CHAPTER XII

MORE CAVE-MAN STUFF

When Nancy left Collier Pratt's studio on the day of her first sitting

for the portrait he was to do of her, she never expected to enter it

again. She was in a panic of hurt pride and anger at his handling of

the situation that had developed there, and in a passion of

self-disgust that she had been responsible for it.

It was a simple fact of her experience that the men she knew valued

her favors, and exerted themselves to win them. She had always had

plenty of suitors, or at least admirers who lacked only a few smiles

of encouragement to make suitors of them, and she was accustomed to

the consideration of the desirable woman, whose privilege it is to

guide the conversation into personal channels, or gently deflect it

therefrom. An encounter in which she could not find her poise was as

new as it was bewildering to her.

From the moment that she had begun to realize Collier Pratt's

admiration for her she had scarcely given a thought to any other man.

With the insight of the artist he had seen straight into the heart of

Nancy's secret--the secret that she scarcely knew herself until he

translated it for her, the most obvious secret that a prescient

universe ever throbbed with,--that a woman is not fulfilled until she

is a mate and a mother. The nebulous urge of her spirit had been

formulated. In Nancy's world there was no abstract sentimentality--if

this man indulged himself in emotional regret for her frustrated

womanhood--she called it that to herself--it must in some way concern

him. She had never in her life been troubled by a condition that she

was not eager to ameliorate, and she could not conceive of an

emotional interest in an individual disassociated from a certain

responsibility for that individual's welfare. She took Collier Pratt's

growing tenderness for her for granted, and dreamed exultant dreams of

their romantic association.

The scene in the studio had shocked her only because he put his art

first. He had taken a lover's step toward her, and then glancing at

the crudely splotched canvas from which his ideal of her was presently

to emerge, he had thought better of it, soothing her with caresses as

if she were a child, and like a child dismissing her. She felt that

she never wanted to see again the man who could so confuse and

humiliate her. But this mood did not last. As the days went on, and

she feverishly recapitulated the circumstances of the episode, she

began to feel that it was she who had failed to respond to the

beautiful opportunity of that hour. She had inspired the soul of an

artist with a great concept of womanhood, and had, in effect, demanded

an immediate personal tribute from him. He had been wise to deflect

the emotion that had sprung up within them both. After the picture was

done--. She became eager to show him that she understood and wanted to

help him conserve the impression of her from which his inspiration had

come, and when he asked her to go to the studio again the following

week she rejoiced that she had another chance to prove to him how

simply she could behave in the matter.

She looked in the mirror gravely every night after she had done her

hair in the prescribed pig-tails to try to determine whether or not

the look he had discovered in her face was still there,--the look of

implicit maternity that she had been fortunate enough to reflect and

symbolize for him,--but she was unable to come to any decision about

it. Her face looked to her much as it had always looked--except that

her brow and temples seemed to have become more transparent and the

blue veins there seemed to be outlined with an even bluer brush than

usual.

She was busier than she had ever been in her life. The volume of her

business was swelling. With the return of the native to the city of

his adoption--there is no native New Yorker in the strict sense of the

word--Outside Inn was besieged by clamorous patrons. Gaspard, with the

adaptability of his race, had evolved what was practically a perfect

system of presenting the balanced ration to an unconscious populace,

and the populace was responding warmly to his treatment. It had taken

him a little time to gauge the situation exactly, to adapt the supply

to the idiosyncrasies of the composite demand, but once he had

mastered his problem he dealt with it inspiredly. His southern

inheritance made it possible for him to apprehend if he could not

actually comprehend the taste of a people who did not want the flavor

of nutmeg in their cauliflower, and who preferred cocoanut in their

custard pie, and he realized that their education required all the

diplomacy and skill at his command.

Nancy found him unexpectedly intelligent about the use of her tables.

He grasped the essential fact that the values of food changed in the

process of cooking, and that it was necessary to Nancy's peace of mind

to calculate the amount of water absorbed in preparing certain

vegetables, and that the amount of butter and cream introduced in

their preparation was an important factor in her analysis. He also

nodded his head with evident appreciation when she discoursed to him

of the optimum amount of protein as opposed to the actual requirements

in calories of the average man, but she never quite knew whether the

matter interested him, or his native politeness constrained him to

listen to her smilingly as long as she might choose to claim his

attention. But the fact remained that there was no such cooking in any

restaurant in New York of high or low degree, as that which Gaspard

provided, and as time went on, and he realized that expense was not a

factor in Nancy's conception of a successfully conducted restaurant,

the reputation of Outside Inn increased by leaps and bounds.

To Nancy's friends--with the exception, of course, of Billy, who was

in her confidence--the whole business became more and more puzzling.

Caroline, her susceptibility to vicarious distress being augmented by

the sensitiveness of her own emotional state, yearned and prayed over

her alternately. Betty, avid of excitement, spent her days in the

pleasurable anticipation of a dramatic bankruptcy. It was on Dick,

however, that the actual strain came. He saw Nancy growing paler and

more ethereal each day, on her feet from morning till night

manipulating the affairs of an enterprise that seemed to be assuming

more preposterous proportions every hour of its existence. He made

surreptitious estimates of expenditures and suffered accordingly,

approximating the economic unsoundness of the Inn by a very close

figure, and still Nancy kept him at arm's length and flouted all his

suggestions for easing, what seemed to him now, her desperate

situation.

He managed to pick her up in his car one day with Sheila, and

persuaded her to a couple of hours in the open. She was on her way

home from the Inn, and had meant to spend that time resting and

dressing before she went back to consult with Gaspard concerning the

night meal. She had no complaint to make now of the usurpation of her

authority or the lack of actual executive service that was required of

her. With the increase in the amount of business that the Inn was

carrying she found that every particle of her energy was necessary to

get through the work of the day.

"I'm worried about you," Dick said, as they took the long ribbon of

road that unfurled in the direction of Yonkers, and Nancy removed her

hat to let the breeze cool her distracted brow. His man Williams, was

driving.

"Well, don't tell me so," she answered a trifle ungraciously.

"Miss Dear is cross to-day," Sheila explained. "The milk did not come

for Gaspard to make the poor people's custard, _crême renversé_, he

makes--deliciously good, and we give it to the clerking girls."

"The buttermilk cultures were bad," Nancy said. "And I wasn't able to

get any of the preparations of it, that I can trust. There are one or

two people that ought to have it every day and their complexions show

it if they don't."

"I suppose so," Dick said, with a grimace.

"These people who have worked in New York all summer have run pretty

close to their margin of energy. You've no idea what a difference a

few calories make to them, or how closely I have to watch them, and

when I have to substitute an article of diet for the thing they've

been used to, it's awfully hard to get them to take it."

"I should think it might be," Dick said. "It's true about people who

have worked in New York all summer, though. I have--and you have."

"Oh! I'm all right," Nancy said.

"So am I," Sheila said, "and so is Monsieur Dick, _n'est-ce pas_?"

"_Vraiment, Mademoiselle."_

"Father isn't very right, though. Even when Miss Dear has all the

beautiful things in the most beautiful colors in the world cooked for

him and sent to him, he won't eat them unless she comes and sits

beside him and begs him."

"He's very fond of _sauce verte_," Nancy said hastily, "and _apricot

mousse_ and _cèpes et pimentos_, things that Gaspard can't make for

the regular menu,--bright colored things that Sheila loves to look

at."

"He likes _petit pois avec laitue_ too and _haricot coupé_, and

_artichaut mousselaine_. Sometimes when he does not want them Miss

Dear eats them."

"I'm glad they are diverted to some good use," Dick said.

"I've been looking into the living conditions of my waitresses." Nancy

changed the subject hastily. "Did you realize, Dick, that the

waitresses have about the unfairest deal of any of the day laborers?

They're not organized, you know. Their hours are interminable, the

work intolerably hard, and the compensation entirely inadequate.

Moreover, they don't last out for any length of time. I'm trying out a

new scheme of very short shifts. Also, I'm having a certain sum of

money paid over to them every month from my bank. If they don't know

where it comes from it can't do them any harm. That is, I am not

establishing a precedent for wages that they won't be able to earn

elsewhere. I consider it immoral to do that."

"You are paying them an additional sum of money out of your own

pocket? You told me you paid them the maximum wage, anyhow, and they

get lots of tips."

"Oh! but that's not nearly enough."

"Nancy," Dick said dramatically, "where do you get the money?"

"Oh, I don't know," Nancy said, "it comes along. The restaurant makes

some."

"Very little."

"I could make it pay any time that I wanted to."

"Sometimes I wonder if you are in full possession of your senses."

"Caroline is affected that way, too. I feel that she is likely to get

an alienist in at any time. She is so earnest in anything she

undertakes. She and Billy have had a scrap, did you know it?"

"I didn't."

"Billy wants to marry her, and he has shocked her delicate feelings by

suggesting it to her."

"I imagine you have a good deal to do with her feelings on the

subject," Dick said gloomily. "I suppose at heart you don't believe in

marriage, or think you don't and you've communicated the poison to

Caroline."

"I've done nothing of the kind," Nancy insisted warmly. "I do believe

in marriage with all my heart. I think the greatest service any woman

can render her kind in this mix-up age is to marry one man and make

that marriage work by taking proper scientific care of him and his

children."

"This is news to me," Dick said. "I thought that _you_ thought that

the greatest service a woman could do was to run Outside Inn, and

stuff all the derelicts with calories."

"That's a service, too."

"Sure."

They were out beyond the stately decay of the up-town drive, with its

crumbling mansions and the disheveled lawns surrounding them, beyond

the view of the most picturesque river in the world, though,

comparatively speaking, the least regarded, covering the prosaic

stretch of dusty road between Van Courtland Park and the town of

Yonkers.

"I like the _Bois_ better," Sheila said, "but I like Central Park

better than the _Champs Elyseés_. In Paris the children are not so gay

as the grown-up people. Here it is the grown-up people who are without

smiles on the streets."

"Why is that, Dick?" Nancy asked.

"That's always true of the maturer races, the gaiety of the French is

appreciative enthusiasm,--if I may invent a phrase. The children

haven't developed it."

"I would like to have my hand held, Monsieur Dick," Sheila announced.

"I always feel homesick when I think about Paris. I was so contente

and so _malheureuse_ there."

"Why were you unhappy, sweetest?" Nancy asked.

"My father says I am never to speak of those things, and so I

don't--even to Miss Dear, my _bien aimée_."

Dick lifted Sheila into his lap, he took the hand that still clung to

Nancy's in his warm palm, and held them both there caressingly.

"My _bien aimée_," he said softly.

Beyond the town a more gracious and magnificent country revealed

itself; lovely homes set high on sweeping terraces, private parks and

gardens and luxuriant estates, all in a blaze of October radiance with

the glorious pigments of the season.

"Isn't it time to go back?" Nancy asked.

"Not yet," Dick said. "I want to show you something. There's an old

place here I want you to see. That colonial house set way back in the

trees there."

"Williams is driving in," Nancy said as they approached it.

"He's been here before."

"Are we going to get out?" Sheila asked.

Dick was already opening the door of the tonneau and assisting Nancy

out of the car.

"I'm going to leave Sheila with Williams, and take you over the house,

Nancy. She'll be more interested in the grounds than she would in the

interior. I want you to see the inside."

He took a key out of his pocket, and unlocked the stately door.

Everything about the place was gigantic, stately,--the huge columns

that supported the roof of the porch, the big elms that flanked it,

and the great entrance hall, as they stepped into its majestic

enclosure.

"It's a biggish sort of place, isn't it?" Nancy said.

"But it's rather lovely, don't you think so?" Dick asked anxiously.

"These old places are getting increasingly hard to find,--real old

homes, dignified and beautiful, within a reasonable distance from

town."

"It is lovely," Nancy said, "it could be made perfectly wonderful to

live in. I can see this big hall--furnished in mahogany or even carved

oak that was old enough. Thank heaven, we're no longer slaves to a

_period_ in our decorating; we can use anything that's beautiful and

suitable and not intrinsically incongruous with a clear conscience."

"Come up-stairs."

Nancy lingered on the landing of the fine old staircase, white

banistered with a mahogany hand-rail, that turned only once before it

led into the region up-stairs.

"I'd rather see the kitchen," she said.

"The kitchen isn't the thing that I'm proudest of. Its plumbing is

early English, or Scottish, I'm afraid. I think this arrangement up

here is delightful. See these front suites, one on either side of the

hall. Bedroom, dressing-room, sitting-room. Which do you like best? I

thought perhaps I might take the one that overlooks the orchard."

Nancy stopped still on her way from window to window.

"Dick Thorndyke, whose house _is_ this?" she demanded.

"Mine."

"Yours--have you bought it?"

"Yes, I put the deed in my safe deposit vault yesterday. Come in

here. Isn't this a cunning little guest chamber nested in the

trees? Be becoming to Betty's style of beauty, wouldn't it?" He

held the door open for her ingratiatingly, and she passed under

his arm perfunctorily.

"What on earth did you buy a house like this for?"

"I thought you might like it."

"I--what have I to do with it?"

Dick turned the rusty key in the lock deliberately, and put it in his

pocket, thus closing them into the little musty room which had no

other exit. A branch of flaming maple leaves tapped lightly on the

window.

"You've a whole lot to do with it, Nancy," he said. "It's yours, and

I'm yours, and I want to know how much longer you're going to hedge."

"I'm not hedging," Nancy blazed. "Take that key out of your pocket.

This is moving-picture stuff."

"I know it is. I can't get you to talk to me any other way, so I

thought I'd try main force for a change."

"Well, it is a change," she agreed. "Shall I begin to scream now, or

do you intend to give me some other provocation?"

"Don't be coarse, darling." There is a certain disadvantage in having

known the woman who is the object of your tenderest emotions all your

life, and to be on terms of the most familiar badinage with her. Dick

was feeling this disadvantage acutely at the moment. He took a step

toward her, and put a heavy hand on her shoulder. "Nancy, don't you

love me?" he said, "don't you really?"

"No," Nancy said deliberately, "I don't, and you know very well I

don't. Unlock that door, and let's be sensible."

"Don't you know, dear, or care that you're hurting me?"

"No, I don't," Nancy said. "You say so, and I hear you, but I don't

really believe it. If I did--"

"If you did--what?"

"Then I'd be sorrier."

"You aren't sorry at all, as it stands."

"I find it's awfully hard to be sorry for you, Dick, in any

connection. There's really nothing pathetic about you, no matter how

tragic you think you are being. You're rich and lucky and healthy. You

have everything you want--"

"Not everything."

"And you live the way you want to, and eat the food you want to--"

"The ruling passion."

"And make the jokes you want to." Nancy literally stuck up a saucy

nose at him. "There is really nothing that I could contribute to your

happiness. I mean nothing important. You are not a poor man whom I

could help to work his way up to the top, or a genius that needs

fostering, or a--"

"Dyspeptic that needs putting on a special diet,--but for all that I

do need a mother's love, Nancy."

"I don't believe you do," Nancy said, a trifle absently. "Unlock the

door, Dick. I don't think Sheila put on that sweater when I told her

to, and I'm afraid she'll get cold."

"Kiss me, Nancy."

"Will you unlock the door if I do?"

"Yes'um."

Nancy put up cool fragrant lips to meet a brother's kiss, and for the

moment was threatened with a second salute that was very much less

fraternal, but the danger passed. Dick unlocked the door and let her

pass him without protest.

"If you had been any other girl," he mused, as they went down the

stairs together companionably, "you wouldn't have got away with

that."

"With what?" Nancy asked innocently.

"If you don't know," Dick said, "I won't tell you. If you'd been any

other girl I should have thrown that key out of the window when you

began to sass me."

"And then?" Nancy inquired politely.

"And then," Dick replied finally and firmly.

"Are there any other girls?" Nancy asked, faintly curious, as they

stood on the deep steps of the porch waiting for Sheila and Williams

who were emerging from the middle entrance.

Dick met her glance a little solemnly, and hesitated for a perceptible

instant.

"Are there, Dick?" she insisted.

"Yes, dear," he said.

Outside Inn · 第 12 / 21 章