INTRODUCTION

I

_On ne doit jamais écrire que de ce qu’on aime._ It is my happy fortune

that I love Michael Fairless; and although, before I began to write of

her, I thought the demand anything but happy that compelled me to break

the silence she desired, I have come to think even this a part of my

good fortune too. I have come indeed to feel that, since her wish to

remain unknown must be set aside in face of circumstances she could

never have foreseen, this may bring new fulfilment to a desire that lay

far nearer to her heart—the desire to give away all she had, to hoard

nothing, not even her own self.

Much that Mrs. Haggard says of her sister’s early childhood is new to

me; but all is congruous, as the bud is congruous with the rose. The

child with her pet animals I have seen in the woman for whom all

animals, even the very fierce, were friends, telling each its own secret

and able to receive something of the great human secret offered them in

her. They grew, these creatures, grew in spirit, under the magic of her

hands and in the stirring warmth of her heart. The wild ones knew her as

they knew the little poor man upon the Umbrian hills. Birds would perch

about her, rabbits play; even the ‘tramp cats,’ as she calls them in her

Christmas Idyll—cats who had taken to the woods and become worse than

wild—learnt from her the graces of home life and laid savagery down.

‘She had a way with her,’ as they say in Ireland. And this way stretched

beyond the kingdom of the beasts and bees and birds. When I first learnt

to know her she had a little cottage on a high road, the great Bath road

of many tramps. It had been the lodge of an abandoned manor house, and

was, of course, close to the gateway. There she tamed her tramp men and

made them friends. Every man who came had a table and chair under

shelter; the plainest, simplest food; materials for mending his clothes,

tea or cocoa to drink, her smile, her wonderful eyes upon his, her open

heart and word. Never a thing was stolen from her doors, her wide

windows; never a penny did she give; but many a man begged leave to chop

wood for her, to dig in her garden—some little thing to show what she

had done for him.

It seemed to me illuminating; it pointed me to the one great hope for

this world, the hope of the coming of the kingdom of God in the power of

man’s self-sharing, fearless, love for men.

Mrs. Haggard alludes very briefly to Michael Fairless’s ‘psychic’ gifts.

Of these I had said nothing; she herself made nothing of them. But they

were strong, too strong to be overlooked by anyone who knew her well. It

would lead me outside my province if I were to attempt here an adequate

discussion of the matter. I will say only that she was ‘telepathic’ in a

high degree, had that sympathetic insight which reveals actual facts

hidden from the physical senses. The connexion of this with power over

animals is a problem of great interest for which, again, there is no

place here. How far her insight—her interior vision—reached I cannot

say; that it went beyond animals, tramps, and her best friends I am

assured by my experience of her. There is an instance given in ‘A Modern

Mystic’s Way’ which is true to the letter. The account given there was

transcribed in every point from notes taken at the time and signed by

her as correct.

She was one whom we who knew her do not try to measure by ordinary

standards, the rules of everyday, in any of the relations of life. Need

I say that there were people whom she puzzled, bewildered? Or that there

were others who not only failed to understand, but wholly misunderstood

her? They always do it; they will do it still, no doubt, even when they

have read every word Mrs Haggard and I have written here.

Michael Fairless · 第 3 / 22 题