At the foot of the steps, I let Don lead with my revolver and the big

pistol, while I backed up stair by stair, keeping off the four Chinamen

who were still intact. It seemed too good to be true that we were to

get away so easily. Perhaps, I thought, the tug-of-war would come on

the floor above: but it was the enemy's game to finish us before we

gained a higher level. Here, the sound of shots could not reach the

street; and the witnesses of the fight were so besotted with their

drug, so lost to decency, that even if they woke to see strange doings,

all would be woven with their dreams. Above, there was more to fear;

some of the clients were still alive to human feeling: they might take

our part. An alarm might reach the police. Why then, if Rameses were

the hidden enemy, did he let his best chance go by? Almost

subconsciously I asked myself these questions, and half way up the

stairs, my answer came. Men shielded with mattresses flung themselves

upon us from above. They in turn were pushed forward by others and Don

and I fell back. I tried to use the iron bar like a battering ram, but

the weight I struggled against was too great. I stumbled, with Don on

top of me; there was a sound of shouting, and suddenly the lights went

out. I struggled in darkness with unseen enemies, as in a nightmare.

* * * * *

Two storeys above, in the restaurant, Irene Allendale sat pretending to

eat, and glancing at her watch until she lost patience. It occurred to

her that she had been a fool--that the woman she waited for might have

arrived before her, might already be in the little private room, dining

with John Hasle. She sprang up and on a furious impulse flung open the

door which she had so long watched in vain. To her astonishment the

room was empty.

This seemed a miracle; for she knew that John Hasle had gone in and

hadn't come out. As she stood staring at the empty room which seemed

to have no second exit, the Chinese proprietor came to her with a

threatening air. "You do what we no 'low this place," he said

bullyingly. "That plivate loom. You no pay plivate loom. You no

light look in. You give me five dolahs you' dinnah, and you go 'way.

We no like spies. You go, if you no want I call p'lice."

Already hysterical, Irene lost her head. "How dare you talk of

police!" she cried. "_I_ will call the police! You've very likely

murdered a friend of mine here and hidden his body."

The man had threatened her in a low voice. She threatened him at the

top of her lungs. The diners at little tables jumped to their feet.

The Chinaman tried to catch her by the veil as she darted to the door,

but only pulled off her motor bonnet and loosened her hair, which

tumbled over her shoulders. In an instant the place was in an uproar.

An American in defence of a beautiful woman knocked the Chinaman down.

A policeman passing the restaurant window blew his whistle, and had

hardly dashed in before he had a couple of comrades at his heels.

Nobody knew quite what had happened, but Lady Allendale gasped the word

"Murder!" and pointed to the open door of the private room. In jumped

two of the policemen, while the third tried to restore order in the

restaurant. A glance under the table in the little dining-room showed

that no corpse lay hidden there, but the lovely lady's persistence put

the idea of a secret entrance into their heads. One of them thumped

with his fist on the picture of the Chinese hunter. The hollow sound

suggested a space behind. An experienced hand passed over the bamboo

frame found a spring, and the panel slid back. Somehow the cry of

"Murder!" started by Irene flew from mouth to mouth. More policemen

appeared, and Europeans who had been peacefully dining in the

restaurant reinforced the courageous pair who had sprung through the

opening behind the picture. So the rescue-party reached us in the nick

of time, policemen's lanterns lighting up the darkness, revealing

stealthy flitting forms that would escape at any price, and a mass of

men struggling under and above a pile of mattresses.

My first thought (after I had seen that Don was safe) rushed to

Rameses. But the tall Chinaman with the long dark eyes was not among

the prisoners. That night (the police gleefully informed me later)

Doctor Rameses was engaged in giving a lecture at his own house, and

could not possibly have been in Chinatown. As usual, he had known how

to save himself; and it was only long after that I learned the

remarkable way in which he invariably established an alibi.

My hope for the reconciliation of Don and Irene was fulfilled even

before the overwhelming proof of his truth was obtained by finding the

tobacco-pouch intact, still hidden inside the seat of the ancient taxi

whose number Don had never forgotten. The man who had driven it the

night of the attack had been discharged, and could not be found.

Hanson, too, contrived to elude the vigilance of the police, and

Pauline passionately denied all knowledge of him. She was watched when

Lady Allendale sent her away, but returned quietly to Europe, while

Irene remained in New York to help nurse Donald back to health. With

Hanson and his accomplice of the taxi missing, and the Master Mind past

pursuit, it was impossible to clear up the mystery of the corpse found

floating in the East River. But after all, that mattered only to the

police, now that Captain Sir Donald Allendale was alive and safe, and

happier than he had been for years.

The day that Irene and he made up their differences, she sent for me.

"You won't tell Don that I said I hated him and threw his picture on

the floor, will you?" she asked me piteously.

"Of course not!" I assured her.

"Ah, if I could atone!" she sighed.

"You have atoned. You saved our lives, and----"

"Oh, but you don't know all. If you did, you'd loathe me."

"I can think of nothing which would make me loath you, Lady Allendale."

"I--made Miss Odell believe--that--that--I can't tell you _what_!

But--never mind. I've written to her now. I've confessed that it was

a lie. If you wouldn't press me with questions, but just wait to hear

from her, you'd be an _angel_, Lord John."

How long I could have remained an angel at that price I'm not sure.

But a letter came to me from Maida next day to say that she had decided

_not_ to become a life member of the Grey Sisterhood.

EPISODE VI

THE CLUE IN THE AIR

If I had been fighting my own battle, not Maida's, against Doctor

Rameses, I might have sometimes admired his cleverness. There seemed

to be no way of catching him.

The police theory was that some person, not Rameses, took advantage of

the "philanthropist's" conspicuous appearance to commit crimes in a

disguise resembling his peculiarities. This, they thought, might be

done not only as a means of escaping detection, but with the object of

blackmail. My theory was different. I believed that Rameses had a

confederate enough like him in looks to deceive an audience assembled

for one of his lectures, or patients undergoing his treatment.

I did not hesitate to assert this opinion, hoping to provoke the man to

open attack.

After the affair of the opium den, he lay low. Nothing happened in

which, by any stretching of probabilities, he could have had a hand.

Perhaps, thought I, he had learned that I was a hard nut to crack!

Two-thirds of the time for which Maida had promised herself to the Grey

Sisterhood passed. Her doubts of me had been swept away, and I hoped

to find at the end of the year that I hadn't waited in vain. Now and

then I saw, or believed that I saw, light on the mystery of Maida's

antecedents. Altogether I was happier than I had been and I was

serving my country's interests while I served my own.

I had been ordered to buy desirable new types of aeroplanes, and

luckily got hold of some good ones. The "story" of my mission suddenly

appeared in the newspapers, and interest in my old exploits as a flying

man were revived embarrassingly. I was "paragraphed" for a few days

when war tidings happened to be dull; and to my surprise received an

invitation to demonstrate my "stunt" of looping a double loop at a new

aviation park, opened on Long Island. The exhibition resulted in

another compliment. I was asked to instruct a class of young aviators,

and was officially advised by the British Ambassador to accept. I did

accept: and was given a "plane" and a hangar of my own; but I kept on

my suite in the hotel near Sisterhood House, starting at an early hour

most mornings to motor to the aviation ground.

After a few weeks of this, a big aviation meeting took place, and when

my part in it was over I found myself holding quite a reception in my

hangar. Friends and strangers had kind things to say: and while I

explained new features of my 'plane to some pretty women, I saw a

prettier woman gazing wistfully at me between hats.

Her face was familiar. I remembered that tremulous, wistful smile of

eyes and lips, which (the thought flashed through my head) would be

fine stock-in-trade for an actress. Still, for the life of me, I

couldn't recall the girl's name or whether we had ever really met,

until her chance came to dash into the breach made by disappearing

plumes and feathers. She seized the opportunity with a promptness that

argued well for her bump of decision: but she was helped to success by

the tallest, thinnest, brightest-eyed young man I had ever seen.

"You've forgotten me, Lord John!" the girl reproached me. "I'm Helen

Hartland. Does that name bring back anything?"

"Of course!" I answered, remembering where and how I had met Helen

Hartland. She had made her debut on the stage several years ago in a

curtain-raiser of mine, my first and last attempt at playwriting "on my

own." Her part had been a small one, but she had played it well and

looked lovely in it. I had congratulated her. When the run ended, she

had asked for introductions to people I knew in the theatrical world,

and I had given them. She had written me a few letters, telling of

engagements she had got (nothing good unfortunately) and wanting me to

see her act. I had never been able to do so; but I had sent her

flowers once on a first night.

Not trusting to my recollection, she reminded me of these things, and

introduced the tall, thin, bright-eyed young man.

"You must have heard of Charlie Bridges, the California Birdman, as

everybody calls him!" she said. And then went on to explain, as if she

didn't want their relations misunderstood: "We met on the ship coming

over, and Mr. Bridges was _so_ kind! Our steamer chairs were together,

and he lent me a copy of _Sketch_ with a picture of him in it! Wasn't

it funny, there was a picture of _you_, too, and I mentioned knowing

you? Next, it came out that he was bringing a letter of introduction

to you from a friend of yours at home. We landed only two days ago. I

was so happy, for I've had hard luck for months, and I thought I was

falling into a ripping engagement. But it was a fraud--the _queerest_

fraud! I can't understand it a bit. I want to tell you all about it

and get your advice. Mr. Bridges brought me to the meeting here. It

_was_ nice of him. But now I've paid him back, haven't I, putting him

in touch with you?"

Charlie Bridges listened to the monologue with varying emotions, as I

could see in his face which was ingeniously expression-ful. Evidently

he had fallen in love with Helen Hartland, and was not pleased to stand

still listening to protestations of gratitude for small past favours

from me. She realised his state of feeling as well as I did, perhaps

better, being a woman: and what her motive in exciting him to jealousy

was, I couldn't be sure. Maybe she wished to bring him to the point

(though he looked eager to impale himself upon it!), maybe she simply

didn't care how he felt, and wanted him to understand this once for

all: or possibly it amused her to play us off against each other.

In any case, I put myself out to be pleasant to Bridges, who seemed a

nice fellow, and was, I knew, a smart aviator. He had been in France

at the time of my accident, and had not returned to America since then.

He had news from London and Paris to give me, and even if Helen

Hartland had not insisted, we should have struck up a friendship.

I invited them to have food with me at the brand new Aviation Park

Hotel (as it called itself), saying that we'd "feed" in the roof-garden

restaurant, of which the proprietors were proud. Bridges hesitated,

possibly disliking to accept hospitality from the hated rival: but as

Helen said "yes," rather than leave her to my tender mercies, the poor

chap followed suit.

The hotel had been run up in next to no time, to catch aviation "fans,"

and the roof-garden was a smart idea, as patrons could sit there eating

and drinking, and see the flying at the same time. It was small, but

nicely arranged, partly glassed in, partly open, with a "lift" to rush

dishes up from the kitchen (this was practically concealed with

trellis-work covered with creepers trying to grow in pots), and a low

wall or parapet with flowers planted in a shallow strip of earth. The

weather was fine, so we chose a table in the open, for our late

luncheon. My place--with Helen at my right, and Bridges opposite us

both--was close to the parapet, so close that I could peer over a row

of pink geraniums, to the newly-sodded lawn and gravelled paths below.

As it happened I did peer while we waited for our oysters,

sub-consciously attracted perhaps by the interest an elderly waiter was

taking in someone or somebody down there. I was just in time to see a

face look up, not to me but to the waiter. Instantly the head ducked,

presenting to my eyes only the top of a wide-brimmed soft hat of black

felt--an old-fashioned hat.

"By Jove!" I said to myself, and had to beg Helen's pardon for losing a

remark of hers: for that quick, snap-shot glance had shown me features

like those of the priceless Rameses.

"Now, what can _he_ be doing here--if it is he?" I wondered. It was

absurd to fancy that he might bribe a waiter to poison my food, and so

rid himself of me once for all. No: poisoning--anyhow at second

hand--wasn't in Rameses' line. Besides, his waiter wasn't my waiter,

which would complicate the plot for a neat murder. As the man walked

away (I still watching) his back was not like that of Rameses, if I had

ever seen the real Rameses. The police thought I had not. I thought I

had: but the picture in my mind was of a person erect and

distinguished: this figure was slouching and common.

I was not, however, to be caught napping. I called to the waiter who

now, instead of looking down to the lawn, was picking dead leaves off

the pink geraniums. "That was Doctor Rameses of New York, wasn't it?"

I fired at him, staring into his anemic Austrian face. It did not

change, unless to drop such little expression as it had worn. Utter

blankness must mean complete innocence or extreme subtlety. I could

hardly credit the fellow with the latter. "Doctor Ra--mps?" he echoed.

"Who--where, sir?"

"Down below: the man you were looking at," I explained, still fixing

him with a basilisk eye.

He shook his head. "I wasn't lookin' at no man, sir," he protested.

"I was lookin' at nothin' at all."

Meanwhile the slouch hat and slouching figure had disappeared into the

crowd which still ringed the aviation ground. I abandoned the inquest,

and turned my attention to Helen and Bridges.

As we lunched, I learned the history of Helen's trip to America, and

the "fraud" she had spoken of as "queer." It seemed that, a few days

after the suburban theatre she was acting in had closed, she received a

long cable message from New York. A man signing himself "William

Morgan, Manager Excelsis Motion Picture Corporation" offered her the

"lead" in a forthcoming production. He explained expensively that he

had seen her act and thought her ideal for the part. She was to have

six months' certain engagement with a salary of a hundred dollars a

week, and her dresses and travelling expenses were to be paid by the

management. She was to reply by wire, and if she accepted, five

hundred dollars would be advanced to her by cable.

The address given, "29, Vandusen Street, New York," did not sound

"swell" to an English actress who vaguely thought of Broadway and Fifth

Avenue as being the only streets "over there." Still, the promise of

an advance gave an air of bona-fides, and Helen had answered "Yes.

Start on receipt of money."

By return, the money came, and the girl took the first ship available,

telegraphing again to Mr. Morgan. She expected him to meet her at the

docks, but he "never materialised," and "if it hadn't been for Mr.

Bridges she didn't know what she would have done!" Bridges it was who

took her in a taxi to 29, Vandusen Street, which address proved to be

that of a tobacconist in a small way of business. There she was told

that a man named William Morgan had paid for the privilege of receiving

"mail," but only a couple of telegrams had come. He had called for

them, but had not been seen since. The proprietor of the shop vowed

that he knew nothing of Morgan. The man had walked in one day, bought

a box of expensive cigars, and made the arrangement mentioned. Bridges

inquired "what he was like," but the tobacconist shook his head dully.

Morgan looked like everybody else, neither old nor young, fair nor

dark, fat nor lean. If you met him once, you couldn't be sure you

would know him again.

"I've three hundred and fifty dollars left," Helen said at last, "all I

have in the world, for I was stoney-broke when the cable came. Of

course I can't live on that money long. But as I'm here, I shall stop

and try to get something to do. I'm puzzled to death, though, why

'Morgan'--whoever he is--picked _me_ out, or why it was worth his while

to send a hundred pounds and then never turn up at the ship."

"It does seem odd," I agreed. "He may have been scared off from

meeting you--or arrested. However, you'd better be careful what

acquaintances you make."

"I _want_ to be careful," the girl said. "But I _must_ find work. And

I can't do that without making some acquaintances, can I?--whether

they're dangerous or not! Unless--oh, Lord John, if you could _only_

put me in the way of an engagement, no matter how small. I've heard

your play was a great success. You must know a lot of managers over

here and--

"I don't," I answered her. "My activities lately haven't been in

theatres! I'm afraid----" I was going on, but stopped suddenly. She

had said "an engagement no matter how small." I would take her at her

word!

"You've thought of something for me!" she exclaimed, while Bridges

sulked because he numbered no theatrical potentates among his friends.

"I'm almost ashamed to suggest it," I said, "but I could get you a

'job' of a sort here. The proprietor of this hotel and his wife (good

creatures and ambitious to cut a dash in the fashionable world) want a

pretty girl--a 'real actress'--to sing and recite in the roof-garden

these fine summer evenings. I don't suppose you----"

"Oh, yes I _would_! I'd love to be here. It would be _fun_!" Helen

broke in. "I adore flying; and I should see _you_ often--and Mr.

Bridges too, perhaps. Anyhow, it would do to go on with till I got

something else, if they'd pay me a 'living wage.'"

"I'll be your agent, sing your praises and screw up your price," I

imprudently volunteered. Imprudently, because having arranged matters

between the hotel people and Miss Hartland, I found her gratitude

oppressive. She said it was gratitude; yet she seemed to think that I

had got her placed at the Aviation Park Hotel in order to enjoy her

society. This was not the case. Helen Hartland was pretty, with

charming ways for those who liked them: but I was in the state of mind

which sees superlative beauty and charm in one woman only. Because I

was separated from Maida Odell by force of circumstances while she

remained with the Grey Sisterhood, it was irritating to see other girls

flitting about free to do as they pleased. It bored me when I had to

lunch or dine at the hotel to find Helen always on hand with "something

to tell," or my "advice to ask."

Whether the girl had taken a fancy to me, or whether she was amusing

herself by exciting Bridges' jealousy, I didn't know: I knew only that

I was bothered, and that Bridges was miserable.

Helen lived in the hotel from the first, partly through kindness on the

part of her employers, partly perhaps because they thought her presence

an attraction. They gave her a decent salary--more than she had ever

earned in the small parts she'd played at home: she dressed well, and

made a "hit" with her sweet soprano voice, her really glorious

yellow-brown hair, and that wistful smile of hers. Next door to the

best and biggest bedroom in the house was a small room which connected

with the larger one, and could be used as a dressing-room. Nobody ever

engaged it for that purpose, however, and Mrs. Edson, the landlady,

suggested that Miss Hartland should occupy the little room until it was

wanted. The girl described it to me as delightful. There were double

doors between it and the large room adjoining, so that one wasn't

disturbed by voices on the other side. There was also a door opening

close to the service stairway which went up to the roof-garden. This

was convenient for Helen, before and after her songs and recitations.

She bought little knick-knacks to make her quarters pretty and, with a

patent folding-bed and a screen or two was able to ask her friends in,

as if she were the proud possessor of a private sitting-room.

I made excuses instead of calls; but one day I was lured in to see

Charlie Bridges (who by then had a hangar on the grounds) do his

wonderful "stunt," considered by the Edsons a fine advertisement for

their hotel. It was not, however, for purposes of advertisement that

the California Birdman performed the "stunt" in question, but rather

for love of Helen Hartland. In the small, smart "one seater" which he

was using, he would dive from a height, swoop past Helen's open window

and throw in a bunch of roses. It was said that his aim was invariably

true, a more difficult feat than might be supposed: anyhow the day that

I was there to witness the exhibition it was a brilliant success.

Whether by accident or design the flowers hit me on the head, and if

Charlie were really jealous he accomplished a neat revenge.

"I could see you as plain as a pikestaff sitting there," he said

afterwards. "Oh, I don't mean the 'plain' or the 'pikestaff' in a

nasty way, Lord John. I only mean I recognised you as I flew by."

"And Mrs. Edson too, who was with us, I suppose," I hurried to say: for

I didn't wish the boy to think that he had anything to fear from me. I

saw from his manner, however, when we happened to meet, that he was

worried, and to give him the chance which I didn't want for myself, I

began to avoid Helen.

This course wasn't easy to steer, I found, while duty kept me often at

the aviation grounds. She sent me notes. I had to answer them. She

asked me to lend her books. I couldn't refuse. At last she wrote a

letter, confessing that she had got into trouble about money. Her

salary "wasn't bad, considering"; but she hadn't understood American

prices. She'd been stupid enough to run into debt. Would I, as her

countryman, help her out of just _one_ scrape, and she wouldn't get

into another? Of course, Mr. Bridges would be glad to do it, but she

didn't want to take a favour from him. I was "different."

I sent her a hundred dollars, the sum she specified, but in writing her

thanks, she "chaffed" me for not making out a cheque. "I believe you

think me capable of trying to get a hold on you," she wrote. Naturally

I didn't bother to reply to that taunt, but kept out of Helen's way

more persistently than before, until one afternoon Mrs. Edson

buttonholed me. I happened to have seen Helen on her way to New York,

so I was venturing to lunch at the hotel.

"I'm worried about Miss Hartland, Lord John," she began. "A sweet

girl, but I'm afraid she's being silly! Do you know what she goes to

New York for so often?"

"I didn't know she did go often," I said.

"Well, she does. She's taking lessons in hypnotism or something and I

believe she's paying a lot of money. A circular came to her about a

course of lectures, claiming that the _will_ could be strengthened, and

any object in life accomplished. That caught poor Helen. She simply

ate up the lectures, and became a pupil of the man who gave them.

That's why her salary's gone as soon as she gets it--and sooner! Poor

child, I'm sorry. The thing she _ought_ to want, she won't take. The

thing she does want she can't have, if she spends every cent trying to

gain 'hypnotic power.'"

"What does she so violently want, if it's permitted to ask?" I inquired.

Mrs. Edson looked at me in a queer, sidewise way. "You'd only be cross

if I told you," she said. So instead of repeating the question, I

asked another. "Who is the professor of hypnotism who gives Miss

Hartland lessons?"

"I can't remember," the landlady replied. "I saw the circular, but

that was some time ago, and I've forgotten. Now, the child won't talk

about him."

Lord John in New York · 第 12 / 19 段