It may not be generally known that beggars are licensed in S

[Illustration: A MANDURRA SOLO.]

SPANISH VISTAS

BY

GEORGE PARSONS LATHROP

_ILLUSTRATED_

BY

CHARLES S. REINHART

NEW YORK

HARPER & BROTHERS, FRANKLIN SQUARE

1883

Entered according to Act of Congress, in the year 1883, by

HARPER & BROTHERS,

In the Office of the Librarian of Congress, at Washington.

* * * * *

_All rights reserved._

TO

FRANCES M. LATHROP

WHOSE TASTE FOR TRAVEL AND OBSERVATION EARLY PROMPTED HIS OWN

These Sketches are Dedicated

BY HER SON

THE AUTHOR

PREFACE.

The two great Mediterranean peninsulas which, in opposite quarters, jut

southward where--as George Eliot says, in her "Spanish Gypsy"--

"Europe spreads her lands

Like fretted leaflets, breathing on the deep,"

may not inaptly be likened to a brother and sister, instead of taking

their places under the usual similitude of "sister countries." They have

points of marked resemblance, in their picturesqueness, their treasures

of art, their associations of history and romance; but, just as the

physical aspect of Spain and its shape upon the map are broader, more

thick-set and rugged than the slender form and flowing curves of Italy,

so the Spanish language--with its Arabic gutturals interspersed among

melodious linguals and vowel sounds--has been called the masculine

development of that Southern speech of which the Italian presents the

feminine side. The people of both countries exhibit a similar excitable,

ardent quality in their characters; but the national temperament of the

Spaniards is, perhaps, somewhat hardier, more virile, and sturdier in

its passionateness.

It seems to be true that, while the Greek spirit transferred itself to

Italy in the days of Augustus, renewing its influence at the period of

the Renaissance, and leaving upon people and manners an impress never

since quite effaced--an influence tending toward a certain feminine

refinement--the spirit of Rome also transferred itself to the subject

country, Hispania, and imbued that region with the strong, austere, or

wilful characteristics of purely Latin civilization, which are still

traceable there.

But, however we may account for the phenomena, it is likely that the

mingled contrasts and resemblances of Italy and Spain will more and more

induce travellers to visit the Iberian Peninsula. Italy has now been so

thoroughly depicted in all its larger phases, from the foreigner's point

of view, that investigation must hereafter chiefly be concerned with the

study of special and local features. Spain, on the other hand, offers

itself to the general observer and to the tourist as a field scarcely

more explored than Italy was forty or fifty years ago; and the evidence

is abundant that the current of travel is setting vigorously in this

direction. With the extension of a railroad system and the incursion of

sight-seeing strangers in larger number, we must of course expect that

many of the most interesting peculiarities of the people will undergo

modification and at length disappear. This, however, cannot be helped;

and the following chapters, at the same time that they may encourage and

aid those who are destined to bring about such changes, may also serve

to arrest and preserve for future reference the actual appearance of

Spain to-day.

Much might be written, with the certainty of an eager audience,

concerning the present political condition of the country, by any one

who had had opportunities for examining it; and Mr. John Hay, a few

years ago, gave some glimpses of it in his charming volume, "Castilian

Days." My own brief sojourn afforded no adequate opportunity for such

observation. But it may be not inadmissible to record here one of the

casual remarks which came to my notice in this connection. On a

Mediterranean steamer I met with an exceedingly bright and healthy man

of the middle class, fairly well educated--one of those specimens of

solid, temperate, active manhood fortunately very common in Spain, on

whom the future of the country really depends--and, noticing from my

lame speech that I was not a native, he asked me, guardedly, if I was an

Englishman.

"No," I said; "I am an American of the North, of the United States."

His manner changed at once; he thawed: more than that, his face lighted

with hope, as if he had found a powerful friend, and he gazed at me with

a certain delighted awe, attributing to my humble person a glory for

which I was in no way responsible. "You are a republican, then!" he

exclaimed.

"Yes."

He gave me another long, silent look, and then confessed that he, too,

was a firm believer in republicanism.

"Are there many Spaniards now of that party?" I inquired.

His reply showed that he appreciated the difficulties of the national

problem. "Party!" he cried. "Listen: in Spain there is a separate

political party for every man." After a slight pause he added, bitterly,

"Sometimes, _two_!"

It may still be said with a good deal of accuracy, though not of course

with the literalness and the sweeping application that Paul de Saint

Victor gave the words, in speaking of the French Charles II.'s reign,

that "Spain no more changes than the arid zone that encircles a volcano.

Kings pass, dynasties are renewed, events succeed each other, but the

foundation remains immobile, and Philip II. still rules."

I have not attempted to review political matters; and neither have I

tried to give an exhaustive account of the country in any other respect.

The pictures which I have given I have endeavored to make vivid and

faithful; and, if I have succeeded, they will present the essential

characteristics of Spain. What has thus been the object of the text has

certainly been attained in the drawings by Mr. Reinhart, which supply

much the greater part of the illustrations in this volume. Made after

sketches from life, which were prepared with unflagging zeal, and often

under great difficulties, they frequently tell more than language can

convey. Their graphic touch, their variety and humor, their technical

merit, give them the best of recommendations; but a word of distinct

recognition is due here to the artist for the fidelity and spirit with

which he has reproduced so many scenes peculiar to the country.

It is hoped that the concluding chapter of "Hints to Travellers" will

prove useful, as supplying certain information not always accessible in

guide-books, and also as condensing the practical particulars of the

subject in a convenient form.

THE WAYSIDE, _Concord_, _April 1, 1883._

CONTENTS.

PAGE

_FROM BURGOS TO THE GATE OF THE SUN_ 1

_THE LOST CITY_ 34

_CORDOVAN PILGRIMS_ 70

_ANDALUSIA AND THE ALHAMBRA_ 103

_MEDITERRANEAN PORTS AND GARDENS_ 152

_HINTS TO TRAVELLERS_ 186

ILLUSTRATIONS.

PAGE

A MANDURRA SOLO _Frontispiece_

INITIAL LETTER 1

TWO ASSASSINS IN LONG CLOAKS 2

THE NIGHT-WATCH 4

DANCING BOYS 6

THE ARCH OF ST. MARY 8

PEASANTS IN THE MARKET-PLACE 11

IN THE MIRADOR 13

LANDSCAPE BETWEEN BURGOS AND MADRID 17

THE PLAZA MAYOR 21

WATER-DEALER 23

OLD ARTILLERY PARK 24

THE ESCORIAL 25

ON THE ROAD TO THE BULL-FIGHT 27

PLAN OF THE BULL-RING 28

A STREET SCENE 32

TAIL-PIECE 33

INITIAL LETTER 34

ENTRANCE TO TOLEDO 35

THE NARROW WAY 36

SPANISH PEASANT (from a Drawing By William M. Chase) 37

SINGING GIRL 41

CLOISTER OF ST. JOHN OF THE KINGS 42

A BIT OF CHARACTER 43

SPANISH SOLDIERS PLAYING DOMINOS 44

A NARROW STREET 45

WOMAN WITH BUNDLE 46

THE SERENADERS 47

A PLENTIFUL SUPPLY OF PLATES 50

THE TOILET--A SUNDAY SCENE 51

A TOLEDO PRIEST 53

TOLEDO SERVITORS AT THE FOUNTAIN 55

A PROFESSIONAL BEGGAR 57

A GROUP OF MENDICANTS 58

A PATIO IN TOLEDO 59

THE HOME OF "SOLITUDE" 61

"MEN AND BOYS SLUMBER OUT-OF-DOORS EVEN IN THE HOT SUN"67

A STRANGE FUNERAL 68

TAIL-PIECE 69

INITIAL LETTER 70

WHETSTONE 71

COFFEE AT CASTILLEJO 72

PRIMITIVE THRASHING 74

WHILE THE WOMEN ARE AT MASS 75

WATER-STAND IN CORDOVA 77

THE GAY COSTER-MONGERS OF ANDALUSIA 79

THE MEZQUITA 80

RELIC PEDDLERS 81

THE GARDEN OF THE ALCAZAR 83

PRIEST AND PURVEYOR 85

FLOWERS FOR THE MARKET 85

TRAVELLERS TO CORDOVA 87

"ARRÉ, BURR-R-RICO!" 89

THE FRUIT OF THE DESIERTA 94

MEMENTO MORI 97

DIFFICULT FOR FOREIGNERS 101

THE JASMINE GIRL 101

INITIAL LETTER 103

MAIN ENTRANCE TO THE CATHEDRAL, SEVILLA

(from a Photograph by J. Laurent & Co., Madrid) 105

THE GIRALDA TOWER

(from a Photograph By J. Laurent & Co., Madrid) 107

THE "UNDERGROUND" MAIL 109

A STREET CORNER 115

FIGARO 118

"STONE WALLS DO NOT A PRISON MAKE" 121

IN "THE SERPENT" 123

"ALL THE DAY I AM HAPPY" 127

GRANADA UNDERTAKER 130

THE MOORISH GATE, SEVILLA 131

A WATER-CARRIER 133

BIT OF ARCH IN A COURT OF THE ALHAMBRA

(from a Photograph by J. Laurent & Co., Madrid) 137

THE TOILET TOWER

(from a Photograph by J. Laurent & Co., Madrid) 139

BOUDOIR OF LINDARAXA 141

GYPSIES 150

INITIAL LETTER 152

GYPSY DANCE 154

A SPANISH MONK 158

TRANSPORTATION OF POTTERY 160

GARLIC VENDER 161

DIVING FOR COPPERS 164

A MODERN SANCHO PANZA 167

STREET BARBER 168

BIBLES _VERSUS_ MELONS 169

CUSTOMS OFFICERS 171

POST INN, ALICANTE 172

ALICANTE FRUIT-SELLER 173

METHOD OF IRRIGATION NEAR VALENCIA 175

CHURCH OF SANTA CATALINA, VALENCIA 176

A VALENCIA CAB 178

BARCELONA FISHERMEN 180

TAIL-PIECE 185

INITIAL LETTER 186

ST. JOHN AT BURGOS--CHERUBS IN ADORATION 210

SPANISH VISTAS.

_FROM BURGOS TO THE GATE OF THE SUN._

I.

[Illustration: W]

We took our places, for the performance was about to begin. The scene

represented a street in Burgos, the long-dead capital of old Castile.

Time: night.

Ancient houses on either side the stage narrow back to an archway in the

centre, opening through to a pillared walk and a dimly moonlit space

beyond. Muffled figures occasionally pass the aperture.

Suddenly enters Don Ramiro--or Alvar Nuñez, I really don't know

which--and advances toward the front. To our surprise he does not open

the play with a set speech or any explanation, but continues to advance

until he disappears somewhere under our private box, as if he were going

from this street of the play into some other adjoining street, just as

in actual life. A singular freak of realism! He is closely pursued,

however, by two assassins in long cloaks, who, like all the other

figures we have seen, move noiselessly in soft shoes or canvas sandals.

Presently a shriek resounds from the quarter toward which Don Ramiro

betook himself. Have they succeeded in catching him, and is that the

sound of his mortal agony? We have just concluded that this is the

meaning of the clamor, when, after a second or two, the shriek resolves

itself into laughter. Then we begin to recall that we didn't pay

anything on entering; and, as we glance up toward the folded curtain

above the scene, discover that its place is occupied by the starry sky.

The houses, too, have a singularly solid look, and do not appear to be

painted. While all this has been dawning upon us, we become conscious

that the mixed sound of agony or mirth just heard was merely the signal

of amusement caused to certain wandering Spaniards by some convulsingly

funny episode; and the next moment their party comes upon the scene at

about the point where the foot-lights ought to be. They exchange a

good-night; some go off, and others thunder at sundry doors with ancient

knockers, awaking mediæval echoes in the dingy thoroughfares, without

causing any great surprise to the neighborhood.

[Illustration: TWO ASSASSINS IN LONG CLOAKS.]

In truth, we had simply been looking from the window of an inn at which

we had just arrived; but everything had grouped itself in such a way

that it was hard to comprehend that we were not at the theatre. That day

we had been hurled over the Pyrenees, and landed in the dark at our

first Peninsular station; then, facing a crowd of fierce, uncouth faces

at the depôt door, we had somehow got conveyed to the Inn of the North

through narrow, cavernous streets, brightened only by the feeble light

of a few lost lanterns, and so found ourselves staring out upon our

first picturesque night in Spain. The street or plazuela below us,

though now deserted, went on conducting itself in a most melodramatic

manner. Big white curtains hung in front of the iron balconies, flapping

voluminously, or were drawn back to admit the cool night air. Crickets

chirped loudly from hidden crevices of masonry, and a well-contrived bat

sailed blindly over the roofs in the penumbral air, through which the

moon was slowly rising. Lights went in and out; some one was seen

cooking a late supper in one dwelling; windows were opened and shut, and

a general appearance of haunting ghosts was kept up. Now and then a

woman came to the balcony and chatted with unseen neighbors across the

way about the festival of the morrow. By-and-by one side of the street

blew its lamps out and prepared for bed; but the wakeful side insisted

on talking to the sleepy one for some time longer, until warned by the

cry of the night-watch that midnight had come. Anything more desolate

and peculiar than this cry I have never heard. It was a long-drawn,

melancholy sounding of the hour, with a final "All's well!" terminating

in a minor cadence which seemed to drop the voice back at once into the

Middle Ages. This same chant may have resounded from the days of Lain

Calvo and the old judges of Castile unaltered, and for a time it made me

fancy that the little Gothic town had returned to its musty youth. We

were walled into a sleepy feudal stronghold once more, and perhaps at

that very moment the Cid was celebrating his nuptials with Ximena,

daughter of the count he had murdered for an insult, in the old ruined

citadel up there on the hill, above the cathedral spires. But the

watchman came and went, and the present resumed its sway. He passed

with slow step, in a big cloak and queer cap, carrying a long bladed

staff, and a lantern which cast swaying squares of light around his

feet; silent as a black ghost, and seeming to have been called into life

only with the lighting of his lamp-wick. But, after he had disappeared,

the lonely quaver of his cry returned to us from farther and farther

away, penetrating into the comfortless apartment to which we now retired

for sleep.

[Illustration: THE NIGHT-WATCH.]

The Inn of the North was dirty and unkempt; a frightful odor from the

donkey-stable and other sources streamed up into our window between

shutters heavy as church doors; and the descant of the watch, relieved

by violent cock-crows, disturbed us all night. Nevertheless, we awoke

with a good deal of eagerness when the alert young woman with dark pink

cheeks and snapping eyes who served us came to the door with chocolate

and bread, water and _azucarillos_, betimes next morning. It was the

festival of Corpus Christi; but although every one was going to see the

procession, no one could tell us anything about it. Unless he be

extraordinarily shrewd, a foreigner can hardly help arriving in Spain on

some kind of a feast-day. When the people cannot get up a whole holiday,

they will have a fractional one. You go about the streets cheerfully,

thinking you will buy something at leisure in the afternoon; but when

you approach the shop commerce has vanished, and is out taking a walk,

or drinking barley-water in honor of some obscure saint. You engage a

guide and carriage to visit some public building, and both guide and

carriage are silent as to the religious character of the day until you

arrive and find the place shut, when full price, or at least half, is

confidently demanded. Church feasts are a matter of course, but you are

expected to know about them, and questions are considered out of place.

In this case we had kept Corpus Christi in mind, and as Burgos is a

small place, the "function" could not by any possibility escape us.

The garrison turned out, and military music played in the procession,

but otherwise it was a quaint reproduction of the antique. The quiet

streets, innocent of traffic, were filled with peasants whose garments,

odoriferous with age and dirt, made a dazzle of color, especially the

bright yellow flannel skirts of the women, and the gay handkerchief

which men and women alike employ here. Sometimes it is worn around the

shoulders, sometimes around the head, and sometimes both: but everywhere

and always handkerchiefs are brought into play as essentials. From

almost every balcony, too, hung bedquilts, or sheets scalloped with red

and blue, in emulation of the tapestries and banners that once graced

these occasions. Amid a tumultuous tumbling of bells up amid the carven

gray stone-work of the cathedral, the candles and images and tonsured

priests, clad in resplendent copes, moved forth, attended by civil

functionaries in swallow-tailed coats or old crimson robes of the

twelfth century. But the prettiest sight, and a much more striking one

than the gilt effigies of St. Lawrence and St. Stephen and the rest,

under toy canopies and wreathed with false flowers, was that of two

little boys, nude except for the snowy lamb-skins they wore, who

personated Christ and St. John. The Christ rode on a lamb, and kept his

head very steady under a big curled wig made after the old masters. We

saw him afterward in his father's arms, still holding his hands

prayerfully, as he had been drilled, with a look of sweet, childish awe

in his face.

[Illustration: DANCING BOYS.]

When the procession was about to return, we were amazed, in gazing at

the small street from which it should emerge, to behold eight huge

figures, looking half as high as the houses, in long robes, and with

placidly unreal expressions on their gigantic faces, advancing with that

peculiar unconscious gait due to human leg-power when concealed under

papier-maché monsters. It took but a glance, as they filed out and

aligned themselves on the small sunny square, to recognize in them the

Kings of the Earth, come in person to do homage before the Christ. One

bore a crown and ermine as insignia of the Castilian line; others were

Moors; and even China was represented. After them danced a dozen boys,

in pink tunics and bell-crowned hats of drab felt quaintly beribboned,

throwing themselves about fantastically, with snapping fingers and

castanets. They formed in two ranks, just under the grand shadowy

entrance arch, to receive the pageant. A drummer and two _flautistas_ in

festive attire accompanied them; and whenever a monstrance or holy image

was borne past, the flutes mingled with the drum eccentric bagpipe

discords, at which the boys broke into a prancing jig and rattled their

castanets to express their devout joy. Two other men in harlequin dress,

wearing tall, pointed hats, stood on the edge of the eager crowd, and

belabored those who pressed too close with horse-hair switches attached

by a long cord to slender sticks. This part of the performance was

conducted with great energy and seriousness, and seemed to be received

with due reverence by the thick heads which got hit. A more heathenish

rite than this jig at the sanctuary gate could hardly be imagined.

"Are these things possible, and is this the nineteenth century?"

exclaimed my friend and companion, who, however, had been guilty of an

indigestion that day.

I confess that for myself I enjoyed the dance, and could not help being

struck by the contrast of this boyish gayety with the heavy gorgeousness

of the priests and the immobile frown of the sculptured figures on the

massive ogee arch.[1] Then when the Host was carried by in the

_custodia_, and the motley crowd kneeled and bared their heads, we sunk

to the pavement with them, our knees being assisted possibly by the

statement we had heard that, a few years since, blows or knives were the

prompt reward of non-conformity. Afterward, when secular amusements

ensued, our boys went about, stopping now and then in open places to

execute strange dances, with hoops and ribbons and wooden swords, for

the general enjoyment. A gleeful sight they made against backgrounds of

old archways, or perhaps the mighty Arch of Santa Maria, one of the

local glories, peopled with statues of ancient counts and knights and

rulers.

[Illustration: THE ARCH OF ST. MARY.]

No Spanish town is without its paseo--its public promenade; and in

Burgos this is supplied by The Spur--a broad esplanade skirting the

shrunken river, with borders of chubby shade trees and shrubbery. On

Corpus Christi the citizens also turned out in the arcades of the Main

Plaza. Here, and later in the dusty dusk of The Spur, they crowded and

chatted, in accordance with native ideas of enjoyment; and except that

their mantillas and shoulder-veils[2] made a difference, the señoras and

señoritas might have passed for Americans, so delicate were their

features, so trim their daintily-attired figures, though perhaps they

hadn't a coin in their pockets. The men had the universal Iberian habit

of carrying their light overcoats folded over the left shoulder; but

their quick nervous expression and spare faces would have been quite in

place on Wall Street. Spanish ladies are allowed far more liberty than

the French or English in public; but though they walked without male

escort, they showed remarkable skill in avoiding any direct look at men

from their own lustrous eyes. During the accredited hours of the paseo,

however, gallants and friends are suffered to walk close behind them--so

close that the entire procession often comes to a stand-still--and to

whisper complimentary speeches into their ears; no one, not even

relatives of the damsels, resenting this freedom.

At Las Huelgas, a famous convent near the town, much resorted to by nuns

of aristocratic family (even the Empress Eugénie it was thought would

retire thither after her son's death), the fête was renewed next day;

and it was here that we saw beggars in perfection. A huge stork's nest

was perched high on one end of the chapel, as on many churches of Spain.

Bombs were fired above the crowd from the high square tower that rose

into the hot air not far from the inner shrine; and in the chapel below

the nuns were at their devotions, caged behind heavy iron lattices that

barely disclosed their picturesque head-dress. Meanwhile peasants and

burghers wandered aimlessly about, looking at pictures, relics, and

inscriptions in an outer arcade; after which the holiday of the people

began. Holiday here means either walking or sleeping. In a sultry, dusty

little square by the convent, covered with trees, the people went to

sleep, or sat talking, and occasionally eating or drinking with much

frugality. The first object that had greeted us by daylight in Burgos

was a marvellous mendicant clad in an immense cloak, one mass of

patches--in fact, a monument of indigence--carrying on his head a mangy

fur cap, with a wallet at his waist to contain alms. The beggars

assembled at Las Huelgas were quite as bad, except that they mostly had

the good taste to remain asleep. In any attitude, face down or up, on

stone benches or on the grass, they dozed at a moment's notice, reposing

piously. One sat for a long time torpid near us, but finally mustered

energy to come and entreat us. He received a copper, whereupon he kissed

the coin, murmured a blessing, and again retreated to his shadow.

Another, having acquired something from some other source, halted near

us to find his pocket. He searched long among his rags, and plunged

fiercely into a big cavity which exposed his dirty linen; but this

proved to be only a tear in his trousers, and he was at last obliged to

tie his treasure to a voluminous string around his waist, letting it

hang down thence into some interior vacancy of rags.

It may not be generally known that beggars are licensed in Spain.

Veteran soldiers, instead of receiving a pension, are generously endowed

with official permission to seek charity; the Church gives doles to the

poor, and citizens consider it a virtue to relieve the miserable objects

who petition for pence at every turn. As we came from Las Huelgas we saw

the maimed and blind and certain more robust paupers creeping up to the

door of a church, where priests were giving out food. A little farther

on an emaciated crone at a bridge-head, with eyes shut fast in sleep,

lifted her hand mechanically and repeated her formula. We were convinced

that, since she could do this in her slumbers, she must have been

satisfied with merely dreaming of that charity we did not bestow.

It was a favorable season for the beggars, and many of them sunned their

bodies, warped and scarred by hereditary disease, on the cathedral

steps. But professional enterprise with them was constantly hindered by

the tendency to nap. One old fellow I saw who, feeling a brotherhood

between himself and the broken-nosed statues, had mounted into a

beautiful niche there and coiled himself in sleep, first hauling his

wooden leg up after him like a drawbridge.

Meanwhile the peasants kept on swarming into the town, decorating it

with their blue and red and yellow kerchiefs and kirtles, as with a mass

of small moving banners. The men wore vivid sashes, leather leggings,

and laced sandals. It was partly for enjoyment they came, and partly to

sell produce. All alike were to be met with at noon, squatting down in

any sheltered coigne of street or square, every group with a bowl in its

midst containing the common dinner. There were also little

eating-houses, in which they regaled themselves on bread and sardines,

with a special cupful of oil thrown in, or on salt meat. A lively trade

in various small articles was carried on in the Main Plaza; among them

loaves of tasteless white bread, hard as tiles, and delicious cherries,

recalling the farms of New York. Another product was offered, the

presence of which in large quantity was like a sarcasm. This was Castile

soap. It must have taken an immense effort of imagination on the part of

these people to think of manufacturing an article for which they have so

little use. I am bound to add that I did not see an ounce of it sold;

and I have my suspicions that the business is merely a traditional

one--the same big cheese-like chunks being probably brought out at every

fair and fête, as a time-honored symbol of Castilian prosperity. But,

after all, so devout a community must be convinced that it possesses

godliness; and having that, what do they need of the proximate virtue?

This is the region where the inhabitants refer to themselves as "old and

rancid Castilians;" and the expression is appropriate.

[Illustration: PEASANTS IN THE MARKET-PLACE.]

The most intolerable odor pervaded the whole place. It was a singular

mixture, arising from the trustful local habit of allowing every kind

of garbage and ordure to disperse itself without drainage, and

complicated with fumes of oil, garlic, general mustiness, and a whiff or

two of old incense. The potency of olive-oil, especially when somewhat

rank, none can know who have not been in Spain. That first steak--how

tempting it looked among its potatoes, but how abominably it tasted! We

never approached meat with the same courage afterward, until our senses

were subdued to the level of fried oil. Combine this with the odor of

corruption, and you have the insinuating quality which we soon noticed

even in the wine--perhaps from the custom of transporting it in badly

dressed pig-skins, which impart an animal flavor. This astonishing local

atmosphere saluted us everywhere; it was in our food and drink; we

breathed it and dreamed of it. Yet the Burgalese flourished in calm

unconsciousness thereof. The splendidly blooming peasant women showed

their perfect teeth at us; and the men, in broad-brimmed, pointed caps

and embroidered jackets, whose feet were brown and earthy as tree-roots,

laughed outright, strong in the knowledge of their traditionary soap, at

our ignorant foreign clothes and over-washed hands! Among the humbler

class were some who were prepared to sell labor--an article not much in

demand--and they were even more calmly squalid than the beggars. They

sat in ranks on the curb-stones of the plaza, a matchless array of

tatters; and if they could have been conveyed without alteration to

Paris or New York, there would have been sharp competition for them

between the artists and paper-makers.

So my companion, the artist, assured me--whom, by-the-way, in order to

give him local color, I had rechristened Velazquez. But as he shrank

from the large implication of this name, I softened him down to

Velveteen.

We had been twenty-four hours in Burgos before we saw a carriage,

excepting only the hotel coach, which stood most of the time without

horses in front of the door, and was used by the porter as a private

gambling den and loafing place for himself and his friends. When wheels

did roll along the pavements they awoke a roar as of musketry. Perhaps

the most important event which took place during our stay--it was

certainly regarded with a more feverish interest by the inhabitants than

the Corpus Christi ceremonies--was the bold act of our landlady, who

went out to drive in a barouche, while her less daring spouse hung out

of the window weakly staring at her. The house-fronts were filled with

well-dressed feminine heads, witnessing the departure; a grave old

gentleman opposite left his book and glared out intently. When the

wheels could no longer even be heard, he turned to gaze wistfully in the

opposite direction, dimly hoping that life might vouchsafe him a

carriage.

[Illustration: IN THE MIRADOR.]

Although, as I have said, women avoid meeting male glances when on the

sidewalk, they enjoy full license to stand at their high windows, which

are called _miradores_, or "lookers," and contemplate with entire

freedom all things or persons that pass; which, in view of the complete

listlessness of their lives, is a fortunate dispensation. Existence in

Burgos is essentially life from the window point of view. It proceeds

idly, and as a sort of accidental spectacle. Yet there is for strangers

a dull fascination in wandering about the narrow, silent streets, and

contemplating ancient buildings, the chiselled ornaments and armorial

bearings of which recall the wealth and nobility that once inhabited

them during the great days of the town. Where have all the dominant

families gone? Are they keeping store, or tending the railroad station?

Their descendants are sometimes only too happy if they can get some

petty government office at five hundred dollars a year. I strolled one

afternoon into the Calle de la Calera, and through a shabby archway

penetrated to a stately old ruined court, around which ran an

inscription in stone, declaring this palace to have been reared by an

abbot of aristocratic line a century or two since. It is used now as an

oil factory. A pretty girl was looking out over a flower-pot in an upper

window, and, as I strayed up the noble staircase, I met a sad-looking

gentleman coming down, who I afterward learned was a widower, formerly

resident in Paris, but now returned with his daughter to this strange

domicile in his native place. Some of the lower rooms, again, were

devoted to plebeians and donkeys.

The humble ass, by-the-way, begins to thrust himself meekly upon you as

soon as you set foot in the Peninsula, and you must look sharp if you

wish to keep out of his way. His cheap labor has ruined and driven out

the haughtier equine stock of Arabia that once pawed this devoted soil.

Even the Cid, however, did not boast a barb of the desert in the earlier

days of his prowess; for when King Alfonso bade him quit the land, "then

the Cid clapped spurs to the mule upon which he rode, and vaulted into a

piece of ground which was his own inheritance, and answered, 'Sire, I am

not in your land, but in my own.'" This little incident occurred near

Burgos, and the drowsy city still keeps some dim memory of that great

Warrior Lord the Cid Campeador, Rodrigo de Bivar, whose quaint story,

full of hardihood, robbery, and cruelty, gallant deeds and grim pathos,

trails along the track of his adventures through half of Spain. But

there is a curious cheapness and indifference in the memorials of him

preserved. In the Town-hall, for the sum of ten cents, you are admitted

to view the modern walnut receptacle wherein all that is left of him is

economically stored. Those puissant bones, which went through so many

hard fights against the Moors, are seen lying here, dusty and loose,

with those of Ximena, under the glass cover. Among them reposes a portly

corked bottle, in which minor fragments of the warrior lord were placed

after the moving of his remains from the Convent of San Pedro in chains,

where for many years he occupied a more seemly tomb. Imagine George

Washington, partially bottled and wholly disjointed, on exhibition under

glass! The Spaniards, in no way disconcerted by the incongruity, have

graven on the brass plate of the case a high-sounding inscription; but

a tribute as genuine and not less valuable, though humbler, was the big,

spruce-looking modern wagon I saw in the market-place one day, driven by

an energetic farmer, and bearing on its side the title _El Cid_.

One would look to see the conqueror's dust richly inurned within the

cathedral--a noble outgrowth of the thirteenth century, enriched by

accretions of later work until its whitish stone and wrought marble

connect the Early Pointed style with that of the Renaissance in its

flower. But perhaps this temple has enough without the Cid. Strangely

placed on the side of a hill, with houses attached to one corner, as if

it had sprung from the homes and hearts of the people, it seems to hold

down the swelling ground with its massive weight; yet the spires,

through the open-work of which the stars may be seen at night, rise with

such lightness you would think the heavy bells might make them tremble

and fall. I passed an hour of peace and fresh air above the fetid

streets, looking down from the citadel hill on these pinnacles, while

around and below them lay the town--an irregular mass of gray and mauve

pierced with deep shadows--in the midst of bare, rolling uplands. Before

the fair high altar hangs the victorious banner of Ferdinand VII.,

recalling to the people the great battle of Tolosa Plains. And when one

sees peasants--rough spots of color in the sombre choir--studying the

dark, fruit-like wood-carvings through which the Bible story wreathes

itself in panel after panel, one feels the teaching power of these old

churches for the unlettered. In one of the corner chapels appears

another less favorable phase of such teaching, in the shape of a

miracle-working Christ, amid deep shadows and dim lantern-light,

stretched on the cross, and draped with a satin crinoline. This doubtful

reverence of putting a short skirt on the figure of the Saviour, often

practiced in Spain, may perhaps mark an influence unconsciously received

from the Moorish dislike for nudity. The cathedral bells were

continually clanging the summons to mass or vespers, and their loud

voices, though cracked and inharmonious, seemed still to assert the

supremacy of ecclesiastical power. But while a priest occasionally

darkened the sidewalks, many others, on account of the growing prejudice

against them, went about in frock-coats and ordinary tall hats. And

under all its crowning beauty the old minster, motionless in the centre

of the stagnant town--its chief entrance walled up, and a notice painted

on its Late Roman façade warning boys not to play ball against the

tempting masonry--wore the look of some neglected and half-blind thing,

once glorious, symbol of a power abruptly stayed in its prodigious

career.

Meanwhile the daily history of Burgos went on its wonted way, sleepy but

picturesque--a sort of illuminated prose. Women chaffered in the

blue-tiled fish-market; the _bourgeoisie_ patronized the sweetmeat

shops, of which there were ten on the limited chief square; the

tambourine-maker varied this ornamental industry with the construction

of the more practical sieve; a peasant passed with a bundle of

purple-flowering vetches on his head for fodder, and another drove six

milch goats through the streets, seeking a purchaser. To this last one

the proprietor of the principal book-store came running out to see if he

could strike a bargain. One morning I met an uncouth countryman and his

stout wife on the red-tiled landing of the inn stairs (they bowed and

courtesied to me) with chickens and eggs for sale. In this simple manner

our hotel was supplied. All the bread was got, a few pieces at a time,

from a small bakery across the plazuela, in a dark cellar just under the

niche of a neglected stone saint--a new arrival causing our maid to run

hurriedly thither for a couple of rolls; and the water also came from

some neighbor's well in earthen jars. The barber even exercises his

primitive function in Burgos: he is called a "bleeder," and announces on

his shop sign that "teeth and molars" are extracted there. Democratic

and provincial the atmosphere was, and not unpleasantly so; yet during

our stay Italian opera from Madrid was performing in the theatre, and

large yellow posters promised "Bulls in Burgos" at an early date.

II.

To pass from this ancient city to Madrid is to experience one of those

astonishing contrasts in which the country abounds.

We dropped asleep in the rough, time-worn regions of Old Castile, and in

the morning found ourselves amid the glare and bustle of reconstructed

Spain, as it displays itself on the great square called the Gate of the

Sun--a spot with no hint of poetry about it other than its name. Madrid

adopts largely the Parisian style of street architecture, and has in

portions a resemblance to Boston. The sense of remoteness aroused in the

north here suddenly fades, though the traits that mark a foreign land

soon re-assemble and take shape in a new framework. Perhaps, too, our

first rather flat impression was due to an exhausting night journey and

some accompanying incidents.

[Illustration: LANDSCAPE BETWEEN BURGOS AND MADRID.]

"The Spaniards are a nation of robbers!" a cheerful French gentleman of

Bordeaux had told us;[3] and he threw out warnings of certain little

coin tricks in which they were adepts. When two Civil Guards, armed with

swords and guns, inspected our train at the frontier, we recalled his

statement. These guards persistently popped up at every succeeding

station. No matter how fast the train went, there they were always

waiting; always two of them, always with the same mustached faces, and

the same white havelocks fluttering on their bunchy cocked hats of the

French Revolution, and making their swarthy cheeks and black eyes

fiercer by contrast. In fact, they were obviously the same men. Every

time they marched up and down the platform, scanning the cars in a

determined manner, and scowling at our compartment in a way that fully

persuaded us some one must be guilty. Indeed, before long we became

convinced that we ourselves were suspicious; but it would have been a

relief if they had taken us in hand at once. Why should they go on

glaring at us and swinging their guns, as if it were a good deal easier

to shoot us than not, unless it was that we were too rich a "find" to be

disposed of immediately--squandered, as it were? Perhaps the torture of

suspense suited the enormity of our case, but it was certainly cruel.

There was some satisfaction, however, in finding that when we left the

depôt they allowed us a restricted liberty, and kept out of our way. If

it had been otherwise, I don't know what they would have done to us at

Burgos, for it was there that the landlady forced upon us a gold piece

that would not pass, in exchange for a good one which we had given her.

This very simple device was one of which the French gentleman had told

us. But we were too confiding. The money to pay the bill was sent away

by a servant, and once out of sight was easily replaced with inferior

coin. Disturbed by this episode, we went to our train, which started

with the watchman's first hail at eleven, and stumbled hastily into an

empty compartment, which we soon converted into a sleeping-carriage by

making our bundles pillows, drawing curtains, and pulling the silk

screen over the lamp. Our nap was broken only by a halt at the next

station. There was a long, drowsy pause, during which the train seemed

to be pretending it hadn't been asleep. It was nearly time to go on,

when feminine voices drew near our carriage; the door was thrown open,

and two ladies quickly entered. There was no time for retreat; the usual

fish-horn and dinner-bell accompaniment announced our departure, and the

wheels moved. Then it was that one of the new-comers uttered a half

scream, and we saw that she was a nun!

Had it been a cooler night our blood might have frozen; but as it failed

us, we did what we could by feeling greatly embarrassed. The nun and her

travelling companion had been speaking Spanish as they approached, and

we tried in that language to impress on them our harmless devotion to

their convenience.

"But he said it was reserved for ladies," murmured the sister, in good

English.

The terrible truth was now clear. My eye caught, at the same instant, a

card in the window which proved beyond question that we had got into the

carriage for señoras.

The result of this adventure was that we found the nun to be an English

Catholic, employed in teaching at a religious establishment, and her

friend another Englishwoman protecting her on her journey. Pleasant

conversation ensued, and we had almost forgotten that we were criminals,

when the speed of the engine slackened again, and the thought of the

Civil Guards returned to haunt us. We did not dare remain, yet we were

sure that our military pursuers would confront us again on the platform.

There indeed they were, when we tumbled out into the obscurity, with

their white-hooded heads looming above their muskets in startling

disconnectedness. Telling Velazquez, with all the firmness I possessed,

to bare his breast to the avenging sword, I hastened to get into a

coupé, preferring to die comfortably. He, however, ignominiously

followed me. It is true, we were not molested; but the shock of that

narrow escape kept us wakeful.

Not even our own prairies, I think, could present so dreary and

monotonous an outlook as the wide, endless, treeless Castilian plains

while morning slowly felt its way across them. Brown and cold they were,

skirted by white roads, and all shorn of their barley crops, though it

was but middle June. Now and then a village was seen huddled against

some low slope--a church lifting its tall, square campanario above the

humble roofs against the pearling sky. Interior Spain is a desolate

land, but the Church thrives there and draws its tax from the

poverty-stricken inhabitants--a crowned beggar ruling over beggars.

If the first man were now to be created from the clay of this region, he

would doubtless turn out the very type of a lean hidalgo. The human

product of such soil must perforce be meagre and melancholy; and the

pensiveness which we see in most Spanish faces seems a reflection of the

landscape which surrounds them.

The Madrileños offer not a flat, but rather an extremely round

contradiction to this general and accepted idea of the national

appearance. Slenderness is the exception with them. Their city is a

forced flower in the midst of mountain lands, and the men themselves

rejoice in a rotund and puffy look of success, which also partakes of

the hot-house character. They are people of leisure, and, after their

manner, of pleasure. How they swarm in the cafés in the Gate of the

Sun--where they keep up the Moorish custom of calling waiters by two

claps of the hands--or on the one great thoroughfare, Calle de Alcalá,

or in the bull-ring of a Sunday! They are never at rest, yet never

altogether active. They never sleep, or, if they do, others take their

places in the public resorts. The clamor of the streets, and even the

snarling cry of the news-venders--"_La Correspondencia_," or "_El

Demó-crata-a_"--is kept up until the small hours; and at five or six the

restless stir begins again with the silver tinkling of fleet mule-bells.

There are no night-howling watchmen in Madrid; but the custom of

street-hawking is rampant in Spain; and here, in addition to the

newsmen, we have the wail of the water-criers, ministering to an

unquenchable popular thirst, the lottery-ticket sellers, the wax-match

peddlers, and a dozen others. The favorite bird of the country is a kind

of lark called _alondra_, much hung in cages outside the windows, whence

they utter--with that monotonous recurrence which seems a fixed

principle of all things Spanish--a hard, piercing triple note impossible

to ignore. This loud, persistent "twit, twit-twit," resembling at a

distance the click of castanets, begins with daybreak, and gives a most

discouraging notion of the Spanish musical ear.

But the watchmen are merciful. They are called, as elsewhere,

_serenos_, which may mean either "quiet," or "night-dews," but their

function in Madrid is peculiar. Early in the evening they come out by

squads, with staves of office, and at their girdles bright lanterns and

an immense bunch of keys. These are the night-keys of all the houses on

each man's beat, the residents not being allowed to have any. When a

person returns home late--and who does not, in Madrid--he is obliged to

find his sereno, and if that officer is not in sight, calls him by

name--"Frascuelo," or "Pepino." Whereupon Frascuelo, or Pepino, or

Santiago, if he hears, will come along and unlock the door. This curious

system should at least encourage good habits; for, unless a man be

sober, his watchman may have unpleasant tales to tell of him.

The feline race being too often homeless, and having a proverbial taste

for nocturnal wanderings, the average male citizen of the capital

feelingly nicknames himself a "Madrid cat." This shows a frankness of

self-characterization, to say the least, unusual. Of course there is

home life, and there is family affection, in Madrid, but the stranger

naturally does not see a great deal of these; and then it may be doubted

whether they really exist to the same extent as in most other civilized

capitals. It becomes wearisome to make sallies upon the town, and day

after day find so much of the population trying to divert itself, or

killing time in the cafés and clubs. The feeling deepens that they

resort to these for want of a sufficiently close interest in their

homes. More than that, they do not seem really to be amused. Even their

language fails to express the amusement idea; the most that anything can

be for them, in the vernacular, is "entertaining." Still the choice of

light diversion is varied enough. Opera flourishes in winter; in spring

and summer the bull-fight; theatres are always in blast; cocking-mains

are kept up. Hitherto gambling has been another favorite pastime until

checked by the authorities. Not content with all this, the Madrileños

seek in lottery shops that excitement which Americans derive from

drinking-saloons. The brightly lighted lottery agency occurs as

frequently as that other indication of disease, the apothecary's window,

or the stock-market "ticker," in American cities. People of all classes

hover about them both by day and by night. Posters confront you with

announcements of the Child Jesus Lottery, the lottery to aid the Asylum

of Our Lady of the Assumption, or the National, which is drawn thrice a

month, with a chief prize of thirty-two thousand dollars, and some four

hundred other premiums. There are many small drawings besides constantly

going on: not a day passes, in fact, without your being solicited by

wandering dealers in these alluring chances at least half a dozen times.

[Illustration: THE PLAZA MAYOR.]

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