One of our acquaintances was hung on the horns of this dilemma for

several months while he and his wife spent most of their waking hours

arguing it pro and con. They had selected the vicinity in which they

wanted to live, had the requisite cash in the bank to finance either

undertaking, and there were two properties that pleased them. The

latter constituted the snag. On the one hand, there was a sightly

piece of land with some nice old shade trees but no existing

structure; about a mile farther along the same road, lay another

holding of about the same size with a house in fair condition. The

price for this was naturally higher than for the undeveloped land, on

the theory that it would not cost half as much to remodel the house as

to build.

"I don't know what to do," this perplexed man remarked. "On one side I

hear and read that new building is much the best investment. That it

costs so much less to maintain a new house and if you want to sell,

you can find a purchaser quicker and at a better price. But no sooner

do I begin to believe that building is the only wise course, than I

run smack into an article on remodeling or meet some one I know whose

experience in remodeling shows by actual figures a big saving compared

with a new house of the same kind and size. In my own case, though,

the more I study what estimates I can get, the more I am convinced

that in the end I'll spend just about as much whether I build or

remodel."

These two people finally built a new house. There were good reasons

for their decision. First, they could buy the land for so much money,

and a general contractor of excellent reputation was ready to build

just the house they wanted for so much more. The two figures, plus the

architect's fee, added up to a definite amount. Having an accounting

mind, the knowledge that there would be no unforeseen contingencies

and that, ready for occupancy, the cost of the house would be so much,

was the deciding factor. In addition, he and his wife both inclined

towards something new. A house that had not been lived in by other

people, had no scars and marks of age and use, that embodied all the

newest materials and construction methods, was really what they

wanted. Had remodeling offered them an assured saving of several

thousand dollars, this couple would probably have suppressed their

subconscious leanings to be builders, proceeded to remodel, and been

only moderately pleased with the result.

The answer to the age-old question of whether to build or to remodel

is found in the preference of the individual. Some people are

temperamentally builders. They are happiest living in a home that was

constructed for them. In their eyes it possesses far greater charm

than anything that has been mellowed by years of use. There are others

to whom nothing is more satisfying than to take an existing structure

and alter it to their liking and needs. An elderly acquaintance, now a

widow and living in a sleepy New England village, is taking keen

pleasure in an old house of almost doll-like proportions. "All my

life," she said, "I've wanted to live in a really old house but until

now it has always been one new house or city apartment after another

and I never got my roots down."

Granted that building or remodeling, like cheese, is a matter of

personal preference, it is not improper at this point to set forth

some of the merits of both. With a fine old building, there is that

elusive something called charm. Time has mellowed it and the countless

feet that have crossed its threshold have worn its floors. The

blackened bricks or stones of its fireplaces bespeak the generations

that basked in the heat of the huge logs that once glowed there. All

these things have given it character.

[Illustration: ONCE HALF A HOUSE AND A HEN ROOST

_Photo by Whitney_]

[Illustration: WHAT CAN BE DONE WITH A BARN

_Photo by Samuel H. Gottscho_. _Robertson Ward, architect_]

Don't expect a new house, the day it is turned over to you by the

contractor, to look as if it had been a family home for several

generations. It can't. It has just been built. Everything is fresh and

shiny; edges are sharp and even the bricks of the fireplace are

untainted by flame and smoke. But if you have been even moderately

articulate, the architect has been able to interpret your wishes and

you have a house built as near as possible to your plans. You also

have the satisfaction of knowing that, in the building, the

workmanship has been honest and thorough, and that in materials used

every advantage has been taken of the newest developments.

For instance, behind the plaster is the modern metal lath so superior

to the old wooden variety. The exterior walls are as thoroughly

insulated against heat and cold as any one of several highly efficient

materials can make them; windows and doors are products of large

wood-fabricating factories noted for superior work. All these are

points of advantage with tangible merit, but time and your own efforts

are the only means by which your new home can acquire personality and

charm. This new structure is yours, made to your desires; and what you

make of it is your own problem.

The house that you buy and remodel starts with certain attributes

given by age, as already stated. Here we must offer one caution. It

concerns houses built during the last quarter of the 19th century. The

majority were badly designed and the quality of workmanship was none

too good. Such houses are apt to be perched on high foundations, have

exterior walls that offer the minimum resistance to winter winds,

while architecturally, lines and proportions reflect an age when taste

was either bad or lacking. We know of several attempts to remodel

country homes of such vintage and are convinced that better results

could have been achieved for less money if the operation had started

with wrecking the structure and building anew.

On the contrary, except where decayed beyond salvage, we have yet to

see a country home of the 18th or first half of the 19th century that

did not respond admirably to remodeling. But it is well to be

practical and compare its cost with that of a new building. Among

architects, it is generally recognized that, save for a house with

unusually expensive details or added equipment, definite figures per

cubic foot of size may be computed that will cover the entire cost of

construction. To get the cubical contents of a house, the architect

takes the area in square feet of the ground floor and multiplies it by

the height from the cellar floor to the eaves, plus half the distance

from that point to the ridge of the roof.

For example, if the proposed house is thirty feet wide by twenty feet

deep, its floor plan area is 600 square feet. Then, if the elevation

dimensions are seven feet from cellar floor to living room floor;

eight feet from living room floor to that of the bedroom floor; and

seven feet from bedroom floor to the level of the eaves, which in

turn measure eight feet below the ridge of the roof; the cubical

contents would result from multiplying 600 square feet by the sum of

seven, eight, seven, and four, or 15,600 cubic feet. With this figure

established, it is simple to approximate costs as follows:

Wooden construction $0.45 per cubic foot

Brick veneer construction 0.55 " " "

Solid brick construction 0.65 " " "

Field stone construction 0.60 " " "

Cut stone construction $0.75 to 1.50 " " "

This tabulation, an average for the United States as a whole, is as

accurate as any generalization can be and a safe one for forming a

preliminary estimate, but local conditions may increase or decrease

costs. The architect can readily determine which. This table, of

course, does not include cost of land, construction of driveway,

landscaping, or expenses incident to bringing electric service or

telephone wires to the house.

From these calculations, it is an easy matter to take the outside

dimensions of a house you are considering remodeling and compute its

cubical content. Then you can ask your architect whether it can be

remodeled as you wish for a price competitive with building a new

house of like design and equal size. In order for this to mean

anything, you should determine what proportion of the price paid for

the property represents land value and what reflects the existence of

the structure itself. As a simple example, we will concede that land

in the neighborhood is held at $500 an acre and you can buy a

five-acre tract with a house on it for $3,750. Here $2,500 represents

land value, and $1,250 house value. The question resolves itself into

comparing remodeling costs plus house value with those for a new house

of like size and kind.

If so much must be replaced or rearranged that the figures for house

and remodeling are in excess of those for a new structure, the wise

course would be to abandon the idea and build instead. But the old

house may have certain details that make you willing to bear the added

expense. If so, you at least know the comparative costs and have

definite standards by which to shape your course.

From personal observation, we believe that there are many instances

where the total cost of house and rejuvenation is considerably below

that of a new structure. Since confession stories are just as

fascinating in home building as in the lurid fiction of the woodpulp

magazines, we cite the experience of a family that bought a home

nearly two years ago within the New York commuting zone. They were a

larger family than the average and the house, of desired size, had

once been a stagecoach halfway tavern. It contained twenty-two rooms

and was in better than average condition. The exterior had been given

two coats of white paint less than six months before.

The price for this old place, including twenty-two acres of land and a

barn usable for garage and chicken house, was $8,200. According to

actual record, only $2,798 was spent on remodeling. There were almost

no structural changes required. Two minor partitions were removed and

five new windows cut. Otherwise, this expenditure was largely devoted

to the introduction of plumbing, heating, and lighting. By type of

work, the costs for this remodeling were as follows:

Two bathrooms, each complete with shower;

a kitchen sink and laundry tub $590.00

Heating system, including steam boiler, piping

and 25 radiators, totaling 630 feet of radiation 889.00

Water system, cleaning well, installing pump

and 500 gallon storage tank 218.00

Electric wiring entirely of armored cable and

lighting fixtures 306.00

Sewage system complete with septic tank and

disposal fields 230.00

All carpentry, including necessary work for

plumber, electrician, etc. 160.00

Masonry, including repairs to fireplaces and

chimneys 105.00

Decorations, paint, and paper for twelve rooms 150.00

Architectural supervision, plans where needed

and preliminary inspection of several houses 150.00

Total $2,798.00

These are the actual figures for a livable and attractive country

home. There are, of course, some things that await a future time for

their accomplishment, but what place would be really enjoyable if

there were not certain corrections and additions over which the owners

could daydream and plan. We admit the figures just quoted are so low

as to seem hardly credible, but they demonstrate what could be

accomplished within fifty miles of New York during the summer of 1935.

The contributing causes for this happy result were that these people

knew what they wanted, hunted in a section that had not been too

thoroughly combed by others like themselves and, lastly, happened to

be ready to buy at just the right moment when the man who owned the

property was anxious to sell.

But old country residences, including structures built as taverns,

private schools and the like, are not the only type of buildings that

may be remodeled into acceptable homes. We have seen old barns or

stables, disused sawmills, general stores, old stone buildings that

once housed small industrial enterprises, and even a church of the

Neo-Classic period remodeled with distinct success.

Again, in Massachusetts there is a former textile hamlet. The mill

itself is now a community club and the workmen's cottages, built about

1815-20, are homes for a dozen or more families where, daily, the head

of the house motors to his office in an industrial city about a

half-hour away. These story-and-a-half cottages, executed along simple

Federal lines, are owned by the families who occupy them. They look

out on a street lined with fine old elms and at the end is the stone

mill with its belfry where still hangs the bell that once ruled the

lives of spinners and weavers with its clanking iron tongue, morning,

noon and night.

For picturesqueness, if the unconventional has a greater appeal than

the more standardized type of home, remodeling an old barn into a

country home has its advantages. This is particularly so if one can

find either a capacious one of roughly laid ledge stone, once popular

in parts of New Jersey and Pennsylvania and more rarely built in other

sections, or a large hay barn with hand-hewn framework and side walls

of weathered boarding. It takes only a little imagination to visualize

such a building remodeled into a country home with a generous stone

chimney and fireplace occupying one of the end walls of a former

haymow. Invariably such remodeling includes construction of one or

more wings to house dining room, kitchen, and servants' quarters as

well as additional bedrooms and baths. The actual barn structure

seldom lends itself to more than a living room and possibly two

bedrooms.

In summer this type of country home has much to offer. It is light,

airy, and spacious; but when fall begins to indicate its arrival,

unless the structure has been made nearer weather tight than is the

nature of barns, life in the haymow is chill and sour. For use the

year around, the old barn must be completely rebuilt with a cellar

beneath for a heating plant and side walls and undersides of roof well

covered with insulating material to prevent cold from entering or heat

escaping. One of the most successful methods of treating the front,

where once the old barn doors swung wide to admit a fully loaded

haywagon, is to substitute a many-paned window of almost cathedral

proportions. This lets in adequate light for what might otherwise be a

dark interior. In summer it can be screened to keep out flies and

mosquitoes. Through it on fair winter days, especially if it faces

south or west, pours that most valuable attribute of country living,

bright sunlight.

An old water-power sawmill makes an unusually attractive country home.

We know of at least one so adapted. Here the space once given over to

sawing logs into boards has been completely enclosed and is now the

living room. On one side is a noble fireplace flanked by large

casement windows that look out on the old mill pond. Bedrooms and

service quarters are located in the end sections where lumber used to

be seasoned and other special work done. This unique bit of

remodeling, combined with the pond as a main feature of landscape

development, is both rare and enviable. Yet there are a surprising

number of old commercial structures that lend themselves to remodeling

into present day homes and by their very unconventionality take on

added charm.

In New England there is a substantial stone building of no

architectural pretensions except that width, depth, and height are

distinctly related to each other. It is now a country home but it

began as a small textile mill in the early days of the 19th century

when the industrial revolution was just getting under way. Later, when

the factory era became thoroughly established, this lone little mill

was left high and dry by the tide that swept toward the larger

centers and it stood untenanted for years. Finally it was retrieved by

some one with vision enough to see that, with proper partitions, both

ground and second floors could be divided into satisfactory rooms.

Here the new owner, or his architect, had the discretion to preserve

as much as possible of the past. The old mill owner's counting room,

on the lower floor, is now the library and, in almost untouched

condition, is complete even to the cast-iron stove that once warmed

it.

Converting buildings originally designed for other uses may take a

still different course. A house, too small in itself for present day

use, can form the nucleus of a country home. A most attractive place

in Maine was so assembled. There were two or three other buildings on

the property which were shifted from their original locations by jacks

and rollers and skillfully joined to the little house to form wings.

By clever rearrangement of rooms and shifting or removal of

partitions, the assembled group became large enough for the new

owner's uses.

Even a modern structure, designed originally for some branch of

agriculture, can be converted into an excellent house if an architect

is inclined to undertake the necessary contriving of plans and

builders can be found who will follow his directions. Several years

ago, a man was bitten with the urge to raise chickens according to the

latest scientific methods of artificial lighting and forced feeding.

For this he built a substantial structure with steam heat, electric

lights, and other elaborate provisions. Being nurse maid to thousands

of chicks ranging from a week old to the proper size for broiling was

a strenuous job. Further, the creatures developed all sorts of

maladies not provided for in the book and the mortality was so high

that the project was finally abandoned.

The building stood vacant for some months until it came to the notice

of a resourceful young architect. He measured, sketched, and drew

plans. Now, what was once a factory for the raw material of broiled

chicken is an attractive and compact Cape Cod cottage. Because of site

and accessibility, the original building had to be dismembered and

moved about two hundred feet. When re-erected according to the plans

provided, the result bore little resemblance to the original box-like

structure except that the floor space was the same.

Some country homes begin as week-end retreats. Then the habit of being

in the country two or three days grows on the family until they see no

reason for living in the city except for an occasional overnight

ordeal with a stuffy hotel room. To make the average week-end shack a

permanent home calls for material expansion. Double-deck bunks have

been installed to provide adequate sleeping quarters; and for a

limited time they find it fun to cook, eat, and live in one large

room. But, when the house is used seven days a week, such condensation

is anything but practical. So the establishment must be enlarged. This

can be done with ease, especially if the original plans were drawn

with such a change in mind. That is, the original structure now

becomes the living room, while new wings and additions provide the

much needed space for service quarters and conventional bedrooms and

baths.

But the week-end place is not always built particularly for the

purpose. Many times it is a very small farmhouse acquired cheaply and

made usable at a minimum of time and money. When the decision is

reached to convert it into a home of larger proportions, whether one

realizes it or not, the plan of campaign follows the plan of no less a

person than George Washington. Mount Vernon was not always a mansion

but was the result of consistent enlargement. When Washington inherited

it from his half-brother, Lawrence, it was a story-and-a-half hunting

lodge of eight rooms. Then he married Martha Custis, richest widow in

the Virginia colony; and, to have a home suitable for her, he had the

roof raised and the house made full two stories.

Shortly before the outbreak of the American Revolution, he planned two

wings. The first was that at the south end with library on the ground

floor and master bedroom for Colonel and Mrs. Washington on the

second. As the revolt against the British crown progressed, the

construction of the north wing lagged somewhat but was worked on

intermittently. This, the banquet hall, when finished became one of

the noblest private residence rooms in America.

Washington, however, did not leave these steps in the enlargement and

renovation of his erstwhile hunting lodge entirely to professionals.

Whether away fighting in the French and Indian Wars or directing the

course of action of the Continental Army, he never forgot what was

happening at his country seat. His correspondence is full of minute

directions regarding the finishing of certain rooms or of such

injunctions as, "I beg of you to hasten Lamphire about the addition to

the north end of the house; otherwise you will have it open, I fear,

in the cold and wet weather." When the Revolution was fought and won,

the Washingtons returned, not to a Mount Vernon that was a stranger to

them, but to the country home they had so carefully planned. This

specific planning by the owner, now as then, has definite bearing on

whether the house will be yours or just a beautiful structure, perfect

in all its appointments but totally lacking the impress of the owner

or his family.

Several years ago, a man and his wife acquired one of the early Dutch

farmhouses of the New Jersey back country. They had long wanted just

such a place and having taken possession, they summoned an architect,

an interior decorator, and a landscape architect. A few days were

spent with them inspecting house and grounds. Then the new owners left

on a winter cruise around the world. Their final injunctions were to

the effect that next May they would return and would expect everything

done. They did and everything was complete. The old house was perfect.

Its furnishings were all genuine antiques of the period. The grounds

had been graded, trimmed, and polished. Gardens, shrubbery, and hedges

were just right, but the final effect was as impersonal as a

demonstration model.

In a year or two, this property was sold to a golf club and its former

owner bought another place and moved right in. Nearly two years were

spent consulting and working with an architect and workmen,

supervising a garden or two, and in buying antiques, a piece at a

time. His second attempt at country living was not as sophisticated

nor did it approach the museum standards of the former; but, when

completed, it had that prime essential of any home, it reflected the

character and personality of its owners.

LOOKING AN OLD HOUSE IN THE MOUTH

[Illustration]

_CHAPTER VI_

LOOKING AN OLD HOUSE IN THE MOUTH

Buying an old house is a good deal like selecting a horse. Having

found an animal of the desired type and breed, the question arises,

"Is it sound of wind and limb?" Houses nearing or past the century

mark also have their spavins and these should be recognized by the

prospective buyer. He can thus form some estimate of how extensive

replacements are needed, even on first inspection. This is of prime

importance since it has direct bearing on the worth of the house.

Whether built of stone, brick, or wood, such structures may have

rafters, sills, and main beams so decayed that new ones must be added.

The foundation may need rebuilding and door and window frames may be

so weathered that they also must be replaced. Beware of a house where

floors slope and side walls are out of plumb. This means extensive

shoring which is slow and expensive.

For a truly pessimistic report on the health of an old place turn to a

trusted carpenter or contractor. He congenitally dislikes old

buildings and will point out all defects with ominous head shakings

and subtle suggestions for new building. In this way the prospective

buyer will know the worst, painted at its blackest. Somewhere between

it and the rosy view of the real estate agent will lie the truth.

Therefore, it is well to do some inspecting independently. Knowledge

of what are the weak spots in old houses and where to look for them

will save much time and effort in the initial stages of house hunting.

If You're Going to Live in the Country · 第 4 / 13 段