CHAPTER XV

ART AND SEXUAL SELECTION

The explanation which we have given in the preceding chapter of the

pairing dresses of the birds can of course be equally well applied to

the secondary sexual characters of man. And it holds good also, we

believe, with regard to the most primitive _voluntary_ alterations

in the appearance of either sex. It is true, indeed, that artificial

embellishments or deformations, the work of the individual himself,

never can appeal so strongly to the instincts of the other sex as

those alterations which are physiologically connected with sexual

development. But when, as is the case with most primitive tribes,

the so-called means of attraction have remained almost unchanged

during innumerable successive generations, one may safely conclude

that the instincts of either sex will gradually grow prompt to react

with eminent force upon impressions received from such individuals

as exhibit these conventional signs of their sex and tribe. Whether

the acquired qualities are considered as hereditary, or whether the

consistency in the predilections of all the members of the same tribe

be explained—in the Weissmannian or the neo-Darwinian way—as a result

of selection, there will always be found in either sex a sort of

constitutional liking for certain fixed qualities in the appearance of

the opposite sex. An appearance and a behaviour which, in the ancestors

of an individual, male or female, have stirred the instinctive life of

the opposite sex through generations past by, must needs improve his

or her chances in courtship. The more a suitor approaches the ideal

which unconsciously, and one may say physiologically, is embodied in

the inherited impulses of every female, the more helplessly is she

exposed to the fascination of his charms. And when, at a certain higher

state of development, the males begin to practise a selection between

rival females, they will undoubtedly be influenced in their choice by

the same sort of inherited predilections. And there is no reason why

these predilections should be restricted to anatomical qualities—why

artificial adornments, perhaps even detached gems, which have only

been traditional during some generations, should not influence sexual

preferences in the same direct way—that is, without any intervention of

an æsthetic judgment, as secondary sexual characters proper influence

them. This circumstance justifies us in treating the outward physical

appearance and the conventional means of embellishing it in conjunction

with each other. An outward sign, whether natural or artificial, which

has often enough been connected with the impression of the other sex

will necessarily tend to awaken sexual feelings.

For such an effect it is of course not indispensable that these signs

should have originated in an endeavour to charm the sex. As in the

foregoing chapter, we have to keep the question of influence upon the

other sex apart from the question of the positive causes—that is,

conscious or unconscious motives, which have called forth the various

secondary sexual characters and activities. For convenience of

exposition it is advantageous to begin with the first-mentioned phase

of the problem.

Without as yet pronouncing any definite views as to the aims the

pursuit of which has led to the different systems of adornment, we

may safely maintain that any conspicuous garments, independently of

their ornamental qualities, which have served to distinguish the adult

and marriageable individuals from other members of the tribe, have

been of importance as means of attraction. According to the ingenious

explanation of Dr. Westermarck, even clothing was originally invented

not to conceal nudity, but to set it off.[301] There is room, as will

be shown later on, for objecting to any definite statement with regard

to a question such as this, the answer to which is to be sought for

in several directions at once. But there can be no doubt about the

fact that the simplest dresses, and especially those which have been

interpreted as indicating a sense of modesty, practically accentuate

the things they technically conceal. At a stage of development where

nudity is the normal state, veiling must necessarily suggest the same

emotions as unveiling in a civilised society. As Dr. Westermarck

has been able to show, dresses are adopted by a majority of tribes

on the attainment of puberty and on the occasions of great feasts;

it is therefore natural that they should act as powerful sexual

incitements.[302] And this view receives additional support from the

arguments of its opponents. The large collection of facts that Dr.

Schurtz has quoted in proof of his assertion that clothing originally

aimed at “the concealment of sexual differences” may of course be

interpreted with equal and, we believe, with greater probability in

the inverse sense.[303] One has only to look, for example, at some of

the richly-embroidered cinctures of the Guiana natives in order to

understand that these coverings, whatever may have been their original

purpose, can never have acted as an effective means of diverting the

attention.

The differences between the sexes will, however, be emphasised not

only by the special garments for which Dr. Schurtz proposes the

above-mentioned explanation, but also by every article of dress or

ornament. For the intellectualistically prejudiced observer it is

undoubtedly most natural to consider the various kinds of fixed or

detached ornament, such as paintings and tattooings, ribbons, laces,

collars, and so on, as means of influencing an æsthetic sense in the

spectator. But it is evidently more in accordance with the principles

of comparative psychology to assume that all these garnitures

originally had their main significance not as beautifying things or

as things of beauty themselves, but as marks by which the personality

of the decorated man or woman was distinguished. To illustrate this

argument it is not necessary to go back to the primitive stages. Even

among civilised men, gems and jewels, when seen on a member of the

opposite sex, have chiefly a symbolic value. In the string of pearls

which encircles a woman’s neck, or in the gay feather of a man’s hat,

the charm and fascination of a whole human being are concentrated to

a single focus. To the lover’s attention everything that has some

connection with the beloved shines with a borrowed light. We all know

that handkerchiefs and shoes can be adored with an almost fetichistic

devotion. All the more must a gem which is conspicuously carried on

the body be able to imbibe and exhale the charms of its wearer. The

lyrical poetry of all ages is there to prove the emotional value which

can thus be attached to lifeless things. And the psychology of the

emotions in its turn gives a simple explanation of the fact that loving

imagination always dwells with predilection upon some single part of

the attire of the beloved. A small and conspicuous object which can

easily be embraced by the senses affords a vehicle which can carry into

the mind the whole complex of feelings and impulses that are attached

to the notion of the beloved. Well knowing this law of emotional

mechanics, an intelligent woman who is anxious to please does not cover

herself with jewels and ornaments. She prefers some single brilliant

gem, which does not so much call for admiration itself, as draw

attention to her charms and heighten the impression which they produce.

It may seem very far-fetched to explain the primitive means of

attraction by reference to the art of pleasing among modern men. But

however much the forms of courtship may have been changed by higher

development, their psychological basis is still the same at all stages

of culture. There is no need, as far as purely erotic purposes are

concerned, to embellish the appearance; what is wanted is only to

enable the appearance itself to produce its most effectual impression.

When this point is kept in mind, it is easily understood that ornaments

such as a simple piece of glass in the hair or a band of shells twisted

around the neck can be as charming in the eyes of primitive man as any

of the gems that are used among civilised nations. And there is no

reason to doubt that the savage beaux and belles really have increased

their chances by putting wooden slabs in their lips and ears, or pins

of bone through their nose.

In the last-mentioned cases the effect has, moreover, been strengthened

by the appearance of strangeness that is given to the face by deforming

adornments. Eyes that might pass by with indifference an accustomed

impression, are unavoidably arrested by any extraordinary character.

As amongst the birds and mammals, horns, accrescences, and gorgeous

plumage, independently of their possible æsthetic qualities, assist

the males in courting the females, so also amongst men any means of

correcting the normal appearance, be it through flattening the head,

filling, extracting, or blackening the teeth, elongating the ears or

compressing the waist, will, in virtue only of its singularity, act

as an effectual instrument of charming.[304] For the marriageable

individual it has evidently been advantageous to be distinguished by

these extravagant transformations, which, as is well known, are usually

inflicted at the very time of puberty. And, on the other hand, among

individuals so distinguished, those who extort an interest for their

person by the most singular qualities ought to have an increased chance

of charming the opposite sex. In the discussion of sexual preferences

there has been much talk of a supposed constitutional predilection

for novelty and variation. But it is undoubtedly more in accordance

with the strictly psychological position to doubt whether, in the

primitive stages, novelty really has been appreciated for its own

sake, or whether it is only by facilitating the attention, and thereby

intensifying the impression, that it has gained the favour of the

opposite sex for one particular male or female.

Whichever formula may be preferred in the interpretation, it remains

as an indisputable fact that even in some of the higher animals an

exceptional appearance gives an advantage in courtship. It is needless

to point out to how great an extent in civilised communities man is

influenced in sexual preference by a bias for a peculiar appearance

which distinguishes the chosen one from any other man or woman. This

predilection, however, is always neutralised by a repugnance for

everything that deviates too much from the common characteristics of

the group. The two principles which have regulated the development

of secondary sexual characters—to wit, the necessity of marks for

accentuating sex-distinction and that of tribal signs—are thus

brought into conflict with each other. This conflict is particularly

conspicuous in the lower stages of development. Owing to the peculiar

conditions of life which prevail here, the second principle will

generally be of especial importance among the savage tribes of mankind.

The observation has often been made that too great uniformity of

work impedes the development of individual characters in physical

appearance. In savage communities, where the division of labour is

almost unknown, all men must necessarily be more or less like one

another.[305] Especially if the home of the tribe be some closely

defined area of uniform climatic conditions, there will be within

the tribe almost no material for selection. Where endogamic marriage

prevails, the conception “lover,” which is transmitted from mother to

daughter, and which, by “objective heredity,” becomes imprinted on

the mind of every girl that grows up in this narrow _milieu_, must

therefore be one with a very restricted content. Alongside of this

increasing predilection for a fixed and narrowly circumscribed type

of the opposite sex there will, as its complementary feeling, develop

a strong antipathy to every feature that diverges from this type. For

the evolution of national ideals this negative influence has been of

perhaps even greater importance than the positive preferences.

It is evident that strictly endogamous marriage customs could never

be upheld in tribes which have any intercourse with their neighbours

if the social institution were not supported by a real psychological

aversion to outsiders. It has therefore been congruous with the

advantages of society to promote in the youth the feeling that any man

or woman outside the tribe is a being with whom no emotional exchange

is to be thought of. To make this feeling possible, on the other hand,

it is necessary that everything which is connected with the foreigner

should be held up to contempt. Their dress, their language, their

manners, and so on, have thus been considered as something to be kept

at a distance. It is needless to point out that marriage systems are

not alone responsible for the development of this feeling. Religious

differences, so important in primitive communities, have undoubtedly

often given rise to the common notion that people outside one’s own

tribe do not, properly speaking, belong to the human species. Continual

war induces a feeling of contempt, which in the stronger tribe is

mingled with pride and in the weaker with bitterness, and which in

both cases extends to the smallest details of physical appearance and

behaviour. And apart from all regard to these social causes, the

primitive man, in civilised as well as in savage nations, is always apt

to look upon everything unusual with a feeling of scornful disdain. No

doubt such a disdain can even be coincident with exogamous marriage

customs. But it seems evident that it must everywhere have strongly

influenced sexual selection during those unknown endogamic periods in

which the racial and tribal differences were developed and fixed.[306]

And it may even now be observed among living tribes of man to how

great a degree antipathy to every detail in the outward appearance of

foreigners precludes union between members of different tribes. The

national and parochial dresses of modern peasants no doubt exercise

a great influence on the love-life of the respective boys and girls.

The most telling example that could be quoted in this connection is

the case of Savakot and Äyrämäiset in Eastern Finland. When examining

a Savakko youth as to the reason why none of his tribe had ever

chosen a wife from among their neighbours, Ahlqvist[307] received the

characteristic answer: “Se kuin on heillä Äyrämäisillä niin hirveä

vaatteen manieri niin siihen ei meidän pojat uskalla puuttua”—that is,

As these Äyrämä girls have such horrid dresses, our boys do not dare to

approach them.

This instance, although it is one of modern times and refers to

relatively civilised individuals, can no doubt be considered as

illustrative with regard to the distinguishing marks and dresses of

primitive men. The outward signs of the tribe not only exercise a

strong attraction upon all its members; they are also for outsiders

associated with a repugnance which is perhaps equally strong. In

the same way as it has been advantageous for the young of both

sexes to have an appearance which appeals as powerfully as possible

to the instinctive predilections of the opposite sex, it has been

necessary for them not to exhibit qualities which could be confounded

with those of the alien. The individual who endeavours to attract

attention for his person by a conspicuous and extravagant appearance

is, therefore, narrowly restricted within the boundaries prescribed by

tribal sympathies and antipathies. The safest expedient by which to

distinguish himself from others without outraging the national idea is,

therefore, that of exaggerating the common characteristics of the tribe.

These theoretical reasonings can be amply corroborated by ethnological

facts. As early as 1814 Humboldt observed and commented upon the

fact that the deformations which appear most arbitrary generally

only tend to carry into excess some natural peculiarity of the

tribe.[308] And since his time, numerous instances have been adduced

in the ethnological literature, all pointing in the same direction.

In the case of people who blacken their teeth it has been remarked

that the dental enamel is naturally darker than usual; where heads

are artificially deformed, it is found that there exists a general

disposition to develop pointed or flat crania; where the hair-growth

is scanty, baldness is artificially produced; and so forth.[309] By

exaggerating and accentuating in their own appearance the common

qualities of the tribe, the individual males or females have thus

created a more and more differentiated tribal type. And the inherited

predilections and aversions of the opposite sex have, on the other

hand, by continuously influencing positive and negative choice,

contributed to the fixing of these types as tribal ideals, not of

beauty, but of sexual attractiveness.

The origins of art; a psychological & sociological inquiry · 第 15 / 22 章