CHAPTER VIII

An Adventure in Solitude

I awoke sometime during the latter part of the night with the bemused

presentiment that a longed-for event was approaching or in the

process of happening. Hands had passed lightly over my face--either

that or I had dreamed it--and I heard a faint shout coming from the

borderland between sleeping and waking. Puarei's guest bed, with its

billowy mattress of kapok, seemed strangely hard, which led to the

discovery that I was not lying on a bed, but on a mat in the corner

of an empty room. The floor was covered with crushed krora shell

which made a faint radiance in the gloom, and a roof of green thatch

was alight with the reflections of moving water. I was trying to

puzzle out whose house this could be when I heard the shout again,

clearly this time, in a pause of silence between deafening claps

of thunder. From nearer at hand came the sound of subdued laughter.

Something elfish, light-hearted in the quality of it, stirred a dim

memory and there flashed into mind the lines of an old poem:

Come, dear children, come out and play.

The moon is shining as bright as day.

Up the ladder and over the wall--

Raising my head quickly, I saw through the open doorway their perfect

illustration. The wall was the smooth wall of the sea, with a waning

moon rising just clear of it, sending a path of light to the strip of

white beach in front of the house. The palm trees bordering the shore

swarmed with children who were throwing down nuts. One ancient tree,

its stem a fantastic curve, held its foliage far out over the water

at a point where the floor of the narrow outer lagoon shelved steeply

toward the reef some fifty yards distant. Both boys and girls were

shinning up the trunk, one after the other, diving from the plumed

top, dropping feet foremost, jumping with their hands clasped around

their knees into the foaming water--the wreckage of huge combers

which broke on the reef pouring across it into the inner shallows.

A second group had gathered in the moonlit area just before the

doorway. Several youngsters were peering intently in my direction.

Others were playing a sort of hand-clapping game to the accompaniment

of an odd little singsong. A small girl, with a baby riding astride

her hip, walked past, and I saw another, of ten or twelve, standing

at the edge of the track of shimmering light, holding a coconut to

her lips with both hands. Her head was bent far back and her hair

hung free from her shoulders as she drained the cool liquid to the

last drop.

Imagine coming out of the depths of sleep to the consciousness of

such a scene! I was hardly more sure of the reality of it than I had

been of the shout, the touch of hands. It was like a picture out of a

book of fairy tales, but one quick with life, the figures coming and

going against a background of empty sea where the long swell broke

in lines of white fire on a ledge of coral. I remembered where I was,

of course: in my own house, which stood on the ocean side of a small

_motu_ known in the Paumotuan legend as "The island where the souls

were eaten." The house had been built for me only the day before by

the order of Puarei, chief of the atoll of Rutiaro; and the _motu_

was one of a dozen uninhabited islands which lay on the thirty-mile

circumference to the lagoons.

It was ordered--by chance, which took me there, perhaps--that I

was never to see the place in the clear light of usual experience,

but rather through a glamour like that of remembered dreams--a

long succession of dreams in which, night after night, events

shape themselves according to the heart's desire, or even more

fantastically, with an airy disregard for any semblance to reality.

So it was, waking from sleep on the first night which I spent under

my own roof. I was almost ready to believe that my presence there

was not the result of chance. Waywardness of fancy is one of the most

godlike of the attributes of that divinity, but the display of it is

as likely as not to be unfriendly. Here there seemed to be reasoned

kindly action. "Providence," I said to myself--"Providence without a

doubt; a little repentant, perhaps, because of questionable gifts in

the past." A whimsical Providence, too, which delighted in shocking

my sense of probability. What could those children be doing on

Soul-Eaters' Island in the middle of the night? I, myself, had left

the village island, four miles distant, only a few hours earlier,

and at that time everyone was asleep. There was not a sound of

human activity in the settlement; not a glimmer of light to be seen

anywhere excepting in Moy Ling's, the Chinaman's, shop, and on the

surface of the lagoon where lay the misty reflections of the stars.

"Perhaps," I thought, "these are not earthly children. Maybe they are

the ghosts of those whose souls were eaten here so many years ago." I

was more than half serious in thinking of that possibility. Stranger

things had happened on islands not so far removed from the world of

men.

I dressed very quietly and went to the door, taking care to keep

well in the shadow so that I might look on for a moment without

being seen. My doubts vanished at once. Not only the children had

come out to play; fathers and mothers, as well. Tamitanga was there

and Rikitia and Nahea and Pohu and Tahere and Hunga; Nui-Tane and

Nui-Vahine, Tamataha, Manono, Havaiki; and I saw old Rangituki, who

was at least seventy and a grandmother several times over, clapping

her hands with others of her generation and swaying from side to side

in time to the music of Kaupia's accordion. All the older people

were grouped around Puarei, who was seated in an old deck chair,

a sort of throne which was carried about for him wherever he went.

Poura, his wife, lay on a mat beside him, her chin propped on her

hands. Both greeted me cordially, but offered no explanation for

the reason of the midnight visit. I was glad that they didn't. I

liked the casualness of it, which was quite in keeping with habits

of life at Rutiaro. But I couldn't help smiling, remembering my

reflections earlier in the evening. I believed then that I was

crossing the threshold of what was to be an adventure in solitude,

and was in a mood of absurdly youthful elation at the prospect.

"I was to delve deeply, for the first time, into my own resources

against loneliness. I had known the solitude of cities, but there

one has the comfortable sense of nearness to others; the refuge of

books, pictures, music--all the distractions which prevent any very

searching examination of one's capacity for a life of retirement. At

Soul-Eaters' Island I would have no books, no pictures, excepting a

colored post card of the Woolworth Building which had won me this

opportunity; and for music I was limited to what I could make for

myself with my _ocharina_, my sweet-potato whistle which had a range

of one octave. Thus scantly provided with diversions, I was to learn

how far my own thoughts would serve to make a solitary life not only

endurable, but pleasant."

So I had dreamed as I paddled down the lagoon, with my island taking

form against the starlit sky to the eastward. It was one of those

places which set one to dreaming, which seem fashioned by nature for

the enjoyment of a definite kind of experience. Seeing it, whether

by day or by night, the most gregarious of men, I am sure, would

have become suddenly enamored of his own companionship and the most

prosaic would have discovered a second, meditative self which pleads

for indulgence with gentle obstinacy. But, alas! my own unsocial

nature gained but a barren victory, being robbed, at the outset,

of the fruits of it, by the seventy-five convivial inhabitants of

Rutiaro. Here within six hours was half the village at my door, and

Puarei told me that the rest of it, or as many as were provided with

canoes, was following. Evidently he had suggested the invasion.

My new house needed warming--or the Paumotuan equivalent to that

festival--so they had come to warm it.

Preparations were being made on an elaborate scale. The children were

gathering green nuts for drinking and fronds for the cloth at the

feast. Women and girls were grating the meat of ripe nuts, pressing

out the milk for the _miti haari_; cleaning fish; preparing shells

for dishes. Some of the men and the older boys were building native

ovens--eight of them, each one large enough for roasting a pig. All

of this work was being carried out under Puarei's direction and to

the accompaniment of Kaupia's accordion. I wish that I might in some

way make real to others the unreal loveliness of the scene. It must

be remembered that it took place on one of the loneliest of a lonely

cloud of islands which lay in the midmost solitude of an empty ocean.

The moonlight must be remembered, too, and how it lay in splinters

of silver on the motionless fronds of the palms as though it were

of the very texture of their polished surfaces. And you must hear

Kaupia's accordion, and the shouts of the children as they dove into

the pool of silvered foam. The older ones, out of respect to me, I

think, wore wisps of parou cloth about their loins, but the babies

were as naked as on the day they were born. Tereki was standing

among these five-and-six-year-olders, who were too small for the

climb to the diving place, taking them up, sometimes two at once,

and tossing them into the pool among the others, where they were as

much at home as so many minnows. Watching them, I thought with regret

of my own lost opportunities as a child. I felt a deep pity for all

the children of civilization who must wear clothing and who never

know the joy of playing at midnight, and by moonlight too. Mothers'

clubs and child-welfare organizations would do well to consider the

advisability of repealing the old "to bed at seven" law, the bugbear

of all children. Its only merits, if it may be so called, is that

it fosters in children, a certain melancholy intellectual enjoyment

in such poems as, "Up the ladder and over the wall," where the

forbidden pleasures are held out to them as though they were natural

ones--which most of them are, of course--and quite possible of

attainment.

I was sorry that Tino, supercargo of the _Caleb S. Winship_, could

not be present to see how blithely the work went forward. He had

called the people of Rutiaro a lazy lot, and he was right--they

were lazy, according to the standards of temperate climates. But

when they worked toward an end which pleased them their industry was

astonishing. Tino's belief was that man was made to labor, whether

joyfully or not, in order that he might increase his wealth, whether

he needed it or not, and that of the world at large. I remember

meeting somewhat the same point of view in reading the lives and

memoirs of some of the old missionaries to the islands. It seems to

have irked them terribly, finding a people who had never heard that

doleful hymn, "Work, for the Night Is Coming." They, too, believed

that the needs of the Polynesians should be increased, but for

ethical reasons, in order that they should be compelled to cultivate

regular habits of industry in order to satisfy them. Although I

didn't agree with it, Tino's seemed to me the sounder conviction.

The missionaries might have argued as reasonably for a general

distribution of Job-like boils, in order that the virtues of patience

and fortitude might have wider dissemination. But neither trade nor

religion had altered to any noticeable extent the habits of life at

Rutiaro. The people worked, as they had always done, under the press

of necessity. Their simple needs being satisfied, their inertia was

a thing to marvel at. I have often seen them sitting for hours at

a time, moving only with the shadows which sheltered them. There

was something awe-inspiring in their immobility, in their attitude

of profound reverie. I felt at times that I was living in a land

under a perpetual enchantment of silence and sleep. These periods of

calm--or, as Tino would say, laziness--were usually brought to an end

by Puarei. It was a fascinating thing to watch him throwing off the

enchantment, so gradual the process was and so strange the contrast

when he was thoroughly awakened and had roused the village from its

long sleep. Then would follow a period of activity--fishing, copra

making, canoe building, whatever there was to do would be done, not

speedily, perhaps, but smoothly, and fasts would be broken--in the

case of many of the villagers for the first time in two or three

days. My house was built during such a period. I was still living

with Puarei on the village island, wondering when, if ever, I was to

have the promised dwelling. Then one afternoon, while I was absent

on a shell-gathering expedition, the village set out _en masse_ for

Soul-Eaters' Island, cut the timbers, branded the fronds, erected,

swept, and garnished my house, and were at the settlement again

before I myself had returned. That task finished, here they were back

for the warming festival, and the energy spent in preparing for it

would have more than loaded Tino's schooner with copra. I couldn't

flatter myself that all of this was done solely to give me pleasure.

They found pleasure in it too, and, furthermore, I knew that an

unusually long interval of fasting called for compensation in the way

of feasting.

Puarei was in a gay mood. Religion sat rather heavily upon him

sometimes--by virtue of his Papeete schooling, he was the chief

elder of his church; but once he sloughed off his air of Latter Day

Saintliness he made a splendid master of revels; and he threw it

aside the moment the drums began to beat, and led a dozen of the

younger men in a dance which I had not seen before. It was very much

like modern Swedish drill set to music, except that the movements

were as intricate and graceful as they were exhausting. Three kinds

of drums were used--one, an empty gasoline tin, upon which the

drummer kept up a steady roll while the dance was in progress. The

rhythm for the movements was indicated by three others, two of them

beating hollowed cylinders of wood, while a third was provided with

an old French army drum of the Napoleonic period. The syncopation

was extraordinary. Measures were divided in an amazing variety

of ways, and often when the opportunity seemed lost the fragments

joined perfectly just as the next one was at hand. The music was a

kaleidoscope in sound, made up of unique and startling variations in

tempo, as the dance moved from one figure to the next.

At the close of it Kaupia took up her accordion again, and dancing by

some of the women followed. At length, Rangituki, grandmother though

she was, could resist the music no longer. The others gave way to

her, and in a moment she was dancing alone, proudly, with a sort of

wistful abandon, as though she were remembering her youth, throwing a

last defiance in the teeth of Time. Kaupia sang as she played to an

air which had but four changes in it. The verse was five words long

and repeated endlessly.

_Tu fra to potta mi,

Tu fra to potta mi._

Both the words and the air had a familiar sound. They called to

mind a shadowy picture of three tall, thin women in spangled skirts,

all of them beating tambourines in unison and dancing in front of a

painted screen. I couldn't account for the strange vision at first.

It glimmered faintly, far in the depths of subconscious memory, like

a colored newspaper supplement, lying in murky water at the end of

a pier. Suddenly it rose into focus, drawn to the surface by the

buoyant splendor of a name--the Cherry Sisters. I remembered then

a vaudeville troupe which long ago made sorry capital of its lack

of comeliness; and I saw them again on the island where the souls

were eaten as clearly as ever I had as a youngster, knocking their

tambourines on bony elbows, shaking their curls, and singing

"Shoe, fly, don't bother me,"

in shrill, cracked voices. Kaupia's version was merely a phonetic

translation of the words. They meant nothing in the Paumotuan

dialect; and--old woman though she was--Rangituki's dance, which

accompanied the music, played in faster and faster time, was in

striking contrast to the angular movements of the Cherry Sisters,

tripping it in the background, across the dim footlights of the

eighteen nineties.

Other canoes were arriving during this time, and at last a large

canoe, which had put off from the ocean side of the village island,

was seen making in toward the pass. It was loaded with pigs and

chickens, the most important part of the feast, and had been eagerly

awaited for more than an hour. Shouts of anticipation went up from

the shore as the boat drew in with its wished-for freight; but these

were a little premature. There was a stretch of ugly, broken water

to be passed, where the swift ebb from the lagoon met the swell of

the open sea. The canoe was badly jostled in crossing it, and some

of the chickens, having worked loose from their bonds, escaped.

Like the dogs of the atolls, the chickens are of a wild breed, and

they took the air with sturdy wings. The chase from the shore began

at once, but it was a hopeless one. Soul-Eaters' Island is five

hundred yards long by three hundred broad, and there is another, on

the opposite side of the pass, which is more than a mile in extent.

We made frantic efforts to prevent them from reaching it. We threw

sticks and stones, tried to entice them with broken coconuts, the

meat temptingly accessible. It was to no purpose. They had been

enticed before; their crops were full, and several hours of captivity

had made them wary. Furthermore, like all Polynesian chickens, they

seemed to have a racial memory of what they had been in other times,

in less congenial environments--of the lean days when they had been

caught and eaten at will, chased by dogs, run down by horses. They

were not so far from all that as to have lost conscious pride in

their regained prerogative of flight. The last we saw of them they

were using it to splendid advantage over the rapid stream which

separated the two islands. One old hen, alone, remained perched in

the top of a coconut tree on Soul-Eaters' Island. She was in no hurry

to leave. She knew that she could follow the others whenever she

liked, and she knew that we knew it. She seemed drunk with a sense

of freedom and power, and cackled proudly, as though more than half

convinced that the nuts clustered in the nest of foliage beneath her

were eggs which she had laid.

Knowing the wholesomeness of the Paumotuan appetite, I could

understand why the loss of the chickens was regarded seriously.

A dozen of them remained, and we had eight pigs weighing from one

hundred to one hundred and fifty pounds each, to say nothing of some

fifty pounds of fish. All of this was good, in so far as it went,

but there was a gloomy shaking of heads as we returned from our

fruitless chase. Not that the Paumotuans are particularly fond of

chicken; on the contrary, they don't care greatly for fowl of any

sort, but it serves to fill odd corners of their capacious stomachs.

It was this they were thinking of, and the possible lack, at the

end of the feast, of the feeling of almost painful satiety which

is to them an essential after-dinner sensation. In this emergency

I contributed four one-pound tins of beef and salmon, my entire

stock of substantial provisions for the adventure in solitude; but

I could see that Puarei, as well as the others, regarded this as a

mere relish--a wholly acceptable but light course of _hors-d'œuvre_.

Fortunately there was at hand an inexhaustible reservoir of food--the

sea--and we prepared to go there for further supplies. I never lost

an opportunity to witness those fish-spearing expeditions. Once I had

tried my hand as a participant and found myself as dangerously out of

my element as a Paumotuan would be at the joy stick of an airplane.

I saw a great many fish, but I could not have speared one of them

if it had been moored to the bottom, and after a few absurd attempts

was myself fished into the boat, half drowned. I lay there for a few

minutes, gasping for breath, my ear drums throbbing painfully from

the attempt to reach unaccustomed depths.

The experiment convinced me that fish spearing in the open sea is not

an easily acquired art, but one handed down in its perfection through

at least twenty generations of Low Island ancestors. It is falling

into disuse in some of the atolls where wealth is accumulating and

tinned food plentiful; but the inhabitants of Rutiaro still follow

it with old-time zest. They handle their spears affectionately,

as anglers handle and sort their flies. These are true sportsman's

weapons, provided with a single unbarbed dart, bound with sinnet to

a tapering shaft from eight to ten feet long. Their water goggles,

like their spears, they make for themselves. They are somewhat like

an aviator's goggles, disks of clear glass fitted in brass rims,

with an inner cushion of rubber which cups closely around the eyes,

preventing the entrance of water. When adjusted they give the wearer

an owlish appearance, like the horn-rimmed spectacles which used to

be affected by American undergraduates. Thus equipped, with their

_pareus_ girded into loin cloths, a half dozen of the younger men

jumped into the rapid current which flows past Soul-Eaters' Island

and swam out to sea.

Tohetika, Tehina, Pinga (the boat steerer), and I followed in a

canoe. Dawn was at hand and, looking back, I saw the island, my

house, and the crowd on the beach in the suffused, unreal light

of sun and fading moon. In front of us the swimmers were already

approaching the tumbled waters at the entrance to the pass. Upon

reaching it they disappeared together, and I next saw them far on the

other side, swimming in a direction parallel to the reef, and some

fifty yards beyond the breaking point of the surf. When we joined

them the sun was above the horizon and they were already at the

sport. They lay face down on the surface of the water, turning their

heads now and then for a breath of air. They swam with an easy breast

stroke and a barely perceptible movement of the legs, holding their

spears with their toes, near the end of the long shaft. Riding the

long, smooth swell, it was hard to keep them in view, and they were

diving repeatedly, coming to the surface again at unexpected places.

Through the clear water I could see every crevice and cranny in

the shelving slope of coral; the mouths of gloomy caverns which

undermined the reef, and swarms of fish, as strangely colored as

the coral itself, passing through them, flashing across sunlit

spaces, or hovering in the shadows of overhanging ledges. It was

a strange world to look down upon and stranger still to see men

moving about in it as though it were their natural home. Sometimes

they grasped their spears as a poniard would be held for a downward

blow; sometimes with the thumb forward, thrusting with an underhand

movement. They were marvelously quick and accurate at striking. I had

a nicer appreciation of their skill after my one attempt, which had

proven to me how difficult it is to judge precisely the distance,

the location of the prey, and the second for the thrust. A novice

was helpless. He suffered under the heavy pressure of the water, and

the long holding of his breath cost him agonized effort. Even though

he were comfortable physically he might chase, with as good result,

the dancing reflections of a mirror, turned this way and that in the

sunlight.

As they searched the depths to the seaward side the bodies of the

fishers grew shadowy, vanished altogether, reappeared as they passed

over a lighter background of blue or green which marked an invisible

shoal. At last they would come clearly into view, the spear held

erect, rising like embodied spirits through an element of matchless

purity which seemed neither air nor water. The whistling noises

which they made as they regained the surface gave the last touch of

unreality to the scene. I have never understood the reason for this

practice which is universal among the divers and fishers of the Low

Islands, unless it is that their lungs, being famished for air, they

breathe it out grudgingly through half-closed teeth. Heard against

the thunder of the surf, the sounds, hoarse or shrill, according to

the wont of the diver, seemed anything but human.

We returned in an hour's time with the canoe half filled with

fish--square-nosed _tinga-tingas_, silvery _tamures_, brown spotted

_kitos_, _gnareas_; we had more than made good the loss of the

chickens. The preparations for the feast had been completed. The

table was set or, better, the cloth of green fronds was laid on the

ground near the beach. At each place there was a tin of my corned

beef or salmon; the half of a coconut shell filled with raw fish,

cut into small pieces in a sauce of _miti haari_--salted coconut

milk--and a green coconut for drinking. Along the center of the table

were great piles of fish, baked and raw; roast pork and chicken;

mounds of bread stacked up like cannon balls. The bread was not of

Moy Ling's baking, but made in native fashion--lumps of boiled dough

of the size and weight of large grape fruit. One would think that the

most optimistic stomach would ache at the prospect of receiving it,

but the Paumotuan stomach is of ostrichlike hardihood and, as I have

said, after long fasting it demands quantity rather than quality in

food.

It was then about half past six, a seasonable hour for the feast, for

the air was still cool and fresh. The food was steaming on the table,

but we were not yet ready to sit down to it. Fête days, like Sundays,

required costumes appropriate to the occasion, and everyone retired

into the bush to change clothing. I thought then that I was to be the

only disreputable banqueter of the lot, and regretted that I had been

so eager to see my new house. Not expecting visitors, I had come away

from the village with only my supply of food. Fortunately, Puarei had

been thoughtful for me. I found not only my white clothing, but my

other possessions--bolts of ribbon, perfume, the cheap jewelry, etc.,

which I had bought, on credit, of Moy Ling. And the house itself had

been furnished and decorated during the hour when I was out with

the fish spearers. There was a table and a chair, made of bits of

old packing cases, in one corner; and on the sleeping mat a crazy

quilt and a pillow with my name worked in red silk within a border

of flowers. Hanging from the ceiling was a faded papier-maché bell,

the kind one sees in grocers' windows at home at Christmas time. This

was originally the gift of some trader; and the pictures, too, which

decorated the walls. They had been cut from the advertising pages

of some American magazine. One of them represented a man, dressed

in a much-advertised brand of underwear, who was smiling with cool

solicitude at two others who were perspiring heavily and wishing--if

the legend printed beneath was true--that their underwear bore the

same stamp as that of their fortunate comrade. There was another,

in color, of a woman smiling across a table at her husband, who

smiled back while they ate a particular brand of beans. The four

walls of my house were hung with pictures of this sort, strung on

cords of coconut fiber--Huirai's work, I was sure, done out of the

kindness of his heart. He was merely an unconscious agent of the

gods, administering this further reproof for my temerity in seeking

consciously an adventure in solitude. As I changed my clothing I

pondered the problem as to how I could get rid of the gallery without

giving Huirai offense, and from this I fell to thinking of the people

smiling down at me. Is our race made up, in large part, of such

out-and-out materialists, whose chief joy in life lies in discovering

some hitherto untried brand of soup or talcum powder? Do they live,

these people? They looked real enough in the picture. I seemed to

know many of them, and I remembered their innumerable prototypes I

had met in the world I had left only the year before. "Well, if they

are real," I thought, "what has become of the old doomsday men and

women who used to stand at street corners with bundles of tracts in

their hands, saying to passers-by, 'My friend, is your soul saved?'?"

No answer came from the smiling materialists on all sides of me.

They smiled still, as though in mockery of my attempt to elude them

in whatsoever unfrequented corner of the world; as though life were

merely the endless enjoyment of creature comforts, the endless,

effortless use of labor-saving devices. One man, in his late fifties,

who really ought to have been thinking about his soul, had in his

eyes only the light of sensual gratification. He was in pajamas and

half shaven, announcing to me, to the world at large: "At last! A

razor!"

The sight of him offering me his useful little instrument put an end

to my meditation. I rubbed ruefully a three days' growth of beard,

thinking of the torture in store for me when I should next go to

Pinga for a shave. He was the village barber, as well as its most

skillful boat steerer. His other customers were used to his razor and

his methods, and their faces were inured to pain; for had not their

ancestors, through countless generations, had their beards plucked

out hair by hair? I, on the other hand, was the creature of my own

land of creature comforts. The anticipation of a shave was agony,

and the realization--Pinga sitting on my chest, holding my head

firm with one immense hand while he scraped and rasped with his dull

razor--that was to die weekly and to live to die again. I got what

amusement I could from the thought of the different set of values

at Rutiaro. I had only to ask for a house, and Puarei had given me

one, with an island of my own to set it on. He thought no more of the

request than if I had asked him for a drinking coconut. But not all

the wealth of the Low Island pearl fisheries, had it been mine to

offer, could have procured for me a safety razor with a dozen good

blades.

I heard Puarei shouting, "_Haere mai ta maa!_" and went out to join

the others, my unshaved beard in woeful contrast to my immaculate

white clothing. But my guests, or hosts, had the native courtesy of

many primitive people, and I was not made conscious of my unreaped

chin. Furthermore, everyone was hungry, and so, after Puarei had said

grace for the Church of Latter Day Saints, and Huirai a second one

for the Reformed Church of Latter Day Saints, and Nui-Tano a third as

the Catholic representative, we fell to without further loss of time.

The enjoyment of food is assuredly one of the great blessings of

life, although it is not a cause for perpetual smiling, as the

writers of advertisements would have one believe. According to the

Low Island way of thinking, it is not a subject to be talked about at

any length. I liked their custom of eating in silence, with everyone

giving undivided attention to the business in hand. It gave one the

privilege of doing likewise, a relief to a man weary of the unnatural

dining habits of more advanced people. It may be a trifle gross to

think of your food while you are eating it, but it is natural and, if

the doctors are to be believed, an excellent aid to digestion. Now

and then Puarei would say, "_É mea maitai, tera_" ("A thing good,

that"), tapping a haunch of roast pork with his forefinger. And I

would reply, "_É, é mea maitai roa, tera_" ("Yes, a thing very good,

that"). Then we would fall to eating again. On my right, Hunga went

from fish to pork and from pork to tinned beef, whipping the _miti

haari_ to his lips with his fingers without the loss of a drop. Only

once he paused for a moment and let his eyes wander the length of

the table. Shaking his head with a sigh of satisfaction, he said,

"_Katinga ahuru katinga_" ("Food and yet more food"). There is no

phrase sweeter to Paumotuan ears than that one.

Huirai, the constable, was the only one who made any social demands

upon me. As already related, he had once made a journey from

Papeete to San Francisco as a stoker on one of the mail boats and

was immensely proud of the few English phrases which he had picked

up during the voyage. He didn't know the meaning of them, but that

made no difference. He could put on side before the others, make

them believe that he was carrying on an intelligent conversation.

"What's the matter?" "Oh yes!" "Never mind" were among his favorite

expressions--unusually mild ones, it seemed to me, for one who had

been associated with a gang of cockney stokers; and he brought them

out apropos of nothing. He was an exasperating old hypocrite, but

a genial one, and I couldn't help replying to some of his feints

at conversation. Once, out of curiosity, wondering what his reply

would be, I said, "Huirai, you're the worst old four-flusher in the

seventy-two islands, aren't you?" He smiled and nodded, and came back

with the most telling of all his phrases, "You go to hell, me." On

that occasion it was delivered with what seemed something more than

mere parrotlike aptness of reply.

Clipped to his undershirt he wore a fountain pen, which was

as much a part of his costume on those dress occasions as his

dungaree trousers and pandanus hat. It had a broken point, was

always dry, and, although Huirai read fairly well, he could

hardly write his own name. No matter. He would no more have

forgotten his pen than a French soldier his _Croix de guerre_.

But he was not alone in his love for these implements of the

_popaa's_ (white man's) culture. There was Havaiki, for example,

who owned a small folding camera which he had bought from some

trader. The two men were very jealous of each other. Huirai had

traveled and had a fountain pen, but Havaiki's camera was a much

more complicated instrument. There had never been any films for

it, but he was quite satisfied without them. The camera stood

on a shelf at his house, an ever-present proof of his better

title to distinction. His chief regret, I believe, was that he

couldn't wear it, as Huirai did his pen. But he often carried

it with him on Sundays and went through the pretense of taking

pictures. Some of the more sanguine still believed that he would

one day surprise the village by producing a large number of

magnificent photographs.

A further account of the feast at Soul-Eaters' Island would be

nothing more than a detailed statement of the amount of food

consumed, and it would not be credited as truthful. It is enough

to say that it was a Latter Day miracle, comparable to the feeding

of the five thousand, with this reversal of the circumstances--that

food for approximately that number was eaten by twenty-two men. At

last Puarei sat back with a groan of content and said, "_Aué! Paia

'huru paia to tatou._" It is impossible to translate this literally,

but the exact meaning is, "We are all of us full up to the neck." It

was true. We were. That is, all of the men. The women and children

were waiting, and as soon as we gave them place they set to on the

remnants. Fortunately, there was, as Hunga had said, food and yet

more food, so that no one went hungry. At the close of the feast I

saw old Rangituki take a fragment of coconut frond and weave it into

a neat basket. Then she gathered into it all of the fish bones and

hung the basket from one of the rafters of my house. Rangituki was

pure heathen, one of the unredeemed of the Rutiaroans, but I noticed

that some of the Catholics and Latter Day Saints, even the Reformed

Saints of the later Latter Day persuasion, all in good standing in

their churches, assisted her in making the collection. I had observed

the same practice at other islands. At the beginning of a meal thanks

were given to the God of Christians for the bounty of the sea; but

fisherman's luck was a matter of the first importance, and, while

the old gods might be overthrown, there seemed to be a fairly general

belief that it would not do to trifle with immemorial custom.

It was midmorning before the last of the broken meats had been

removed and the beach made tidy. The breeze died away, and the

shadows of the palms moved only with the imperceptible advance of

the sun. It was a time for rest, for quiet meditation, and all of

the older people were gathered in the shade, gazing out over a sea

as tranquil as their minds, as lonely as their lives had always been

and would always be. I knew that they would remain thus throughout

the day, talking a little, after the refreshment of light slumbers,

but for the most part sitting without speech or movement, their

consciousness crossed by vague thoughts which would stir it scarcely

more than the cat's-paw ruffled the surface of the water. No sudden,

half-anguished realization of the swift passage of time would disturb

the peace of their reverie; no sense of old loss to be retrieved

would goad them into swift and feverish action.

A land crab moved across a strip of sunlight and sidled into

his hole, pulling his grotesque little shadow after him; and the

children, restless little spirits, splashed and shouted in the

shallows of the lagoon, maneuvering fleets of empty beef and salmon

tins--reminders of the strange beginning of my adventure in solitude.

[Illustration]

Faery Lands of the South Seas(#56457) · 第 8 / 18 章