There were some nymphs and goddesses who were always mentioned

together. The Graces were three maidens of charming appearance, who

waited upon Venus. No one was so beautiful that the Graces could not

add to her charm and loveliness, and they were ever welcome guests in

every home.

Spenser says,--

"These three on men all gracious gifts bestow

Which deck the body or adorn the mind,

To make them lovely or well-favored show;

As comely carriage, entertainment kind,

Sweet semblance, friendly offices that bind,

And all the complements of courtesy;

They teach us how to each degree and kind

We should ourselves demean, to low, to high,

To friends, to foes; which skill men call civility."

The Fates also numbered three. These severe goddesses could reveal the

future to men and gods and no one could escape their decrees. Even

Jupiter must obey the Fates, daughters of stern necessity. The decrees

of the gods and the Fates were generally revealed to men by

priestesses called sibyls. These wise women lived in caves. Their

prophecies, or oracles, as they were called, were believed in and

greatly respected by the Greeks and Romans, who often went to the

sibyls for advice and assistance.

[Illustration: The Fates.

Paul Thumann (_modern_).]

The Furies were deities who searched out all wicked people and

punished them for their crimes, pursuing them with whips and snakes.

The Furies were really friends to man, because they wished him to

repent of his guilty deeds, live a better and truer life, and do good

and not evil in the world.

The nine Muses, those gracious daughters of Jupiter and Memory, sang

their songs and joined in a graceful dance on Mount Parnassus. Apollo,

god of poesy and song, was their teacher, and from him they learned

how to inspire artists, poets, and musicians with thoughts of

harmonies more beautiful than ordinary mortals know.

The Hours attended Apollo, as he drove his flaming chariot through the

heavens.

"The rosy Hours, with agile grace, attend

Apollo, when, as god of the sun, he makes

His joyful journey through the heavens."

Another group of four graceful beings Keats thus describes in his

poem, "Endymion,"--

"An ethereal band

Are visible above: The Seasons four,--

Green-kirtled Spring, flush Summer, golden store

In Autumn's sickle, Winter's frosty hoar."

GIVE.

See the rivers flowing

Downwards to the sea,

Pouring all their treasures

Bountiful and free:

Yet to help their giving

Hidden springs arise;

Or, if need be, showers

Feed them from the skies!

Watch the princely flowers

Their rich fragrance spread,

Load the air with perfumes,

From their beauty shed:

Yet their lavish spending

Leaves them not in dearth,

With fresh life replenished

By their mother earth!

Give thy heart's best treasures,--

From fair Nature learn;

Give thy love, and ask not,

Wait not a return!

And the more thou spendest

From thy little store,

With a double bounty

God will give thee more.

--Adelaide Anne Procter.

[Illustration: Apollo in his Chariot.

Raphael (1483-1520).]

APOLLO AND THE MUSES.

When Apollo's daily task is done, he removes the dazzling rays from

his head and places there the wreath of laurel which he much prefers.

Then he goes to Parnassus, the beautiful mountain in Greece, where the

Muses dwell. The Muses are nine maidens, the wonderful daughters of

Memory, to each of whom Apollo has given some department of music or

poetry. All musicians and poets are said to ask Apollo and the Muses

for aid and inspiration.

To Calliope, the muse of epic poetry, Homer and Vergil prayed when

they sang of war and heroes.

Astronomers appeal to Urania, who presides over the stars--their song

makes the music of the spheres; and those who write history must be

aided by Clio.

To Thalia and Melpomene are given the realms of comic and tragic

poetry.

Erato, who presides over the poems of love, generally accompanies the

youngest and gayest of the Muses, Terpsichore. The chief pleasure and

delight of Terpsichore is in the graceful movements of the dance. When

Euterpe, the muse of lyric poetry, strikes her golden lyre, these

three, with their music, song, and dance, create exquisite beauty and

harmony, and they are much beloved by their sister Muses and by

mortals.

The wisest and most dignified of all the Muses is Polyhymnia, who

presides over sacred music. She it is who inspires the hymns of praise

to the Almighty Ruler of the world.

Apollo instructs these maidens in the arts of poetry and music, and

then they unite in a merry dance; for they are graceful beings and

have strong, beautiful bodies. The Greeks believed in the culture of

the body,--the temple of the soul,--and so Apollo, god of the sun, of

poetry and music, was also their ideal of physical perfection.

THE DESCENT OF THE MUSES.

Nine sisters, beautiful in form and face,

Came from their convent on the shining heights

Of Pierus, the mountain of delights,

To dwell among the people at its base.

Then seemed the world to change. All time and space,

Splendor of cloudless days and starry nights,

And men and manners, and all sounds and sights,

Had a new meaning, a diviner grace.

Proud were these sisters, but were not too proud

To teach in schools of little country towns

Science and song, and all the arts that please;

So that while housewives span, and farmers plowed,

Their comely daughters, clad in homespun gowns

Learned the sweet songs of the Pierides.

--Henry Wadsworth Longfellow.

[Illustration: Apollo and the Muses.

Giulio Romano (1492-1546).]

[Illustration: Cupid with his Bow.

V. Tojetti (_modern_).]

APOLLO AND DAPHNE.

One day Apollo found Cupid, the mischievous little god of love,

playing with his arrows, and he said,--"Why are you playing with my

arrows? You are only a boy and should not use manly weapons!" Cupid

did not like to be called a child, and took from his own quiver two

tiny arrows, one tipped with lead, one with gold. The golden arrow he

shot into the heart of Apollo; the leaden, into the heart of a young

and graceful wood nymph, Daphne.

When Apollo saw Daphne, the golden arrow in his heart made him love

her, and he pursued her; but the heavy arrow of dull lead in her heart

made her dislike him, and she fled.

Soon Daphne found that she could not run so fast as Apollo, and she

called upon her father, the river god, to save her. He heard her cry

and changed her into a beautiful laurel tree. When Apollo came up he

saw that her body was growing rough with the bark, her slender feet

were changing into the roots, and her long wavy hair was turning into

the shiny green leaves.

The sun god grieved at this change, but said: "This tree shall be

sacred to poets and musicians and artists. I shall wear a wreath of

laurel, and all who follow the arts shall be crowned with the laurel

wreath."

[Illustration: Daphne.

Rylands (_modern_).]

FORGET-ME-NOT.

When to the flowers so beautiful

The Father gave a name,

Back came a little blue-eyed one,--

All timidly it came.

And standing at the Father's feet

And gazing on His face,

It said, in meek and timid voice,

Yet with a gentle grace:

"Dear Lord, the name Thou gavest me,

Alas, I have forgot."

The Father kindly looked on her

And said, "Forget-me-not."

[Illustration: Forget-me-not.

G. Schrœdter (_modern_).

Copyright, 1894, by Photographische Gesellschaft.]

[Illustration: Clytie.

_British Museum._]

CLYTIE.

Clytie was a beautiful sea nymph who lived in a wonderful palace under

the sea. Her dress was of pale green sea moss, and she wore ornaments

of delicate pink coral in her sunny curls. Her carriage was an

exquisite shell of many brilliant hues, which glittered in the

sunlight, and gold fish were her strange and beautiful horses.

One day, when she was driving over the surface of the sea, she saw the

glorious god Apollo in his golden chariot. Day after day she watched

him journey through the deep blue sky, and hoped he would see her.

Alas! he never noticed the lonely sea maid, so far below.

At last she left her chariot, and all day long watched him from the

shore. When the sun had gone and she started to return to her home

under the waves, she could not move. Her feet had become fastened to

the soil and her form began to change into the sunflower. Her green

dress became the stalk and leaves, and her golden hair changed into

the yellow petals.

But the flower still loves the sun. In the morning it looks toward the

east and rejoices when the sun appears above the horizon, following

his course and slowly turning its face toward the west.

So this flower is the emblem of constancy. Poets often speak of the

great love and faithfulness of Clytie, and artists paint her picture

or sculpture her form.

In the art galleries may be found a lovely bust of a young girl. The

sculptor is unknown, but the bust is supposed to be one of Clytie, for

the shoulders seem to rise from the leaves of the sunflower.

[Illustration: Daisies.

A. Cabanel (1823-1889).]

THE DAISY.

There is a flower, a little flower,

With silver crest and golden eye,

That welcomes every changing hour,

And weathers every sky.

The prouder beauties of the field

In gay but quick succession shine;

Race after race their honors yield,

They flourish and decline.

But this small flower, to Nature dear,

While moons and stars their courses run,

Enwreathes the circle of the year,

Companion of the sun.

It smiles upon the lap of May,

To sultry August spreads its charm,

Lights pale October on his way,

And twines December's arm.

The purple heath and golden broom

On moory mountains catch the gale;

O'er lawns the lily sheds perfume,

The violet in the vale.

But this bold floweret climbs the hill,

Hides in the forest, haunts the glen,

Plays on the margin of the rill,

Peeps round the fox's den.

Within the garden's cultured round

It shares the sweet carnation's bed;

And blooms on consecrated ground

In honor of the dead.

The lambkin crops its crimson gem;

The wild bee murmurs on its breast;

The blue fly bends its pensile stem

Light o'er the skylark's nest.

'Tis Flora's page; in every place,

In every season, fresh and fair,

It opens with perennial grace,

And blossoms everywhere.

On waste and woodland, rock and plain,

Its humble buds unheeded rise:

The rose has but a summer reign;

The daisy never dies!

--James Montgomery.

[Illustration: Niobe and Child.

_Uffizi Gallery, Florence._]

NIOBE.

Apollo and Diana are both hunters and carry bows and arrows. One day

Niobe, queen of Thebes, boasted that she had more children than

Latona, the mother of Apollo and Diana, and that her children were

more beautiful.

Latona called upon her children to punish Niobe for her pride, and

they shot their arrows at the children of the boasting Niobe. Soon all

were slain, although their mother, in her grief, tried to protect

those she loved so well. Apollo killed the seven handsome sons, and

Diana aimed her arrows at the seven lovely daughters.

Niobe grieved so over the loss of her dear children that she turned

into stone, but her tears still continued to flow.

There is a room in a famous gallery in Florence, Italy, called the

Niobe room, because here are placed the famous statues of Niobe and

her fourteen children, trying, in vain, to escape the fatal arrows of

the divine archers.

Some people believe that this story means that the rays of the sun and

moon are harmful. But others say that it only shows that Apollo, the

sun, battles with Niobe and her children, who are the powers of

winter. When his rays have overcome them, Niobe dissolves in tears,

and the cold snows melt and disappear.

[Illustration: Diana as Huntress.

Hamo Thornycroft (_modern_).]

APOLLO.

Lord of the unerring bow,

The God of life and poesy and light--

The sun in human limbs arrayed, and brow

All radiant from his triumph in the fight.

The shaft has just been shot--the arrow bright

With an immortal's vengeance; in his eye

And nostril, beautiful disdain and might

And majesty flash their full lightnings by,

Developing in that one glance the Deity.

--George Gordon Byron.

[Illustration: Apollo Belvedere.

_Vatican, Rome._]

JUPITER.

Jupiter, or Jove, as he is sometimes called, king of the gods, lives

in high Olympus, a mountain in Greece. All the gods obey him, except

the Fates, who are more powerful than the gods.

Jupiter, Juno, Apollo, Diana, Mars, Minerva, Pluto, Ceres, Mercury,

Venus, Neptune, and Vesta are the twelve gods whose home is on Mount

Olympus. Vulcan prefers his home in Mount Etna, and is generally busy

at work there. Pluto, also, is seldom away from his underground home.

In the palace of Jupiter, all the questions in which the gods are

interested are discussed and settled. Ceres came hither to ask Jupiter

to restore her dear Persephone. Cupid brought Psyche to Olympus after

their many trials on earth. Minerva and Neptune had their celebrated

contest for the honor of naming Athens, in the presence of these gods.

Juno, the wife of Jupiter, sits at his left. She wears a crown, and

holds the royal scepter; for she is queen of gods and men. Peacocks

with many-colored feathers draw her chariot, and Iris, with her

rainbow wings, is Juno's messenger.

Jupiter holds the terrible thunderbolts in his powerful right hand,

and on his left hand stands the goddess Victory. The eagle, king of

birds, is sacred to Jove.

He has dominion over the sky, the earth, and the sea. As the clouds

are continually changing their shape, now piling up like great white

mountains, now looking like birds or fishes, Jupiter is said to change

his form to an eagle, a swan, a cloud, or a shower of gold. He

sometimes visits earth in mortal form, to see if men are just and

kind. When he finds them cruel or wicked, he punishes them; but he

rejoices to find those who are generous, just, and helpful.

[Illustration: Jove in his Chariot.

Raphael.]

ABOU BEN ADHEM.

Abou Ben Adhem (may his tribe increase!)

Awoke one night from a deep dream of peace,

And saw within the moonlight in his room,

Making it rich and like a lily in bloom,

An angel writing in a book of gold:

Exceeding peace had made Ben Adhem bold,

And to the presence in the room he said,

"What writest thou?" The vision raised its head,

And, with a look made of all sweet accord,

Answered, "The names of those who love the Lord."

"And is mine one?" said Abou. "Nay, not so,"

Replied the angel.--Abou spoke more low,

But cheerly still, and said, "I pray thee, then,

Write me as one that loves his fellowmen."

The angel wrote and vanished. The next night

It came again, with a great wakening light,

And showed the names whom love of God had blessed,--

And, lo! Ben Adhem's name led all the rest!

--Leigh Hunt.

NEPTUNE.

Jupiter gave to Neptune, his brother, dominion over the sea. He rides

over the placid waves in his chariot, made of shells of many colors,

gleaming in the sunlight. If he wishes a storm, he strikes upon the

waves with his trident, and calls the winds, and the huge billows

threaten the clouds. Tritons with wreathed horns follow his chariot,

and naiads as graceful as the waves sport in the opaline waters.

The palaces of the water gods and nymphs are more wonderful than those

on earth. Shells, glistening sand, corals, and sea mosses lend beauty

of color and form. The music of the waves lulls these beings to sleep.

They ride upon a dolphin's back, or are borne onward by the

waves,--free, happy, frolicking water sprites, dashing the spray and

diving in graceful play through the deep waves of the sea.

Neptune is strong and calm. He is represented in art as bearing the

trident, and surrounded by his attendants and the inhabitants of the

sea. There is a celebrated fountain in Rome adorned with a fine statue

of Neptune. It is said that a visitor who throws a coin into its

waters will return to that famous city.

Sailors used to take offerings to the temples of Neptune, so that he

would give them prosperous voyages.

[Illustration: Neptune.

Adam (_Louvre, Paris_).]

NEPTUNE.

King of the stormy sea!

Brother of Jove, and coinheritor

Of elements! Eternally before

Thee the waves awful bow. Fast, stubborn rock,

At thy feared trident shrinking, doth unlock

Its deep foundations, hissing into foam.

All mountain rivers lost, in the wide home

Of thy capacious bosom ever flow.

Thou frownest, and old Æolus, thy foe,

Skulks to his cavern, 'mid the gruff complaint

Of all his rebel tempests. Dark clouds faint

When, from thy diadem, a silver gleam

Slants over blue dominion. Thy bright team

Gulfs in the morning light, and scuds along

To bring thee nearer to that golden song

Apollo singeth, while his chariot

Waits at the doors of heaven. Thou art not

For scenes like this: an empire stern hast thou

And it hath furrowed that large front: yet now,

As newly come of heaven, dost thou sit

To blend and interknit

Subduéd majesty with this glad time.

O shell-born king sublime!

We lay our hearts before thee evermore--

We sing, and we adore!

--John Keats.

VULCAN.

Vulcan, the son of Jupiter and Juno, is the blacksmith of the gods.

His forges are in the caverns of volcanic mountains, where the fires

are bright and ready to heat the gold, silver, and iron, of which he

has made many wonderful things.

Vulcan built the magnificent palaces of the gods on Mount Olympus,

Juno's golden throne, and the chariot of Apollo. The delicate girdle

of Venus, the wife of Vulcan, was also made in his workshop. This was

a magic girdle; for whoever wore it inspired love in all she met, and

sometimes the goddesses would beg Venus to lend it to them.

The armor of Mars, god of war, and the shield of Minerva, goddess of

wisdom, were the work of Vulcan. Sometimes he even manufactured armor

for mortals, and Homer tells us of the marvelous shield he wrought for

Achilles, the bravest of the Greeks. The most powerful weapons that

Vulcan made at his forges were the dread thunderbolts of Jove and the

arrows of mischievous Cupid, the winged god of love.

Vulcan is represented as rather short and thickset, lame in one foot,

with a cap on his curly head, and a hammer in his hand. His workmen

are the Cyclops, powerful giants, who excel in all work in metals.

[Illustration: Blossoms.

Gamba le Preydour (_modern_).]

WORK.

Sweet wind, fair wind, where have you been?

"I've been sweeping the cobwebs out of the sky;

I've been grinding a grist in the mill hard by;

I've been laughing at work while others sigh;

Let those laugh who win!"

Sweet rain, soft rain, what are you doing?

"I'm urging the corn to fill out its cells;

I'm helping the lily to fashion its bells;

I'm swelling the torrent and brimming the wells:

Is that worth pursuing?"

Redbreast, redbreast, what have you done?

"I've been watching the nest where my fledgelings lie;

I've sung them to sleep with a lullaby;

By and by I shall teach them to fly,

Up and away, every one!"

Honeybee, honeybee, where are you going?

"To fill my basket with precious pelf;

To toil for my neighbor as well as myself;

To find out the sweetest flower that grows,

Be it a thistle or be it a rose--

A secret worth the knowing!"

Wind and rain fulfilling His word!

Tell me, was ever a legend heard

Where the wind, commanded to blow, deferred;

Or the rain, that was bidden to fall, demurred?

--Mary N. Prescott.

VENUS.

Venus is the goddess of beauty, born of the ocean spray. When the

tritons and nymphs who live in the sea beheld her, they loved her for

her beauty, and the waves and gentle breezes bore her to Olympus.

Venus is attended by three maidens called the Graces, who give to the

beauty of the goddess a charm which makes her lovely to all.

When she came to Olympus, all the gods loved her, but she proudly

rejected the eager suitors. When Jupiter, the king of the gods, fared

no better than the rest, he declared that she should be punished for

her pride and must marry Vulcan, the lame blacksmith god who lived in

the volcano, Mount Etna. Vulcan was delighted with her grace and

beauty, and made for her a magic girdle, and the wonderful arrows of

Cupid.

Joy and mirth always attend the goddess of beauty. Cupid, her son, the

roguish god of love, is her constant companion, and he sends his

arrows wherever she directs. Venus drives in a chariot drawn by

graceful swans. Cooing doves are her favorite birds, and roses and

myrtle are sacred to her.

[Illustration: Venus de Milo.

_Louvre, Paris._]

At the wedding of Thetis, a water nymph, all the gods and goddesses

except Eris were seated at the banquet. Eris is the goddess of

discord, and she had not been invited, as she always causes people to

quarrel and so is loved by no one. She was angry at this slight, and,

coming to the door of the banquet hall, she threw a golden apple upon

the table.

On the apple was written, "To the fairest." Eris knew that this would

be an apple of discord, because all the nymphs and goddesses were

fair, and each would claim to be fairer than the others.

After much discussion, the guests agreed that Juno, Minerva, and Venus

were fairer than all the others. These three at last decided to go to

Paris and let him judge between them. Paris was a shepherd of Mount

Ida, in Troy, and before him the lovely trio appeared in all their

wonderful beauty. He held the apple long in his hand, for all were so

fair that it was very difficult to decide. At last he gave the apple

to Venus, and thus decided that she was fairest of all the goddesses.

This decision is called the "Judgment of Paris."

Artists have often tried to paint their ideals of Venus. The most

beautiful statues in the world, ideals of womanly beauty, are those of

this goddess. They are in the galleries of the Old World. The one said

to be the most lovely is the Venus de Milo, in the gallery of the

Louvre, Paris.

[Illustration: A Star.]

HER FACE.

Such a starved bank of moss

Till, that May morn,

Blue ran the flash across:

Violets were born!

Sky--what a scowl of cloud

Till, near and far,

Ray on ray split the shroud:

Splendid, a star!

World--how it walled about

Life with disgrace,

Till God's own smile came out:

That was thy face!

--Robert Browning.

[Illustration: Psyche.

Kray (_modern_).]

CUPID AND PSYCHE.

There once lived a maid, called Psyche, who was so very beautiful that

the people who knew her thought her more lovely than Venus. So they

worshiped her, and refused to place garlands and offerings upon the

shrines of the goddess.

Desiring to punish the people for their impiety, Venus sent Cupid to

destroy the innocent Psyche. Although Cupid had used his weapons upon

others, he himself had never loved. But when he saw Psyche, he started

in surprise at her wonderful youthful beauty, and one of his own

arrows pricked his heart. So he loved her, and, instead of obeying his

mother's command, he carried her away to his home on a distant

mountain.

Here she lived in a palace of gleaming marble, surrounded by gardens

wherein were fragrant flowers and sparkling fountains. But one thing

troubled her. Cupid had told her that he could visit her only during

the night, and so she had never seen his face.

One night Psyche yielded to her curiosity, and held a lamp over him

while he slept. Dear Love was so beautiful as he lay there asleep,

that she tipped the lamp in her surprise, and a drop of oil fell upon

his rounded arm. Then he awoke and blamed Psyche for her curiosity and

lack of confidence, and, spreading his wings, flew far away to his

home with the gods. Poor Psyche wept bitterly, but Cupid did not

return.

Psyche means the soul, and this story teaches that love comes unsought

and unseen to the soul which is faithful and worthy; but if doubt and

curiosity possess the soul, love departs.

The Greeks chose the butterfly as the best emblem of the soul of man,

because it emerges from the chrysalis state into which the caterpillar

entered more beautiful than before. Psyche, the soul, is thus shown in

the works of art with the wings of a butterfly, or holding one of the

exquisite creatures in her hand.

LOVE.

The night has a thousand eyes,

And the day but one;

Yet the light of the bright world dies

With the dying sun.

The mind has a thousand eyes,

And the heart but one;

Yet the light of a whole life dies

When love is done.

--Francis Bourdillon.

[Illustration: Psyche and Charon.

E. Neide (_modern_).]

PSYCHE AND VENUS.

'Round the Year in Myth and Song · 第 2 / 6 段