BY WILLIAM WINTER

The mind that can reverence historic associations needs no explanation of

the charm that such associations possess. There are streets and houses in

London which, for pilgrims of this class, are haunted with memories and

hallowed with an imperishable light that not even the dreary commonness of

everyday life can quench or dim. Almost every great author in English

literature has here left some personal trace, some relic that brings you

at once into his living presence. In the time of Shakespeare,--of whom it

should be noted that, wherever found, he is found in elegant

neighborhoods,--Aldersgate was a secluded, peaceful quarter of the town,

and there the poet had his residence, convenient to the theater in

Blackfriars, in which he owned a share. It is said that he dwelt at No.

134 Aldersgate Street (the house was long ago demolished), and in that

region, amid all the din of traffic and all the discordant adjuncts of a

new age, those who love him are in his company. Milton was born in a court

adjacent to Bread Street, Cheapside, and the explorer comes upon him as a

resident in St. Bride's churchyard,--where the poet Lovelace was

buried,--and at No. 19 York Street, Westminster, in later times occupied

by Jeremy Bentham and by William Hazlitt. When secretary to Cromwell he

lived in Scotland Yard, now the headquarters of the London police. His

last home was in Artillery Walk, Bunhill Fields, but the visitor to that

spot finds it covered by the Artillery barracks. Walking through King

Street, Westminster, you will not forget the great poet Edmund Spenser,

who, a victim to barbarity, died there, in destitution and grief. Ben

Jonson's terse record of that calamity says: "The Irish having robbed

Spenser's goods and burnt his house and a little child new-born, he and

his wife escaped, and after he died, for lack of bread, in King Street."

Ben Jonson is closely associated with places that can still be seen. He

passed his boyhood near Charing Cross--having been born in Hartshorn Lane,

now Northumberland Street; he attended the parish school of St.

Martin's-in-the-Fields; and persons who roam about Lincoln's Inn will call

to mind that he helped to build it--a trowel in one hand and a volume of

Horace in the other. His residence, in his day of fame, was outside the

Temple Bar, but all that neighborhood is new.

The Mermaid,--which Jonson frequented, in companionship with Shakespeare,

Fletcher, Herrick, Chapman, and Donne,--was in Bread Street, but no trace

of it remains, and a banking house stands now on the site of the old Devil

Tavern, in Fleet Street, a room in which, called "The Apollo," was the

trysting place of the club of which he was the founder. The famous

inscription, "O, rare Ben Jonson!" is three times cut in the Abbey; once

in Poets' Corner and twice in the north aisle, where he was buried,--a

little slab in the pavement marking his grave. Dryden once dwelt in a

quaint, narrow house, in Fetter Lane,--the street in which Dean Swift has

placed the home of "Gulliver," and where the famous Doomsday Book was

kept,--but, later, he removed to a liner dwelling, in Gerrard Street,

Soho, which was the scene of his death. (The house in Fetter Lane was torn

down in 1891.) Edmund Burke's house, also in Gerrard Street, is a

beer-shop, but the memory of the great orator hallows the abode, and an

inscription upon it proudly announces that here he lived. Dr. Johnson's

house, in Gough Square, bears (or bore) a mural tablet, and standing at

its time-worn threshold, the visitor needed no effort of fancy to picture

that uncouth figure shambling through the crooked lanes that afford access

to this queer, somber, melancholy retreat. In that house he wrote the

first dictionary of the English language and the characteristic, memorable

letter to Lord Chesterfield. The historical antiquarian society that has

marked many of the literary shrines of London has rendered a signal

service. The custom of marking the houses that are associated with

renowned names is, obviously, a good one, because it provides instruction,

and also because it tends to vitalize, in the general mind, a sense of the

value of honorable repute: it ought, therefore, to be everywhere adopted

and followed. A house associated with Sir Joshua Reynolds and a house

associated with Hogaith, both in Leicester Square, and houses associated

with Benjamin Franklin and Peter the Great, in Craven Street; Sheridan, in

Savile Row; Campbell, in Duke Street; Carrick, in the Adelphi Terrace;

Mrs. Siddons, in Baker Street, and Michael Faraday, in Blandford Street,

are only a few of the notable places which have been thus designated. More

of such commemorative work remains to be done, and, doubtless, will be

accomplished. The traveler would like to know in which of the houses in

Buckingham Street Coleridge lodged, while he was translating

"Wallenstein"; which house in Bloomsbury Square was the residence of

Akenside, when he wrote "The Pleasures of Imagination," and of Croly, when

he wrote "Salathiel"; or where it was that Gray lived, when he established

his residence in Russel Square, in order to be one of the first (as he

continued to be one of the most constant) students at the then newly

opened British Museum (1759).... These records, and such as these, may

seem trivialities, but Nature has denied an unfailing source of innocent

pleasure to the person who can feel no interest in them. For my part, when

rambling in Fleet Street it is a special delight to remember even so

little an incident as that recorded of the author of the "Elegy"--that he

once saw there his contemptuous critic, Dr. Johnson, shambling along the

sidewalk, and murmured to a companion, "Here comes Ursa Major." For true

lovers of literature "Ursus Major" walks oftener in Fleet Street to-day

than any living man.

A good leading thread of literary research might be profitably followed by

the student who should trace the footsteps of all the poets, dead and

gone, that have held, in England, the office of laureate. John Kay was

laureate in the reign of King Edward the Fourth; Andrew Bernard in that of

King Henry the Seventh; John Skelton in that of King Henry the Eighth, and

Edmund Spenser in that of Queen Elizabeth. Since then the succession has

included the names of Samuel Daniel, Michael Drayton, Ben Jonson, Sir

William Devenant, John Dryden, Thomas Shadwell, Nahum Tate, Nicholas Rowe,

Lawrence Eusden, Colley Cibber, William Whitehead, Thomas Warton, Henry

James Pye, Robert Southey, William Wordsworth, and Alfred Tennyson. Most

of those bards were intimately associated with London, and several of them

are buried in the Abbey. It is, indeed, because so many storied names are

written upon gravestones that the explorer of the old churches of London

finds in them so rich a harvest of instructive association and elevating

thought. Few persons visit them, and you are likely to find yourself

comparatively alone, in rambles of this kind. I went one morning into St.

Martin's,--once "in-the-fields," now at the busy center of the city,--and

found there only a pew-opener, preparing for the service, and an organist,

practising music. It is a beautiful structure, with graceful spire and

with columns of weather-beaten, gray stone, curiously stained with streaks

of black, and it is almost as famous for theatrical names as St. Paul's,

Covent Garden, or St. George's, Bloomsbury, or St. Clement Danes. There,

in a vault beneath the church, was buried the bewitching, generous Nell

Gwynn; there is the grave of James Smith, joint author with his brother

Horace,--who was buried at Tunbridge Wells,--of "The Rejected Addresses";

there rests Richard Yates, the original "Sir Oliver Surface"; and there

were laid the ashes of the romantic Mrs. Centlivre, and of George

Farquhar, whom neither youth, genius, patient labor, nor sterling

achievement could save from a life of misfortune and an untimely, piteous

death. A cheerier association of this church is with the poet Thomas

Moore, who was there married. At St. Giles's-in-the-Fields are the graves

of George Chapman, who translated Homer; Andrew Marvel, who wrote such

lovely lyrics; Rich, the manager, who brought out "The Beggar's Opera,"

and James Shirley, the fine dramatist and poet, whose immortal couplet has

often been murmured in such solemn haunts as these:

Only the actions of the just

Smell sweet and blossom in the dust.

Shirley was one of the most fertile, accomplished, admirable, and admired

of writers, during the greater part of his life (1596-1666), and the study

of his writing amply rewards the diligence of the student. His plays,

about forty in number, of which "The Traitor" is deemed the best tragedy

and "The Lady of Pleasure" the best comedy, comprehend a wide variety of

subject and exhibit refinement, deep feeling, and sustained fluency of

graceful expression. His name is associated with St. Albans, where he

dwelt as a school-teacher, and, in London, with Gray's Inn, where at one

time he resided.

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