When my acquaintance with Longfellow began he had written the things that
made his fame, and that it will probably rest upon: “Evangeline,”
“Hiawatha,” and the “Courtship of Miles Standish” were by that time old
stories. But during the eighteen years that I knew him he produced the
best of his minor poems, the greatest of his sonnets, the sweetest of his
lyrics. His art ripened to the last, it grew richer and finer, and it
never knew decay. He rarely read anything of his own aloud, but in three
or four cases he read to me poems he had just finished, as if to give
himself the pleasure of hearing them with the sympathetic sense of
another. The hexameter piece, “Elizabeth,” in the third part of “Tales
of a Wayside Inn,” was one of these, and he liked my liking its
rhythmical form, which I believed one of the measures best adapted to the
English speech, and which he had used himself with so much pleasure and
success.
About this time he was greatly interested in the slight experiments I was
beginning to make in dramatic form, and he said that if he were himself a
young man he should write altogether for the stage; he thought the drama
had a greater future with us. He was pleased when a popular singer
wished to produce his “Masque of Pandora,” with music, and he was patient
when it failed of the effect hoped for it as an opera. When the late
Lawrence Barrett, in the enthusiasm which was one of the fine traits of
his generous character, had taken my play of “A Counterfeit Presentment,”
and came to the Boston Museum with it, Longfellow could not apparently
have been more zealous for its popular acceptance if it had been his own
work. He invited himself to one of the rehearsals with me, and he sat
with me on the stage through the four acts with a fortitude which I still
wonder at, and with the keenest zest for all the details of the
performance. No finer testimony to the love and honor which all kinds of
people had for him could have been given than that shown by the actors
and employees of the theatre, high and low. They thronged the scenery,
those who were not upon the stage, and at the edge of every wing were
faces peering round at the poet, who sat unconscious of their adoration,
intent upon the play. He was intercepted at every step in going out, and
made to put his name to the photographs of himself which his worshippers
produced from their persons.
He came to the first night of the piece, and when it seemed to be finding
favor with the public, he leaned forward out of his line to nod and smile
at the author; when they, had the author up, it was the sweetest flattery
of the applause which abused his fondness that Longfellow clapped first
and loudest.
Where once he had given his kindness he could not again withhold it, and
he was anxious no fact should be interpreted as withdrawal. When the
Emperor Dom Pedro of Brazil, who was so great a lover of Longfellow, came
to Boston, he asked himself out to dine with the poet, who had expected
to offer him some such hospitality. Soon after, Longfellow met me, and
as if eager to forestall a possible feeling in me, said, “I wanted to ask
you to dinner with the Emperor, but he not only sent word he was coming,
he named his fellow-guests!” I answered that though I should probably
never come so near dining with an emperor again, I prized his wish to ask
me much more than the chance I had missed; and with this my great and
good friend seemed a little consoled. I believe that I do not speak too
confidently of our relation. He was truly the friend of all men, but I
had certainly the advantage of my propinquity. We were near neighbors, as
the pleonasm has it, both when I lived on Berkeley Street and after I had
built my own house on Concord Avenue; and I suppose he found my youthful
informality convenient. He always asked me to dinner when his old friend
Greene came to visit him, and then we had an Italian time together, with
more or less repetition in our talk, of what we had said before of
Italian poetry and Italian character. One day there came a note from him
saying, in effect, “Salvini is coming out to dine with me tomorrow night,
and I want you to come too. There will be no one else but Greene and
myself, and we will have an Italian dinner.”
Unhappily I had accepted a dinner in Boston for that night, and this
invitation put me in great misery. I must keep my engagement, but how
could I bear to miss meeting Salvini at Longfellow’s table on terms like
these? We consulted at home together and questioned whether I might not
rush into Boston, seek out my host there, possess him of the facts, and
frankly throw myself on his mercy. Then a sudden thought struck us: Go
to Longfellow, and submit the case to him! I went, and he entered with
delicate sympathy into the affair. But he decided that, taking the large
view of it, I must keep my engagement, lest I should run even a remote
risk of wounding my friend’s susceptibilities. I obeyed, and I had a
very good time, but I still feel that I missed the best time of my life,
and that I ought to be rewarded for my sacrifice, somewhere.
Longfellow so rarely spoke of himself in any way that one heard from him
few of those experiences of the distinguished man in contact with the
undistinguished, which he must have had so abundantly. But he told,
while it was fresh in his mind, an incident that happened to him one day
in Boston at a tobacconist’s, where a certain brand of cigars was
recommended to him as the kind Longfellow smoked. “Ah, then I must have
some of them; and I will ask you to send me a box,” said Longfellow, and
he wrote down his name and address. The cigar-dealer read it with the
smile of a worsted champion, and said, “Well, I guess you had me, that
time.” At a funeral a mourner wished to open conversation, and by way of
suggesting a theme of common interest, began, “You’ve buried, I believe?”
Sometimes people were shown by the poet through Craigie House who had no
knowledge of it except that it had been Washington’s headquarters. Of
course Longfellow was known by sight to every one in Cambridge. He was
daily in the streets, while his health endured, and as he kept no
carriage, he was often to be met in the horse-cars, which were such
common ground in Cambridge that they were often like small invited
parties of friends when they left Harvard Square, so that you expected
the gentlemen to jump up and ask the ladies whether they would have
chicken salad. In civic and political matters he mingled so far as to
vote regularly, and he voted with his party, trusting it for a general
regard to the public welfare.
I fancy he was somewhat shy of his fellow-men, as the scholar seems
always to be, from the sequestered habit of his life; but I think
Longfellow was incapable of marking any difference between himself and
them. I never heard from him anything that was ‘de haut en bas’, when he
spoke of people, and in Cambridge, where there was a good deal of
contempt for the less lettered, and we liked to smile though we did not
like to sneer, and to analyze if we did not censure, Longfellow and
Longfellow’s house were free of all that. Whatever his feeling may have
been towards other sorts and conditions of men, his effect was of an
entire democracy. He was always the most unassuming person in any
company, and at some large public dinners where I saw him I found him
patient of the greater attention that more public men paid themselves and
one another. He was not a speaker, and I never saw him on his feet at
dinner, except once, when he read a poem for Whittier, who was absent. He
disliked after-dinner speaking, and made conditions for his own exemption
from it.