THE INDIAN DANCE.

In the afternoon Mr. Johnson informed me that the Indians were preparing

to dance, for my particular amusement. I was, of course, most thankful

and delighted. Almost in the same moment, I heard their yells and

shrieks resounding along the shore, mingled with the measured monotonous

drum. We had taken our place on an elevated platform behind the house--a

kind of little lawn on the hill-side;--the precipitous rocks, clothed

with trees and bushes, rose high like a wall above us: the glorious

sunshine of a cloudless summer's day was over our heads--the dazzling

blue lake and its islands at our feet. Soft and elysian in its beauty

was all around. And when these wild and more than half-naked figures

came up, leaping, whooping, drumming, shrieking, hideously painted, and

flourishing clubs, tomahawks, javelins, it was like a masque of fiends

breaking into paradise! The rabble of Comus might have boasted

themselves comely in comparison, even though no self-deluding potion had

bleared their eyes and intellect. It was a grotesque and horrible

phantasmagoria. Of their style of clothing, I say nothing--for, as it is

wisely said, nothing can come of _nothing:_--only if "all symbols be

clothes," according to a great modern philosopher--my Indian friends

were as little symbolical as you can dare to imagine:--_passons par la_.

If the blankets and leggings were thrown aside, all the resources of the

Indian toilette, all their store of feathers, and bears' claws, hawks'

bells, vermilion, soot, and verdigris, were brought into requisition as

decoration: and no two were alike. One man wore three or four heads of

hair, composed of the manes and tails of animals; another wore a pair of

deers' horns; another was _coiffe_ with the skins and feathers of a

crane or some such bird--its long bill projecting from his forehead;

another had the shell of a small turtle suspended from his back, and

dangling behind; another used the skin of a polecat for the same

purpose. One had painted his right leg with red bars, and his left leg

with green lines: parti-coloured eyes and faces, green noses, and blue

chins, or _vice versa_, were general. I observed that in this grotesque

deformity, in the care with which every thing like symmetry or harmony

in form or colours was avoided, there was something evidently studied

and artistical. The orchestra was composed of two drums and two rattles,

and a chorus of voices. The song was without melody--a perpetual

repetition of three or four notes, melancholy, harsh, and monotonous. A

flag was stuck in the ground, and round this they began their dance--if

dance it could be called,--the movements consisting of the alternate

raising of one foot, then the other, and swinging the body to and fro.

Every now and then they paused, and sent forth that dreadful, prolonged,

tremulous yell, which re-echoed from the cliffs, and pierced my ears and

thrilled along my nerves. The whole exhibition was of that finished

barbarism, that it was at least _complete_ in its way, and for a time I

looked on with curiosity and interest. But that innate loathing which

dwells within me for all that is discordant and deformed, rendered it

anything but pleasant to witness. It grated horribly upon all my

perceptions. In the midst, one of those odd and unaccountable

transitions of thought caused, by some mental or physical re-action--the

law which brings extremes in contrast together--came across me. I was

reminded that even on this very day last year I was seated in a box at

the opera, looking at Carlotta Grisi and Perrot dancing, or rather

flying through the galoppe in "Benyowsky." The oddity of this sudden

association made me laugh, which being interpreted into the expression

of my highest approbation, they became every moment more horribly

ferocious and animated; redoubled the vigour of their detestably awkward

movements and the shrillness of their savage yells, till I began

involuntarily to look about for some means of escape--but this would

have been absolutely rude, and I restrained myself.

I should not forget to mention that the figures of most of the men were

superb; more agile and elegant, however, than muscular, more fitted for

the chase than for labour, with small and well-formed hands and feet.

When the dance was ended, a young warrior, leaving the group, sat

himself down on a little knoll to rest. His spear lay across his knees,

and he reposed his head upon his hand. He was not painted, except with a

little vermilion on his chest, and on his head he wore only the wing of

the osprey. He sat there, a model for a sculptor. The perfection of his

form, the graceful abandonment of his attitude, reminded me of a young

Mercury, or of Thorwaldsen's "Shepherd Boy." I went up to speak to him,

and thanked him for his exertions in the dance, which indeed had been

conspicuous; and then, for want of something else to say, I asked him if

he had a wife and children? The whole expression of his face suddenly

changed, and with an air as tenderly coy as that of a young girl

listening to the first whisper of a lover, he looked down and answered

softly, "Kah-ween!"--No, indeed! Feeling that I had for the first time

embarrassed an Indian, I withdrew, really as much out of countenance as

the youth himself. I did not ask him his name, for that were a violation

of the Indian form of good breeding, but I learn that he is called _the

Pouncing Hawk_. West's comparison of the Apollo Belvedere to a young

Mohawk warrior has more of likelihood and reasonableness than I ever

believed or acknowledged before.

A keg of tobacco and a barrel of flour were given to them, and they

dispersed as they came, drumming, and yelling and leaping, and

flourishing their clubs and war hatchets.

* * * * *

In the evening we paddled in a canoe over to the opposite island, with

the intention of landing and looking at the site of an intended

missionary settlement for the Indians. But no sooner did the keel of our

canoe touch the woody shore than we were enveloped in a cloud of

mosquitoes. It was in vain to think of dislodging the enemy, and after

one or two attempts we were fairly beaten back. Mackinaw, as seen from

hence, has exactly the form its name implies, that of a large turtle

sleeping on the water. I believe Mackinaw is merely the abbreviation of

Michilimackinac, _the great turtle_. It was a mass of purple shadow; and

just at one extremity the sun plunged into the lake, leaving its

reflection on the water, like the skirts of a robe of fire, floating.

This too vanished, and we returned in the soft calm twilight, singing as

we went.

* * * * *

July 29.

Where was I? Where did I leave off four days ago? O--at Mackinaw! that

fairy island, which I shall never see again, and which I should have

dearly liked to filch from the Americans, and carry home to you in my

dressing-box, or, perdie, in my toothpick case; but, good lack, to see

the ups and downs of this (new) world. I take up my tale a hundred

miles from it; but before I tell you where I am now, I must take you

over the ground, or rather over the water, in a proper and journal-like

style.

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