Écoutez Bajazet, je sens que je vous aime.{*}

* “Hearken, Bajazet, I feel I love you.”

I never wearied of gazing at her all the time she occupied the stage,

and admiring the beauty of her eyes that gleamed below a brow as pure

as marble and crowned by powdered locks all spangled with pearls. Her

slender waist too, which her hoop showed off to perfection, did not

fail to make a vivid impression on my heart. I had the better leisure to

scrutinize these adorable charms as she happened to face in my direction

to deliver several important portions of her rôle. And the more I

looked, the more I felt convinced I had seen her before, though I found

it impossible to recall anything connected with our previous meeting. My

neighbour in the theatre, who was a constant frequenter of the Comédie,

told me the beautiful actress was Mademoiselle B------, the idol of the

pit. He added that she was as great a favourite in society as on the

boards, that M. le Duc de La ------ had made her the fashion and that

she was on the highroad to eclipse Mademoiselle Lecouvreur.

I was just leaving my seat after the performance when a “femme de

chambre” handed me a note in which I found written in pencil the words:

“_Mademoiselle Roxane is waiting for you in her coach at the theatre

door_.”

I could not believe the missive was intended for me; and I asked the

abigail who had delivered it if she was not mistaken in the recipient.

“If I _am_ mistaken,” she replied confidently, “then you cannot be

Monsieur de Tournebroche, that is all.”

I ran to the coach which stood waiting in front of the House, and inside

I recognized Mademoiselle B------, her head muffled in a black satin

hood.

She beckoned to me to get in, and when I was seated beside her:

“Do you not,” she asked me, “recognize Sophie, whom you rescued from

drowning on the banks of the Seine?”

“What! you! Sophie--Roxane--Mademoiselle B------, is it possible?--”

My confusion was extreme, but she appeared to view it without annoyance.

“I saw you,” she went on, “in one corner of the pit. I knew you

instantly and played for you. Say, did I play well? I am so glad to see

you again!--”

She asked me news of M. l’Abbé Coignard, and when I told her my good

master had just perished miserably, she burst into tears.

She was good enough to inform me of the chief events of her life:

“My aunt,” she said, “used to mend her laces for Madame de Saint-Remi,

who, as you must know, is an admirable actress. A short while after the

night when you did me such yeoman service, I went to her house to take

home some pieces of lace. The lady told me I had a face that interested

her. She then asked me to read some verses, and concluded I was not

without wits. She had me trained. I made my first appearance at the

Comédie last year. I interpret passions I have felt myself, and the

public credits me with some talent. M. le Duc de La ------ exhibits a

very dear friendship for me, and I think he will never cause me pain and

disappointment, because I have learnt to ask of men only what they can

give. At this moment he is expecting me at supper. I must not break my

word.”

But, reading my vexation in my eyes, she added:

“However, I have told my people to go the longest way round and to drive

slowly.”

The Merrie Tales of Jacques Tournebroche · 第 22 / 22 题