The literary situation which confronted me when I came to Boston was,
then, as native as could well be; and whatever value I may be able to
give a personal study of it will be from the effect it made upon me as
one strange in everything but sympathy. I will not pretend that I saw it
in its entirety, and I have no hope of presenting anything like a
kinetoscopic impression of it. What I can do is to give here and there a
glimpse of it; and I shall wish the reader to keep in mind the fact that
it was in a “state of transition,” as everything is always and
everywhere. It was no sooner recognizably native than it ceased to be
fully so; and I became a witness of it after the change had begun. The
publishing house which so long embodied New England literature was
already attempting enterprises out of the line of its traditions, and one
of these had brought Mr. T. B. Aldrich from New York, a few weeks before
I arrived upon the scene in that dramatic quality which I think never
impressed any one but Mr. Bowles. Mr. Aldrich was the editor of ‘Every
Saturday’ when I came to be assistant editor of the Atlantic Monthly. We
were of nearly the same age, but he had a distinct and distinguished
priority of reputation, insomuch that in my Western remoteness I had
always ranged him with such elders and betters of mine as Holmes and
Lowell, and never imagined him the blond, slight youth I found him, with
every imaginable charm of contemporaneity. It is no part of the office
which I have intended for these slight and sufficiently wandering
glimpses of the past to show any writer in his final place; and above all
I do not presume to assign any living man his rank or station. But I
should be false to my own grateful sense of beauty in the work of this
poet if I did not at all times recognize his constancy to an ideal which
his name stands for. He is known in several kinds, but to my thinking he
is best in a certain nobler kind of poetry; a serious sort in which the
thought holds him above the scrupulosities of the art he loves and honors
so much. Sometimes the file slips in his hold, as the file must and
will; it is but an instrument at the best; but there is no mistouch in
the hand that lays itself upon the reader’s heart with the pulse of the
poet’s heart quick and true in it. There are sonnets of his, grave, and
simple, and lofty, which I think of with the glow and thrill possible
only from very beautiful poetry, and which impart such an emotion as we
can feel only
“When a great thought strikes along the brain
And flushes all the cheek.”
When I had the fortune to meet him first, I suppose that in the employ of
the kindly house we were both so eager to serve, our dignities were about
the same; for if the ‘Atlantic Monthly’ was a somewhat prouder affair
than an eclectic weekly like ‘Every Saturday’, he was supreme in his
place, and I was subordinate in mine. The house was careful, in the
attitude of its senior partner, not to distinguish between us, and we
were not slow to perceive the tact used in managing us; we had our own
joke of it; we compared notes to find whether we were equally used in
this thing or that; and we promptly shared the fun of our discovery with
Fields himself.
We had another impartial friend (no less a friend of joy in the life
which seems to have been pretty nearly all joy, as I look back upon it)
in the partner who became afterwards the head of the house, and who
forecast in his bold enterprises the change from a New England to an
American literary situation. In the end James R. Osgood failed, though
all his enterprises succeeded. The anomaly is sad, but it is not
infrequent. They were greater than his powers and his means, and before
they could reach their full fruition, they had to be enlarged to men of
longer purse and longer patience. He was singularly fitted both by
instinct and by education to become a great publisher; and he early
perceived that if a leading American house were to continue at Boston, it
must be hospitable to the talents of the whole country. He founded his
future upon those generous lines; but he wanted the qualities as well as
the resources for rearing the superstructure. Changes began to follow
each other rapidly after he came into control of the house. Misfortune
reduced the size and number of its periodicals. ‘The Young Folks’ was
sold outright, and the ‘North American Review’ (long before Mr. Rice
bought it and carried it to New York) was cut down one-half, so that
Aldrich said, it looked as if Destiny had sat upon it. His own
periodical, ‘Every Saturday’, was first enlarged to a stately quarto and
illustrated; and then, under stress of the calamities following the great
Boston fire, It collapsed to its former size. Then both the ‘Atlantic
Monthly’ and ‘Every Saturday’ were sold away from their old ownership,
and ‘Every Saturday’ was suppressed altogether, and we two ceased to be
of the same employ. There was some sort of evening rite (more funereal
than festive) the day after they were sold, and we followed Osgood away
from it, under the lamps. We all knew that it was his necessity that had
caused him to part with the periodicals; but he professed that it was his
pleasure, and he said he had not felt so light-hearted since he was a
boy. We asked him, How could he feel gay when he was no longer paying us
our salaries, and how could he justify it to his conscience? He liked
our mocking, and limped away from us with a rheumatic easing of his
weight from one foot to another: a figure pathetic now that it has gone
the way to dusty death, and dear to memory through benefactions unalloyed
by one unkindness.