GARDENING, Gothic method of design in, iv. 301.
GENIUS, men of, infelicities attending the sensibility of their
gratitude, iii. 140.
GENTLEMAN, what his chief object, iv. 123.
GERMAN NATIONS, foundation of gallantry in their ancient manners,
iv. 250.
their predatory disposition, 269.
GIANTS of Romance, were oppressive feudal lords, iv. 263.
GOTHIC ROMANCE, incorporated with pagan fable, in a pageant given to
Queen Elizabeth at Kenelworth, iii. 203.
whence fallen into disrepute, iv. 333.
steps of its decline traced, 345.
—— MANNERS,
in some circumstances agree with the heroic, iv. 262.
military enthusiasm, _ib._
giants and savages, 263.
monsters, dragons, and serpents, 265.
robbery and piracy, 268.
bastardy, 269.
hospitality and courtesy, 270.
martial exercises, _ib._
passion for adventures, 271.
wherein they differed from the heroic, 272.
in the affair of religion and gallantry, 274.
more poetical than the heroic, 280.
in the displays of love and friendship, 282.
in religious machinery, 283.
their effect on Spenser, 291.
on Milton, 292.
on Shakespear, 294.
method of design in poetry, 300.
GREEKS, a sort of chivalry prevailed among them, iv. 273.
GROTIUS, his character of the English in Elizabeth’s reign, iii.
242. n.
his remark on the foreign policy of that Queen, 259. n.
GUARINI, his Pastor Fido, for what admirable, iv. 315.
GUY, EARL OF WARWICK, his return from the wars, compared with that
of Ulysses, iv. 278.