A Series of February 15, 1929[14]

Let us now inspect a complete and long series of February 15, 1929. It

contains no such brilliant success as in Experiment 4 of February 20,

but out of 13 experiments there is but one absolute failure, the first.

In this the agent drew a rat, the percipient two crossed objects like

keys.

2. In Figure 147, the agent’s drawing represents a door with lattice on

the upper half; it is made up of perpendicular and horizontal lines

only. The percipient’s drawing (Fig. 147a) consists of four

perpendicular lines finishing at the top in curves like fish-hooks, and

these lines are crossed by three horizontal lines. There is in the

crossed lines a suggestion of the agent’s drawing, a resemblance greater

than to any other of the thirteen.

[Illustration: Fig. 147]

[Illustration: Fig. 147a]

3. The agent’s next drawing (Fig. 93) represents a sun over hills. Mrs.

Sinclair first seems to have got the notion of a sun, which was right

(Fig. 93a). Then she made another circle and put features in it, as will

be seen suggested in the agent’s drawing (actually, in the original

drawing, the features are plainly to be seen). Then she got the idea of

something stretching out below it with curving lines, interpreted it to

be a body, so probably, from mere inference, clapped her sun with

features on to it.

4. Agent’s Figure 97 is a butterfly but the percipient did not get the

idea of a butterfly (Fig. 97a). However, the divergent lines and the

spots, five instead of four, and similarly placed, do seem to bear a

relation to it.

5. In Figure 96a, Mrs. Sinclair’s drawing resembles a part of her

husband’s (Fig. 96), although she misinterpreted her mental picture.

What she thought to be the leg of an animal, and which she drew twice,

was judged by the way it bends to be a front one, but the knee of the

leg roughly corresponds with the elbow of the pipe. Note that she seems

to have got the bulge at the end of the pipe, translating it into a

“foot,” naturally at the end of the leg.

6. In Figures 98 and 98a, compare the three “sparks” with the three

crosses on the box.

7. The shape of Figure 94a is like that of Figure 94 reversed, and there

is a suggestion of the strings, while the feet represent the pedals of

the harp.

8. The percipient in the case of Figure 95a did not get the picture of

the whole balloon bag of the agent (Fig. 95), but she did of half of it,

with a strong suggestion of the cords.

[Illustration: Fig. 148]

[Illustration: Fig. 148a]

9. In Figure 148a, bad as the percipient’s drawings are, regarded as

reproductions of Figure 148, yet they do contain suggestions of it. In

her left upper drawing we may suppose that an impression of the

leaf-stem (but badly twisted) was expressed with a leaf-lobe directly

below the stem, together with an idea of the veining, that in the right

upper one the stem is corrected, and that in the lower drawing a notion

of the veining alone is conveyed. Exactly so would the attention of the

agent, when drawing the leaf or afterward looking at or thinking of it,

pass from and to, or at least stress, one part of the leaf after

another.

10. The agent drew a necktie (Fig. 90). The percipient first drew what

much resembled the necktie, even to the shaded knot (not given here),

and almost exactly like Figure 90a aside from the “smoke.” Next she

wrote “Then it began to smoke,” and drew as in Figure 90a. One would

suppose that the knobby extremity and the diverging lines suggested a

burning match.

11. But no, the alteration appears to have been an anticipation of the

agent’s next drawing, already prepared (Fig. 91)! In this case Mrs.

Sinclair achieved a complete success (Fig. 91a), though she distrusted

it, writing beside the drawing, “Must be memory of the last one.”

12. In Figure 92a the percipient got the first two links of the agent’s

chain (Fig. 92) fairly well. The succeeding ones are suggested by a

series of partially superposed ovals, owing to misinterpretation of her

impressions. She wrote: “An egg-shaped thing smoking? Anyway, curls of

something coming out of end of egg.” Note that her combined “egg” and

“curls” describe a curve similar to that of the chain, and one not far

from the same length.

13. The last experiment of this date resulted in two percipient drawings

(Fig. 149a), similar but with differences as noted below. Presumably the

“arm” of the upper drawing is a reflection of the neck of the violin

(Fig. 149), the “hand” of its bridge, the “strings” of the violin

strings, while the “something” very imperfectly stands for the body of

the instrument. The bracelet (?) on the arm may result from an obscure

impression of _something_ curving in that region, really the volute

termination above the keys. The lower drawing stops with the strings,

but makes them more nearly parallel, like those of the violin.

[Illustration: Fig. 149]

[Illustration: Fig. 149a]

No exact mathematics can be applied to such experiments as these. But,

considering the multitude of objects and shapes which must have been

familiar to both experimenters, do you believe that there was 1 chance

in 16 of the successes in Experiments 10, 11 and 12? Or more than 1

chance in 4 for Experiments 5, 6 and 7? Or more than an average of 1 in

2 for such small degree of success as is discoverable in the rest,

excluding the failure of the first? Multiply accordingly, and divide the

product, let us say, by 2 for this failure. The result, on what I think

a moderate basis, is 1 chance in 16,777,216. Figure any other way you

like, but be reasonable.

Or substitute the first above percipient drawing for that in any and

every one of the above 12 pairs. Then take the next drawing and match it

with the other originals. And thus with the others, if your patience

holds out to the end of 132 exchanges. Have you found a single one which

will suit as well as in its actual position?

COUNTER-TESTS WHICH PROVE THE VAST DISPARITY BETWEEN THE RESULTS

OBTAINED IN THE SERIES OF FEBRUARY 15TH AND THOSE OBTAINED BY GUESSING

It is proposed at this point to interrupt the review of Mr. Sinclair’s

report of his experiments for telepathy by a test applied to the series

which has just been exhibited. In the light of the test, as it proves,

the evidential weight of both the earlier series and those which will

come later ought to be better appreciated. The only way to explain (?)

such results is to hazard the conjecture that they were due to the

possibilities of chance guessing. Well then, let us have a lot of

guessing done on the basis of the same originals and see what we get and

how it compares.[15]

It seems almost incredible that any intelligent person would hold, or

suggest it possible, that the several degrees of resemblance between 12

of the 13 originals in this series and the reproductions could have come

about by chance guessing. Surely, no one possessing an average quality

of logical and mathematical faculty, if he takes time to consider, will

be guilty of so monstrous a _faux pas_ of the intellect. But experience

teaches that some, even of excellent academic or professional standing,

to whom the notion of the possibility of telepathy has long been

obnoxious, are indeed capable of dismissing an exhibit such as this

after a passing glance, with the exclamation, “Merely chance

coincidence.” It is well, then, to make a large number of experiments in

order to test the chances of chance-coincidence to produce such a

result. Perhaps, after that is done, even those most convinced that

chance cannot account for such correspondences as we have seen will be

astonished to find the extent to which results where telepathy has

played a part and results of mere guessing differ.

Ten ladies offered themselves for experimentation. Of course the

likelihood was very small that any one of them would show a trace of

telepathic faculty. As it proved, there developed no reason to suspect

its possession by a single one of them. And it is certain that no one

who disbelieves that _any one_ gets impressions by telepathy will

complain of our conclusion that the ten ladies did nothing more than

guess.

If they did nothing more than to guess, it made no difference what

method we employed, so long as the ladies were given no inkling of the

original drawings. Nevertheless, the exact replicas of Mr. Sinclair’s 13

drawings of February 15th were separately sealed in numbered envelopes,

and the lady was asked to hold the envelopes, one by one, in her hand,

and to draw what came into her mind visually or by concept, choosing

from such impressions according to vividness, recurrence or by whatever

criterion seemed to her most congenial. She was told to take all the

time she wished and was then left alone. Thus the conditions of the

Sinclair experiments were imitated as closely as possible. The time

occupied by the ladies for the series varied from half an hour to nearly

an hour and a half. Every woman would have been pleased, naturally, if

her results had been such as to give grounds for suspecting telepathy,

but the results of the ladies differed in quality only by narrow

degrees, and, as said, there was not the slightest reason to suppose

that with any of them there was anything but chance in play.

It is, of course, not practicable to reproduce their 130 drawings in

this Bulletin. But they are to be mounted, the ten for each original

drawing on a separate sheet together with a copy of the Sinclair

original and reproduction, and the 13 sheets will be preserved by the

Boston Society for Psychic Research as a permanent exhibit which any

visitor may inspect and judge for himself.

As has been seen, we classified the Sinclair reproductions of this

series as Successes, Partial Successes, Suggestive and Failures. This is

a rough method, and others might increase or decrease the number

assigned to any of these classes, except the last. There can be no

question that there is but one entire failure. But however faulty our

standard of rating, it is the same standard which is applied to the

drawings of the ten ladies.

Not only did I use the utmost care in rating the drawings of the ten

ladies, but I asked my secretary, Miss Hoffmann, a lady of education and

keen intelligence, to do the same. Her rating of the guessing sets was

as absolutely independent of mine as mine was independent of hers.

Our mutually independent estimates were surprisingly alike. According to

both, there were among the 130 trials (by 10 women) not a single

Success, only 1 (Miss H) or 2 (W. F. P.) deserving to be entitled to

Partial Success, 7 Suggestive, 5 Slightly Suggestive and 116 (W. F. P.)

or 117 (Miss H) Failure. Compare with the Sinclair set, 3 Success, 5

Partial Success, 4 Suggestive, 1 Failure, out of a total of but 13.

Before the foregoing judging was done, I had Miss Hoffman guess the

whole set, twice a day, until another 10 sets were produced, based upon

the same Sinclair series. Our wholly independent estimates of the total

results of these additional 130 experiments in guessing proved again to

be surprisingly alike. Neither found a single Success, 1 (W. F. P.) or

no (Miss H) reproduction deserved to be called a Partial Success, 5 (W.

F. P.) or 7 (Miss H) were rated Suggestive, 8 (W. F. P.) or 7 (Miss H)

as Slightly Suggestive and 116 as Failures.

We will now tabulate the two groups (the sets of the 10 ladies and Miss

H’s 10 sets), taken together (260 experiments in guessing).

_W. F. P.’s Estimate_ _Miss H’s Estimate_

─────────────────────────────────────────────────

S. 0 S. 0

P. S. 3 P. S. 1

Sug. 12 Sug. 14

S. Sug. 13 S. Sug. 12

F. 232 F. 233

If we calculate the averages for the 20 sets of experiments, we can more

directly compare with the Sinclair results.

_Sinclair Set_ _Average of the 20 Guessing Sets_

──────────────────────────────────────────────────

_W. F. P.’s _Miss H’s

Estimate_ Estimate_

──────────────────────────────────────────────────

S. 3 S. 0 S. 0

P. S. 5 P. S. 3⁄20 P. S. 1⁄20

Sug. 4 Sug. 3⁄5 Sug. 7⁄10

S. Sug. 0 S. Sug. 13⁄20 S. Sug. 3⁄5

F. 1 F. 11 3⁄5 F. 11 13⁄20

But there is perhaps a surer way of making comparisons. It is sometimes

difficult to draw the line between a Success and a Partial Success, a

Partial Success and a Suggestive, a Suggestive and a Slightly

Suggestive. But when the drawings represent not simple diagrams, but

objects animate and inanimate, and a reproduction by Mrs. Sinclair is

placed beside a like-numbered one in any of the 20 guessing sets, it is

very seldom that one cannot be certain whether one is better as compared

with the common original, and within fair limits how much better. And

the proof of this statement is found in the fact that when two persons

passed upon the 20 sets of guessing reproductions, comparing them with

the 1 set of Sinclair reproductions, to determine, case for case, in

260, which were more nearly like the originals, and to what degree,

their rating was almost identical, although they worked in entire and

absolute mutual independence of each other.

In the following table, Si. = Sinclair drawing, G. = a Guessing drawing,

v.m.b. = very much better, m.b. = much better, b. = better.

W. F. P. found the guessing reproduction of experiment 1 to be bad to a

degree equal with the Mrs. Sinclair failure, in 16 instances. Miss

Hoffmann found it equally bad also in 16 instances, and deemed another

reproduction equally to possess some tiniest resemblance to the original

in 1 instance. Aside from these we have

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