What is in the highest degree remarkable and commendable in these

little essays, all of which being composed in one spirit, form together

a perfect whole, is the very intimate knowledge they display of the

whole civil state of man. We see a system resting upon the past,

and still in vigorous existence. On the one hand there is a firm

adherence to tradition, on the other, movement and change which cannot

be prevented. Here alarm is felt at a useful novelty, there pleasure

in what is new, although it be useless, or even injurious. With what

freedom from prejudice the author explains the relative position

of different ranks, and the connexion in which cities, towns, and

villages mutually stand! We learn their prerogatives, together with

the legal grounds of them; we are told where the main capital of the

state is invested, and what interest it yields. We see property and its

advantages on the one hand, on the other, taxes and disadvantages of

various kinds; and then the numerous branches of industry; and in all

this past and present times are contrasted.

Osnaburg, as a member of the Hanseatic League, we are told, had in the

earlier periods an extensive and active commerce. According to the

circumstances of those times, it had a remarkable and fine situation;

it could receive the produce of the country, and was not too far

removed from the sea to transport it in its own ships. But now, in

later times, it lies deep in the interior, and is gradually removed and

shut out from the sea trade. How this has occurred, is explained in all

its bearings. The conflict between England and the coasts, and of the

havens with the interior, is mentioned; here are set forth the great

advantages of those who live on the sea-side, and deliberate plans are

proposed for enabling the inhabitants of the interior to obtain similar

advantages. We then learn a great deal about trades and handicrafts,

and how these have been outstripped by manufactures, and undermined by

shop-keeping; decline is pointed out as the result of various causes,

and this result, in its turn, as the cause of a further decline, in an

endless circle, which it is difficult to unravel; yet it is so clearly

set forth by the vigilant citizen, that one fancies one can see the way

to escape from it. The author throughout displays the clearest insight

into the most minute circumstances. His proposals, his counsel--nothing

is drawn from the air, and yet they are often impracticable; on

which account he calls his collection "patriotic fancies," although

everything in it is based on the actual and the possible.

[Side-note: Justus Moeser.]

But as everything in public life is influenced by domestic condition,

this especially engages his attention. As objects both of his serious

and sportive reflections, we find the changes in manners and customs,

dress, diet, domestic life, and education. It would be necessary to

indicate everything which exists in the civil and social world, to

exhaust the list of subjects which he discusses. And his treatment

of them is admirable. A thorough man of business discourses with the

people in weekly papers, respecting whatever a wise and beneficent

government undertakes or carries out, that he may bring it to

their comprehension in its true light. This is by no means done in

a learned manner, but in those varied forms which may be called

poetic, and which, in the best sense of the word, must certainly be

considered rhetorical. He is always elevated above his subject, and

understands how to give a cheerful view of the most serious subjects;

now half-concealed behind this or that mask, now speaking in his own

person, always complete and exhausting his subject,--at the same

time always in good humour; more or less ironical, thoroughly to the

purpose, honest, well-meaning, sometimes rough and vehement;--and all

this so well regulated, that the spirit, understanding, facility,

skill, taste, and character of the author cannot but be admired. In the

choice of subjects of general utility, deep insight, enlarged views,

happy treatment, profound yet cheerful humour, I know no one to whom I

can compare him but Franklin.

Such a man had an imposing effect upon us, and greatly influenced a

youthful generation, which demanded something sound, and stood ready

to appreciate it. We thought we could adapt ourselves to the form of

his exposition; but who could hope to make himself master of so rich

an entertainment, and to handle the most unmanageable subjects with so

much ease?

But this is our purest and sweetest illusion--one which we cannot

resign, however much pain it may cause us through life--that we would,

where possible, appropriate to ourselves, nay, even reproduce and

exhibit as our own, that which we prize and honour in others.

END OF THE THIRTEENTH BOOK

[1] The post, managed by the princes of Thurn and Taxis, in different

parts of Germany. An ancestor of this house first directed the post

system in Tyrol, in 1450, and Alexander Ferdinand von Thurn received,

in 1744, the office of Imperial Postmaster-General, as a fief of the

empire.--_Trans._

[2] "Die lustige person." That is to say, the permanent buffoon, like

"Kasperle" in the German puppet-shows, or "Sganarelle" in Moliere's

broad comedies.--_Trans._

[3] The peasant war, answering to the _Jaquerie_ in France.--_Trans._

[4] _Anglicé_: Make hay when the sun shines.--_Trans._

[5] It is a German peculiarity to apply the word "Schwager"

(brother-in-law) to a position.--_Trans._

[6] "Halbheit," "Halfness"--if there were such a word--would be the

proper expression.--_Trans._

[7] "Nathan the wise," in Lessing's play, founded on Boccacio's tale of

the rings.--_Trans._

FOURTEENTH BOOK.

With the movement which was spreading among the public, now arose

another of greater importance perhaps to the author, as it took place

in his immediate circle.

His early friends who had read, in manuscript, those poetical

compositions which were now creating so much sensation, and therefore

regarded them almost as their own, gloried in a success which they had

boldly enough predicted. This number was augmented by new adherents,

especially by such as felt conscious of a creative power in themselves,

or were desirous of calling one forth and cultivating it.

Among the former, Lenz was the most active and he deported himself

strangely enough. I have already sketched the outward appearance of

this remarkable mortal, and have touched affectionately on his talent

for humor. I will now speak of his character, in its results rather

than descriptively, because it would be impossible to follow him

through the mazy course of his life, and to transfer to these pages a

full exhibition of his peculiarities.

Generally known is that self-torture which in the lack of all outward

grievances, had now become fashionable, and which disturbed the very

best minds. That which gives but a transient pain to ordinary men

who never themselves meditate on that which they seek to banish from

their minds, was, by the better order, acutely observed, regarded,

and recorded in books, letters, and diaries. But now men united

the strictest moral requisitions on themselves and others with an

excessive negligence in action; and vague notions arising from

this half-self-knowledge misled them into the strangest habits and

out-of-the-way practices. But this painful work of self-contemplation

was justified by the rising empirical psychology which, while it was

not exactly willing to pronounce everything that produces inward

disquiet to be wicked and objectionable, still could not give it

an unconditional approval, and thus was originated an eternal and

inappeasable contest. In carrying on, and sustaining this conflict,

Lenz surpassed all the other idlers and dabblers who were occupied in

mining into their own souls, and thus he suffered from the universal

tendency of the times, which was said to have been let loose by

Werther; but a personal peculiarity distinguished him from all the

rest. While they were undeniably frank and honest creatures, he had

a decided inclination to intrigue, and, indeed, to intrigue for its

own sake, without having in view any special object, any reasonable,

attainable, personal object. On the contrary, it was always his custom

to propose to himself something whimsical, which served, for that very

reason, to keep him constantly occupied. In this way all his life long

he was an imposter in his imagination; his love, as well as his hate,

was imaginary; he dealt with his thoughts and feelings in a wilful

manner, so as always to have something to do. He endeavoured to give

reality to his sympathies and antipathies by the most perverse means,

and always himself destroyed his own work. Thus he never benefited any

one whom he loved, and never injured any one whom he hated. In general

he seemed to sin only to punish himself, and to intrigue for no purpose

but to graft a new fable upon an old one.

His talent, in which tenderness, facility, and subtlety rivalled each

other, proceeded from a real depth, from an inexhaustible creative

power, but was thoroughly morbid with all its beauty. Such qualities

are precisely the most difficult to judge. It is impossible to overlook

great features in his works--a lovely tenderness steals along through

pieces of caricature so odd and so silly that they can hardly be

pardoned, even in a humor so thorough and unassuming, and such a

genuine comic talent. His days were made up of mere nothings, to which

his nimble fancy could ever give a meaning, and he was the better able

to squander hours away, since, with a happy memory, the time which he

did employ in reading, was always fruitful, and enriched his original

mode of thought with various materials.

[Side-note: Lenz.]

He had been sent to Strasburg with some Livonian gentlemen, and a more

unfortunate choice of a Mentor could not have been made. The elder

baron went back for a time to his native country, and left behind him a

lady to whom he was tenderly attached. In order to keep at a distance

the second brother, who was paying court to the same lady, as well as

other lovers, and to preserve the precious heart for his absent friend,

Lenz determined either to feign that he had fallen in love with the

beauty, or if you please, actually to do so. He carried through this

plan with the most obstinate adherence to the ideal he had formed of

her, without being aware that he, as well as the others, only served

her for jest and pastime. So much the better for him! For him, too,

it was nothing but a game which could only be kept up by her meeting

him in the same spirit, now attracting him, now repelling him, now

encouraging him, and now slighting him. We may be sure that if he had

become aware of the way the affair sometimes went on, he would, with

great delight, have congratulated himself on the discovery.

As for the rest he, like his pupils, lived mostly with officers of the

garrison, and thus the strange notions he afterwards brought out in

his comedy _Die Soldaten_ (The Soldiers) probably originated. At any

rate, this early acquaintance with military men had on him the peculiar

effect, that he forthwith fancied himself a great judge of military

matters. And yet from time to time he really studied the subject in

detail with such effect, that some years afterward he prepared a long

memorial to the French Minister of War, from which he promised himself

the best results. The faults of the department were tolerably well

pointed out, but on the other hand, the remedies were ridiculous and

impracticable. However, he cherished a conviction that he should by

this means gain great influence at court, and was anything but grateful

to those of his friends who, partly by reasoning, and partly by active

opposition, compelled him to suppress, and afterwards to bum, this

fantastic work, after it had been fair-copied, put under cover with a

letter, and formally addressed.

First of all by word of mouth, and afterwards by letter, he had

confided to me all the mazes of his tortuous movements with regard to

the lady above mentioned. The poetry which he could infuse into the

commonest incidents often astonished me, so that I urged him to employ

his talents in turning the essence of this long-winded adventure to

account, and to make a little romance out of it. But that was not in

his line; he could only succeed when he poured himself out for ever

upon details, and span an endless thread without any purpose. Perhaps

it will be possible at a future time, to deduce from these premises

some account of his life up to tho time that he became a lunatic. At

present I confine myself to what is immediately connected with the

subject in hand.

Hardly had Götz von Berlichingen appeared when Lenz sent me a prolix

essay written on small draught paper, such as he commonly used, without

leaving the least margin, either at the top, the bottom, or the sides.

It was entitled, _Ueber unsere Ehe_, (On our Marriage,) and were it

still in existence, might enlighten us much more now than it then did

me, when I was as yet in the dark as to him and his character. The

leading purpose of this long manuscript was to compare my talent with

his own: now he seemed to make himself inferior to me, now to represent

himself as my equal; but it was all done with such humorous and neat

turns of expression that I gladly received the view he intended to

convey, and all the more so as I did, in fact, rate very high the

gifts he possessed, and was always urging him to concentrate himself

out of his aimless rambling, and to use his natural capacities with

some artistical control. I replied in the most friendly way to this

confidential communication, and as he had encouraged the greatest

intimacy between us, (as the whimsical title indicates,) from that

time forward I made known to him everything I had either finished or

designed. In return he successively sent me his manuscripts: _Der

Hofmeister_, (Private Tutor.) _Der neue Menoza_, (The New Menoza,)

_Die Soldaten_, (The Soldiers,) the imitations of Plautus, and the

translation from the English which I have before spoken of as forming

the supplement to his remarks on the theatre.

While reading the latter, I was somewhat struck to find him in a

laconic preface speaking in such a way as to convey the idea that this

essay, which contained a vehement attack upon the regular theatre, had,

many years before, been read to a society of the friends of literature

at a time, in short, when Götz was not yet written. That there should

have been among Lenz's acquaintances at Strasburg a literary circle of

which I was ignorant seemed somewhat problematical; however I let it

pass, and soon procured publishers for this and his other writings,

without having the least suspicion that he had selected me as the chief

object of his fanciful hatred, and as the mark of an odd and whimsical

persecution.

In passing, I will, for the sake of the sequel, just mention a good

fellow, who, though of no extraordinary gifts, was yet one of our

number. He was called Wagner, and was first a member of our Strasburg

society and then of that at Frankfort--a man not without spirit,

talent, and education. He appeared to be a striving sort of person,

and was therefore welcome. He, too, attached himself to me, and as

I made no secret of my plans, I shewed to him as well as others my

sketch of the Faust, especially the catastrophe of Gretchen. He caught

up the idea and used it for a tragedy, _Die Kindesmörderin_, (The

Infanticide.) It was the first time that any one had stolen from me

any of my plans. It vexed me, though I bore him no ill will on that

account. Since then I have often enough suffered such robberies and

anticipations of my thoughts, and with my dilatoriness and habit

of gossipping about the many things that I was ever planning and

imagining, I had no right to complain.

[Side-note: Klinger.]

If on account of the great effect which contrasts produce, orators

and poets gladly make use of them even at the expense of seeking them

out and bringing them from a distance, it must be the more agreeable

to the present writer that such a decided contrast presents itself,

in his speaking of Klinger after Lenz. They were contemporaries, and

in youth labored together. But Lenz, as a transient meteor, passed

but for a moment over the horizon of German literature, and suddenly

vanished without leaving any trace behind. Klinger, on the other hand,

has maintained his position up to the present time as an author of

influence, and an active man of business. Of him I will now speak, as

far as it is necessary, without following any farther a comparison,

which suggests itself; for it has not been in secret that he has

accomplished so much and exercised so great an influence, but both his

works and his influence are still remembered, far and near, and are

highly esteemed and appreciated.

Klinger's exterior, for I always like best to begin with this, was very

prepossessing. Nature had given him a tall, slender, well-built form,

and regular features. He was careful of his appearance, always dressed

neatly, and might justly have passed for the smartest member of our

little society. His manners were neither forward nor repulsive, and

when not agitated by an inward storm, mild and gentle.

In girls, we love what they are, but in young men what they promise to

be, and thus I was Klinger's friend as soon as I made his acquaintance.

He recommended himself by a pure good nature, and an unmistakeable

decision of character won him confidence. From youth upward, everything

had tended to incline him to seriousness. Together with a beautiful and

excellent sister, he had to provide for a mother, who in her widowhood

had need of such children for her support. He had made himself

everything that he was, so that no one could find fault with a trait of

proud independence which was apparent in his bearing. Strong natural

talents, such as are common to all well-endowed men, a facile power

of apprehension, an excellent memory, and great fluency of speech, he

possessed in a high degree; but he appeared to regard all these as

of less value than the firmness and perseverance which were likewise

innate with him, and which circumstances had abundantly strengthened.

To a young man of such a character, the works of Rousseau were

especially attractive. _Emile_ was his chief text-book, and its

sentiments, as they had an universal influence over the cultivated

world, were peculiarly fruitful with him, and influenced him more

than others. For he too was a child of nature,--he too had worked

his way upwards. What others had been compelled to cast away, he had

never possessed; relations of society from which they would have

to emancipate themselves, had never fettered him. Thus might he be

regarded as one of the purest disciples of that gospel of nature, and

in view of his own persevering efforts and his conduct as a man and

son, he might well exclaim, "All is good as it comes from the hands

of nature!" But the conclusion, "All is corrupted in the hands of

man!" was also forced upon him by adverse experience. It was not with

himself that he had to struggle, but beyond and out of himself with the

conventional world, from whose fetters the Citizen of Geneva designed

to set us free. And as from the circumstances of his youth the struggle

he had to undergo had often been difficult and painful, he had been

driven back upon himself too violently to attain a thoroughly serene

and joyous development. On the contrary, as he had had to force his way

against an opposing world, a trait of bitterness had crept into his

character, which he afterwards in some degree fed and cherished, but

for the most part strove against and conquered.

[Side-note: Klinger.]

His works, as far as I am able to recall them, bespeak a strong

understanding, an upright mind, an active imagination, a ready

perception of the varieties of human nature, and a characteristic

imitation of generic differences. His girls and boys are open and

amiable, his youths ardent, his men plain and intelligent, the

personages whom he paints in an unfavorable light are not overdrawn;

he is not wanting in cheerfulness and good humour, in wit and happy

notions; allegories and symbols are at his command; he can entertain

and please us, and the enjoyment would be still purer if he did not

here and there mar both for himself and us, his gay, pointed jesting by

a touch of bitterness. Yet this it is which makes him what he is. The

modes of living and of writing become as varied as they are, from the

fact that every one wavers theoretically between knowledge and error,

and practically between creation and destruction.

Klinger should be classed with those who have formed themselves for the

world, out of themselves, out of their own souls and understandings.

Because this takes place in and among a greater mass, and because

among themselves they use with power and effect, an intelligible

language flowing out of universal nature and popular peculiarities,

such men always cherish a warm hostility to all forms of the schools,

especially if these forms, separated from their living origin, have

degenerated into phrases, and have thus lost altogether their first,

fresh significance. Such men almost invariably declare war against new

opinions, views, and systems, as well as against new events and rising

men of importance who announce or produce great changes. They are

however not so much to blame on this account; their opposition is not

unnatural when they see all that which they are indebted to for their

own existence and culture menaced with ruin and in great danger.

In an energetic character this adherence to its own views becomes the

more worthy of respect when it has been maintained throughout a life

in the world and in business, and when a mode of dealing with current

events, which to many might seem rough and arbitrary, being employed at

the right time, has led surely to the desired end. This was the case

with Klinger; without pliability (which was never the virtue of the

born citizen of the empire,[1]) he had nevertheless risen, steadily,

and honorably, to posts of great importance, had managed to maintain

his position, and as he advanced in the approbation and favor of his

highest patrons, never forgot his old friends, or the path he had

left behind. Indeed, through all degrees of absence and separation,

he laboured pertinaciously to preserve the most complete constancy

of remembrance, and it certainly deserves to be remarked that in his

coat of arms though adorned by the badges of several orders, he, like

another Willigis, did not disdain to perpetuate the tokens of his early

life.

[Side-note: Lavater.]

It was not long before I formed a connection with Lavater. Passages

of my "Letter of a Pastor to his Colleagues" had greatly struck

him, for much of it agreed perfectly with his own views. With his

never-tiring activity our correspondence soon became lively. At the

time it commenced he was making preparations for his larger work on

Physiognomy,--the introduction to which had already been laid before

the public. He called on all the world to send him drawings and

outlines, and especially representations of Christ; and, although I

could do as good as nothing in this way, he nevertheless insisted on

my sending him a sketch of the Saviour such as I imagined him to look.

Such demands for the impossible gave occasion for jests of many kinds,

for I had no other way of defending myself against his peculiarities

but by bringing forward my own.

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