INTRODUCTION

The 'Peace' was brought out four years after 'The Acharnians' (422

B.C.), when the War had already lasted ten years. The leading motive is

the same as in the former play--the intense desire of the less excitable

and more moderate-minded citizens for relief from the miseries of war.

Trygaeus, a rustic patriot, finding no help in men, resolves to ascend

to heaven to expostulate personally with Zeus for allowing this wretched

state of things to continue. With this object he has fed and trained a

gigantic dung-beetle, which he mounts, and is carried, like Bellerophon

on Pegasus, on an aerial journey. Eventually he reaches Olympus, only to

find that the gods have gone elsewhere, and that the heavenly abode is

occupied solely by the demon of War, who is busy pounding up the Greek

States in a huge mortar. However, his benevolent purpose is not in vain;

for learning from Hermes that the goddess Peace has been cast into a

pit, where she is kept a fast prisoner, he calls upon the different

peoples of Hellas to make a united effort and rescue her, and with their

help drags her out and brings her back in triumph to earth. The play

concludes with the restoration of the goddess to her ancient honours,

the festivities of the rustic population and the nuptials of Trygaeus

with Opora (Harvest), handmaiden of Peace, represented as a pretty

courtesan.

Such references as there are to Cleon in this play are noteworthy. The

great Demagogue was now dead, having fallen in the same action as the

rival Spartan general, the renowned Brasidas, before Amphipolis, and

whatever Aristophanes says here of his old enemy is conceived in the

spirit of 'de mortuis nil nisi bonum.' In one scene Hermes is descanting

on the evils which had nearly ruined Athens and declares that 'The

Tanner' was the cause of them all. But Trygaeus interrupts him with the

words:

"Hold-say not so, good master Hermes; Let the man rest in peace where

now he lies. He is no longer of our world, but yours."

Here surely we have a trait of magnanimity on the author's part as

admirable in its way as the wit and boldness of his former attacks had

been in theirs.

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