BIBLIOGRAPHICAL

Long before I began the papers which make up this volume, I had meant to

write of literary history in New England as I had known it in the lives

of its great exemplars during the twenty-five years I lived near them. In

fact, I had meant to do this from the time I came among them; but I let

the days in which I almost constantly saw them go by without record save

such as I carried in a memory retentive, indeed, beyond the common, but

not so full as I could have wished when I began to invoke it for my work.

Still, upon insistent appeal, it responded in sufficient abundance; and,

though I now wish I could have remembered more instances, I think my

impressions were accurate enough. I am sure of having tried honestly to

impart them in the ten years or more when I was desultorily endeavoring

to share them with the reader.

The papers were written pretty much in the order they have here,

beginning with My First Visit to New England, which dates from the

earliest eighteen-nineties, if I may trust my recollection of reading it

from the manuscript to the editor of Harper’s Magazine, where we lay

under the willows of Magnolia one pleasant summer morning in the first

years of that decade. It was printed no great while after in that

periodical; but I was so long in finishing the study of Lowell that it

had been anticipated in Harper’s by other reminiscences of him, and it

was therefore first printed in Scribner’s Magazine. It was the paper

with which I took the most pains, and when it was completed I still felt

it so incomplete that I referred it to his closest and my best friend,

the late Charles Eliot Norton, for his criticism. He thought it wanting

in unity; it was a group of studies instead of one study, he said; I must

do something to draw the different sketches together in a single effect

of portraiture; and this I did my best to do.

It was the latest written of the three articles which give the volume

substance, and it represents mare finally and fully than the others my

sense of the literary importance of the men whose like we shall not look

upon again. Longfellow was easily the greatest poet of the three, Holmes

often the most brilliant and felicitous, but Lowell, in spite of his

forays in politics, was the finest scholar and the most profoundly

literary, as he was above the others most deeply and thoroughly New

England in quality.

While I was doing these sketches, sometimes slighter and sometimes less

slight, of all those poets and essayists and novelists I had known in

Cambridge and Boston and Concord and New York, I was doing many other

things: half a dozen novels, as many more novelettes and shorter stories,

with essays and criticisms and verses; so that in January, 1900, I had

not yet done the paper on Lowell, which, with another, was to complete my

reminiscences of American literary life as I had witnessed it. When they

were all done at last they were republished in a volume which found

instant favor beyond my deserts if not its own.

There was a good deal of trouble with the name, but Literary Friends and

Acquaintance was an endeavor for modest accuracy with which I remained

satisfied until I thought, long too late, of Literary Friends and

Neighbors. Then I perceived that this would have been still more

accurate and quite as modest, and I gladly give any reader leave to call

the book by that name who likes.

Since the collection was first made, I have written little else quite of

the kind, except the paper on Bret Harte, which was first printed shortly

after his death; and the study of Mark Twain, which I had been preparing

to make for forty years and more, and wrote in two weeks of the spring of

1910. Others of my time and place have now passed whither there is

neither time nor place, and there are moments when I feel that I must try

to call them back and pay them such honor as my sense of their worth may

give; but the impulse has as yet failed to effect itself, and I do not

know how long I shall spare myself the supreme pleasure-pain, the “hochst

angenehmer Schmerz,” of seeking to live here with those who live here no

more.

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