THE TRANSLATOR’S FOREWORD.

As my first and second volumes (Supplemental) were composed of

translated extracts from the Breslau Edition of The Nights, so this tome

and its successor (volumes iv. and v.) comprise my version from the

(Edward) Wortley Montague Codex immured in the old Bodleian Library,

Oxford.

Absence from England prevents for the present my offering a satisfactory

description of this widely known manuscript; but I may safely promise

that the hiatus shall be filled up in vol. v., which is now ready for

the press.

The contents of the Wortley Montague text are not wholly unfamiliar to

Europe. In 1811 Jonathan Scott, LL.D. Oxon. (for whom see my vols. i.,

ix. and x. 497), printed with Longmans and Co. his “Arabian Nights

Entertainments” in five substantial volumes 8vo, and devoted a sixth and

last to excerpts entitled

TALES

SELECTED FROM THE MANUSCRIPT COPY

OF THE

1001 NIGHTS

BROUGHT TO EUROPE BY EDWARD WORTLEY MONTAGUE, ESQ.

_Translated from the Arabic_

BY JONATHAN SCOTT, LL.D.

Unfortunately for his readers Scott enrolled himself amongst the

acolytes of Professor Galland, a great and original genius in the line

_Raconteur_, and a practical Orientalist whose bright example was

destined to produce disastrous consequences. The Frenchman, however

unscrupulous he might have been about casting down and building up in

order to humour the dead level of Gallican _bon goût_, could, as is

shown by his “Aladdin,” translate literatim and verbatim when the

story-stuff is of the right species and acceptable to the average

European taste. But, as generally happens in such cases, his servile

suite went far beyond their master and model. Petis de la Croix

(“Persian and Turkish Tales”), Chavis and Cazotte (“New Arabian

Nights”), Dow (“Ináyatu llah”) and Morell (“Tales of the Genii”), with

others manifold whose names are now all but forgotten, carried out the

Gallandian liberties to the extreme of licence and succeeded in

producing a branchlet of literature, the most vapid, frigid and insipid

that can be imagined by man,—a bastard Europeo-Oriental, pseudo-Eastern

world of Western marionettes garbed in the gear which Asiatic are (or

were) supposed to wear, with sentiments and opinions, manners and morals

to match; the whole utterly lacking life, local colour, vraisemblance,

human interest. From such abortions, such monstrous births, libera nos,

Domine!

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