CHAPTER IV.

THE QUEEN OF THE SCHOOL.

It is not an easy matter to break in a wild colt, and this was the

process which had now to take place with regard to the new girl, whose

eccentricities and daring, whose curious mixture of ignorance and

knowledge, of affectionate sympathy and careless levity, made her at

once the adored and detested of her companions.

In every sense of the word Bridget was unexpected. She had an

extraordinary aptitude for arithmetic, and took a high place in the

school on account of her mathematics. The word mathematics, however,

she had never even heard before. She could gabble French as fluently

as a native, but did not know a word of the grammar. She had a perfect

ear for music, could sing like a bird, and play any air she once heard,

but she could scarcely read music at all, and was refractory and

troublesome when asked to learn notes.

"Just play the piece over to me," she said to her master. "I'll do

it if you play it over. Yes, that's it--tum, tum, tummy, tum, tum.

Oughtn't you to crash the air out a bit there? I think you ought. Yes,

that's it--_isn't_ it lovely? Now let me try."

Her attempts were extremely good, but when it came to laboriously

struggling through her written score, all was hopeless confusion,

tears, and despair.

With each fresh study Bridget showed the queer vagaries of a really

clever mind run more or less to seed. She did everything in a dramatic,

excitable style--she was all on wires, scarcely ever still, laughing

one moment, weeping the next; the school had never known such a time as

it underwent during the first week of her residence among them.

After that period she found her place to a certain extent, made some

violent friends and some active enemies, was adored by the little

girls, on whom she showered lollipops, kisses, and secrets, and was

disliked more or less by every girl in the sixth and fifth form,

Dorothy Collingwood excepted.

All this time Miss Percival, the head girl of the school, was absent.

She had been ill, and had gone home for a short change. She did not

return until Bridget had been at the Court a fortnight.

By this time the preparations for the Fancy Fair were in active

progress. Janet May had obtained her own wish with regard to the

Committee, each member of which was allowed to choose a band of workers

under herself, to make articles for the coming sale.

The Fair was the great event to which the girls looked forward, and in

the first excitement of such an unusual proceeding each of them worked

with a will.

Janet was the heart and soul of everything. She was a girl with a

great deal of independence of character; she was not destitute of

ambition--she was remarkable for common sense--she was sharp in her

manner, downright in her words, and capable, painstaking, and energetic

in all she did.

She was a dependable girl--clever up to a certain point, nice to those

with whom she agreed, affectionate to the people who did not specially

prize her affection.

Janet was never known to lose her temper, but she had a sarcastic

tongue, and people did not like to lay themselves open to the cutting

remarks which often and unsparingly fell from her lips.

She used this tongue most frequently on Bridget O'Hara, but for the

first time she was met by a wondering, puzzled, good-humored, and

non-comprehending gaze.

"What does Janet mean?" Bridget would whisper to her nearest companion.

"_Is_ she saying something awfully clever? I'm sorry that I'm stupid--I

don't quite catch her meaning."

These remarks usually turned the tables against Janet May, but they

also had another effect. She began to be sparing of her sharp, unkind

words in Bridget's hearing. This, however, did not prevent her hating

the new girl with the most cordial hatred she had ever yet bestowed

upon anyone.

Bridget was a fortnight at the school, and had more or less shaken down

into her place, when the evening arrived on which Miss Percival was to

return.

Dorothy, Bridget, and a number of the girls of the lower school were

walking up and down a broad road which led to the shore. They were

talking and laughing. The smaller girls were dancing and running about

in their eagerness. Some very funny proposal had undoubtedly been made,

and much explosive mirth was the result.

Janet and Olive Moore were returning slowly to the house after a

vigorous game of tennis. They stopped to look down at the group who

surrounded Dorothy.

"We have lost her," said Olive, with a sigh.

"Lost whom?" answered Janet in her tart voice.

"Why, Dorothy Collingwood; she has gone over to the ranks of the enemy."

"What do you mean, Olive?" Olive turned and looked at Janet.

"You know perfectly well what I mean," she answered; "you know who the

enemy is--at least you know who is your enemy."

"I never knew before that I had an enemy," said Janet, in her guarded

voice.

Olive looked at her steadily.

"Come now, Janet," she said, "confession is good for the soul--own--now

do own that you cordially hate the new girl, Bridget O'Hara."

"I'm sick of the new girl," said Janet; "if you are going to talk

about her I shall go into the house; I want to look over my French

preparation. M. le Comte is coming to-morrow morning, and he is so

frightfully over-particular that I own I'm a little afraid of him."

"Nonsense, Janet, you know you're one of the best French scholars in

the school. You won't get out of answering my question by that flimsy

excuse. Don't you hate Miss O'Hara?"

"Hate her?" said Janet; "there must be a certain strength about a girl

to make you hate her. I've a contempt for Bridget, but I don't rouse

myself to the exertion of hating."

"Oh, well; it's all the same," said Olive. "You won't admit the feeling

that animates your breast, but I know that it is there, _chérie_. Now

I have got something to confess on my own account--I don't like her

either."

"You have too good taste to like her, Olive, but do let us talk about

something more interesting. How are you getting on with that table

cover for the fair?"

"Oh, I'll come to that by and by; now about Miss O'Hara. Janet, I deny

that she's weak."

"You deny that she's weak," repeated Janet. "I wonder what your idea of

strength is, Olive."

"She's not learned, I admit," replied Olive, "but weak! no, she's

not weak; no weak character could be so audacious, so fearless, so

indifferent to her own ignorance."

"If she had any strength, she'd be ashamed of her ignorance," retorted

Janet.

"I don't agree with you," answered Olive. "Strength shows itself in

many forms. Miss O'Hara is pretty."

"Pretty," interrupted Janet, scorn curling her lip.

"Yes, Janet, she's pretty and she's rich, and she's destitute of fear.

She is quite certain to have her own party in the school. I repeat,"

continued Olive, "that there is no weakness in Bridget. I grant that

she is about the most irritating creature I know, but weak she is not."

"Well, well," interrupted Janet impatiently, "have your own way, Olive.

Make that tiresome, disagreeable girl a female Hercules if you fancy,

only cease to talk about her. That is all I have to beg."

"I must say one thing," replied Olive, "and then I will turn to a more

congenial theme. I hope Evelyn Percival won't take Miss O'Hara's part.

You know, Janet, what strong prejudices Evelyn has."

"Oh, don't I!" said Janet, stamping her small foot.

"And if she happens to fancy Bridget she won't mind a word we say

against her. She never does mind what anyone says. You know that,

Janet."

"I know," echoed Janet, a queer angry light filling her eyes for a

minute. "Oh, dear! oh, dear! What with our examinations and the Fancy

Fair, and all this worry about the new girl, life scarcely seems worth

living--it really doesn't."

"Poor darling!" said Olive, in a sympathetic tone. "I thought I'd tell

you, Janet, that whatever happened I'd take your part."

"Thanks!" said Janet calmly.

She looked at her friend with a cool, critical eye.

Olive Moore belonged to the toadying faction in the school. Toadies,

however, can be useful, and Janet was by no means above making use of

Olive in case of need.

She scrutinized Olive's face now, a slightly satirical expression

hovering round her somewhat thin lips.

"Thanks!" she repeated again. "If I want your help I'll ask for it,

Olive. I'm going into the house now, for I really must get on with my

preparation."

Janet turned away, and Olive was obliged to look out for a fresh

companion to attach herself to.

She looked at the merry group on the lawn, and a desire to join them,

even though of course she knew she was in no sense one of them, came

over her.

She ran lightly down the grassy slope, and touched Dorothy on her arm.

"I'm here, Dolly," she said, in her rather wistful manner.

"Oh, well; it's all right for you to be here, I suppose," said Dorothy.

"What were you saying, Bridget? I didn't catch that last sentence of

yours."

"I was going up the staircase," continued Bridget. "I held a lighted

candle in my hand. It was an awful night--you should have heard the

wind howling. We keep some special windbags of our own at the Castle,

and when we open the strings of one, why--well, there is a hurricane,

that's all."

"Oh, she's telling a story," whispered Olive under her breath. She

settled herself contentedly to listen.

"Go on; tell us quickly what you did with the candle, Biddy!" cried

little Violet, pulling her new friend by the arm.

"Don't shake me so, Vi, my honey; I'm coming to the exciting place--now

then. Well, as I was going up the stairs all quite lonely, and by

myself, never a soul within half a mile of me----"

"But your castle isn't half a mile big," said Katie, another small

girl. "And you did say your father lived there with you, and, of

course, there must have been some servants."

"Well, dear, well! half a mile is a figure of speech. That's a way

we have in Ireland--we figure of speech everything; it's much more

graphic. Now, to go on. I was running up the stairs with my candle, and

the wind rushing after me like mad, and the Castle rocking as if it

were in an agony, when---- What do you think happened?"

"What?" said Katie, her eyes growing big with fascination and alarm.

"The wind dropped as if it were dead. After screeching as if it had the

tongues of hundreds of Furies, it was mummer than the timidest mouse

that ever crept. The Castle ceased to rock; it was the suddenest and

deadest calm you could possibly imagine. It was miles more frightful

than the storm. Just then there came a little puff of a breeze out of

the solid stone wall, and out went my candle."

"O Bridget!" exclaimed the little girls, starting back in affright.

"Bridget, you are talking a great deal of nonsense," said Dorothy, "and

I for one am not going to listen to you. We are much too sensible to

believe in ghost stories here, and there is no use in your trying to

frighten us. Good-by, all of you; I am off to the house!"

Dorothy detached herself from Bridget's clinging arm, and ran quickly

up the sloping lawn.

Bridget stood and watched her. Olive kept a little apart, and the

smaller girls clustered close together, watching their new friend's

face with interest and admiration.

The Irish girl looked certainly pretty enough to win any number of

susceptible small hearts at that moment. Her pale blue dress set off

her graceful figure and fair complexion to the best advantage. Her

mirthful, lovely eyes were raised to follow Dorothy as she disappeared

into the house. Her lips were parted in a mischievous smile. She raised

one hand to push back the rebellious locks of chestnut curls from her

forehead.

"Now, Biddy, go on, Biddy!" exclaimed the children. "We love ghost

stories, so do tell us more about the candle."

"No!" said Bridget. "_She_ says they aren't good for you, so you shan't

have them. Let's think of some more fun. Who's that new girl, who, you

say, is going to arrive to-night?"

"New girl!" exclaimed Katie, "why, she's about the very oldest girl in

the school--the oldest and the nicest. She's the head of the school.

We call her our queen. She's not like you, Biddy, of course; but she's

very nice--awfully nice!"

"And what's the darling's name?" asked Bridget.

"Evelyn Percival. Doesn't it sound pretty?"

"Faix, then, it does, honey. I'm all agog to see this lovely queen. Why

has she been absent so long? Doesn't Mrs. Freeman require any lessons

of the sweet creature? Oh, then, it's I that would like to be in her

shoes, if that's the case."

"She has been ill, Biddy," said Violet. "Evelyn has been ill, but she

is better now; she's coming back to-night. We are all glad, for we all

love her."

"Let's run down the road, then, and give her a welcome," said Bridget.

"In Ireland we'd take the horses off the carriage, and draw her home

ourselves. Of course, we can't do that, but we might go to meet her,

waving branches of trees, and we might raise a hearty shout when we saw

her coming. Come along, girls--what a lark! I'll show you how we do

this sort of thing in old Ireland! Come! we'll cut down boughs as we go

along. Come! be quick, be quick!"

"But we are not allowed to cut the boughs, Bridget," said Katie.

"And we are not allowed to go out of the grounds by ourselves," cried

several other voices.

"We are not by ourselves when we are together," replied Bridget. "Come

along, girls, don't be such little despicable cowards! I'll square

it with Mrs. Freeman. You trust _me_. Mrs. Freeman will forgive us

everything when the queen is coming back. Now, do let's be quick, we

haven't a minute to lose!"

Small girls are easily influenced, and Bridget and her tribe rushed

down the avenue, shouting and whooping as they went.

Olive had no inclination to join them. They had taken no notice of her,

and she was not sufficiently fascinated by Bridget to run any risk for

her sake. She knew that her present proceedings were wrong, but she

was not at all brave enough to raise her voice in protest. She walked

slowly back to the house, wondering whether she should go and tell

Janet, or sink down lazily on a cozy seat and go on with a story book

which was sticking out of her pocket.

As she was approaching the house she was met by Miss Delicia, who

stopped to speak kindly to her.

"Well, my dear child," she said, "I suppose you, like all the rest of

us, are on tenter hooks for our dear Evelyn's return. From the accounts

we received this morning, she seems to be quite well and strong again,

and it _will_ be such a comfort to have her back. I don't know how it

is, but the school is quite a different place when she is there."

"We'll all be delighted to have her again, of course," said Olive. "And

is she really quite well, Miss Delicia?"

"Yes, my love, or she would not be returning."

Miss Delicia hurried on, intent on some housewifely mission, and Olive

entering the house went down a long stone passage which led to the

sixth form schoolroom.

Janet was there, busily preparing her French lesson for M. le Comte.

She was a very ambitious girl, and was determined to carry off as many

prizes as possible at the coming midsummer examinations. She scarcely

raised her eyes when Olive appeared.

"Janet!"

"Yes, Olive; I'm very busy. Do you want anything?"

"Only to tell you that that pet of yours, Bridget O'Hara, is likely to

get herself into a nice scrape. She has run down the road with a number

of the small fry to meet Evelyn. They are taking boughs of trees with

them, and are going to shout, or do something extraordinary, when they

see her arriving. Janet, what's the matter? How queer you look!"

"I'm very busy, Olive; I wish you'd go away!"

"But you look queer. Are you frightened about anything?"

"No, no; what nonsense you talk! What is there to be frightened about?

Do go; I can't learn this difficult French poetry while you keep

staring at me!"

"I wish you'd say what you think about Bridget. Isn't she past

enduring, getting all the little ones to disobey like this? Why, she

might be expelled! Yes, Janet; yes, I'm going. You needn't look at me

as if you'd like to eat me!"

Olive left the room with slow, unwilling footsteps, and Janet bent her

head over the copy of Molière she was studying.

"Nothing in the world could be stupider than French poetry," she

muttered. "How am I to get this into my head? What a nuisance Olive is

with her stories--she has disturbed my train of thoughts. Certainly,

it's no affair of mine what that detestable wild Irish girl does. I

shall always hate her, and whatever happens I can never get myself to

tolerate Evelyn. Now, to get back to my poetry. I have determined to

win this prize. I won't think of Evelyn and Bridget any more."

Janet bent her fair face again over the open page; a faint flush had

risen in each of her cheeks.

She was beginning to collect her somewhat scattered thoughts, when the

door was opened suddenly, and, to her surprise, Mrs. Freeman came into

the room.

"Pardon me for disturbing you," she said; "I did not know anyone was in

the schoolroom at present."

"I am looking over my French lesson, madam," answered Janet, in her

respectful tones. "It's a little more difficult than usual, and I

thought I'd have a quiet half hour here, trying to master it."

"Quite right, Janet, I am glad you are so industrious. I won't disturb

you for more than a minute, my love. I just want to look out of this

window. It is the only one that commands a view of the road from

Eastcliff. Evelyn ought to be here by now."

Janet did not say any more. She bent forward, ostensibly to renew her

studies, in reality to hide a jealous feeling which surged up in her

heart.

What a fuss everyone _was_ making about that stupid Evelyn Percival.

Here was the head mistress even quite in a fume because she was a

minute or two late in putting in an appearance.

It really was too absurd. Janet could not help fidgeting almost audibly.

"Janet," said Mrs. Freeman, "come here for a moment. I want you to use

your young eyes. Do you see any carriage coming down the hill?"

Janet sprang from her seat with apparent alacrity.

"Look, dear," said the governess. "What is that distant speck? I am so

terribly near-sighted that I cannot make out whether it is a carriage

or cart of some sort."

"It is a covered wagon," said Janet. "I see it quite plainly. There is

no carriage at all in view, Mrs. Freeman."

"My dear, I must tell you that I am a little anxious. Hickman took that

shying horse, Caspar, to bring Evelyn home. I intended Miss Molly to

have been sent for her. Dear Evelyn is still so nervous after her bad

illness that I would not for the world have her startled in any way.

And really, Caspar gets worse and worse. What is the matter, Janet?

_You_ have started now."

"Nothing," replied Janet. "I--I--shall I run out to the front, Mrs.

Freeman, and listen if I can hear the carriage? You can hear it a very

long way off from the brow of the hill."

"Do, my love, and call to me if you do. I would not have that dear girl

frightened for the world. I am more vexed than I can say with Hickman."

Janet ran out of the room. Her heart was beating hard and fast. Should

she tell Mrs. Freeman what Olive had just confided to her, that Bridget

and a number of the smaller children of the school had rushed down the

road to meet Evelyn, carrying boughs in their hands, and doubtless

shouting loudly in their glee?

Caspar was a sensitive horse; even Janet, who had no physical fear

about her, disliked the way he started, and shied sometimes at his own

shadow. It was scarcely likely that he would bear the shock which all

those excited children would give him.

Oh, yes, she ought to tell; and yet--and yet----

She stood wavering with her own conscience. Caspar was nervous, but he

was not vicious.

All that could possibly happen would be a little fright for Evelyn,

and a larger measure of disgrace for Bridget. And why should Janet

interfere? Why should she tell tales of her schoolfellows? Her story

would be misinterpreted by that faction of the girls who already had

made Bridget their idol.

No, there was nothing to be alarmed about. Evelyn was too silly, with

her nerves and her fads. Janet stood by the bend of the hill. Her

thoughts were so busy that she scarcely troubled herself to listen for

the approaching carriage.

She stood for a minute or two, then walked slowly back to the window,

out of which her schoolmistress leaned.

"I don't hear any sound whatever, Mrs. Freeman," she said, "but please

don't be alarmed; Evelyn's train may have been late."

"Hark! Stop talking!" said Mrs. Freeman.

There was a sound, a commotion. Several steps were heard; eager voices

were raised in expostulation and distress.

"Let me go," said the head mistress.

She stepped out of the open window, and walked rapidly across the wide

gravel sweep.

Alice, Violet, and several more of the little girls were running and

tumbling up the grassy slope. The moment they saw Mrs. Freeman they

ran to her.

"Oh, come at once!" said Violet, "there has been an accident, and

Evelyn is hurt. Bridget is with her. Come, come at once!"

The child's words were almost incoherent. Alice, who was not quite so

excitable, began to pour out a queer story.

"I know we've all been awfully naughty, but we didn't think Caspar

would mind the boughs. He turned sharp round and something happened

to the wheels of the carriage--and--and--oh, Mrs. Freeman, do come. I

think Evelyn must be dead, she's lying so still."

"Are you there, Janet?" said Mrs. Freeman. "Go into the house, and ask

Miss Patience to follow me down the road. And see that someone goes

for Dr. Hart. Alice, you can come back with me. The rest of the little

girls are to go into the playroom, and to stay there until I come to

them."

Mrs. Freeman spoke calmly, but there was a look about her face which

gave Janet a very queer sensation. The schoolmistress took Alice's

hand, and walked as quickly as she could to the scene of the accident.

The carriage lay smashed a couple of hundred yards from the gates of

the avenue.

Bridget was sitting in the middle of the dusty road with a girl's head

on her lap. The girl's figure was stretched out flat and motionless;

her hat was off, and Bridget was pushing back some waves of fair hair

from her temples.

"It's all my fault, Mrs. Freeman," said Bridget O'Hara, looking up with

a tear-stained face at her governess. "_I_ made the children come, and

_I_ made them cut the branches off the trees, and we ran, and shouted

as we ran. I didn't think it would do any harm, it was all a joke, and

to welcome her, for they said she was the queen, but no one is to blame

in all the wide world but me."

"Oh, what a wicked girl you are," said Mrs. Freeman, roused out of

her customary gentle manner by the sight of Evelyn's motionless form.

"I can't speak to you at this moment, Bridget O'Hara; go away, leave

Evelyn to me. Evelyn, my darling, look at me, speak to me--say you are

not hurt!"

When Mrs. Freeman told Bridget to go away and leave her, the Irish girl

stopped playing with the tendrils of hair on Evelyn's forehead, and

looked at her governess with a blank expression stealing over her face.

She did not attempt to rise to her feet, however, and Mrs. Freeman was

far too much absorbed to take any further notice of her.

"If I had only some smelling salts," she began.

Bridget slipped her hand into her pocket, and pulled out an exquisitely

embossed vinaigrette.

The governess took it without a word, and opening it applied it to

Evelyn's nostrils.

After two or three applications the injured girl stirred faintly, a

shade of color came into her cheeks, and she opened her eyes.

"There, thank Heaven, I haven't killed her!" exclaimed Bridget.

She burst into sudden frantic weeping.

"I believe I am more frightened than hurt," said Miss Percival,

struggling to sit up, and smiling at Mrs. Freeman, "I'm so awfully

sorry that I've lost my nerve. Where am I? what has happened? I only

remember Caspar turning right round and looking at me, and some people

shouting, and then the carriage went over, and I cannot recall anything

more. But I don't think--no--I am sure I am not seriously hurt."

"Thank God for that, my darling," said Mrs. Freeman. She put her arm

round the young girl, kissed her tenderly, and drew her away from

Bridget.

Bashful Fifteen · 第 4 / 29 章