CHAPTER X

ROYAL WEDDINGS

Royal betrothals and weddings have within the last few years been of

frequent occurrence at the Prussian Court. Many people seem doubtful as

to whether these marriages were the result of political arrangement or

of the mutual attraction which is the chief factor in such affairs where

humbler folk are concerned. Of my own personal knowledge I am able to

affirm that politics and worldly considerations have had nothing to say

in the matter.

German royalties are peculiarly fortunate in having an unusually wide

range of choice. The Fatherland is rich in numerous prolific princely

families, quite unremarkable for wealth or extent of territory--some

indeed are conspicuously poverty-stricken--but all of them classed as

_ebenbürtig_, that is equal in birth, to royalty, and therefore the

female members are eligible as brides for the occupiers of the most

powerful thrones. The Empire has long been the happy hunting-ground for

would-be bridegrooms.

The first royal _Verlobung_ which took place within range of my

cognizance was that of the young Duke of Saxe-Coburg and Gotha, son of

the Duchess of Albany, who was staying in Berlin Schloss at the same

time as the two nieces of the Empress, the Princesses Victoria and

Alexandra of Schleswig-Holstein-Sonderburg-Glucksburg--two bright,

pretty, fair-haired girls who had come to spend the season at Berlin

with their aunt.

The Princess burst into my sitting-room with the news one evening.

“Dick and Charlie are engaged,” she said, skipping about all over the

room. “Isn’t it nice? Just think! Dick and Charlie!”

“Dick” was the pet name of the Princess Victoria, the eldest of five

sisters.

I expressed my astonishment and pleasure at the news, and the Princess

gave me several reasons why she was not so surprised as some people,

although I am convinced that she really had known very little

beforehand. But at any rate she thought it most interesting that they

should become engaged “in Mamma’s sitting-room.”

The following September the Crown Prince announced, in a series of

laconic telegrams to his friends, his own engagement to the young

Duchess Cécile of Mecklenburg-Schwerin.

“We are engaged.--William and Cécile,” was the message sent by the happy

_Braut-paar_.

The Crown Prince had from early youth been frequently in love with

various pretty young girls within the range of his acquaintanceship. But

these harmless little love-affairs, so frank, so delightfully obvious,

and so soon dispersed into thin air by the advent of some new and

equally ineligible charmer, culminated at last in his meeting with the

young Duchess Cécile, a dark-eyed, clear-complexioned, tall, slim

maiden, just out of the schoolroom.

Any one seeing the happy pair together need not have troubled to ask if

they were in love with each other. It was palpably the case, and they

had not the least desire to conceal the fact. When the young _Braut_

came to stay at the _Neues Palais_ after her engagement, a very small

party--just the ladies-in-waiting and the two young Princesses--were

dining together in the Apollo-Saal, for the Emperor and Empress were

absent for the day. Suddenly a great clattering was heard outside the

window overlooking the terrace, and the Crown Prince appeared on

horseback, having ridden up the stone steps. His young _Braut_ was

charmed at his daring, and they sat down at table side by side,

obviously absorbed in each other, while the ladies talked about the

weather and tried to be as unobtrusive as possible. They were as

genuinely and whole-heartedly attracted, as palpably all-in-all to each

other, as the poorest young couple who bravely face the world together.

Nothing but personal liking entered into their marriage.

It is a pity that people are so sceptical as to any royal alliance being

founded on any other than political considerations. Yet politics are

rarely either forwarded or hindered nowadays by matrimonial

arrangements; and if propinquity, as most people believe, is the chief

factor in bringing about the usual love-affair, then it is obviously

most natural for a prince to be attracted towards the pretty girl--for

many princesses are remarkably pretty--whom he meets on equal terms,

with whom there is no consciousness of difference of rank, the girl who

has been brought up in the same atmosphere as himself, with whom

familiarity has bred a certain contempt for court ceremonies and court

traditions, who is related, perhaps, like himself, to various crowned

heads whom they both call “Uncle,” one with whom he has a common ground

of interest, bonds of relationship and mutual knowledge.

As soon as the announcement of this engagement became public, the

postcard shops of Berlin, whose name is legion, became mere

picture-galleries for the illustration of every possible moment of the

life and movements of the young couple. A whole army of photographers

must have been employed to lie in wait and photograph them under almost

every conceivable circumstance of their lives. Certainly German

royalties are very good-natured in this respect.

First there was the official photograph of the _Braut-Paar_ sitting

hand-in-hand, as is the orthodox photographic pose in Germany for all

newly engaged couples. Then there was a card called “The First

Congratulations”: rows and rows of little schoolboys and girls of

Schwerin, each with a bouquet of wilted flowers in the hand, and the

girls with wreaths entwined in their hair, presented in turn their

offerings to the smiling young Duchess, while the Crown Prince stood by,

helping things along to the best of his ability. “The First Drive”

pictured them both in a sort of dog-cart, duly chaperoned, taking the

air together, and there were dozens more cards portraying them at

tennis, drinking tea in the garden, or nursing the dogs. One felt that

one knew how every moment of their time was employed.

Although they were engaged in the month of September, their marriage did

not take place until the beginning of the following June. Ordinary

weddings usually mean a time of considerable stress to every one

concerned, but they are epochs of honeyed leisure as compared with the

multiple ceremonies attendant on royal functions of the same kind.

For weeks beforehand no one dared to let their thoughts wander from the

impending event. A few days before the State entry of the bride into the

town, we all had to leave the New Palace and migrate to Berlin.

A State entry means, for the bride, not only an entry in State carriages

but in State attire, wearing semievening dress and a long train.

The day before it took place the bride arrived with her mother, the

Duchess Anastasia, and took up her residence for the night in Belle Vue,

which was outside the city boundary. The next day, which turned out

remarkably hot, almost too hot to be agreeable, all Berlin was astir

early, and the streets were lavishly bewreathed and beflagged. Along

the route large wooden stands had been erected, for as far as the

populace is concerned the entry is the only part of the State ceremony

which they can enjoy, as the wedding itself takes place privately in the

Chapel of the Schloss.

So the good people of Berlin are astir betimes, and take their places

along the Tier-Garten, or as near as they can to the Brandenburger Tor,

at a very early hour, quite regardless of the fact that the procession

will not start before three. But they know there will be plenty to be

seen. Royal carriages, carrying notable personalities, will pass to and

fro, and the Emperor and Empress, the “little Princess” and her

brothers, will doubtless be in evidence. So they stand from hour to hour

waiting patiently in the heat. In the stables great activity prevails.

The eight fine black horses which draw the bride’s State carriage have

been daily exercised together, wearing the heavy red brass-studded

harness. The coach itself is made almost entirely of glass in the upper

panels, and is most beautifully painted and decorated. Three

gorgeously-clad footmen cling behind it, and two equally gorgeous pages

hold a seemingly precarious and uncomfortable footing behind the

coachman’s box, crowded up between it and the curvature of the coach

itself in a very complicated and mysterious manner. The ponderous

vehicle swings heavily from side to side, and has a peculiar

cross-Channel motion.

Its progress down towards Belle Vue is watched by crowds of delighted

spectators. The sight of its eight slowly-pacing horses, each wearing

wonderful plumes of ostrich feathers, and led at a foot’s pace by grooms

in red coats encrusted with gold lace, fill the crowd with joyful

ecstasy. They forget the heat and thirst and the long hours they have

already waited.

All the master-butchers of Berlin are very active and not a little

apprehensive, for it is an old-established privilege of their guild to

ride, in top-hats and frock-coats, at the head of the bride’s

procession, and they are divided between the fearful joy and doubtful

pleasure of the enterprise. They have been diligently pursuing

equestrian exercise for the last few weeks. Many who never made

acquaintance with a saddle before--except in the form of mutton--have

been learning, at the nearest “Tattersall,” some of the elementary

mysteries of horsemanship. Quiet, staid horses of mature years have

suddenly risen in price, and horse-dealers have reaped a rich harvest

from certain ancient but good-looking crocks which know how to walk with

an air of magnificence.

All these black-coated gentry assemble at the entrance to Belle Vue.

They are in the happy position of seeing to advantage all that goes on.

They may not look quite as smart as the mounted Uhlans of the escort,

but they add a quaint, homely German touch to the picture which is very

agreeable.

Only State carriages are allowed to drive, as they do on this occasion,

along the gravelled centre of the avenue of lime-trees on Unter den

Linden. All the _Stall-Meisters_, _Sattel-Meisters_, _Wagen-Meisters_

and other stable functionaries are assembled in Belle Vue Garden, while

the Master of the Horse in his plumed cocked hat casts an eye over the

horses and hopes that those well-trained quadrupeds will not be stirred

out of their usual calm by the unaccustomed character of the day’s

proceedings.

From the Schloss there is an excellent view of the long procession as it

at last comes slowly up the _Linden_. It stops at the Brandenburger Tor,

where the _Bürger-Meister_--the Lord Mayor of Berlin--has the pleasing

duty of making a speech of welcome to the bride, who is expected to make

a short speech in reply. A bouquet is also presented by one of a galaxy

of palpitating white-clad maidens, and, headed by the black-coated

butchers, amid the fluttering pennons of the Uhlans the big coach swings

slowly on its way, the bride smiling and bowing incessantly. Never was

anyone more joyously responsive than the future Crown-Princess, who

possesses in a high degree that capacity for appearing pleased and

amused which is so invaluable to royalties. She probably does not know

how to look bored. The world is to her an intensely amusing, interesting

place. That day she drove triumphantly into the hearts of the people,

where she has remained enthroned ever since--a stimulating, charming

presence.

Besides the bride, the coach contained the Empress and the Mistress of

the Robes, and when it turned at last from the shouting, waving populace

into the courtyard of the Schloss, the butchers having previously ridden

in at one gate and out again at the other, the Emperor, who had driven

up earlier from Belle Vue, was standing at the entrance to welcome his

future daughter-in-law, while the bridegroom waited at the head of his

regiment, which formed the guard of honour for the occasion.

The wedding itself took place three days later, at five o’clock in the

afternoon. Those people who were not invited to be present at the

wedding ceremony in the chapel itself received invitations to the

_Bilder Galerie_ or Picture Gallery, through which the wedding

procession must pass.

It is a very mixed assembly, for all having any connection with the

bride or bridegroom, professors, school friends, teachers, footmen or

their families, fellow students, all receive tickets. They must appear

in evening dress, and some very strange costumes are seen among the

ladies. One I remember, an obviously home-made and inartistic affair,

was trimmed with real water-lilies, which in the heat had turned a

dismal brown, and long before the procession drew near were depressingly

dying on the ample bosom of the lady who wore them. Everybody had to

stand all the time, and footmen holding scarlet cords kept back the

crowd as well as they could from encroaching on the space left in the

centre. There was a much better view here of the procession than in the

chapel itself, especially for the front rank of spectators, among whom I

was luckily placed. In the second row was a very stout woman, who leaned

frankly upon me for support, and tried unblushingly but unsuccessfully

to push her way to the front. When frustrated in this manœuvre, she

complained loudly of my disobligingness, and said that she had received

her entrance card from an _Ober-Kastellan_, and that she could not

understand how I could therefore expect her to remain in the second row.

I had to lean back on to her to prevent myself being pushed on to the

red carpet, and she again became tearfully indignant, not to say

unpleasant; but fortunately the procession began to arrive and saved any

further trouble.

It was headed by two heralds in tabards, and by twelve pages in red, and

then came the bride in a dress of silver tissue led by the bridegroom in

uniform. She had on her head the small jewelled crown which every

Prussian bride wears on her wedding day, and her train was carried by

four young ladies. The Empress followed with the bride’s brother, the

Grand Duke of Mecklenburg-Schwerin, and the Emperor with the bride’s

mother, the Grand Duchess Anastasia. They were followed by a crowd of

other royalties walking, as is the custom, hand-in-hand, sometimes one

Prince conducting two Princesses, or one Princess being conducted by two

Princes. They all looked very much amused at themselves, and those who

happened to know me grinned delightedly and nodded as they passed.

Prince Arthur of Connaught was there, and the very tall Duchess of

Aosta, who walked with a tiny little Japanese gentleman. The Princess,

who walked with Prince Joachim, made very friendly demonstrations as she

went by, and choked with laughter when I responded by a very deep

curtsy.

When the last of the procession had vanished we were all driven out at

once, and an army of housemaids with brooms entered and began to sweep

up the dirt and litter which the people had left behind. It was strange

that on the most ceremonious occasions, when people were waiting round

red carpets to welcome royal guests, or ambassadors weighed down with

state secrets were on the point of getting into their carriages after

audiences with the Emperor, always a print-gowned housemaid with a broom

made a jarring appearance, wielding her implement coolly in the midst of

state functionaries as though sweeping were the most important business

of life. Sometimes she had scarcely disappeared before royalty itself

emerged.

The Lutheran wedding-service is very simple. It begins with the long

address of the clergyman to the bridal couple, admonishing them as to

their duties to each other and the world at large. As everybody stands

the whole time--for no chairs are admitted into the chapel, excepting

one or two for specially exalted guests--this address is apt to appear

longer than it really is. Each lady is in Court dress, wearing the

regulation veil and long, heavy train which she must hold on her arm

during the service, as it is not to be displayed until the

_Defilir-Cour_ which follows immediately afterwards. From the chapel the

newly-married pair walk into the adjacent _Weisser-Saal_, where with the

Emperor and Empress they stand to receive the congratulations of the

invited guests, who pass quickly before them bowing, the ladies with

their trains spread out. When the bride and bridegroom have made several

hundred bows and the _Cour_ is at an end, an adjournment is made to

dinner, which is laid in several different rooms at small round tables,

excepting the one where the royalties sit, which is fairly large. Here

more quaint ceremonies take place. The Prince Fürstenberg as Marshal of

the Court serves the Emperor with soup, and the other royal guests are

also waited on by pages and gentlemen of birth, who take the dishes from

the footmen. The Lord-High-Steward or _Truchsess_ pours out the wine,

and in the middle of the dinner the Emperor proposes the health of the

newly-married pair.

The dinner, in spite of the attendant ceremonies, is not allowed to be

too prolonged, for the great climax of these stately formalities still

remains to be performed--the most beautiful, but perhaps for the

hard-worked bridal pair also the most tiring of all--the famous Torch

Dance, seen nowhere but at the Prussian Court, and when once seen, never

to be forgotten.

The wedding procession returns to the beautiful _Weisser Saal_, where a

regimental band, usually that of the Garde du Corps, is stationed in the

gallery. Here, at a signal from an official, the music begins: slow

stately marches are played, old-world tunes that seem an echo of past

times. The royal ladies are all seated with their parti-coloured trains,

which seem somehow to be the chief feature of all state functions,

spread out in front of them--while rows of red-clad pages stand behind

their chairs waiting to advance when the time arrives.

From the side entrance of the Saal, stepping in time to the music,

enters the Marshal of the Court carrying his wand of office, preceding a

double row of twenty-four pages who bear large torches. In stately

rhythm they move once round the room, when the Marshal stops, and bows

to the bride and bridegroom, who at once descend from the

slightly-raised platform where they sit, and hand-in-hand, preceded by

the torch-bearers, with four ladies carrying the bride’s train, the

group moves round the Hall in time to the music. I have seen this

ceremony four times, at as many royal weddings, and cannot express its

wonderful fascination, its mixture of poetry and romance, its glamour of

colour, its irresistible charm to the beholder. There is the lulling

monotony of sound, the flicker and smoke of the torches, the brilliant

blending of many tones, the dignified movement of the dancers, the crowd

of seated royalties opposite the crowd of standing courtiers. It takes

on something of the aspect of a fairy tale, is reminiscent of

“Cinderella” or of a half-forgotten ballad of bygone days.

The bride and bridegroom having made their tour of the room once alone,

return and separate, the bride now taking out the Emperor and her own

nearest male relative, while the bridegroom leads out his mother and

that of the bride, and they again march slowly round the room. All the

ladies’ trains, excepting those of the bride and the Empress, are

carried by four pages, the two exceptions by four ladies who themselves

wear trains. And so round after round bride and bridegroom return and

hand out the rest of the Princes and Princesses in turn.

In order to hasten matters, towards the end three or four of the younger

ones are linked together on either hand, and a chain of happy, smiling

youth treads the last stately measure round the Hall.

The Torch Dance finishes, and the torch-bearers wend their way out,

followed by the long glittering procession, away to the private

apartments. The ceremonies are at an end. It is nine o’clock, and

presently, if you listen, you may hear the cheers of the people in the

street greeting the bridal couple as they drive quickly through the

summer darkness on their way to the station.

After they are gone, there remains only one small ceremony, which is

often very unceremonious--the scramble of the courtiers for the

so-called Garter of the Bride. Hundreds of pieces of white satin ribbon

marked with her cipher are distributed by the Mistress of the

Ceremonies, and for a few moments pandemonium seems to reign. At the

last wedding I was flung bodily into the arms of a _Kammer-Herr_, a

gold-laced official of great dignity; and some of the royalties

returning to their apartments were plunged into the vortex of the

struggle and severely hustled and pushed about before a passage could be

made for them. The distributing lady was then kindly but firmly

requested to pursue her avocations in a side corridor farther away.

The wedding of the Emperor’s second son, Prince Fritz, to the Duchess

Sophie Charlotte of Oldenburg took place in February, on the same day

as the celebration of the Silver Wedding of Their Majesties, who on this

occasion walked hand in hand in the bridal procession, the Empress

wearing a wreath of silver myrtle as well as a beautiful diamond tiara

given to her by her husband.

This Silver Wedding was, of course, the occasion of many spontaneous

tributes of affection towards Their Majesties; and the Court

Chaplain--he who attempted to guide our Christmas carols--being an

indefatigable man, had determined that this notable day ought to be

ushered in by an _aubade_, an early-morning song, to be performed by the

Court ladies and gentlemen outside the bedroom door of the Emperor and

Empress. It was to be sacred in character; but, instead of taking some

old-established favourite, he was moved to ask a musical friend to write

something special to fit the occasion. Like most “specially-written”

melodies, it was rather uninspired, but by dint of constant practice at

most inconvenient times we got a more or less hazy idea of it, and hoped

that it would make a deep impression.

I think we were all a little resentful at having to rise so early on

what we knew would be a long, fatiguing day. The poor Court Chaplain,

who had to come over from Potsdam, must have started in the chilly

darkness of the winter morning. I myself, unaccustomed to rising quite

so early, fell asleep again after being awakened, and had to dress in

feverish haste and rush downstairs without any breakfast. We were

gathered, a group of rather sleepy, not conspicuously good-tempered

people, at the entrance to the narrow corridor leading to the private

apartments, where we waited an unconscionable time, growing every moment

more nervous, and studying the little ill-written scraps of music-paper

on which we had jotted down, somewhat undecipherably, our several parts.

Everybody inquired of his neighbour what we were waiting for, but no one

seemed to know, excepting the leading soprano, who frowned angrily when

we whispered and put her finger reprovingly on her lips.

We were obviously much in the way of certain Jägers and footmen, who

were passing up and down with garments and boots; and at last some of us

grew restive and threatened to depart.

At that moment a Jäger, who had cast disapproving glances at us as he

passed to and fro, came and told us that His Majesty had left his room

and was not likely to return, whereupon we felt much disappointment, but

subsequently congratulated ourselves on the happy chance that had led

the Emperor away--for our attempt at harmony turned out a most dismal

failure, owing to the chief soprano getting nervous and starting on an

absolutely false note. No less than three beginnings were necessary

before we got really “off,” and the suppressed titterings of the

bridegroom, Prince Fritz, who had joined his mother, were plainly

audible. Happily we finished better than we began--which is not saying

much--and the Empress thanked us in her usual pleasant, kindly manner,

and then hurried off after the Emperor to breakfast. It was rather hard

on the poor Court Chaplain, who had risen early and taken so much

trouble to reap so little satisfaction; and when I found on return to my

own room that my breakfast (which I had not touched) had been taken away

and eaten by the woman who waited on me, I felt that the day had not

begun as auspiciously as might have been wished.

The Crown Prince and Princess after their marriage lived at the Marmor

Palais, and here all their children were born. The arrival of their

first little boy, Prince Wilhelm, was an exciting day for the whole of

Germany. The great event happened about eight o’clock one morning, and

by eleven picture-postcards were on sale in which the Crown Princess,

naïvely represented in evening dress, was depicted holding in her arms

one of those dreadful abominations called a _Steck-Kissen_, a sort of

flat pillow much used in the Fatherland, on which was fastened with blue

ribbons, something in the manner habitual among Indian squaws, a

solid-looking infant purporting to be the newly-born Prince.

This same child on the same blue-ribboned _Steck-Kissen_ was also

represented on another postcard lying on the knees of the Emperor, who

was smiling into the middle-distance. It bore the inscription “The First

Grandchild”; but as His Majesty was at the time cruising off Kiel in the

_Hohenzollern_, he never saw his first grandchild until six weeks after

it was born. But manufacturers are not disturbed by minor details of

this nature, and the cards, however unveracious, doubtless supplied a

popular demand.

Later on the Emperor mentioned at table that, owing to the forgetfulness

of the young officer charged with the forwarding on board of his mails,

the telegrams informing him of the happy event did not reach him for a

good many hours after they arrived in Kiel; and it was from a

congratulatory message handed on board from the Sultan of Turkey that

His Majesty first heard that he was a grandfather.

The fact that the Empress was a grandmother and she herself an aunt made

the Princess very thoughtful for a time. She indulged for some time in

long fits of silence, pondering this new development. A few days after

her nephew came into the world, as we were driving in the Wildpark

together, she remarked with a certain wistful wonder, “This time last

week I was not yet an aunt, and Mamma was not a grandmother. Poor

Mamma!”

The christening was of great interest to her, because the youngest

Hohenzollern Princess is always chosen to carry the infant to the font.

She practised this ceremony a few times with a cushion, to which was

pinned a long table-cloth to present the white satin train which babes

of the Hohenzollern race wear at the ceremony. This train is embroidered

with the name of every prince or princess who has worn it; and a new

strip has to be added for every christening, so that the imagination

refuses to consider the length to which it must inevitably extend in the

course of ages. It is carried by four ladies of noble birth, and is

actually fastened, not to the infant itself, but to the white satin

cushion on which the child is laid.

Royal christenings are usually celebrated in the long Jasper Gallery in

the New Palace, a magnificent apartment which, owing to its length, was

the favourite scene of indoor sports for the Princess and her friends

when wet weather prevented their indulgence outside. Only the week after

the christening sack-races were held in the stately apartment, and the

mirrors which had lately reflected the stately tread, the brilliant

uniforms, and the trailing dresses of courtiers, now duplicated and

reduplicated a seemingly endless procession of wildly-hopping maidens

with jerking pigtails, who, shrieking with laughter and accompanied by

many tumbles, bumped along over the marble pavement to the goal. The

seventy-five _Stifts-Kinder_ had been invited to the palace; but the

afternoon turned out hopelessly wet, so that the “Gymkhana” which had

been planned had necessarily to take place indoors or not at all, and

the Jasper Gallery proved itself an excellent place for egg-and-spoon

races as well as for the needle-threading and bun-eating competitions.

A few rooms near the Gallery had been once occupied by Frederick the

Great. One of them still contained his harpsichord, and in another, row

upon row, were left the books he loved--all in French, not a single

German one amongst them. Sometimes the children would storm violently

through these older rooms, where all was left as much as possible

undisturbed, just as they had been when used by Frederick. They wakened

up for a few moments the sleepy, stifled atmosphere of the shut-up

apartments, the faded green silk curtains waved and trembled as they

passed boisterously onward; once I saw the yellow parchment label

bearing the old King’s handwriting drop from the back of a book in the

glass case, shaken from its timid, precarious hold by the rush of active

young feet. They were eerie places, where one did not care to linger

long alone when the shadows of night were falling. It was so easy to

imagine a bent old figure, in a crushed-looking cocked hat, in rusty

knee-boots, in a blue-lapelled riding-coat, peering round the corner to

see who was disturbing the silences, watching the flight of that

impetuous child of his house as her laugh echoed back towards the

deserted rooms where the air had for a moment been startled into

movement by the tones of her gay voice and the sound of her footsteps on

the polished floor.

Memories of the Kaiser's Court · 第 10 / 16 章