With the first plunge southward from the capital the reign of ruin

begins--ruin and flies. The heat becomes intense; the air itself seems

to be cooked through and through; the flies rejoice with a malicious

joy, and the dry sandy hills, bearing nothing but tufts of blackened

weeds, resemble large mounds of pepper and salt. Here and there in the

valley is the skeleton of a stone or brick farm-house withering away,

and perhaps near by a small round defensive hut, recalling times of

disorder. Between the hills, however, are fields still prolific in rye,

though wholly destitute of trees. Verdure re-asserts itself wherever

there is the smallest water-course; and a curve of the river Tagus is

sure to infold fruit orchards and melon vines, while the parched soil

briefly revives and puts forth delightful shade-trees. But although the

river-fed lands around Toledo are rich in vegetation, the ancient city

itself, with the Tagus slung around its base like a loop, rises on a

sterile rock, and amid hills of bronze. So much are the brown and

sun-imbued houses and the old fortified walls in keeping with the massy

natural foundation that all seem reared together, the huge form of the

Alcazar, or castle--where the Spanish national military academy is

housed--towering like a second cliff in one corner of the round,

irregularly clustered city. Our omnibus scaled the height by a road

perfectly adapted for conducting to some dragon stronghold of misty

fable, and landed us in the Zocodover, the sole open space of any

magnitude in that tangle of thread-like streetlets, along which the

houses range themselves with a semblance of order purely superficial.

Most of Toledo is traversable only for pedestrians and donkeys. These

latter carry immense double baskets across their backs, in which are

transported provisions, bricks, coal, fowls, water, bread,

crockery--everything, in short, down to the dirt occasionally scraped

from the thoroughfares. I saw one peasant, rather advanced in years,

helping himself up the steep rise of a street on the hill-side by means

of a stout cane in one hand and the tail of his heavy-laden donkey

grasped in the other. To make room for these useful beasts and their

broad panniers, some of the houses are hollowed out at the corners; in

one case the side wall being actually grooved a foot deep for a number

of yards along an anxious turning. Otherwise the panniers would touch

both sides of the way, and cause a blockade as obstinate as the animal

itself.

[Illustration: THE NARROW WAY.]

[Illustration: SPANISH PEASANT.

From a Drawing by William M. Chase.]

Coming from the outer world into so strange a labyrinth, where there is

no echo of rolling wheels, no rumble of traffic or manufacture, you

find yourself in a city which may be said to be without a voice. Through

a hush like this, history and tradition speak all the more powerfully.

Toledo has been a favorite with the novelists. The Zocodover was the

haunt of that typical rogue Lazarillo de Tormes; and Cervantes, oddly as

it happens, connects the scene of _La ilustre Fregonde_ with a shattered

castle across the river, which by a coincidence has had its original

name of San Servando corrupted into San Cervantes.

Never shall I forget our walk around the city walls that first afternoon

in Toledo. A broad thoroughfare skirts the disused defences on the south

and west, running at first along the sheer descent to the river, and a

beetling height against which houses, shops, and churches are crammed

confusedly. I noticed one smithy with a wide dark mouth revealing the

naked rock on which walls and roof abutted, and other houses into the

faces of which had been wrought large granite projections of the hill.

After this the way led through a gate of peculiar strength and

shapeliness, carrying up arches of granite and red brick to a

considerable height--a stout relic of the proud Moorish dominion so long

maintained here; and then, when we had rambled about a church of

Santiago lower down, passing through some streets irregular as

foot-paths, where over a neglected door stood a unique announcement of

the owner's name--"I am Don Sanchez. 1792"--we came to the Visagra, the

country gate. This menacing, double-towered portal is mediæval; so that

a few steps had carried us from Mohammedan Alimaymon to the Emperor

Charles V. Just outside of it again is the Alameda, the modern garden

promenade, where the beauty and idleness of Toledo congregate on Sunday

evenings to the soft compulsion of strains from the military academical

band. Thin runnels of water murmur along through the hedges and

embowered trees, explaining by their presence how this refreshing

pleasure-ground was conjured into being; for on the slope, a few feet

below the green hedges, you still see the sun-parched soil just as it

once spread over the whole area. The contrast suggests Eden blossoming

on a crater-side.

At the open-air soirées of the Alameda may be seen excellent examples of

Spanish beauty. The national type of woman appears here in good

preservation, and not too much hampered by foreign airs. Doubtless one

finds it too in Burgos and Madrid, and in fact everywhere; and the grace

of the women in other places is rather fonder of setting itself off by a

fan used for parasol purposes in the street than in Toledo. But on the

_pasco_ and _alameda_ all Spanish ladies carry fans, and it is

something marvellous to see how they manage them. Not for a moment is

the subtle instrument at rest: it flutters, wavers idly, is opened and

shut in the space of a second, falls to the side, and again rises to

take its part in the conversation almost like a third person--all

without effort--with merely a turn of the supple fingers or wrist, and

contributing an added charm to the bearer. The type of face which beams

with more or less similarity above every fan in Spain is difficult to

describe, and at first difficult even to apprehend. One has heard so

much about its beauty that in the beginning it seems to fall short; but

gradually its spell seizes on the mind, becoming stronger and stronger.

The tint varies from tawny rose or olive to white: ladies of higher

caste, from their night life and rare exposure to the sun, acquire a

deathly pallor, which is unfortunately too often imitated with powder.

Chestnut or lighter hair is seen a good deal in the south and east, but

deep black is the prevalent hue. And the eyes!--it is impossible to more

than suggest the luminous, dreamy medium in which they swim, so large,

dark, and vivid. But, above all, there is combined with a certain

child-like frankness a freedom and force, a quick mobility in the lines

of the face, equalled only in American women. To these elements you must

add a strong arching eyebrow and a pervading richness and fire of nature

in the features, which it would be hard to parallel at all, especially

when the whole is framed in the seductive folds of the black mantilla,

like a drifting night-cloud enhancing the sparkle of a star.

As we continued along the Camin de Marchan we looked down on one side

over the fertile plain. The pale tones of the ripe harvest and dense

green of trees contrasted with the rich brown and gray of the city, and

dashes of red clay here and there. In a long field rose detached

fragments of masonry, showing at different points the vast ground-plan

of the Roman Circus Maximus, with a burst of bright ochre sand in the

midst of the stubble, while on the left hand we had an old Arab gate

pierced with slits for arrows, and on the crest above that a

nunnery--St. Sunday the Royal--followed by a line of palaces and

convents half ruined in the Napoleonic campaign of 1812. Out in the

plain was the roof of the sword factory where "Toledo blades" are still

forged and tempered for the Spanish army; although in the finer details

of damascening and design nothing is produced beyond a small stock of

show weapons and tiny ornamental trinkets for sale to tourists. Nor was

this all; for a little farther on, at the edge of the river, close to

the Bridge of St. Martin and the Gate of Twelve Stones, the broken

remains of an old Gothic palace sprawled the steep, lying open to heaven

and vacant as the dull eye-socket in some unsepulchred skull. Our stroll

of a mile had carried us back to the second century before Christ, the

path being strewn with relics of the Roman conquest, the Visigothic

inroad, the Moorish ascendency, and the returning tide of Christian

power. But the Jews, seeking refuge after the fall of Jerusalem,

preceded all these, making a still deeper substratum in the marvellous

chronicles of Toledo; and some of their later synagogues, exquisitely

wrought in the Moorish manner, still stand in the Jewish quarter for the

wonderment of pilgrim connoisseurs.

[Illustration: SINGING GIRL.]

It was from a terrace of this old Gothic palace near the bridge that,

according to legend, Don Roderick, the last of the Goths in Spain, saw

Florinda, daughter of one Count Julian, bathing in the yellow Tagus

under a four-arched tower which still invades the flood, and goes by the

name of the Bath of Florinda. From his passion for her, and their mutual

error, the popular tale, with vigorous disregard of chronology, deduces

the fall of Spain before the Berber armies; and as most old stories here

receive an ecclesiastical tinge, this one relates how Florinda's sinful

ghost continued to haunt the spot where we now stood, until laid by a

good friar with cross and benediction. The sharp fall of the bank at

first glance looked to consist of ordinary earth and stones, but on

closer scrutiny turned out to contain quantities of brick bits from the

old forts and towers which one generation after another had built on the

heights, and which had slowly mouldered into nullity. Even so the firm

lines of history have fallen away and crumbled into romance, which sifts

through the crannies of the whole withered old city. As a lady of my

acquaintance graphically said, it seems as if ashes had been thrown over

this ancient capital, covering it with a film of oblivion. The rocks,

towers, churches, ruins, are just so much corporeal mythology--object,

lessons in fable. A little girl, becomingly neckerchiefed, wandered by

us while we leaned dreaming above the river; and she was singing one of

the wild little songs of the country, full of melancholy melody:

"Fair Malaga, adios!

Ah, land where I was born,

Thou hadst mother-love for all,

But for me step-mother's scorn!"

[Illustration: CLOISTER OF ST. JOHN OF THE KINGS.]

All unconscious of the monuments around her, she stopped when she saw

that we had turned and were listening. Then we resumed our way, passing,

I may literally say, as if in a trance up into the town again, where we

presently found ourselves in front of St. John of the Kings, a venerable

church, formerly connected with a Franciscan monastery which the French

burnt. On the outer wall high up hangs a stern fringe of chains, placed

there as votive tokens by released Christian captives from Granada, in

1492; and there they have remained since America was discovered!

To this church is attached a most beautiful cloister, calm with the

solitude of nearly four hundred years. Around three sides the rich

clustered columns, each with its figures of holy men supported under

pointed canopies, mark the delicate Gothic arches, through which the

sunlight slants upon the pavement, falling between the leaves of

aspiring vines that twine upward from the garden in the middle. There

the rose-laurel blooms, and a rude fountain perpetually gurgles, hidden

in thick greenery; and on the fourth side the wall is dismantled as the

French bombardment left it. Seventy years have passed, and though the

sculptured blocks for restoration have been got together, the vines grow

over them, and no work has been done. We mounted the bell-tower part way

with the custodian, and gained a gallery looking into the chapel,

strangely adorned with regal shields and huge eagles in stone. On our

way, under one part of the tower roof, we found a hen calmly strutting

with her brood. "It was meant for celibacy," said the custodian, "but

times change, and you see that family life has established itself here

after all."

[Illustration: A BIT OF CHARACTER.]

I don't know whether there is anything particularly sacred about the

hens of this district, but after seeing this one in the church-tower I

began to think there might be, especially as on the way home we

discovered another imprisoned fowl disconsolately looking down at us

from the topmost window of a venerable patrician residence.

II.

[Illustration: SPANISH SOLDIERS PLAYING DOMINOS.]

Its antiquities are not the queerest thing about Toledo. The sights of

the day, the isolated existence of the inhabitants, are things peculiar.

The very sports of the children reflect the prevailing influences. A

favorite diversion with them is to parade in some dark hall-way with

slow step and droning chants, in imitation of church festivals; and in

the street we found boys playing at _toros_. Some took off their coats

to wave as mantles before the bull, who hid around the corner until the

proper time for his entry. The bull in this game, I noticed, had a nice

sense of fair play, and would stop to argue points with his

antagonists--something I should have been glad to see in the real arena.

Once the old rock town accommodated two hundred thousand residents. Its

contingent has now shrunk to twenty thousand, yet it swarms with

citizens, cadets, loafers, and beggars. Its tortuous wynds are full of

wine-shops, vegetables, and children, all mixed up together. Superb old

palaces, nevertheless, open off from them, frequently with spacious

courts inside, shaded by trellised vines, and with pillars at the

entrance topped by heavy stone balls, or doors studded with nails and

moulded in rectangular patterns like inlay-work. One day we wandered

through a sculptured gate-way and entered a paved opening with a carved

wood gallery running around the walls above. Orange-trees in tubs stood

about, and a brewery was established in these palatial quarters. We

ordered a bottle, but I noticed that the brewer stood regarding us

anxiously. At last he drew nearer, and asked, "Do you come from Madrid?"

"Yes."

"Ah, then," said he, in a disheartened tone, "you won't like our beer."

[Illustration: A NARROW STREET.]

We encouraged him, however, and at last he disappeared, sending us the

beverage diplomatically by another hand. He was too faint-spirited to

witness the trial himself. Though called "The Delicious," the thin,

sweet, gaseous liquid was certainly detestable; but in deference to the

brewer's delicate conscientiousness we drank as much as possible, and

then left with his wife some money and a weakly complimentary remark

about the beer, which evidently came just in time to convince her that

we were, after all, discriminating judges.

[Illustration: WOMAN WITH BUNDLE.]

The people generally were very simple and good-natured, and in

particular a young commercial traveller from Barcelona whom we met

exerted himself to entertain us. The chief street was lined with awnings

reaching to the curb-stone in front of the shops, and every public

door-way was screened by a striped curtain. Pushing aside one of these,

our new acquaintance introduced us to what seemed a dingy bar, but, by a

series of turnings, opened out into a spacious concealed café--that of

the Two Brothers--where we frequently repaired with him to sip chiccory

and cognac or play dominos. On these occasions he kept the tally in

pencil on the marble table, marking the side of himself and a friend

with their initials, and heading ours "The Strangers." All travellers in

Spain are described by natives as "Strangers" or "French," and the

reputation for a pure Parisian accent which we acquired under these

circumstances, though brief, was glorious. To the Two Brothers resorted

many soldiers, shop-keepers, and well-to-do housewives during fixed

hours of the afternoon and evening, but at other times it was as

forsaken as Don Roderick's palace. Another place of amusement was the

Grand Summer Theatre, lodged within the ragged walls of a large building

which had been half torn down. Here we sat under the stars, luxuriating

in the most expensive seats (at eight cents per head), surrounded by a

full audience of exceedingly good aspect, including some Toledan ladies

of great beauty, and listened to a _zarzuela_, or popular comic opera,

in which the prompter took an almost too energetic part. The ticket

collector came in among the chairs to receive everybody's coupons with

very much the air of being one of the family; for while performing

his stern duty he smoked a short brier pipe, giving to the act an

indescribable dignity which threw the whole business of the tickets into

a proper subordination. In returning to our inn about midnight we were

attracted by the free cool sound of a guitar duet issuing from a dark

street that rambled off somewhere like a worm track in old wood, and,

pursuing the sound, we discovered by the aid of a match lighted for a

cigarette two men standing in the obscure alley, and serenading a couple

of ladies in a balcony, who positively laughed with pride at the

attention. The men, it proved, had been hired by some admirer, and so

our friend engaged them to perform for us at the hotel the following

night.

[Illustration: THE SERENADERS.]

The skill these thrummers of the guitar display is delicious, especially

in the treble part, which is executed on a smaller species of the

instrument, called a _mandura_. Our treble-player was blind in one eye,

and with the carelessness of genius allowed his mouth to stay open, but

managed always to keep a cigarette miraculously hanging in it; while his

comrade, with a disconsolate expression, disdained to look at the

strings on which his proud Castilian fingers were condemned to play a

mere accompaniment. For two or three hours they rippled out those

peculiar native airs which go so well with the muffled vibrations and

mournful Oriental monotony of the guitar; but the bagman varied the

concert by executing operatic pieces on a hair-comb covered with thin

paper--a contrivance in which he took unfeigned delight. Some

remonstrance against this uproar being made by other inmates of the

hotel, our host silenced the complainants by cordially inviting them in.

One large black-bearded guest, the exact reproduction of a stately

ancient Roman, accepted the hospitality, and listened to that ridiculous

piping of the comb with profound gravity and unmoved muscles, expressing

neither approval nor dissatisfaction. But the white-aproned waiter, who,

though unasked, hung spellbound on the threshold, was, beyond question,

deeply impressed. The relations of servants with employers are on a very

democratic footing in Spain. We had an admirable butler at Madrid who

used to join in the conversation at table whenever it interested him,

and was always answered with good grace by the conversationists, who

admitted him to their intellectual repast at the same moment that he was

proffering them physical nutriment. These Toledan servitors of the Fonda

de Lino were still more informal. They used to take naps regularly twice

a day in the hall, and could not get through serving dinner without an

occasional cigarette between the courses. To save labor, they would

place a pile of plates in front of each person, enough to hold the

entire list of viands. That last phrase is a euphemism, however, for the

meal each day consisted of the same meat served in three separate relays

without vegetables, followed by fowl, an allowance of beans, and

dessert. Even this they were not particular to give us on the hour.

Famished beyond endurance, one evening at eight o'clock, we went

down-stairs and found that not the first movement toward dinner had been

made. The _mozos_ (waiters) were smoking and gossiping in the street,

and rather frowned upon our vulgar desire for food, but we finally

persuaded them to yield to it. After we had bought some tomatoes, and

made a salad at dinner, the management was put on its mettle, and

improved slightly. Fish in this country is always brought on somewhere

in the middle of dinner, like the German pudding, and our landlord

astonished us by following the three courses of stewed veal with

sardines, fried in oil and ambuscaded in a mass of boiled green peppers.

After that we forbore to stimulate his ambition any farther.

[Illustration: A PLENTIFUL SUPPLY OF PLATES.]

The hotel guest, however, is on the whole regarded as a necessary

evil--a nuisance tolerated only because some few of the finest race in

the world can make money out of him. The landlord lived with his family

on the ground-floor, and furnished little domestic tableaux as we passed

in and out; but he never paid any attention to us, and even looked

rather hurt at the intrusion of so many strangers into his hostelry. Nor

did the high-born sewing-women who sat on the public stairs, and left

only a narrow space for other people to ascend or descend by, consider

it necessary to stir in the least for our convenience. The fonda had

more of the old tavern or posada style about it than most hotels

patronized by foreigners. The entrance door led immediately into a

double court, where two or three yellow equipages stood; and from this

the kitchen, storerooms, and stable all branched off in some clandestine

way. Above, at the eaves, these courts were covered with canvas awnings

wrinkled in regular folds on iron rods--sheltering covers which remained

drawn from the first flood of the morning sun until after five in the

afternoon. Early and late I used to look down into the inner court,

observing the men and women of the household as they dressed fish and

silently wrung the necks of chickens, or sat talking a running stream of

nothingness by the hour, for love of their own glib but uncouth voices.

People of this province intone rather than talk: their sentences are set

to distinct drawling tunes, such as I never before encountered in

ordinary speech, and their thick lisping of all sibilants, combined with

the usual contralto of their voices, gives the language a sonorous burr,

for which one soon acquires a liking. Sunday is the great hair-combing

day in Toledo, if I may judge from the manner in which women carried on

that soothing operation in their door-ways and _patios_; and in this

inner court below my window one of the servants, sitting on a stone

slab, enjoyed the double profit of sewing and of letting a companion

manipulate her yard-long locks of jet, while others sat near, fanning

themselves and chattering. Another time a little girl, dark as an

Indian, came there in the morning to wash a kerchief at the stone tank,

always brimming with dirty water; after which she executed, unsuspicious

of my gaze, a singularly weird _pas seul_, a sort of shadow dance, on

the pavement, and then vanished.

[Illustration: THE TOILET--A SUNDAY SCENE.]

All the houses are roofed with heavy curved tiles, which fit together so

as to let the air circulate under their hollow grooves; and a species of

many-seeded grass sprouts out of these baked earth coverings, out of the

ledges of old towers and belfries, and from the crevices of the great

cathedral itself, like the downy hair on an old woman's cheek.

Spanish Vistas · 第 3 / 15 段