famous novelists, was Perpetual

Curate of Thornton in Bradford Dale, from 1815 to 1820. Although a sense

of decency was sadly deficient among the majority of the inhabitants of

the district, they kept watch on the clergy, and were ever ready to make

known to the world their presumed as well as their real offences and

failings. The mistakes of some of them are well illustrated in an

anecdote related by Mr Abraham Holroyd, a well-known collector of local

lore. When Mr Brontë resided at Thornton it was rumoured in the village

that he had been seen by a Dissenter, through a chamber window, shaving

himself on a Sunday morning, which was considered to be a very serious

disregard of the obligation of Sabbath observance on the part of a

clergyman. Mrs Ackroyd, a lady residing in the parish, had an interview

with Mr Brontë on the subject. On his hearing what she had to say, he

observed: "I should like you to keep what I say in your family; but I

never shaved myself in all my life, or was ever shaved by any one else.

I have so little beard that a little clipping every three months is all

that is necessary."

Occasionally, at the present day, barbers are brought before the

magistrates for working on Sunday. They are summoned under an old Act of

Charles II., for shaving on the Lord's Day. The maximum fine is five

shillings, and the costs of a case cannot be recovered from the

defendant. Generally the local hairdressers' association institutes the

action.

FROM BARBER TO SURGEON

From the ancient but humble position of the barber is evolved the

surgeon of modern times. Perhaps some members of the medical profession

would like to ignore the connection, but it is too true to be omitted

from the pages of history. The calling of a barber is of great

antiquity. We find in the Book of the Prophet Ezekiel (v. 1) allusions

to the Jewish custom of the barber shaving the head as a sign of

mourning. In the remote past the art of surgery and the trade of barber

were combined. It is clear that in all parts of the civilised world, in

bygone times, the barber acted as a kind of surgeon, or, to state his

position more precisely, he practised phlebotomy, the dressing of

wounds, etc. Their shops were general in Greece about 420 B.C.,

and then, as now, were celebrated as places where the gossips met.

Barbers settled in Rome from Sicily in B.C. 299.

The clergy up to about the twelfth century had the care of men's bodies

as well as their souls, and practised surgery and medicine. Barbers

gained much experience from the monks, whom they assisted in surgical

operations. The practice of surgery involved the shedding of blood, and

it was felt that this was incompatible with the functions of the

clergy. After much consideration and discussion, in 1163, the Council of

Tours, under Pope Alexander III., forbade the clergy to act as surgeons,

but they were permitted to dispense medicine.

The Edict of Tours must have given satisfaction to the barbers, and they

were not slow to avail themselves of the opportunities the change

afforded them. In London, and it is to be feared in other places, the

barbers advertised their blood-letting in a most objectionable manner.

It was customary to put blood in their windows to attract the attention

of the public. An ordinance was passed in 1307 directing the barbers in

London to have the blood "privately carried into the Thames under the

pain of paying two shillings to the use of the Sheriffs."

At an early period in London the barbers were banded together, and a

gild was formed. In the first instance it seems that the chief object

was the bringing together of the members at religious observances. They

attended the funerals and obits of deceased members and their wives.

Eventually it was transformed into a semi-social and religious gild, and

subsequently became a trade gild. In 1308 Richard le Barber, the first

master of the Barbers' Company, was sworn at the Guildhall, London. As

time progressed the London Company of Barbers increased in importance.

In the first year of the reign of Edward IV. (1462) the barbers were

incorporated by a Royal Charter, and it was confirmed by succeeding

monarchs.

A change of title occurred in 1540, and it was then named the Company of

Barber-Surgeons. Holbein painted a picture of Henry VIII. and the

Barber-Surgeons. The painting is still preserved, and may be seen at the

Barber-Surgeons' Hall, Monkwell Street, London. Pepys pronounces this

"not a pleasant though a good picture." It is the largest and last work

of Holbein.

The date assigned for its commencement was 1541, and it was completed

after the death of the artist in 1543. It is painted on vertical oak

boards, 5 ft. 11 in. high, and 10 ft. 2 in. long. It has been slightly

altered since it was delivered to the Barber-Surgeons. The figures

represent notable men belonging to the company and leaders of the

healing art of the period at which it was painted.

[Illustration: Henry VIII. receiving the Barber-Surgeons.]

In the reign of Henry VIII., not a few disputes occurred between the

barbers and the surgeons. The following enactment was in force: "No

person using any shaving or barbery in London shall occupy any surgery,

letting of blood, or other matter, except of drawing teeth." Laws were

made, but they could not, or at all events were not, enforced. The

barbers acted often as surgeons, and the surgeons increased their

income by the use of the razor and shears. At this period, however,

vigorous attempts were made to confine each to his legitimate work.

The Rev. J.L. Saywell has a note on bleeding in his "History and Annals

of Northallerton" (1885). "Towards the early part of the nineteenth

century," observes Mr Saywell, "a singular custom prevailed in the town

and neighbourhood of Northallerton (Yorkshire). In the spring of the

year nearly all the robust male adults, and occasionally females,

repaired to a surgeon to be bled--a process which they considered

essentially conduced to vigorous health." The charge for this operation

was one shilling.

Parliament was petitioned, in 1542, praying that surgeons might be

exempt from bearing arms and serving on juries, and thus be enabled

without hindrance to attend to their professional duties. The request

was granted, and to the present time medical men enjoy the privileges

granted so long ago.

In 1745, the surgeons and the barbers were separated by Act of

Parliament. The barber-surgeons lingered for a long time, the last in

London, named Middleditch, of Great Suffolk Street, Southwark, only

dying in 1821. Mr John Timbs, the popular writer, left on record that he

had a vivid recollection of Middleditch's dentistry.

Over the last resting-places of some barber-surgeons are curious

epitaphs. At Tewkesbury Abbey one in form of an acrostic is as

follows:--

"Here lyeth the body of Thomas Merrett, of Tewkesbury,

Barber-chirurgeon, who departed this life the 22nd day of October

1699.

=T=hough only Stone Salutes the reader's eye,

=H=ere (in deep silence) precious dust doth lye,

=O=bscurely Sleeping in Death's mighty store,

=M=ingled with common earth till time's no more.

=A=gainst Death's Stubborne laws, who dares repine,

=S=ince So much Merrett did his life resigne.

=M=urmurs and Tears are useless in the grave,

=E=lse hee whole Vollies at his Tomb might have.

=R=est in Peace; who like a faithful steward,

=R=epair'd the Church, the Poore and needy cur'd;

=E=ternall mansions do attend the Just,

=T=o clothe with Immortality their dust,

=T=ainted (whilst under ground) with wormes and rust."

Under the shadow of the ancient church of Bakewell, Derbyshire, is a

stone containing a long inscription to the memory of John Dale,

barber-surgeon, and his two wives, Elizabeth Foljambe and Sarah

Bloodworth. It ends thus:--

"Know posterity, that on the 8th of April, in the year of grace

1757, the rambling remains of the above John Dale were, in the 86th

yeare of his pilgrimage, laid upon his two wives.

This thing in life might raise some jealousy,

Here all three lie together lovingly,

But from embraces here no pleasure flows,

Alike are here all human joys and woes;

Here Sarah's chiding John no longer hears,

And old John's rambling Sarah no more fears;

A period's come to all their toylsome lives

The good man's quiet; still are both his wives."

BYGONE BEARDS

The history of the beard presents many items of interest connected with

our own and other countries. Its importance belongs more to the past

than to the present, but even to-day its lore is of a curious character.

We find in Leviticus xiii. 29, the earliest mention of our theme, where

Moses gives directions for the treatment of a plague in the beard, and a

little later he forbids the Israelites to "mar the corners" of it.

David, himself bearded, tells us that Aaron possessed one going down to

the skirts of his garments. In David's reign ambassadors were sent to

the King of Ammon, who, treating them as spies, cut off half of each of

their beards. We are told that they were greatly ashamed, and David sent

out to meet them, saying, "Tarry at Jericho until your beards be grown,

and then return." To shave off the beard was considered by the Jews as a

mark of the deepest grief.

[Illustration: Bayeux Tapestry.

The above picture, showing two soldiers of William the Conqueror's army,

is taken from the celebrated Bayeux tapestry.]

To turn to the annals of our own land, we find that the ancient Britons

did not cultivate the beard. The Saxons wore the hair of the head long,

and upon the upper lip, but the chin was clean shaven. Harold, in his

progress towards the fateful field of Hastings, sent spies in advance to

obtain an idea as to the strength of the enemy. On their return they

stated among other things that "the host did almost seem to be priests,

because they had all their face and both their lips shaven," a statement

borne out by the representations of the Norman soldiers in the Bayeux

tapestry. It is recorded that when the haughty victors had divided the

broad lands of England among themselves, and when the Englishmen had

been made to feel that they were a subdued and broken nation, the

conquered people still kept up the old fashion of growing their hair

long, so that they might resemble as little as possible their cropped

and shaven masters.

Julius II., who ascended the Papal throne in 1503, was the first Pope to

allow his beard to grow, "in order," as he said, "to inspire the

greater respect among the faithful." A curious custom of the Middle Ages

was that of imbedding three hairs from the king's beard in the wax of

the seal, in order to give greater solemnity to the document. Another

instance of the value placed on this adornment of nature by some nations

comes to us in the story of the Eastern potentate to whom the King of

England had sent a man without a beard as his ambassador. The Eastern

monarch flew into a passion when the beardless visitor was presented.

"Had my master measured wisdom by the beard," was the ready retort, "he

would have sent a goat."

It is said that beards came into fashion in England in the thirteenth

century, but by the nineteenth century they seem to have been given up

by those holding leading positions in the land. Traces of beards do not

appear on monumental brasses. A revival of the practice of wearing the

beard occurred in the reign of Henry VIII., and in some quarters

attempts were made to repress it. The authorities at Lincoln's Inn

prohibited lawyers wearing beards from sitting at the great table,

unless they paid double commons; but it is highly probable that this was

before 1535, when the king ordered his courtiers to "poll their hair,"

and permit the crisp beard to grow. Taxing beards followed, and the

amount was graduated according to the condition of the person wearing

this hirsute adornment. An entry has often been reproduced from the

Burghmote Book of Canterbury, made in the second year of the reign of

Edward VI., to the effect that the Sheriff of Canterbury and another

paid their dues for wearing beards, 3s. 4d. and 1s. 8d. During the next

reign, Queen Mary does not appear to have meddled with the beard. She

sent four agents to Moscow, and all were bearded; one of the number,

George Killingworth, had an unusually long one, measureing 5ft. 2in. in

length, the sight of which caused a smile to light up the face of Ivan

the Terrible. It is described as a thick, broad, and yellow beard, and

we are told that Ivan played with it after dinner as if it were a new

toy. When Sir Thomas More laid his head on the block he carefully put

his beard aside, saying, "It hath done no treason." John Knox (born 1505

and died 1572), the famous Scottish reformer, whose name figures so

largely in the religious annals of his country, was remarkable for the

length of his beard. The Rev. John More was a native of Yorkshire, and

after being educated at Cambridge settled at Norwich. He was one of the

worthiest clergymen in the reign of Queen Elizabeth, and gained the name

of "the Apostle of Norwich." His beard was the largest and longest of

any Englishman of his time. He used to give as his reason for wearing

his beard of unusual size "that no act of his life might be unworthy of

the gravity of his appearance." He died at Norwich in 1592.

[Illustration: John Knox, born 1505, died 1572.]

[Illustration: John Taylor, the Water Poet, born 1580, died 1654.]

In the first year of the reign of Queen Elizabeth an attempt was made to

add to the revenue by taxing at the rate of 3s. 4d. every beard of above

a fortnight's growth. It was an abortive measure, and was not taken

seriously. It was never enforced, and people laughed at the Legislature

for attempting to raise money by means of the beard. In Elizabeth's

reign it was considered a mark of fashion to dye the beard and to cut

it into a variety of shapes. In the reigns of the first James and the

first Charles these forms attracted not a little attention from the

poets of the period. The rugged lines of Taylor, "the Water Poet," are

among the best known, and if not of great poetical merit, they show

considerable descriptive skill, and enable us to realise the fashions of

his day. In his "Superbiæ Flagellum," he describes a great variety of

beards in his time, but omitted his own, which is that of a screw:--

"Now a few lines to paper I will put,

Of men's beards strange, and variable cut,

In which there's some that take as vain a pride

As almost in all other things beside;

Some are reap'd most substantial like a brush,

Which makes a nat'rel wit known by the bush;

And in my time of some men I have heard,

Whose wisdom have been only wealth and Beard;

Many of these the proverb well doth fit,

Which says, bush natural, more hair than wit:

Some seem, as they were starched stiff and fine,

Like to the bristles of some angry swine;

And some to set their love's desire on edge,

Are cut and prun'd like a quickset hedge;

Some like a spade, some like a fork, some square,

Some round, some mow'd like stubble, some stark bare;

Some sharp, stiletto fashion, dagger-like,

That may with whisp'ring, a man's eyes outpike;

Some with the hammer cut, or roman T,

Their Beards extravagant, reform'd must be;

Some with the quadrate, some triangle fashion,

Some circular, some oval in translation;

Some perpendicular in longitude;

Some like a thicket for their crassitude;

That heights, depths, breadths, triform, square, oval, round,

And rules geometrical in Beards are found."

[Illustration: Lord Mayor of York escorting Princess Margaret through

York in 1503. Shows the Beard of the Lord Mayor.]

Some curious lines appear in "Satirical Songs and Poems on Costume,"

edited by Frederick W. Fairholt, F.S.A., printed for the Percy Society,

1849. The piece which is entitled "The Ballad of the Beard," is

reprinted from a collection of poems, entitled "Le Prince d'Amour,"

1660, but it is evidently a production of the time of Charles I., if not

earlier. "The varied form of the beard," says Fairholt, "which

characterised the profession of each wearer, is amusingly descanted on,

and is a curious fact in the chronicle of male fashions, during the

first half of the seventeenth century." Taylor, the Water Poet, has

alluded to the custom at some length; and other writers of the day have

so frequently mentioned the same thing, as to furnish materials for a

curious (privately-printed) pamphlet, by J.A. Repton, F.S.A., on the

various forms of the beard and mustachio. The beard, like "the Roman T,"

mentioned in the following ballad, is exhibited in our cut--Fig. 1--from

a portrait of G. Raigersperg, 1649, in Mr Repton's book.

[Illustration: Beards in the Olden Time]

The stiletto-beard, as worn by Sir Edward Coke, is seen in Fig. 2. The

needle-beard was narrower and more pointed. The soldier's, or

spade-beard, Fig. 3, is from a Dutch portrait, also in Mr Repton's book.

The stubble, or close-cropped beard of a judge, requires no pictorial

illustration. The bishop's-beard, Fig. 4, is given in Randle Holme's

"Heraldry." He calls it "the broad, or cathedral-beard, because bishops,

and grave men of the church, anciently did wear such beards." "The beard

of King Harry may be seen in any portrait of Henry VIII. and the amusing

accuracy of the description tested. The clown's beard, busy and not

subject to any fashionable trimming, is sufficiently described in the

words of the song." We quote nearly the whole of this old ballad, in

fact all that has a real bearing on the subject of the beard:--

"The beard, thick or thin, on the lip or chin,

Doth dwell so near the tongue,

That her silence on the beard's defence

May do her neighbour wrong.

Now a beard is a thing that commands in a king,

Be his sceptres ne'er so fair:

Where the beard bears the sway, the people obey,

And are subject to a hair.

'Tis a princely sight, and a grave delight,

That adorns both young and old;

A well thatcht face is a comely grace,

And a shelter from the cold.

When the piercing north comes thundering forth,

Let barren face beware;

For a trick it will find, with a razor of wind,

To shave the face that's bare.

But there's many a nice and strange device,

That doth the beard disgrace;

But he that is in such a foolish sin,

Is a traitor to his face.

Now the beards there be of such a company,

And fashions such a throng,

That it is very hard to handle a beard,

Tho' it never be so long.

The Roman T, in its bravery,

Doth first itself disclose,

But so high it turns, that oft it burns

With the flames of a too red nose.

The stiletto-beard, oh! it makes me afeared,

It is so sharp beneath,

For he that doth place a dagger in 's face,

What wears he in his sheath?

But, methinks, I do itch to go thro' stich

The needle-beard to amend,

Which, without any wrong, I may call too long,

For man can see no end.

The soldier's-beard doth march in shear'd

In figure like a spade,

With which he'll make his enemies quake,

And think their graves are made.

At the Sign of the Barber's Pole: Studies In Hirsute History · 第 1 / 5 段