By C. M. KORNBLUTH

[Illustration: Illustrated by ASHMAN]

_Doing something for humanity

may be fine--for humanity--but

rough on the individual!_

He had quite a rum-blossom on him for a kid, I thought at first. But

when he moved closer to the light by the cash register to ask the

bartender for a match or something, I saw it wasn't that. Not just the

nose. Broken veins on his cheeks, too, and the funny eyes. He must have

seen me look, because he slid back away from the light.

The bartender shook my bottle of ale in front of me like a Swiss

bell-ringer so it foamed inside the green glass.

"You ready for another, sir?" he asked.

I shook my head. Down the bar, he tried it on the kid--he was drinking

scotch and water or something like that--and found out he could push him

around. He sold him three scotch and waters in ten minutes.

When he tried for number four, the kid had his courage up and said,

"I'll tell _you_ when I'm ready for another, Jack." But there wasn't any

trouble.

It was almost nine and the place began to fill up. The manager, a real

hood type, stationed himself by the door to screen out the high-school

kids and give the big hello to conventioneers. The girls came hurrying

in, too, with their little makeup cases and their fancy hair piled up

and their frozen faces with the perfect mouths drawn on them. One of

them stopped to say something to the manager, some excuse about

something, and he said: "That's aw ri'; get inna dressing room."

A three-piece band behind the drapes at the back of the stage began to

make warm-up noises and there were two bartenders keeping busy. Mostly

it was beer--a midweek crowd. I finished my ale and had to wait a couple

of minutes before I could get another bottle. The bar filled up from the

end near the stage because all the customers wanted a good, close look

at the strippers for their fifty-cent bottles of beer. But I noticed

that nobody sat down next to the kid, or, if anybody did, he didn't stay

long--you go out for some fun and the bartender pushes you around and

nobody wants to sit next to you. I picked up my bottle and glass and

went down on the stool to his left.

He turned to me right away and said: "What kind of a place is this,

anyway?" The broken veins were all over his face, little ones, but so

many, so close, that they made his face look something like marbled

rubber. The funny look in his eyes was it--the trick contact lenses. But

I tried not to stare and not to look away.

"It's okay," I said. "It's a good show if you don't mind a lot of noise

from--"

He stuck a cigarette into his mouth and poked the pack at me. "I'm a

spacer," he said, interrupting.

The Altar at Midnight · 第 1 / 5 题