EGYPTIAN ARCHITECTURE AND SCULPTURE

The chief feature of Egyptian architecture is its colossal, massive

grandeur, from the use of enormous blocks of masonry, and from the

vast extent of the buildings, which produce in the beholder an

unequalled impression of sublimity and awe. The approaches to the

palaces and temples were paved roads, lined with obelisks and

sphinxes; and the temples and the palaces themselves surpassed in

size, and in elaborate ornament of sculpture and of painting, all

other works of man.

=The Pyramids.=--Of about forty pyramids now left standing in Middle

Egypt, the most remarkable are the group of nine at Gizeh, near the site

of ancient Memphis. The removal of the vast blocks of stone from distant

quarries, and their elevation to heights, which have sorely puzzled

modern engineers, were effected, not by the ingenuity of mechanical

contrivance, but by the lavish use of human labor. Thousands of men were

employed for months in moving single stones.

=The Temple Columns.=--Egyptian columns were formed by their architects

on the model of the palm-tree, whose feathery crown of foliage was ever

before their eyes, or of the full-blown or budding papyrus. We find

constantly in the mural decorations the figure of the famous

lotus-plant, or lily of the Nile, beheld by the Egyptians with

veneration, and used in sculpture and in painting as no mere ornament,

but as a religious symbol. This water-lily of Egypt was consecrated to

Isis and Osiris, and typified the creation of the world from water. It

also symbolized the rise of the Nile and the return of the sun in his

full power.

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