CHAPTER II.

VITAL SLIDE.

As the mind of the pupil separates each thought from the other main

thoughts of the discourse, and holds it before the minds of his hearers,

he finds it more and more attractive. His endeavor to interest others

deepens his own interest, and the slides in his voice report this

increased concentration, in increased vitality. The pupil seeing the

spirit and life of the whole in each _vital part_, or part vital to the

life of the unit, desires to make each part live as a whole in the minds

of the listeners. He no longer touches it with uncertain stroke; the

slide has become a Vital Slide.

Analysis. Example: "The Rising of 1776." (Page 35.)

_Unit, or Whole_: A pastor of early Revolutionary times who makes his

Sunday sermon an appeal for freedom.

_Parts_:

(_a_) The spirit of the times. Stanza 1.

(_b_) The church and the people. Stanzas 2 and 3.

(_c_) The pastor and his appeal. Stanzas 4, 5, 6 and part of 9.

(_d_) The effect of the appeal. Stanzas 7, 8 and 9.

Let the student's earnest endeavor be to interest his audience in these

essential parts. The words which especially reveal these vital parts of

the selection will be given with no uncertain stroke. If the interest of

both speaker and listener is fully aroused, the slide has become a vital

one. Remember always that the desired effect in the voice results from

the mental concept; it is not developed mechanically, but grows out of

thought.

Evolution of Expression, Volume 2—Revised A Compilation of Selections Illustrating the Four Stages of Development in Art As Applied to Oratory; Twenty-Eighth Edition · 第 2 / 5 章