We have already given descriptions and illustrations of several exotic

species in Part I., where it seemed more advantageous to the reader to

include them with British species of the same genus; those now to be

dealt with are in all cases members of genera not represented in our

native Flora.

The Plane (_Platanus orientalis_).

In spite of the fact that the Plane is an exotic of comparatively recent

introduction, it seems in a fair way of being associated in the future

with London. It has taken with great kindness to London life, in spite

of the drawbacks of smoke, fog, flagstones, and asphalt. Its leaves get

thickly coated with soot, which also turns its light-grey bark to black;

but as the upper surface of the leaves is smooth and firm, a shower of

rain washes them clean, and the rigid outer layer of bark is thrown off

by the expansion of the softer bark beneath. This is not thrown off all

at once, but in large and small flakes, which leave a smooth yellow

patch behind, temporarily free from soot contamination. A variety of

trees has been tried for street-planting, but none has stood the trying

conditions of London so well as the Plane, and therefore before many

years the capital will be the city of Planes.

[Illustration: _Pl. 134._ Plane Tree--summer.]

[Illustration: _Pl. 135._ Bole of Plane Tree.]

[Illustration: Oriental Plane.]

Two species are recognized--the Oriental Plane (_Platanus orientalis_)

and the Western Plane (_P. occidentalis_); but it would probably be more

accurate to regard them as geographical varieties of one species, the

points in which they differ being small and not very important. Thus the

leaves of the Oriental Plane are described as being so much more deeply

lobed than those of the Western Plane that the former are botanically

described as palmate; but the two forms of leaf may often be found on

the same individual. The Western Plane, too, does not shed its bark in

small flakes like the Oriental Plane, but in large sheets.

Planes normally rise to a height of something between seventy and ninety

feet, and the trunk attains a circumference of from nine to twelve feet;

but there is a record of a portly Plane whose waist measurement was

forty feet! Many persons imagine because the leaves of the Plane

resemble those of the Sycamore that the two are closely related; but

this is not so, and a comparison of the flowers and fruit will show that

they are not. The catkins of the Plane take the form of balls, in which

male _or_ female flowers are pressed together; and the fruits, instead

of being winged samaras, are the rough balls that so closely resemble an

old-fashioned form of button, that the tree is known in some parts of

the United States as the Button-wood. (It is also known there as

Sycamore and Cotton-tree.)

The Plane is supposed to have got its name _Platanus_ from the Greek

word _platus_ (broad), in double allusion to the broad leaves and the

ample shadow which the tree throws. These leaves are five-lobed, and, as

already indicated, those of the Oriental species are much more deeply

cut. Further distinction is found in the colour of the petiole or

leaf-stalk, which is green in _P. orientalis_, and purplish-red in _P.

occidentalis_, and in the larger and smoother seed-buttons of the

latter. Instead of the leaves being attached to the stem in pairs, as we

saw in the Sycamore, those of the Plane are alternate--that is to say,

leaf number two of a series will be halfway between one and three, but

on the opposite side of the shoot.

The outline of the tree is not so regular as in most others, the leaves

being gathered in heavy masses, with broad spaces between, rather than

equally distributed over the head. This is, of course, due to the

freedom with which the crooked arms are flung about. The pale-brown wood

is fine-grained, tough, and hard, and is extensively used by

pianoforte-makers, coach-builders, and cabinet-makers, but is not

highly esteemed for other purposes to which timber is put in this

country.

The Oriental Plane is popularly supposed to have been introduced to

England from the Levant by Francis Bacon, but if Loudon's statement that

it was "in British gardens before 1548" rests on good evidence, Bacon's

claim is dismissed, for _he_ was not "introduced" until 1561. It was

nearly a hundred years later (1640) that the Occidental Plane was first

brought from Virginia by the younger Tradescant, and planted in that

remarkable garden of his father's in South Lambeth Road. The form that

has done so well in London, and of which many fine examples are to be

seen in the parks and squares, is a variety of the Oriental Plane, with

leaves less deeply divided than those of the type, and therefore more

nearly approaching the Occidental Plane in this respect. It is

distinguished by the name of the Maple-leaved Plane (_Platanus

orientalis_, var. _acerifolia_). It is this variety we have chosen as

the subject for our photograph.

[Illustration: _Pl. 136._ Plane Tree--winter.]

The Walnut (_Juglans regia_).

In the Golden Age, when man lived happily on a handful of acorns, the

gods fed upon walnuts, and so their name was _Jovis glans_--the nuts of

Jupiter--since contracted into _Juglans_. Those who delight in obvious

interpretations by appealing to the modern meanings of words similar in

construction may be pardoned for supposing that Walnut-trees were

formerly trained against walls; but, like many other obvious

interpretations, this is wide of the mark. Some have gone back to the

Anglo-Saxons for help, and though the result arrived at is in all

probability the correct one, it is almost certain that the Anglo-Saxons

knew nothing of the matter, and would scarcely trouble to give a name to

something they had never seen. The Walnut is a native of the Himalayas,

the Hindu Kuh, Persia, Lebanon, and Asia Minor to Greece. The learned

Roman, Varro, who was born B.C. 116, and died B.C. 28, mentions it as

existing in Italy in his day; and Pliny tells us it was brought thence

from Persia. The date of its introduction to Britain is usually set down

as about the middle of the sixteenth century, but it was probably at

least a century earlier, for Gerarde, writing at the close of the

sixteenth century, describes it as a tree commonly to be seen in

orchards, and in fields near the highways, where a very new importation

was not likely to be found. But to return to the name: there can be

little doubt that it is a contraction of W[:a]lsh-nut (in modern spelling,

Welsh-nut), meaning foreign. This is German, and while the modern sons

of the Vaterland write it Wallnuss (occasionally W[:a]lshenuss), the Dutch

form is Wallnoot. That this is the true derivation is made pretty

certain by Gerarde, who calls it "Walnut, and of some Walsh-nut."

That the new importation was fully appreciated in Europe for its fruit

may be judged by the extent to which its cultivation had spread in

Evelyn's day, for he tells us the trees abounded in Burgundy, where they

stood in the midst of goodly wheat-lands. He says: "In several places

betwixt Hanau and Frankfort in Germany no young farmer is permitted to

marry a wife till he bring proof that he hath planted and is a father of

such a stated number of [Walnut] trees, and the law is inviolably

observed to this day, for the extraordinary benefit the tree affords the

inhabitants."

[Illustration: _Pl. 137._ Walnut--summer.]

The Walnut is a handsome tree, growing to a height of forty to sixty

feet, with a bole twenty feet or more in circumference, and a huge

spreading head. The bark is of a cool grey colour, smooth when young,

but as the tree matures deep longitudinal furrows form, and it becomes

very rugged. The twisted branches take a direction more upward than

horizontal, but in early summer they are almost completely hidden by the

masses of large and handsome leaves of warm green colour and spicy

aroma. I once rejoiced in the occupation of a garden that held two

Walnut-trees, and though they had not attained to the fruiting age,

their possession was a delight to me; but then I am one of those who

enjoy their fragrance, which is unbearable to some persons. The large

leaves are formed after the fashion of the Ash-leaf--broken up into a

variable number of lance-shaped leaflets with scarcely perceptible

teeth.

[Illustration: Walnut. A, female flowers; B, male flowers.]

The flowering of the Walnut is much on the plan of the Oak and the

Hazel, the sexes being in different flowers, but borne by one tree; the

males forming a long drooping catkin of slender cylindrical form, the

females being solitary, or a few grouped at the end of a shoot.

Separated from the catkin, the males will each be seen to consist of a

calyx of five greenish scales, enclosing a large number of stamens. The

calyx of the female closely invests the ovary, which has two or three

fleshy stigmas. The flowering takes place in early spring, before the

leaf-buds have burst. The fruit is a plum-like drupe, only the

enveloping green flesh becomes brown, and, splitting irregularly,

discloses the "stone," which in this species takes the form of a hard

but thin-shelled nut--the well-known Walnut, with its wrinkled kernel of

crisp white flesh, from which a fine oil is obtained. The ripening of

these nuts--which is accomplished by the beginning of October--can only

be relied upon in the southern half of Britain, and even there the crop

is often spoiled by late frosts in spring. Its chief value in Europe is

as a fruit-tree, though the light but tough wood is much esteemed for

the manufacture of furniture. Owing to its rapid growth, the grain is

coarse, but the dark-brown colour is esteemed, especially as it is

relieved by streaks and veins of lighter tints and black. It is easily

worked, and bears a high polish. The wood of young trees is white,

gradually deepening to brown as maturity is approached. All the juices

of the tree, whether from wood, bark, leaves, or green fruit, are rich

in the brown pigment to which the hue of the timber is due. The combined

lightness and toughness of the wood led to its adoption as the favourite

material for making the stocks of guns and rifles. It is said that so

great was the demand for this purpose during the Peninsular War, that a

single Walnut-tree realized [L]600 for its timber, and this created a boom

that led to the cutting down of all our finest Walnut-trees. Some of

these were doubtless the very trees referred to by Evelyn, who tells us

the Walnut was extensively planted at Leatherhead in Surrey, also at

Cassaulton (Carshalton) and Godstone in the same county, where the

rambler may come across fine Walnut-trees to this day, and

occasionally to young ones growing wild in hedgerows and wastes.

[Illustration: _Pl. 138._ Fruit of Walnut.]

[Illustration: _Pl. 139._ Walnut--winter.]

The old doggerel adage, "A dog and a wife and a walnut-tree, the more

they are beaten the better they be," has reference to the manner of

harvesting the ripe fruit. Evelyn says: "In Italy they arm the tops of

long poles with nails and iron for the purpose [of loosening the fruit],

and believe the beating improves the tree; which I no more believe than

I do that discipline would reform a shrew." He expresses no opinion on

the question of beating dogs.

Sweet Chestnut (_Castanea sativa_).

Until about the middle of the last century the Chestnut was generally

regarded as a genuine native of these islands. It is true that botanists

felt that so large and longevous a tree, if native, should be found in

the natural forests of this country, or even forming pure forest. These

things they did not find, but, on the other hand, they were shown beams

in ancient buildings, including Westminster Abbey, which were believed

to be Chestnut-wood, and this evidence seemed to point to the fact that

Chestnut timber was grown much more plentifully in this country at the

period when these old buildings were erected. Dr. Lindley, however, set

the matter at rest by examination of the reputed Chestnut beams in the

roof of Westminster Abbey, and proved that they were of Durmast Oak. A

similar examination of the timbers of the old Louvre in Paris, which

were also reputed to be Chestnut, gave a similar result. A comparison of

sections across the grain of Oak and Chestnut allows of no possibility

of mistake, and it is now known that whilst the wood of young Chestnuts

is tough and durable, that from old trees is brittle and comparatively

worthless, except for firewood, which is exactly the opposite of

Oak-wood. It is now generally agreed that its real home is in Asia Minor

and Greece, whence it was introduced to Italy in very remote times, and

has since spread over most of temperate Europe, its seeds ripening and

sowing themselves wherever the vine flourishes. We appear to be indebted

to our friends the Romans for its introduction to Britain, who no doubt

hoped to utilize the fruit for food, as at home--a hope that must have

been disappointed, for its crops, even in the South of England, are very

fitful, and the nuts quite small.

[Illustration: _Pl. 140._ Sweet Chestnut--summer.]

[Illustration: _Pl. 141._ Bole of Sweet Chestnut.]

In suitable situations the Chestnut is of larger proportions and greater

length of life even than the Oak. In the South of England it will attain

a height of from sixty to eighty feet in fifty or sixty years, and if

growing in deep porous loam, free from carbonate of lime, and sheltered

from strong winds and frosts, it builds up an erect massive column.

Hamerton has said of such a tree: "His expression is that of sturdy

strength; his trunk and limbs are built, not like those of Apollo, but

like the trunk and limbs of Hercules." Under less suitable conditions

the undivided trunk is little more than ten feet long; then it divides

off into several huge limbs, and so the general character of the tree is

altered, and it presents much the appearance of having been pollarded.

The branches have a horizontal and downward habit of growth, the

extremities of the lowest ones often being but little above the earth.

The fine elliptical leaves are nine or ten inches in length, of a rich

green, that is enhanced by the polished surface, which "brings up" the

colour. Their edges are cut into long pointed teeth. Towards autumn they

pale to light yellow, and then deepen into gold on their way to the

final brown of the fallen leaf, which, by the way, is a great enricher

of the soil where the Chestnut is grown.

[Illustration: Sweet Chestnut. A, fruit.]

The flowers, though individually small and inconspicuous, are rather

striking, from their association in cylindrical yellow catkins, about

six inches long, which hang from the axils of the leaves. The upper part

of this catkin consists of male flowers, each with a number of

stamens enclosed in a perianth or calyx of five or six green leaves. The

female flowers, on the lower part of the catkin, are two or three

together, in a prickly four-lobed "cupule," or involucre, and consist

each of a calyx closely investing a tapering ovary, whose summit bears

from five to eight radiating stigmas, the number corresponding with the

cells into which the ovary is divided. Each cell contains two seed-eggs,

but as a rule only one in each flower develops. As development of the

ovary and seeds progresses, the cupule also grows, and ultimately

entirely surrounds the cluster with the hedgehog-like coat in which the

nuts are contained when ripe. Then it splits open and discloses the two

or three glossy brown nuts. The Chestnut is in flower from May to July,

and the nuts drop in October. They form an important article of food in

South Europe, where they are produced in abundance, and there can be

little doubt that the importers of the tree to this country believed it

would prove equally valuable here. Evelyn had this in mind when he

recommended the nut as "a lusty and masculine food for rustics at all

times, and of better nourishment for husbandmen than cole and rusty

bacon." Well, there is plenty of Chestnut grown around Evelyn's estate

at Wootton to-day, but it is chiefly as coppice, to provide hop-poles,

and hoops for barrels, for which purpose the long straight shoots are

split in two. Grown as coppice, the Chestnut also provides fine cover

for pheasants and other game. The trees begin to bear when about

twenty-five years old, and from thence on to the fiftieth or sixtieth

year the timber is at its best, but later it develops the defect known

as "ring shake," and becomes of little use. That is probably why one

meets with so many hollow wrecks of what were once noble Chestnuts.

The young wood is covered with smooth brown bark, but later this becomes

grey, and its surface splits into longitudinal fissures, which give a

very distinctive character to the trunk. In older trees the fissures and

the alternating ridges have a slight spiral twist, which gives the tree

the appearance (shown in our third photo) of having been wrenched round

by some mighty force. The average age of the Chestnut is about five

hundred years, but there have been in this country many old trees that

were much older, if any reliance could be placed in local tradition.

There was--we fear there is little of it still remaining--the great

Tortworth Chestnut in Lord Ducies' park at Tortworth Court. In 1820 it

was found to have a girth of fifty-two feet. Evelyn refers to it in his

"Sylva," and tells us that in the reign of King Stephen it already bore

the title of the Great Chestnut of Tortworth.

The name Chestnut appears to be a modification of the old Latin name

_Castanea_, through the French form _Chataigner_. The Latin is said to

be derived from Kastanum, a town in Thessaly, but it is more likely that

the presence of Chestnut-trees gave a name to the town, as has happened

so many times in our own country with various trees, the Chestnut

included.

Horse Chestnut (_Aesculus hippocastanum_).

Our placing the Chestnut and the Horse Chestnut into juxtaposition must

not be understood as a recognition of any relationship that may be

implied in their names, but rather the reverse--to accentuate the

differences that exist between them, and which have led botanists to

separate them widely in all systems of classification. Although the

fruits are sufficiently similar to have suggested the name Chestnut

being applied to this, with a qualifying prefix, they have been produced

by flowers of entirely different character. Evelyn tells us that the

word Horse was added because of its virtues in "curing horses

broken-winded and other cattle of coughs," a statement for which he was

no doubt indebted to Parkinson (1640), who says, "Horse Chestnuts are

given in the East Country, and so through all Turkie, unto Horses to

cure them of the cough, shortnesse of winde, and such other diseases;"

but seeing that, in this country at least, horses refuse to touch them,

there can be little doubt that the name was given to indicate their

inferiority to the Sweet Chestnut, and by a process only too well known

to the student of early botanical literature, the name was afterwards

held to be proof of their medicinal value to horses.

[Illustration: _Pl. 142._ Flowers of Sweet Chestnut.]

[Illustration: _Pl. 143._ Sweet Chestnut--winter.]

The Horse Chestnut is a native of the mountain regions of Greece,

Persia, and Northern India, and is believed to have been introduced to

Britain about 1550. It is not a tree that will be found in the

woodlands, or even by the wayside, except when it is behind a fence; yet

it constantly greets the rambler who has left the suburban gardens

behind him, and in the public parks--notably the magnificent avenue of

Bushey Park--where by contrast it exhibits itself as the grandest of all

flowering trees. Though the stout cylindrical bole is short, its erect

trunk towers to a height of eighty or a hundred feet, supporting the

massive pyramid, beautiful on account of its fine foliage and handsome

flowers alike. The stout branches take an upward direction at first,

then stretch outward and curve downwards, though in winter, when

relieved of the weight of foliage, their extremities curl sharply

upward, and the great buds in spring are almost erect.

These brown buds, with their numerous wraps and liberal coating of

varnish, afford considerable interest to the suburban dweller in early

spring. He watches their gradual swelling, and the polish that comes

upon them through the daily melting of their varnish under the influence

of sunshine. Then the outer scales fall flat, the upper parts show green

and loose; there is a perceptible lengthening of the shoot, which leaves

a space between those outer wraps and the folded leaves. Next the

leaflets separate and assume a horizontal position as they expand. Then

probably there comes a frost, and next morning the leaflets are all

hanging down, almost blackened, flaccid and dejected-looking. A warm

southerly rain, followed by sunshine, reinvigorates them, and we see

that the lengthening of the shoot has actually brought the incipient

flower-spike clear into view. By about the second week in May the

pyramid is clothed with bold handsome foliage, against which the conical

spikes of white blossoms, tinged with crimson and dotted with yellow,

stand out conspicuously.

The leaves are almost circular, but broken up, finger-fashion, into

seven toothed leaflets of different sizes, which appear to have started

as ovals, but the necessity for not overcrowding their neighbours has

necessitated the portion nearest the leaf-stalk taking a wedge shape.

The large size of these leaves--as much as eighteen inches across--leads

the non-botanical to regard the leaflets as being full leaves. On

emerging from the bud the leaves are seen to be covered with down, but

as they expand this is thrown off.

[Illustration: Horse Chestnut. A, flower; B, fruit.]

The flowers consist of a bell-shaped calyx with five lobes, supporting

five separate petals, pure white in colour, but splashed and dotted with

crimson and yellow towards the base of the upper ones, to indicate the

way to the honey-glands. There are seven curved stamens, and in their

midst a longer curved style proceeding from a roundish ovary with three

cells. In each cell there are two seed-eggs, but as a rule only one egg

in two of the cells develops into a "nut." The ovary develops into a

large fleshy bur, with short stout spines, which splits into three

valves when the dark-red glossy seeds are ripe. In the Sweet Chestnut

the brown skin of the nut is the ovary, which had been overgrown by the

prickly involucre; here the spiny green shell is the ovary, and the

"nut" a seed. Though horses will not eat this bitter fruit, cattle,

deer, and sheep are fond of it. Pounded in water, it becomes one of the

numerous vegetable substitutes for soap. Under the name of Konker, or

Conqueror, it affords a seasonal joy to the average boy, who first

bombards the tree with sticks and stones to dislodge the fruit, and then

threads the ruddy konkers on string and does battle with a chum

similarly equipped, the one whose string is broken or pulled from his

hand by the conflict of weapons being the vanquished. In some parts the

game is led off by the recitation of the rhyme, "Oblionker! my fust

konker."

[Illustration: _Pl. 144._ Horse Chestnut--summer.]

[Illustration: _Pl. 145._ Fruits of Horse Chestnut.]

[Illustration: _Pl. 146._ Bole of Horse Chestnut.]

[Illustration: _Pl. 147._ Horse Chestnut--winter.]

The growth of the tree is very rapid, and consequently the timber is

soft and of no value where durability is required. Still, its even grain

and susceptibility to a high polish make it useful for indoor wood, such

as cabinet-making and flooring. It is also used for making charcoal for

the gunpowder mills. Although Salvator Rosa and other landscape painters

have made such good use of the Sweet Chestnut pictorially, they have

utterly neglected the Horse Chestnut; and Hamerton hints that the cause

of this neglect is the artist's inability to represent its large flowers

and leaves by the landscape painter's ordinary method of laying on

masses of colour: this requires drawing. The tree begins to produce

fruit about its twentieth year, and continues to do so nearly every

year. Its age is estimated as about two hundred years. The bark, at

first smooth, breaks into irregular scales and in old trees a twist

may be developed, as illustrated by our photo of the bole.

Wayside and woodland trees · 第 8 / 11 段