XIX.

The occasions which brought us to New York together were not nearly so

frequent as those which united us in Boston, but there was a dinner given

him by a friend which remains memorable from the fatuity of two men

present, so different in everything but their fatuity. One was the sweet

old comedian Billy Florence, who was urging the unsuccessful dramatist

across the table to write him a play about Oliver Cromwell, and giving

the reasons why he thought himself peculiarly fitted to portray the

character of Cromwell. The other was a modestly millioned rich man who

was then only beginning to amass the moneys afterward heaped so high, and

was still in the condition to be flattered by the condescension of a yet

greater millionaire. His contribution to our gaiety was the verbatim

report of a call he had made upon William H. Vanderbilt, whom he had

found just about starting out of town, with his trunks actually in the

front hall, but who had stayed to receive the narrator. He had, in fact,

sat down on one of the trunks, and talked with the easiest friendliness,

and quite, we were given to infer, like an ordinary human being. Clemens

often kept on with some thread of the talk when we came away from a

dinner, but now he was silent, as if “high sorrowful and cloyed”; and it

was not till well afterward that I found he had noted the facts from the

bitterness with which he mocked the rich man, and the pity he expressed

for the actor.

He had begun before that to amass those evidences against mankind which

eventuated with him in his theory of what he called “the damned human

race.” This was not an expression of piety, but of the kind contempt to

which he was driven by our follies and iniquities as he had observed them

in himself as well as in others. It was as mild a misanthropy, probably,

as ever caressed the objects of its malediction. But I believe it was

about the year 1900 that his sense of our perdition became insupportable

and broke out in a mixed abhorrence and amusement which spared no

occasion, so that I could quite understand why Mrs. Clemens should have

found some compensation, when kept to her room by sickness, in the

reflection that now she should not hear so much about “the damned human

race.” He told of that with the same wild joy that he told of

overhearing her repetition of one of his most inclusive profanities, and

her explanation that she meant him to hear it so that he might know how

it sounded. The contrast of the lurid blasphemy with her heavenly

whiteness should have been enough to cure any one less grounded than he

in what must be owned was as fixed a habit as smoking with him. When I

first knew him he rarely vented his fury in that sort, and I fancy he was

under a promise to her which he kept sacred till the wear and tear of his

nerves with advancing years disabled him. Then it would be like him to

struggle with himself till he could struggle no longer and to ask his

promise back, and it would be like her to give it back. His profanity

was the heritage of his boyhood and young manhood in social conditions

and under the duress of exigencies in which everybody swore about as

impersonally as he smoked. It is best to recognize the fact of it, and I

do so the more readily because I cannot suppose the Recording Angel

really minded it much more than that Guardian. Angel of his. It

probably grieved them about equally, but they could equally forgive it.

Nothing came of his pose regarding “the damned human race” except his

invention of the Human Race Luncheon Club. This was confined to four

persons who were never all got together, and it soon perished of their

indifference.

In the earlier days that I have more specially in mind one of the

questions that we used to debate a good deal was whether every human

motive was not selfish. We inquired as to every impulse, the noblest,

the holiest in effect, and he found them in the last analysis of selfish

origin. Pretty nearly the whole time of a certain railroad run from New

York to Hartford was taken up with the scrutiny of the self-sacrifice of

a mother for her child, of the abandon of the lover who dies in saving

his mistress from fire or flood, of the hero’s courage in the field and

the martyr’s at the stake. Each he found springing from the unconscious

love of self and the dread of the greater pain which the self-sacrificer

would suffer in-forbearing the sacrifice. If we had any time left from

this inquiry that day, he must have devoted it to a high regret that

Napoleon did not carry out his purpose of invading England, for then he

would have destroyed the feudal aristocracy, or “reformed the lords,” as

it might be called now. He thought that would have been an incalculable

blessing to the English people and the world. Clemens was always

beautifully and unfalteringly a republican. None of his occasional

misgivings for America implicated a return to monarchy. Yet he felt

passionately the splendor of the English monarchy, and there was a time

when he gloried in that figurative poetry by which the king was phrased

as “the Majesty of England.” He rolled the words deep-throatedly out,

and exulted in their beauty as if it were beyond any other glory of the

world. He read, or read at, English history a great deal, and one of the

by-products of his restless invention was a game of English Kings (like

the game of Authors) for children. I do not know whether he ever

perfected this, but I am quite sure it was not put upon the market. Very

likely he brought it to a practicable stage, and then tired of it, as he

was apt to do in the ultimation of his vehement undertakings.

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