A GOVERNMENT CONTRACT

From the first, I had been conscious of a fascination about the West

impossible to describe. Its charm was too enigmatical and elusive for

definition.

There was a suggestion of the sea in that vast circle and in the long

undulations of the prairie, as though great waves had become

solidified, then clothed in softest green. No sign of restless

movement was apparent in those billows which stretched away from the

mountains into the vague distance. All was still. The towering

mountain itself was the symbol of infinite peace and rest. Yet there,

in the midst of that unbroken serenity, stood a cluster of buildings,

the center of the greatest activity, where life was vital and

thrilling as though a few human beings had been flung through space

and dropped onto those silent plains to work out the age-long fight

for existence.

Peace and conflict, silence and sound, absence of life and life in its

most complex form; contrasts—everywhere and in everything—it could

be defined, it was in “contrasts” that the fascination of the West was

expressed.

Ranch life might be difficult; it was never commonplace. The mere

sight of a lone horseman on a distant hill suggested greater

possibilities of excitement than a multitude of people in a city

street.

Each day brought so many new experiences, some of comedy, some of

tragedy, that I began to look for them.

After the Government had awarded a contract to furnish “150 horses of

a dark bay color for cavalry use” our life became dramatic, with the

riders cast in the leading roles.

The stage-setting consisted of a large circular corral, twelve feet

high, built of heavy pitch-pine posts and three-inch planks with a

massive snubbing post set in the center. Since there was “standing

room only,” cracks were at a premium.

_The dramatis personae_ were two tall, slender-waisted cow-punchers

who walked with a slightly rolling gait, due to extremely high-heeled

boots, much too small for them. In their right hands they carried a

coiled rope swinging easily. Their costumes were composed of cloth or

corduroy trousers, dark-colored shirts, nondescript vests of some

sort, dark blue or red handkerchiefs knotted loosely about their

necks, expensively-made boots, the tops of which were covered by the

legs of their “pants”; spurs, of course; high-priced Stetson hats, the

crowns creased to a peak, and frequently encircled by the skin of a

rattle-snake, and exceedingly soft gauntlet-gloves. It was my

observation that the old-time cow-puncher wore gloves at all times. He

did remove them when eating, and, I presume, before going to bed, but

they were always in evidence.

The “Star” is a frightened, snorting “broncho,” or unbroken horse

which for the five or six years of its life had been running loose.

Now it was to be “busted.” It is cut out from the bunch and run into

the corral and the gate securely fastened.

One of the men stands near the post, the other does the roping. Facing

the men, the broncho stands still, his head high, his eyes wild and

full of fear. An abrupt motion by one of the riders starts him on a

frantic run around and around in a circle. A sudden throw of the rope

and both front feet are in the loop. Quick as lightning the man

settles back on it, both front legs are pulled out from under the

horse and he falls on his side; the helper runs to his head, seizes

the muzzle and twists it straight up, thrusts one knee against the

neck and holds the top of the head to the ground. The roper puts two

or three more loops above the front hoofs, passes the rope, now

doubled forming a loop, between the legs, to one of the hind feet,

then pulls on the end that he has all the time held. This action draws

all three feet together. One or two more loops about them, a hitch and

the horse is tied so that it is impossible for him to get up. While

the broncho lies helpless, the saddle and bridle are put on, a large

handkerchief passed under the straps of the bridle over the eyes and

made fast. The rope is taken off. Feeling a measure of freedom, he

staggers to his feet and stands. The cinches are drawn very tight, the

rider mounts, gives a sharp order to “let him go,” the man on the

ground pulls the handkerchief from the eyes of the horse, and jumps

aside.

[Illustration: INSPECTING A BRAND]

For a moment the broncho stands dazed, then jumps, throws his head

between his front legs almost to the ground, squeals, humps his back

and pitches around and around the corral in a vain attempt to rid

himself of the fearsome thing on his back. The circular corral,

limited in space, gives little opportunity to succeed; the rider has

the advantage. The horse stops pitching and runs frantically about the

corral, at length tiring himself out. Dripping with sweat, trembling

from fear and excitement, he comes to a slow trot. The gate is thrown

open. Making a dash for freedom, he plunges through the outside

corrals, the horseman or “circler” close beside him, trying to keep

between the half-crazed broncho and any object he might run into. The

horse bolts out into the open; his is the advantage now, and he makes

the rider ride. He bucks this way and that, twisting, turning, jumping

and running, the man on his back so racked and shaken it seems

incredible that his body can hold together. They tear out over the

prairie in a wild race, far off over the hills, out of sight now.

After a time they come back on a walk. The broncho has been

busted—the act has ended.

Should the horse rear and throw himself backward, there is the

greatest danger that the man may be caught under him and killed, it

happens so quickly, but these quiet, diffident chaps are absolutely

fearless, past masters in the art of riding, facing death each time

they ride a new horse, but facing it with the supreme courage of the

commonplace, sitting calmly in the saddle, racked, shaken, jolted

until at times the blood streams from their nose, yet after a short

rest the rider “took up the next one” quite as though nothing at all

had happened. All the horses had to be broken and then made ready for

the inspection of the Government officials, and the boys were working

with them early and late.

It was an unusual experience to live in daily association with these

men, in whom were combined characteristics of the Knights of the Round

Table and those peculiar to the followers of Jesse James.

In Douglas, Wyoming, there stands a monument erected by the friends of

a local character who, curiously, bore the same surname as the famous

explorer for whom Pike’s Peak was named. Chiseled out of the solid

granite these opposing traits are epitomized in this unique epitaph:

“Underneath this stone in eternal rest

Sleeps the wildest one of the wayward west;

He was gambler and sport and cowboy, too,

And he led the pace in an outlaw crew;

He was sure on the trigger and staid to the end,

But he was never known to quit on a friend;

In the relations of death all mankind is alike,

But in life there was only one George W. Pike.”

Strange, contrasting personalities—in awe of nobody, quite as ready

to converse familiarly with the President as with Owen, but probably

preferring Owen because they knew he was a fine horseman.

Persons and things outside their own world held but slight interest

for them. At first I had a hazy idea that I might be the medium

through which a glimpse of the outside world would broaden the narrow

limits of their lives. I planned to get books for them and to arrange

a reading room, but my dream was soon shattered upon discovering that

this broader view possessed no charm. Indeed, when I offered to teach

Joe to read he refused my offer without a moment’s hesitation, firmly

announcing “I ain’t goin’ to learn to read, ’cause then I’d have to!”

“Why, Mrs. Brook,” he added, looking with scorn at the book I held in

my hand, “I wouldn’t be bothered the way you are for nothin’, havin’

to read all them books in there,” nodding his head in the direction of

our cherished library. This was certainly a fresh point of view

regarding education. About the same time I found that the Sears and

Roebuck or Montgomery Ward catalogue might be fittingly called the

Bible of the plains. Night after night the boys pored over them

absorbed in the illustrations, of hats, gloves, boots and saddles, the

things most dear to their hearts, for on their riding equipment alone

they spent a small fortune.

Improvident and generous, however great their vices might be, their

lives were free from petty meanness; the prairies had seemed to

“Give them their own deep breadth of view

The largeness of the cloudless blue.”

The religion of the cow-puncher? My impression was that he had none,

for certainly he subscribed to no conventional creed or dogma. Yet

what was it that gave him a code of honor which made cheating or a lie

an unforgivable offense and a man guilty of either an outcast scorned

by his associates, and what was it that would have made him go without

bread or shelter that a woman or child might not suffer?

Rough and gentle, brutal and tender, good and bad, not angel at one

time and devil at another, but rather saint and sinner at the same

time. Little of religious influence came into his life, and as for

Bibles—there were none.

I remember the story of a Bishop who was travelling through the West

and was asked to hold service in one of the larger towns. When he

arrived he found that he had left his own Bible on the train, so he

sent the hotel clerk out to borrow one. After some time the man

returned with a Bible, explaining to the Bishop that it was the only

one in town. “I went everywhere and finally got this one. It’s the one

they use at the Court House to swear on!”

The cow-puncher, however, could swear without any assistance, for

usually “cussin’” formed a very necessary part of his conversation.

But as I sat at my window sewing one summer morning I heard a violent

argument at the corral between Fred and a new “hay-hand” from Kansas.

Fred’s voice was decisive.

“That’s all right, but you cut out that cussin’ here—the Missus’

window’s open, and she’ll hear you.” And the heart of “the Missus”

warmed to her Knight of the Corral.

There was another incident, the true significance of which I did not

know until three years after it occurred, when the foreman of the

L—— ranch met Owen in Denver and inquired for me, adding:

“Well, I’ll never forget Mrs. Brook. Do you remember the day we was

shippin’ them white faces from the Junction about three years ago,

when you and Mrs. Brook happened to come along and stopped to watch

us? Well, one of the best men I had was brandin’ a calf when it kicked

him and he swore at it proper; all of a sudden he looked up and saw

Mrs. Brook and another lady standin’ on that high platform by the

yards watchin’ us. He was so plumb beat, he threw down his brandin’

iron, took up his hat, walked across the street to a saloon and began

drinkin’ and stayed drunk for three days, and there I was,

short-handed, with a train-load of cows and calves to ship.”

Contrast again—chivalry carried to the extent of being drunk for

three days because he had sworn before a woman!

The horses were all being ridden and trained for the inspection which

was soon to take place. Each man had his own “string,” those he had

broken, and every day they were put through their paces. When

inspected, they had to be walked, trotted and run up and down before

the officers, stopped instantly, and the veterinarian was supposed to

put his ear to their chests to see if their breathing was regular and

their hearts sound. Now, Western horses are not accustomed to having

their hearts tested, and I noticed that while the riders did

everything else that was required, they tacitly agreed “to let the vet

do his own listnin’.”

The day that the Army officers were to arrive, as Owen was getting

ready to drive over to the station to meet them, I remarked casually

that I hoped nothing would happen to upset their peace of mind, as it

was very important that the honorable representatives of the

Government be kept in a good humor.

The house was still in an unsettled condition but for the time being

it had been brought into sufficient order to insure their comfort. The

larder was stocked with the best the markets afforded and the horses

were being “gentled” daily.

When guests came on the train our dinner might be served at any hour

up to ten o’clock at night for after their arrival at the station

there was the sixteen mile drive to the ranch—and anything might

happen. It was late that particular night when I heard them at the

meadow gate. I couldn’t understand why they stopped so long. There

were sounds of confusion and as they entered the house one of the

officers held up a finger dripping with blood, the Colonel’s hat was

awry, his clothes covered with mud, and they all appeared agitated and

excited. I could not imagine what had happened. Then they all began to

tell me at once.

Upon reaching the meadow gate the Lieutenant who acted as bookkeeper

jumped out to open it but failed to return after they had driven

through. Upon investigation they found he had caught his finger

between the wire loop and the post and was held fast. They extricated

him from his dilemma and drove on. It was very dark and upon reaching

the house as the august Colonel descended from the wagon, he tripped

over a pile of stones lying near the gate, fell down and just escaped

breaking his neck. I tried to smile and yet be sympathetic—but I had

a vision of Owen with “one hundred fifty horses of a dark bay color”

on his hands if the good humor of the officers was not restored before

morning.

They were shown to their rooms and I prayed nothing would happen to

the Veterinarian, who had so far remained intact.

The Colonel and the Lieutenant had come down stairs. We were all in

the library waiting for the Doctor before going in to dinner, when we

heard a fearful crash. We rushed into the hall to see the poor man

sitting on the steps holding both hands to his head. He was very tall

and, coming down the narrow winding stairs, had struck his head on an

overhanging projection which he had failed to observe. His injury was

more uncomfortable than serious and had quite a cheering effect on his

two companions, who began to chaff him about “taking off an inch or

two” so by the time dinner was over they were all in high spirits.

The following morning at nine the inspection began. Each horse was

brought out, looked over and measured to see that he came up to the

stipulated number of “hands”. If he passed he was immediately ridden.

Each of the men rode the horses he had broken. First the horse was

walked up and down between the blacksmith-shop and the corral, then

trotted and then run, after which his lungs and breathing were tested

and if satisfactory he was accepted.

Every time a man got on to ride, I was conscious of a feeling of great

uncertainty. The horses looked quiet enough and were fairly gentle,

but Owen and I knew that the slightest variation in the manner of

mounting or “touching them up” might cause them to go through a few

movements not required by the United States Government.

As it was, all those we had expected to buck behaved like lambs, while

those which had been considered fairly well broken did everything from

bucking to snorting and blowing foam all over the Veterinarian when he

attempted to examine their teeth and test their lungs.

For three days the inspection went on, each day more interesting than

the last, until all the horses had been examined and out of the number

the necessary one hundred and fifty accepted and branded U. S.

As the bunch of horses headed for Denver was being driven off the

ranch, Fred looked after them reflectively—

“If them sodjers can ride, it’ll be all right,” he remarked, “but if

they go to puttin’ tenderfeet on them bronchs, they’ll land in

Kingdom-come before they ever hit the saddle.”

A Tenderfoot Bride: Tales from an Old Ranch · 第 16 / 35 题