XIV

LATER, engaged in repairing a shelf--at a super-union scale--for his

mother, he heard the steam shriek of a calliope announcing the parade.

From a window he could see the thronged sidewalks, the crudely fantastic

figures of the clowns, enveloped in a dusty haze of light. His thoughts

withdrew from that vapid spectacle to the rapt contemplation of Eliza

Dreen. He pictured Eliza and himself in the dramatic situations which

diversified the moving pictures of his nightly attendance: he rescued

her from the wiles of Mexicans, counts, weirdly-wicked Hindoos; now

he dragged her from the chimney into which she had been bricked by

a Brotherhood of Blood; now, driving a monoplane above the hurtling

express that bore her toward a fiendish revenge, he descended to halt

the train at a river's brink while the bridge sank dynamited into the

swirling stream--“Mercy, Tony!” his mother's practical voice rent the

resplendent vision; “don't crush your greatuncle's epaulets.”

After the midday meal a minute review of the places where Eliza might

be found discovered the Ellerton Country Club to hold the greatest

possibility. Anthony was a virtual stranger to that focus of the

newer Ellerton; except for the older enthusiasts who played golf every

afternoon that it was humanly possible to remain outside it was the

stronghold of the species Anthony had encountered in the dressing room

at the Dreens' dance. The space at the back of the drugstore where he

had lounged held unbroken the elder tradition of Ellerton. There he

had cultivated a mild contempt for the studied urbanity, the formally

organized converse and games, of the Club. But as a setting for Eliza it

gained a compelling attraction. And, in his freshly-ironed flannels, he

ordered his steps toward that goal. The Club House overhung the rolling

green of the golf links; from a place of vantage he saw that Eliza was

not on the veranda; at one end a group of young men were drinking--teal

Beyond his father and three companions, followed by caddies, rose above

a hill. His father grasped a club and bent over the turf; the club

described a short arc, the ball flashed whitely through the air, and

the group trotted eagerly forward, mingling explanation, chagrin and

prediction with heated and simple sums in arithmetic.

Then he saw Eliza... she was on the tennis court, playing with a

vigorous girl with a bare and stalwart forearm. He divined that the

latter was winning, and conceived a sweeping distaste for her flushed,

perspiring countenance and thickset ankles. “How beautiful you look!”

Eliza called, as he propped himself against the wire netting that,

overrun with honeysuckle, enclosed the courts. He watched her fleeting

form, heard her breathless exclamations, with warm stirs of delight.

When her opponent played the ball beyond her reach his dislike for that

efficiency became an obsession. The flying shadows lengthened on the

rolled, yellow surface of the court; the group on the porch emptied

their teacups and moved away; and the final set of games won by the

“beefsteak.”

Eliza slipped into a formless chocolate-colored coat: racket in hand she

smiled at him. “I'm rather done,” she admitted. She hesitated, then: “I

wonder--are you doing anything?--if you would drive me home?” He assured

her upon that point with a celerity that wrought a momentary confusion

upon them. “The Meadowbrook and roan at the sheds,” she directed. In the

basketlike cart they swung easily over the road toward Hydrangea House.

Checked relentlessly into a walk the roan stepped in a dainty fume.

Eliza's countenance was as tenderly hued as the pearly haze that overlay

the far hills; faint, mauve shadows deepened the blueness of her eyes;

her mouth, slightly parted, held the fragile pink of coral; a tinge of

weariness upon her bore an infinite appeal--her relaxed, drooping body

filled him with a gusty longing to put his arms about her shoulders

and hold her secure against all fatigue, against the assaults of time

itself.

He had never before driven such an impatient and hasty animal; at the

slightest slackening of the reins the horse broke into a sharp trot;

and, beyond doubt, he could walk faster than any other brute alive.

Already they were at the entrance to the driveway; the house appeared

to hurry forward to intercept them. Eliza pressed a button, and a man

crossed the grass to the roan's head. They descended, and she lingered

on the steps with a murmur of gratitude. “Mrs. Dreen telephoned Ranke

to meet the eight-forty,” a servant in the doorway replied to Eliza's

query; “she's having dinner in town with Mr. Dreen.”

Eliza turned with a gesture of appeal. “Save me from a solitary

pudding,” she petitioned Anthony; “you can go back with Ranke.... On the

porch, such fun--father detests candles.” The voicing of his acceptance

he felt to be an absurd formality. “Then if you can amuse yourself,”

she announced, “I'll vanish for a little... cigars in the library and

victrola in the hall.”

He crossed the sod to the porch on the other face of the house, and

sat watching the day fade from the valley below. A violet blur of smoke

overhung the chimney of the Ellerton Waterworks, printed thinly on the

sky. A sense of detachment from that familiar scene enveloped him--the

base ball field, the defunct garage, places and details, customary,

normal, retreated into the distance, it seemed into the past, gathering

upon the horizon of his thoughts as the roofs of Ellerton huddled beyond

the hills, vanishing into shadows that inexorably deepened, blotted out

the old aspects, stilled the accustomed voices, sounds.

A servant appeared, and placed a table upon the tiles, spreading a

blanched cloth, gleaming crystal and silver. A low bowl of shadowy wood

violets was ranged in the centre, and hooded candles lighted, spilling

over the table, the flowers, a pale, auriferous pool of light in the

purpling dusk. When Eliza followed, in filmy white, she seemed half

materialized from the haunting vision of poignant beauty at the back of

his brain. She was like moonlight, still and yet disturbing, veiled in

illusion, in strange, ethereal influences that set athrill within him

emotions immaterial, potent, snowy longing, for which he had no name.

The last plate removed, Anthony stirred his coffee in a state of dreamy

happiness. The candlelight spread a wan gold veil over Eliza's delicate

countenance, it slid over the pearls about her slim throat, and fell

upon her fragile wrists. “It's been wonderful,” he pronounced solemnly.

“I've been terribly rude,” she told him, “I have hardly spoken. I have

been busy studying you.”

“There's not much to study,” he disclaimed; “Mrs. Bosbyshell thinks

I'm marked for failure.” In reply to her demand he gave a brief and

diffident account of that eccentric old woman. “But,” Eliza discerned

among the meagre details, “she trusts you, she lets you into her house.

And you are perfect to her, of course.

“Any one could trust you, I think. Yet you are not a particle tiresome;

most trustworthy people are so--so unexciting. But monotony is far

as possible from your vicinity. What did you do, for instance, this

morning?” He described to her the advent of the circus, the labor in

the obscurity. “I was surprised to see the old thing up,” he ended: “it

seemed so hopeless at first.”

“How wonderfully poetic!” she cried.

Until that moment poetry had occupied in his thoughts a place analogous

to tea.--In his brief passage through the last school he had been

forcibly fed with Gray's Elegy, discovering it unmitigated and sickening

rot. When now, in view of her obvious pleasure, he would have to

reconsider his judgment.

“That blind effort,” she continued, leaning forward, flushed with the

warmth of her image, “all those men struggling, building in the dark,

unable to see what they were accomplishing, or what part the others

had. And then--oh! don't you see!--the great, snowy tent in the morning

sun--a figure of the success, the reward, of all labor, all living.”

“How about the ones that loafed--didn't pull, or were drunk?”

“For all,” she insisted, “sober and drunk and shrinking. Can you think

that any supreme judgment would be cheaply material, or in need of

any of our penny abilities? do you suppose the supreme beauty has no

standard higher than those practical minds that hold out heaven as a

sort of reward for washed faces? Anthony,” it was the first time she had

called him that, and it rang in his brain in a long peal of rapture, “if

there isn't a heaven for every one, there isn't any at all. You, singing

an idle song, must be as valuable as the greatest apostle to any supreme

love, or else it isn't supreme, it isn't love.”

“You are so wonderfully good,” he muttered, “that you think every one

else is good too.”

“But I'm hardly a bit good,” she assured him, “and I wouldn't be good

if I could--in the Christian kind of way.” She gazed about with an

affectation of secretiveness, then leaned across her coffee cup. “It

would bore me horribly,” she confided, “that 'other cheek' thing;

I'm not a grain humble; and I spend a criminal amount of money on

my clothes. I have even put a patch upon my cheek to be a gin and

stumbling-block to a young man.”

She had!

He surveyed with absurd pleasure that minute black crescent on the pale

rose of her countenance. If she had been good before she was adorable

now: her confession had drawn her out of the transplendid cloud where

he had elevated her down to his side; she was infinitely more desirable,

more warmly and delightfully human.

“I have been asking about you,” she told him later, with a slight frown;

“the accounts are, well--various. I don't mind your--your friends of the

stables, Anthony; they are, what Ellerton will never learn, the careless

choice of a born aristocrat; I don't care a Tecla pearl whether you are

'a steady young man' or not. And one doesn't hear a whisper of meanness

about you anywhere. But I have an exaggerated affection for things that

are beautiful, I suppose it's a weakness, really, and ugly people or

surroundings, harsh voices even, terrify me. The thought of cruelty

makes me cold. And, since you will come into my thoughts, and smile your

funny little smile at me out of walls and other impossible places, I

should like to picture you, not in pool rooms, but on the hills that you

know so well. I should like to think of your mind echoing with the rush

of those streams, the hunting of those owls, you told me about, and not

sounding with coarse and silly and brutal words and ideas.”

“It echoes with you,” he replied, “and you are more beautiful than hills

and streams.”

For a moment she held his gaze full in the blue depths of her vision;

then, with a troubled smile, evaded it. “I'm a patched jade,” she

announced.

Ranke, the servant informed them, was ready to meet the train.

“You're going... Elbe's affair on the Wingohocking?”

“Absolutely.” She stood illusive against the saffron blur of the

candles, the sweeping hem of night.

“I'll remember,” he blundered; “whatever you would wish... you have

changed everything. The dinner was--I don't remember what it was,” he

confessed; “but I remember an olive.”

He left the automobile at the edge of Ellerton, and proceeded on foot,

passing the dully-shinning bulk of the circus tent. He heard the brassy

dissonance of the band within, the monotonous thud of horses' hoofs

on the tanbark; a raucous voice rose at the entrance to the side-show

dwelling unctuously on the monstrosities to be viewed within for the

price of a dime, of a dime, a dime. He recalled the spent lioness in her

painted cage, the haggard and sick hyena, the abject trot of the wolves

to nowhere.--A sudden exhalation of hatred swept over him for the

hideous inhumanity of circuses and men. Eliza had lifted him from the

meaningless babble of trivial and hard voices into a high and immaculate

region of shining space and quietude. He didn't want to come down again,

he protested, to _this_.

The Lay Anthony: A Romance · 第 22 / 65 题