BRITANNIA LEE

I have somewhat abbreviated the Romany text of this letter, and Miss Lee

herself has somewhat polished and enlarged the translation, which is

strictly fit and proper, she being a very different person in English

from what she is in gypsy, as are most of her kind. This letter may be,

to many, a strange lesson, a quaint essay, a social problem, a fable, an

epigram, or a frolic,--just as they choose to take it. To me it is a

poem. Thou, my friend, canst easily understand why all that is wild and

strange, out-of-doors, far away by night, is worthy of being Tennysoned

or Whitmanned. If there be given unto thee stupendous blasted trees,

looking in the moonlight like the pillars of a vast and ghostly temple;

the fall of cataracts down awful rocks; the wind wailing in wondrous

language or whistling Indian melody all night on heath, rocks, and hills,

over ancient graves and through lonely caves, bearing with it the hoot of

the night-owl; while over all the stars look down in eternal mystery,

like eyes reading the great riddle of the night which thou knowest

not,--this is to thee like Ariel's song. To me and to us there are men

and women who are in life as the wild river and the night-owl, as the

blasted tree and the wind over ancient graves. No man is educated until

he has arrived at that state of thought when a picture is quite the same

as a book, an old gray-beard jug as a manuscript, men, women, and

children as libraries. It was but yester morn that I read a cuneiform

inscription printed by doves' feet in the snow, finding a meaning where

in by-gone years I should have seen only a quaint resemblance. For in

this by the _ornithomanteia_ known of old to the Chaldean sages I saw

that it was neither from arrow-heads or wedges which gave the letters to

the old Assyrians. When thou art at this point, then Nature is equal in

all her types, and the city, as the forest, full of endless beauty and

piquancy,--_in saecula saeculorum_.

I had written the foregoing, and had enveloped and directed it to be

mailed, when I met in a lady-book entitled "Magyarland" with the

following passages:--

"The gypsy girl in this family was a pretty young woman, with masses

of raven hair and a clear skin, but, notwithstanding her neat dress

and civilized surroundings, we recognized her immediately. It is, in

truth, not until one sees the Romany translated to an entirely new

form of existence, and under circumstances inconsistent with their

ordinary lives, that one realizes how completely different they are

from the rest of mankind in form and feature. Instead of disguising,

the garb of civilization only enhances the type, and renders it the

more apparent. No matter what dress they may assume, no matter what

may be their calling, no matter whether they are dwellers in tents or

houses, it is impossible for gypsies to disguise their origin. Taken

from their customary surroundings, they become at once an anomaly and

an anachronism, and present such an instance of the absurdity of

attempting to invert the order of nature that we feel more than ever

how utterly different they are from the human race; that there is a

key to their strange life which we do not possess,--a secret free

masonry that renders them more isolated than the veriest savages

dwelling in the African wilds,--and a hidden mystery hanging over

them and their origin that we shall never comprehend. They are

indeed a people so entirely separate and distinct that, in whatever

clime or quarter of the globe they may be met with, they are

instantly recognized; for with them forty centuries of association

with civilized races have not succeeded in obliterating one single

sign."

* * * * *

"Alas!" cried the princess; "I can never, never find the door of the

enchanted cavern, nor enter the golden cavern, nor solve its

wonderful mystery. It has been closed for thousands of years, and it

will remain closed forever."

"What flowers are those which thou holdest?" asked the hermit.

"Only primroses or Mary's-keys, {285} and tulips," replied the

princess.

"Touch the rock with them," said the hermit, "and the door will

open."

* * * * *

The lady writer of "Magyarland" held in her hand all the while, and knew

it not, a beautiful primrose, which might have opened for her the

mysterious Romany cavern. On a Danube steamboat she saw a little blind

boy sitting all day all alone: only a little Slavonian peasant boy, "an

odd, quaint little specimen of humanity, with loose brown garments, cut

precisely like those of a grown-up man, and his bits of feet in little

raw-hide moccasins." However, with a tender, gentle heart she began to

pet the little waif. And the captain told her what the boy was. "He is

a _guslar_, or minstrel, as they call them in Croatia. The Yougo-Slavs

dedicate all male children who are born blind, from infancy, to the

Muses. As soon as they are old enough to handle anything, a small

mandolin is given them, which they are taught to play; after which they

are taken every day into the woods, where they are left till evening to

commune in their little hearts with nature. In due time they become

poets, or at any rate rhapsodists, singing of the things they never saw,

and when grown up are sent forth to earn their livelihood, like the

troubadours of old, by singing from place to place, and asking alms by

the wayside.

"It is not difficult for a Slav to become a poet; he takes in poetic

sentiment as a river does water from its source. The first sounds he is

conscious of are the words of his mother singing to him as she rocks his

cradle. Then, as she watches the dawning of intelligence in his infant

face, her mother language is that of poetry, which she improvises at the

moment, and though he never saw the flowers nor the snow-capped

mountains, nor the flowing streams and rivers, he describes them out of

his inner consciousness, and the influence which the varied sounds of

nature have upon his mind."

Rock and river and greenwood tree, sweet-spiced spring flower, rustling

grass, and bird-singing nature and freedom,--this is the secret of the

poets' song and of the Romany, and there is no other mystery in either.

He who sleeps on graves rises mad or a poet; all who lie on the earth,

which is the grave and cradle of nature, and who live _al fresco_,

understand gypsies as well as my lady Britannia Lee. Nay, when some

natures take to the Romany they become like the Norman knights of the

Pale, who were more Paddyfied than the Paddies themselves. These become

leaders among the gypsies, who recognize the fact that one renegade is

more zealous than ten Turks. As for the "mystery" of the history of the

gypsies, it is time, sweet friends, that 't were ended. When we know

that there is to-day, in India, a sect and set of Vauriens, who are there

considered Gipsissimae, and who call themselves, with their wives and

language and being, Rom, Romni, and Romnipana, even as they do in

England; and when we know, moreover, that their faces proclaim them to be

Indian, and that they have been a wandering caste since the dawn of Hindu

history, we have, I trow, little more to seek. As for the rest, you may

read it in the great book of Out-of Doors, _capitulo nullo folio nigro_,

or wherever you choose to open it, written as distinctly, plainly, and

sweetly as the imprint of a school-boy's knife and fork on a mince-pie,

or in the uprolled rapture of the eyes of Britannia when she inhaleth the

perfume of a fresh bunch of Florentine violets. _Ite missa est_.

The Gypsies · 第 61 / 91 题