I shall never forget the first time I saw it. I had dined alone

downstairs. I never drink wine, so that what happened was eminently

normal. It was in the summer twilight that I returned to the study. I

glanced at the desk. There he was, sitting. So natural was it, that

before I knew I cried out "Jim!" Then I remembered all that had

happened. Of course it was an hallucination. I knew that. I took the

poker and went over to it. He did not move nor vanish. The poker cleaved

through the non-existent substance of the thing and struck the back of

the chair. Fabric of fancy, that is all it was. The mark is there on the

chair now where the poker struck. I pause from my writing and turn and

look at it--press the tips of my fingers into the indentation.

* * * * *

He _did_ continue the argument. I stole up to-day and looked over his

shoulder. He was writing the history of our discussion. It was the same

old nonsense about the eternity of forms. But as I continued to read, he

wrote down the practical test I had made with the poker. Now this is

unfair and untrue. I made no test. In falling he struck his head on the

poker.

* * * * *

Some day, somebody will find and read what he writes. This will be

terrible. I am suspicious of the servant, who is always peeping and

peering, trying to see what I write. I must do something. Every servant

I have had is curious about what I write.

* * * * *

Fabric of fancy. That is all it is. There is no Jim who sits in the

chair. I know that. Last night, when the house was asleep, I went down

into the cellar and looked carefully at the soil around the chimney. It

was untampered with. The dead do not rise up.

* * * * *

Yesterday morning, when I entered the study, there he was in the chair.

When I had dispelled him, I sat in the chair myself all day. I had my

meals brought to me. And thus I escaped the sight of him for many hours,

for he appears only in the chair. I was weary, but I sat late, until

eleven o'clock. Yet, when I stood up to go to bed, I looked around, and

there he was. He had slipped into the chair on the instant. Being only

fabric of fancy, all day he had resided in my brain. The moment it was

unoccupied, he took up his residence in the chair. Are these his boasted

higher planes of existence--his brother's brain and a chair? After all,

was he not right? Has his eternal form become so attenuated as to be an

hallucination? Are hallucinations real entities? Why not? There is food

for thought here. Some day I shall come to a conclusion upon it.

* * * * *

He was very much disturbed to-day. He could not write, for I had made

the servant carry the pen out of the room in his pocket But neither

could I write.

* * * * *

The servant never sees him. This is strange. Have I developed a keener

sight for the unseen? Or rather does it not prove the phantom to be what

it is--a product of my own morbid consciousness?

* * * * *

He has stolen my pen again. Hallucinations cannot steal pens. This is

unanswerable. And yet I cannot keep the pen always out of the room. I

want to write myself.

* * * * *

I have had three different servants since my trouble came upon me, and

not one has seen him. Is the verdict of their senses right? And is that

of mine wrong? Nevertheless, the ink goes too rapidly. I fill my pen

more often than is necessary. And furthermore, only to-day I found my

pen out of order. I did not break it.

* * * * *

I have spoken to him many times, but he never answers. I sat and watched

him all morning. Frequently he looked at me, and it was patent that he

knew me.

* * * * *

By striking the side of my head violently with the heel of my hand, I

can shake the vision of him out of my eyes. Then I can get into the

chair; but I have learned that I must move very quickly in order to

accomplish this. Often he fools me and is back again before I can sit

down.

* * * * *

It is getting unbearable. He is a jack-in-the-box the way he pops into

the chair. He does not assume form slowly. He pops. That is the only way

to describe it. I cannot stand looking at him much more. That way lies

madness, for it compels me almost to believe in the reality of what I

know is not. Besides, hallucinations do not pop.

* * * * *

Thank God he only manifests himself in the chair. As long as I occupy

the chair I am quit of him.

* * * * *

My device for dislodging him from the chair by striking my head, is

failing. I have to hit much more violently, and I do not succeed perhaps

more than once in a dozen trials. My head is quite sore where I have so

repeatedly struck it. I must use the other hand.

* * * * *

My brother was right. There is an unseen world. Do I not see it? Am I

not cursed with the seeing of it all the time? Call it a thought, an

idea, anything you will, still it is there. It is unescapable. Thoughts

are entities. We create with every act of thinking. I have created this

phantom that sits in my chair and uses my ink. Because I have created

him is no reason that he is any the less real. He is an idea; he is an

entity: ergo, ideas are entities, and an entity is a reality.

* * * * *

Query: If a man, with the whole historical process behind him, can

create an entity, a real thing, then is not the hypothesis of a Creator

made substantial? If the stuff of life can create, then it is fair to

assume that there can be a He who created the stuff of life. It is

merely a difference of degree. I have not yet made a mountain nor a

solar system, but I have made a something that sits in my chair. This

being so, may I not some day be able to make a mountain or a solar

system?

* * * * *

All his days, down to to-day, man has lived in a maze. He has never seen

the light. I am convinced that I am beginning to see the light--not as

my brother saw it, by stumbling upon it accidentally, but deliberately

and rationally. My brother is dead. He has ceased. There is no doubt

about it, for I have made another journey down into the cellar to see.

The ground was untouched. I broke it myself to make sure, and I saw what

made me sure. My brother has ceased, yet have I recreated him. This is

not my old brother, yet it is something as nearly resembling him as I

could fashion it. I am unlike other men. I am a god. I have created.

* * * * *

Whenever I leave the room to go to bed, I look back, and there is my

brother sitting in the chair. And then I cannot sleep because of

thinking of him sitting through all the long night-hours. And in the

morning, when I open the study door, there he is, and I know he has sat

there the night long.

* * * * *

I am becoming desperate from lack of sleep. I wish I could confide in a

physician.

* * * * *

Blessed sleep! I have won to it at last. Let me tell you. Last night I

was so worn that I found myself dozing in my chair. I rang for the

servant and ordered him to bring blankets. I slept. All night was he

banished from my thoughts as he was banished from my chair. I shall

remain in it all day. It is a wonderful relief.

* * * * *

It is uncomfortable to sleep in a chair. But it is more uncomfortable to

lie in bed, hour after hour, and not sleep, and to know that he is

sitting there in the cold darkness.

* * * * *

It is no use. I shall never be able to sleep in a bed again. I have

tried it now, numerous times, and every such night is a horror. If I

could but only persuade him to go to bed! But no. He sits there, and

sits there--I know he does--while I stare and stare up into the

blackness and think and think, continually think, of him sitting there.

I wish I had never heard of the eternity of forms.

* * * * *

The servants think I am crazy. That is but to be expected, and it is why

I have never called in a physician.

* * * * *

I am resolved. Henceforth this hallucination ceases. From now on I shall

remain in the chair. I shall never leave it. I shall remain in it night

and day and always.

* * * * *

I have succeeded. For two weeks I have not seen him. Nor shall I ever

see him again. I have at last attained the equanimity of mind necessary

for philosophic thought. I wrote a complete chapter to-day.

* * * * *

It is very wearisome, sitting in a chair. The weeks pass, the months

come and go, the seasons change, the servants replace each other, while

I remain. I only remain. It is a strange life I lead, but at least I am

at peace.

* * * * *

He comes no more. There is no eternity of forms. I have proved it. For

nearly two years now, I have remained in this chair, and I have not seen

him once. True, I was severely tried for a time. But it is clear that

what I thought I saw was merely hallucination. He never was. Yet I do

not leave the chair. I am afraid to leave the chair.

TOLD IN THE DROOLING WARD

Me? I'm not a drooler. I'm the assistant, I don't know what Miss Jones

or Miss Kelsey could do without me. There are fifty-five low-grade

droolers in this ward, and how could they ever all be fed if I wasn't

around? I like to feed droolers. They don't make trouble. They can't.

Something's wrong with most of their legs and arms, and they can't talk.

They're very low-grade. I can walk, and talk, and do things. You must be

careful with the droolers and not feed them too fast. Then they choke.

Miss Jones says I'm an expert. When a new nurse comes I show her how to

do it. It's funny watching a new nurse try to feed them. She goes at it

so slow and careful that supper time would be around before she finished

shoving down their breakfast. Then I show her, because I'm an expert.

Dr. Dalrymple says I am, and he ought to know. A drooler can eat twice

as fast if you know how to make him.

My name's Tom. I'm twenty-eight years old. Everybody knows me in the

institution. This is an institution, you know. It belongs to the State

of California and is run by politics. I know. I've been here a long

time. Everybody trusts me. I run errands all over the place, when I'm

not busy with the droolers. I like droolers. It makes me think how lucky

I am that I ain't a drooler.

I like it here in the Home. I don't like the outside. I know. I've been

around a bit, and run away, and adopted. Me for the Home, and for the

drooling ward best of all. I don't look like a drooler, do I? You can

tell the difference soon as you look at me. I'm an assistant, expert

assistant. That's going some for a feeb. Feeb? Oh, that's feeble-minded.

I thought you knew. We're all feebs in here.

But I'm a high-grade feeb. Dr. Dalrymple says I'm too smart to be in the

Home, but I never let on. It's a pretty good place. And I don't throw

fits like lots of the feebs. You see that house up there through the

trees. The high-grade epilecs all live in it by themselves. They're

stuck up because they ain't just ordinary feebs. They call it the club

house, and they say they're just as good as anybody outside, only

they're sick. I don't like them much. They laugh at me, when they ain't

busy throwing fits. But I don't care. I never have to be scared about

falling down and busting my head. Sometimes they run around in circles

trying to find a place to sit down quick, only they don't. Low-grade

epilecs are disgusting, and high-grade epilecs put on airs. I'm glad I

ain't an epilec. There ain't anything to them. They just talk big,

that's all.

Miss Kelsey says I talk too much. But I talk sense, and that's more than

the other feebs do. Dr. Dalrymple says I have the gift of language. I

know it. You ought to hear me talk when I'm by myself, or when I've got

a drooler to listen. Sometimes I think I'd like to be a politician, only

it's too much trouble. They're all great talkers; that's how they hold

their jobs.

Nobody's crazy in this institution. They're just feeble in their minds.

Let me tell you something funny. There's about a dozen high-grade girls

that set the tables in the big dining room. Sometimes when they're done

ahead of time, they all sit down in chairs in a circle and talk. I sneak

up to the door and listen, and I nearly die to keep from laughing. Do

you want to know what they talk? It's like this. They don't say a word

for a long time. And then one says, "Thank God I'm not feeble-minded."

And all the rest nod their heads and look pleased. And then nobody says

anything for a time. After which the next girl in the circle says,

"Thank God I'm not feeble-minded," and they nod their heads all over

again. And it goes on around the circle, and they never say anything

else. Now they're real feebs, ain't they? I leave it to you. I'm not

that kind of a feeb, thank God.

Sometimes I don't think I'm a feeb at all. I play in the band and read

music. We're all supposed to be feebs in the band except the leader.

He's crazy. We know it, but we never talk about it except amongst

ourselves. His job is politics, too, and we don't want him to lose it. I

play the drum. They can't get along without me in this institution. I

was sick once, so I know. It's a wonder the drooling ward didn't break

down while I was in hospital.

I could get out of here if I wanted to. I'm not so feeble as some might

think. But I don't let on. I have too good a time. Besides, everything

would run down if I went away. I'm afraid some time they'll find out I'm

not a feeb and send me out into the world to earn my own living. I know

the world, and I don't like it. The Home is fine enough for me.

You see how I grin sometimes. I can't help that. But I can put it on a

lot. I'm not bad, though. I look at myself in the glass. My mouth is

funny, I know that, and it lops down, and my teeth are bad. You can tell

a feeb anywhere by looking at his mouth and teeth. But that doesn't

prove I'm a feeb. It's just because I'm lucky that I look like one.

I know a lot. If I told you all I know, you'd be surprised. But when I

don't want to know, or when they want me to do something I don't want

to do, I just let my mouth lop down and laugh and make foolish noises. I

watch the foolish noises made by the low-grades, and I can fool anybody.

And I know a lot of foolish noises. Miss Kelsey called me a fool the

other day. She was very angry, and that was where I fooled her.

Miss Kelsey asked me once why I don't write a book about feebs. I was

telling her what was the matter with little Albert. He's a drooler, you

know, and I can always tell the way he twists his left eye what's the

matter with him. So I was explaining it to Miss Kelsey, and, because she

didn't know, it made her mad. But some day, mebbe, I'll write that book.

Only it's so much trouble. Besides, I'd sooner talk.

Do you know what a micro is? It's the kind with the little heads no

bigger than your fist. They're usually droolers, and they live a long

time. The hydros don't drool. They have the big heads, and they're

smarter. But they never grow up. They always die. I never look at one

without thinking he's going to die. Sometimes, when I'm feeling lazy, or

the nurse is mad at me, I wish I was a drooler with nothing to do and

somebody to feed me. But I guess I'd sooner talk and be what I am.

Only yesterday Doctor Dalrymple said to me, "Tom," he said, "I just

don't know what I'd do without you." And he ought to know, seeing as

he's had the bossing of a thousand feebs for going on two years. Dr.

Whatcomb was before him. They get appointed, you know. It's politics.

I've seen a whole lot of doctors here in my time. I was here before any

of them. I've been in this institution twenty-five years. No, I've got

no complaints. The institution couldn't be run better.

It's a snap to be a high-grade feeb. Just look at Doctor Dalrymple. He

has troubles. He holds his job by politics. You bet we high-graders talk

politics. We know all about it, and it's bad. An institution like this

oughtn't to be run on politics. Look at Doctor Dalrymple. He's been here

two years and learned a lot. Then politics will come along and throw

him out and send a new doctor who don't know anything about feebs.

I've been acquainted with just thousands of nurses in my time. Some of

them are nice. But they come and go. Most of the women get married.

Sometimes I think I'd like to get married. I spoke to Dr. Whatcomb about

it once, but he told me he was very sorry, because feebs ain't allowed

to get married. I've been in love. She was a nurse. I won't tell you her

name. She had blue eyes, and yellow hair, and a kind voice, and she

liked me. She told me so. And she always told me to be a good boy. And I

was, too, until afterward, and then I ran away. You see, she went off

and got married, and she didn't tell me about it.

I guess being married ain't what it's cracked up to be. Dr. Anglin and

his wife used to fight. I've seen them. And once I heard her call him a

feeb. Now nobody has a right to call anybody a feeb that ain't. Dr.

Anglin got awful mad when she called him that. But he didn't last long.

Politics drove him out, and Doctor Mandeville came. He didn't have a

wife. I heard him talking one time with the engineer. The engineer and

his wife fought like cats and dogs, and that day Doctor Mandeville told

him he was damn glad he wasn't tied to no petticoats. A petticoat is a

skirt. I knew what he meant, if I was a feeb. But I never let on. You

hear lots when you don't let on.

I've seen a lot in my time. Once I was adopted, and went away on the

railroad over forty miles to live with a man named Peter Bopp and his

wife. They had a ranch. Doctor Anglin said I was strong and bright, and

I said I was, too. That was because I wanted to be adopted. And Peter

Bopp said he'd give me a good home, and the lawyers fixed up the papers.

But I soon made up my mind that a ranch was no place for me. Mrs. Bopp

was scared to death of me and wouldn't let me sleep in the house. They

fixed up the woodshed and made me sleep there. I had to get up at four

o'clock and feed the horses, and milk cows, and carry the milk to the

neighbours. They called it chores, but it kept me going all day. I

chopped wood, and cleaned chicken houses, and weeded vegetables, and

did most everything on the place. I never had any fun. I hadn't no time.

Let me tell you one thing. I'd sooner feed mush and milk to feebs than

milk cows with the frost on the ground. Mrs. Bopp was scared to let me

play with her children. And I was scared, too. They used to make faces

at me when nobody was looking, and call me "Looney." Everybody called me

Looney Tom. And the other boys in the neighbourhood threw rocks at me.

You never see anything like that in the Home here. The feebs are better

behaved.

Mrs. Bopp used to pinch me and pull my hair when she thought I was too

slow, and I only made foolish noises and went slower. She said I'd be

the death of her some day. I left the boards off the old well in the

pasture, and the pretty new calf fell in and got drowned. Then Peter

Bopp said he was going to give me a licking. He did, too. He took a

strap halter and went at me. It was awful. I'd never had a licking in my

life. They don't do such things in the Home, which is why I say the

Home is the place for me.

I know the law, and I knew he had no right to lick me with a strap

halter. That was being cruel, and the guardianship papers said he

mustn't be cruel. I didn't say anything. I just waited, which shows you

what kind of a feeb I am. I waited a long time, and got slower, and made

more foolish noises; but he wouldn't, send me back to the Home, which

was what I wanted. But one day, it was the first of the month, Mrs.

Brown gave me three dollars, which was for her milk bill with Peter

Bopp. That was in the morning. When I brought the milk in the evening I

was to bring back the receipt. But I didn't. I just walked down to the

station, bought a ticket like any one, and rode on the train back to the

Home. That's the kind of a feeb I am.

Doctor Anglin was gone then, and Doctor Mandeville had his place. I

walked right into his office. He didn't know me. "Hello," he said, "this

ain't visiting day." "I ain't a visitor," I said. "I'm Tom. I belong

here." Then he whistled and showed he was surprised. I told him all

about it, and showed him the marks of the strap halter, and he got

madder and madder all the time and said he'd attend to Mr. Peter Bopp's

case.

And mebbe you think some of them little droolers weren't glad to see me.

I walked right into the ward. There was a new nurse feeding little

Albert. "Hold on," I said. "That ain't the way. Don't you see how he's

twisting that left eye? Let me show you." Mebbe she thought I was a new

doctor, for she just gave me the spoon, and I guess I filled little

Albert up with the most comfortable meal he'd had since I went away.

Droolers ain't bad when you understand them. I heard Miss Jones tell

Miss Kelsey once that I had an amazing gift in handling droolers.

Some day, mebbe, I'm going to talk with Doctor Dalrymple and get him to

give me a declaration that I ain't a feeb. Then I'll get him to make me

a real assistant in the drooling ward, with forty dollars a month and my

board. And then I'll marry Miss Jones and live right on here. And if

she won't have me, I'll marry Miss Kelsey or some other nurse. There's

lots of them that want to get married. And I won't care if my wife gets

mad and calls me a feeb. What's the good? And I guess when one's learned

to put up with droolers a wife won't be much worse.

I didn't tell you about when I ran away. I hadn't no idea of such a

thing, and it was Charley and Joe who put me up to it. They're

high-grade epilecs, you know. I'd been up to Doctor Wilson's office with

a message, and was going back to the drooling ward, when I saw Charley

and Joe hiding around the corner of the gymnasium and making motions to

me. I went over to them.

"Hello," Joe said. "How's droolers?"

"Fine," I said. "Had any fits lately?"

That made them mad, and I was going on, when Joe said, "We're running

away. Come on."

"What for?" I said.

"We're going up over the top of the mountain," Joe said.

"And find a gold mine," said Charley. "We don't have fits any more.

We're cured."

"All right," I said. And we sneaked around back of the gymnasium and in

among the trees. Mebbe we walked along about ten minutes, when I

stopped.

"What's the matter?" said Joe.

"Wait," I said. "I got to go back."

"What for?" said Joe.

And I said, "To get little Albert."

And they said I couldn't, and got mad. But I didn't care. I knew they'd

wait. You see, I've been here twenty-five years, and I know the back

trails that lead up the mountain, and Charley and Joe didn't know those

trails. That's why they wanted me to come.

So I went back and got little Albert. He can't walk, or talk, or do

anything except drool, and I had to carry him in my arms. We went on

past the last hayfield, which was as far as I'd ever gone. Then the

woods and brush got so thick, and me not finding any more trail, we

followed the cow-path down to a big creek and crawled through the fence

which showed where the Home land stopped.

We climbed up the big hill on the other side of the creek. It was all

big trees, and no brush, but it was so steep and slippery with dead

leaves we could hardly walk. By and by we came to a real bad place. It

was forty feet across, and if you slipped you'd fall a thousand feet, or

mebbe a hundred. Anyway, you wouldn't fall--just slide. I went across

first, carrying little Albert. Joe came next. But Charley got scared

right in the middle and sat down.

"I'm going to have a fit," he said.

"No, you're not," said Joe. "Because if you was you wouldn't 'a' sat

down. You take all your fits standing."

"This is a different kind of a fit," said Charley, beginning to cry.

He shook and shook, but just because he wanted to he couldn't scare up

the least kind of a fit.

Joe got mad and used awful language. But that didn't help none. So I

talked soft and kind to Charley. That's the way to handle feebs. If you

get mad, they get worse. I know. I'm that way myself. That's why I was

almost the death of Mrs. Bopp. She got mad.

It was getting along in the afternoon, and I knew we had to be on our

way, so I said to Joe:

"Here, stop your cussing and hold Albert. I'll go back and get him."

And I did, too; but he was so scared and dizzy he crawled along on hands

and knees while I helped him. When I got him across and took Albert back

in my arms, I heard somebody laugh and looked down. And there was a man

and woman on horseback looking up at us. He had a gun on his saddle, and

it was her who was laughing.

"Who in hell's that?" said Joe, getting scared. "Somebody to catch us?"

"Shut up your cussing," I said to him. "That is the man who owns this

ranch and writes books."

"How do you do, Mr. Endicott," I said down to him.

"Hello," he said. "What are you doing here?"

"We're running away," I said.

And he said, "Good luck. But be sure and get back before dark."

"But this is a real running away," I said.

And then both he and his wife laughed.

"All right," he said. "Good luck just the same. But watch out the bears

and mountain lions don't get you when it gets dark."

Then they rode away laughing, pleasant like; but I wished he hadn't said

that about the bears and mountain lions.

The Turtles of Tasman · 第 3 / 11 段