Ver.07/27/01*END*
This etext was produced by David Widger <widger@cecomet.net>
[NOTE: There is a short list of bookmarks, or pointers, at the end of the
file for those who may wish to sample the author's ideas before making an
entire meal of them. D.W.]
COSMOPOLIS
By PAUL BOURGET
With a Preface by JULES LEMAITRE, of the French academy,
PAUL BOURGET
Born in Amiens, September 2, 1852, Paul Bourget was a pupil at the Lycee
Louis le Grand, and then followed a course at the Ecole des Hautes
Etudes, intending to devote himself to Greek philology. He, however,
soon gave up linguistics for poetry, literary criticism, and fiction.
When yet a very young man, he became a contributor to various journals
and reviews, among others to the 'Revue des deux Mondes, La Renaissance,
Le Parlement, La Nouvelle Revue', etc. He has since given himself up
almost exclusively to novels and fiction, but it is necessary to mention
here that he also wrote poetry. His poetical works comprise: 'Poesies
(1872-876), La Vie Inquiete (1875), Edel (1878), and Les Aveux (1882)'.
With riper mind and to far better advantage, he appeared a few years
later in literary essays on the writers who had most influenced his own
development--the philosophers Renan, Taine, and Amiel, the poets
Baudelaire and Leconte de Lisle; the dramatist Dumas fils, and the
novelists Turgenieff, the Goncourts, and Stendhal. Brunetiere says of
Bourget that "no one knows more, has read more, read better, or
meditated, more profoundly upon what he has read, or assimilated it more
completely." So much "reading" and so much "meditation," even when
accompanied by strong assimilative powers, are not, perhaps, the most
desirable and necessary tendencies in a writer of verse or of fiction.
To the philosophic critic, however, they must evidently be invaluable;
and thus it is that in a certain self-allotted domain of literary
appreciation allied to semi-scientific thought, Bourget stands to-day
without a rival. His 'Essais de Psychologie Contemporaine (1883),
Nouveaux Essais (1885), and Etudes et Portraits (1888)' are certainly not
the work of a week, but rather the outcome of years of self-culture and
of protracted determined endeavor upon the sternest lines. In fact, for
a long time, Bourget rose at 3 a.m. and elaborated anxiously study after
study, and sketch after sketch, well satisfied when he sometimes noticed
his articles in the theatrical 'feuilleton' of the 'Globe' and the
'Parlement', until he finally contributed to the great 'Debats' itself.
A period of long, hard, and painful probation must always be laid down,
so to speak, as the foundation of subsequent literary fame. But France,
fortunately for Bourget, is not one of those places where the foundation
is likely to be laid in vain, or the period of probation to endure for
ever and ever.
In fiction, Bourget carries realistic observation beyond the externals
(which fixed the attention of Zola and Maupassant) to states of the mind:
he unites the method of Stendhal to that of Balzac. He is always
interesting and amusing. He takes himself seriously and persists in
regarding the art of writing fiction as a science. He has wit, humor,
charm, and lightness of touch, and ardently strives after philosophy and
intellectuality--qualities that are rarely found in fiction. It may well
be said of M. Bourget that he is innocent of the creation of a single
stupid character. The men and women we read of in Bourget's novels are
so intellectual that their wills never interfere with their hearts.
The list of his novels and romances is a long one, considering the fact
that his first novel, 'L'Irreparable,' appeared as late as 1884. It was
followed by 'Cruelle Enigme (1885); Un Crime d'Amour (1886); Andre
Cornelis and Mensonges (1887); Le Disciple (1889); La Terre promise;
Cosmopolis (1892), crowned by the Academy; Drames de Famille (1899);
Monique (1902)'; his romances are 'Une Idylle tragique (1896); La
Duchesse Bleue (1898); Le Fantome (1901); and L'Etape (1902)'.
'Le Disciple' and 'Cosmopolis' are certainly notable books. The latter
marks the cardinal point in Bourget's fiction. Up to that time he had
seen environment more than characters; here the dominant interest is
psychic, and, from this point on, his characters become more and more
like Stendhal's, "different from normal clay." Cosmopolis is perfectly
charming. Bourget is, indeed, the past-master of "psychological"
fiction.
To sum up: Bourget is in the realm of fiction what Frederic Amiel is in
the realm of thinkers and philosophers--a subtle, ingenious, highly
gifted student of his time. With a wonderful dexterity of pen, a very
acute, almost womanly intuition, and a rare diffusion of grace about all
his writings, it is probable that Bourget will remain less known as a
critic than as a romancer. Though he neither feels like Loti nor sees
like Maupassant--he reflects.
JULES LEMAITRE
de l'Academie Francaise.
AUTHOR'S INTRODUCTION
I send you, my dear Primoli, from beyond the Alps, the romance of
international life, begun in Italy almost under your eyes, to which I
have given for a frame that ancient and noble Rome of which you are so
ardent an admirer.
To be sure, the drama of passion which this book depicts has no
particularly Roman features, and nothing was farther from my thoughts
than to trace a picture of the society so local, so traditional, which
exists between the Quirinal and the Vatican. The drama is not even
Italian, for the scene might have been laid, with as much truth, at
Venice, Florence, Nice, St. Moritz, even Paris or London, the various
cities which are like quarters scattered over Europe of the fluctuating
'Cosmopolis,' christened by Beyle: 'Vengo adesso da Cosmopoli'. It is
the contrast between the rather incoherent ways of the rovers of high
life and the character of perennity impressed everywhere in the great
city of the Caesars and of the Popes which has caused me to choose the
spot where even the corners speak of a secular past, there to evoke some
representatives of the most modern, as well as the most arbitrary and the
most momentary, life. You, who know better than any one the motley world
of cosmopolites, understand why I have confined myself to painting here
only a fragment of it. That world, indeed, does not exist, it can have
neither defined customs nor a general character. It is composed of
exceptions and of singularities. We are so naturally creatures of
custom, our continual mobility has such a need of gravitating around one
fixed axis, that motives of a personal order alone can determine us upon
an habitual and voluntary exile from our native land. It is so, now in
the case of an artist, a person seeking for instruction and change; now
in the case of a business man who desires to escape the consequences of
some scandalous error; now in the case of a man of pleasure in search of
new adventures; in the case of another, who cherishes prejudices from
birth, it is the longing to find the "happy mean;" in the case of
another, flight from distasteful memories. The life of the cosmopolite
can conceal all beneath the vulgarity of its whims, from snobbery in
quest of higher connections to swindling in quest of easier prey,
submitting to the brilliant frivolities of the sport, the sombre
intrigues of policy, or the sadness of a life which has been a failure.
Such a variety of causes renders at once very attractive and almost
impracticable the task of the author who takes as a model that ever-
changing society so like unto itself in the exterior rites and fashions,
so really, so intimately complex and composite in its fundamental
elements. The writer is compelled to take from it a series of leading
facts, as I have done, essaying to deduce a law which governs them. That
law, in the present instance, is the permanence of race. Contradictory
as may appear this result, the more one studies the cosmopolites, the
more one ascertains that the most irreducible idea within them is that
special strength of heredity which slumbers beneath the monotonous
uniform of superficial relations, ready to reawaken as soon as love stirs
the depths of the temperament. But there again a difficulty, almost
insurmountable, is met with. Obliged to concentrate his action to a
limited number of personages, the novelist can not pretend to incarnate
in them the confused whole of characters which the vague word race sums
up. Again, taking this book as an example, you and I, my dear Primoli,
know a number of Venetians and of English women, of Poles and of Romans,
of Americans and of French who have nothing in common with Madame Steno,
Maud and Boleslas Gorka, Prince d'Ardea, Marquis Cibo, Lincoln Maitland,
his brother-in-law, and the Marquis de Montfanon, while Justus Hafner
only represents one phase out of twenty of the European adventurer, of
whom one knows neither his religion, his family, his education, his point
of setting out, nor his point of arriving, for he has been through
various ways and means. My ambition would be satisfied were I to succeed
in creating here a group of individuals not representative of the entire
race to which they belong, but only as possibly existing in that race--or
those races. For several of them, Justus Hafner and his daughter Fanny,
Alba Steno, Florent Chapron, Lydia Maitland, have mixed blood in their
veins. May these personages interest you, my dear friend, and become to
you as real as they have been to me for some time, and may you receive
them in your palace of Tor di Nona as faithful messengers of the grateful
affection felt for you by your companion of last winter.
PAUL BOURGET.
PARIS, November 16, 1892.
COSMOPOLIS
CHAPTER I
A DILETTANTE AND A BELIEVER
Although the narrow stall, flooded with heaped-up books and papers, left
the visitor just room enough to stir, and although that visitor was one
of his regular customers, the old bookseller did not deign to move from
the stool upon which he was seated, while writing on an unsteady desk.
His odd head, with its long, white hair, peeping from beneath a once
black felt hat with a broad brim, was hardly raised at the sound of the
opening and shutting of the door. The newcomer saw an emaciated,
shriveled face, in which, from behind spectacles, two brown eyes twinkled
slyly. Then the hat again shaded the paper, which the knotty fingers,
with their dirty nails, covered with uneven lines traced in a handwriting
belonging to another age, and from the thin, tall form, enveloped in a
greenish, worn-out coat, came a faint voice, the voice of a man afflicted
with chronic laryngitis, uttering as an apology, with a strong Italian
accent, this phrase in French:
"One moment, Marquis, the muse will not wait."
"Very well, I will; I am no muse. Listen to your inspiration
comfortably, Ribalta," replied, with a laugh, he whom the vendor of old
books received with such original unconstraint. He was evidently
accustomed to the eccentricities of the strange merchant. In Rome--for
this scene took place in a shop at the end of one of the most ancient
streets of the Eternal City, a few paces from the Place d'Espagne, so
well known to tourists--in the city which serves as a confluent for so
many from all points of the world, has not that sense of the odd been
obliterated by the multiplicity of singular and anomalous types stranded
and sheltering there? You will find there revolutionists like boorish
Ribalta, who is ending in a curiosity-shop a life more eventful than the
most eventful of the sixteenth century.
Descended from a Corsican family, this personage came to Rome when very
young, about 1835, and at first became a seminarist. On the point of
being ordained a priest, he disappeared only to return, in 1849, so rabid
a republican that he was outlawed at the time of the reestablishment of
the pontifical government. He then served as secretary to Mazzini, with
whom he disagreed for reasons which clashed with Ribalta's honor. Would
passion for a woman have involved him in such extravagance? In 1870
Ribalta returned to Rome, where he opened, if one may apply such a term
to such a hole, a book-shop. But he is an amateur bookseller, and will
refuse you admission if you displease him. Having inherited a small
income, he sells or he does not, following his fancy or the requirements
of his own purchases, to-day asking you twenty francs for a wretched
engraving for which he paid ten sous, to-morrow giving you at a low price
a costly book, the value of which he knows. Rabid Gallophobe, he never
pardoned his old general the campaign of Dijon any more than he forgave
Victor Emmanuel for having left the Vatican to Pius IX. "The house of
Savoy and the papacy," said he, when he was confidential, "are two eggs
which we must not eat on the same dish." And he would tell of a certain
pillar of St. Peter's hollowed into a staircase by Bernin, where a
cartouch of dynamite was placed. If you were to ask him why he became a
book collector, he would bid you step over a pile of papers, of boarding
and of folios. Then he would show you an immense chamber, or rather a
shed, where thousands of pamphlets were piled up along the walls: "These
are the rules of all the convents suppressed by Italy. I shall write
their history." Then he would stare at you, for he would fear that you
might be a spy sent by the king with the sole object of learning the
plans of his most dangerous enemy--one of those spies of whom he has been
so much in awe that for twenty years no one has known where he slept,
where he ate, where he hid when the shutters of his shop in the Rue
Borgognona were closed. He expected, on account of his past, and his
secret manner, to be arrested at the time of the outrage of Passanante as
one of the members of those Circoli Barsanti, to whom a refractory
corporal gave his name.
But, on examining the dusty cartoons of the old book-stall, the police
discovered nothing except a prodigious quantity of grotesque verses
directed against the Piedmontese and the French, against the Germans and
the Triple Alliance, against the Italian republicans and the ministers,
against Cavour and Signor Crispi, against the University of Rome and the
Inquisition, against the monks and the capitalists! It was, no doubt,
one of those pasquinades which his customers watched him at work upon,
thinking, as he did so, how Rome abounded in paradoxical meetings.
For, in 1867, that same old Garibaldian exchanged shots at Mentana with
the Pope's Zouaves, among whom was Marquis de Montfanon, for so was
called the visitor awaiting Ribalta's pleasure. Twenty-three years had
sufficed to make of the two impassioned soldiers of former days two
inoffensive men, one of whom sold old volumes to the other! And there is
a figure such as you will not find anywhere else--the French nobleman who
has come to die near St. Peter's.
Would you believe, to see him with his coarse boots, dressed in a simple
coat somewhat threadbare, a round hat covering his gray head, that you
have before you one of the famous Parisian dandies of 1864? Listen to
this other history. Scruples of devoutness coming in the wake of a
serious illness cast at one blow the frequenter of the 'Cafe Anglais' and
gay suppers into the ranks of the pontifical zouaves. A first sojourn in
Rome during the last four years of the government of Pius IX, in that
incomparable city to which the presentiment of the approaching
termination of a secular rule, the advent of the Council, and the French
occupation gave a still more peculiar character, was enchantment. All
the germs of piety instilled in the nobleman by the education of the
Jesuits of Brughetti ended by reviving a harvest of noble virtues, in the
days of trial which came only too quickly. Montfanon made the campaign
of France with the other zouaves, and the empty sleeve which was turned
up in place of his left arm attested with what courage he fought at
Patay, at the time of that sublime charge when the heroic General de
Sonis unfurled the banner of the Sacred Heart. He had been a duelist,
sportsman, gambler, lover, but to those of his old companions of pleasure
whom chance brought to Rome he was only a devotee who lived economically,
notwithstanding the fact that he had saved the remnants of a large
fortune for alms, for reading and for collecting.
Every one has that vice, more or less, in Rome, which is in itself the
most surprising museum of history and of art. Montfanon is collecting
documents in order to write the history of the French nobility and of the
Church. His mistresses of the time when he was the rival of the Gramont-
Caderousses and the Demidoffs would surely not recognize him any more
than he would them. But are they as happy as he seems to have remained
through his life of sacrifice? There is laughter in his blue eyes, which
attest his pure Germanic origin, and which light up his face, one of
those feudal faces such as one sees in the portraits hung upon the walls
of the priories of Malta, where plainness has race. A thick, white
moustache, in which glimmers a vague reflection of gold, partly hides a
scar which would give to that red face a terrible look were it not for
the expression of those eyes, in which there is fervor mingled with
merriment. For Montfanon is as fanatical on certain subjects as he is
genial and jovial on others. If he had the power he would undoubtedly
have Ribalta arrested, tried, and condemned within twenty-four hours for
the crime of free-thinking. Not having it, he amused himself with him,
so much the more so as the vanquished Catholic and the discontented
Socialists have several common hatreds. Even on this particular morning
we have seen with what indulgence he bore the brusqueness of the old
bookseller, at whom he gazed for ten minutes without disconcerting him in
the least. At length the revolutionist seemed to have finished his
epigram, for with a quiet smile he carefully folded the sheet of paper,
put it in a wooden box which he locked. Then he turned around.
"What do you desire, Marquis?" he asked, without any further
preliminary.
"First of all, you will have to read me your poem, old redshirt," said
Montfanon, "which will only be my recompense for having awaited your good
pleasure more patiently than an ambassador. Let us see whom are you
abusing in those verses? Is it Don Ciccio or His Majesty? You will not
reply? Are you afraid that I shall denounce you at the Quirinal?"
"No flies enter a closed mouth," replied the old conspirator, justifying
the proverb by the manner in which he shut his toothless mouth, into
which, indeed, at that moment, neither a fly nor the tiniest grain of
dust could enter.
"An excellent saying," returned the Marquis, with a laugh, "and one I
should like to see engraved on the facade of all the modern parliaments.
But between your poetry and your adages have you taken the time to write
for me to that bookseller at Vienna, who owns the last copy of the
pamphlet on the trial of the bandit Hafner?"
"Patience," said the merchant. "I will write."
"And my document on the siege of Rome, by Bourbon, those three notarial
deeds which you promised me, have you dislodged them?"
"Patience, patience," repeated the merchant, adding, as he pointed with a
comical mixture of irony and of despair to the disorder in his shop,
"How can you expect me to know where I am in the midst of all this?"
"Patience, patience," repeated Montfanon. "For a month you have been
singing that old refrain. If, instead of composing wretched verses, you
would attend to your correspondence, and, if, instead of buying
continually, you would classify this confused mass . . . . But," said
he, more seriously, with a brusque gesture, "I am wrong to reproach you
for your purchases, since I have come to speak to you of one of the last.
Cardinal Guerillot told me that you showed him, the other day, an
interesting prayer-book, although in very bad condition, which you found
in Tuscany. Where is it?"
"Here it is," said Ribalta, who, leaping over several piles of volumes
and thrusting aside with his foot an enormous heap of cartoons, opened
the drawer of a tottering press. In that drawer he rummaged among an
accumulation of odd, incongruous objects: old medals and old nails,
bookbindings and discolored engravings, a large leather box gnawed by
insects, on the outside of which could be distinguished a partly effaced
coat-of-arms. He opened that box and extended toward Montfanon a volume
covered with leather and studded. One of the clasps was broken, and when
the Marquis began to turn over the pages, he could see that the interior
had not been better taken care of than the exterior. Colored prints had
originally ornamented the precious work; they were almost effaced. The
yellow parchment had been torn in places. Indeed, it was a shapeless
ruin which the curious nobleman examined, however, with the greatest
care, while Ribalta made up his mind to speak.
"A widow of Montalcino, in Tuscany, sold it to me. She asked me an
enormous price, and it is worth it, although it is slightly damaged. For
those are miniatures by Matteo da Siena, who made them for Pope Pius II
Piccolomini. Look at the one which represents Saint Blaise, who is
blessing the lions and panthers. It is the best preserved. Is it not
fine?"
"Why try to deceive me, Ribalta?" interrupted Montfanon, with a gesture
of impatience. "You know as well as I that these miniatures are very
mediocre, and that they do not in the least resemble Matteo's compact
work; and another proof is that the prayerbook is dated 1554. See!"
and, with his remaining hand, very adroitly he showed the merchant the
figures; "and as I have quite a memory for dates, and as I am interested
in Siena, I have not forgotten that Matteo died before 1500. I did not
go to college with Machiavelli," continued he, with some brusqueness,
"but I will tell you that which the Cardinal would have told you if you
had not deceived him by your finesse, as you tried to deceive me just
now. Look at this partly effaced signature, which you have not been able
to read. I will decipher it for you. Blaise de Mo, and then a c, with
several letters missing, just three, and that makes Montluc in the
orthography of the time, and the b is in a handwriting which you might
have examined in the archives of that same Siena, since you come from
there. Now, with regard to this coat-of-arms," and he closed the book to
detail to his stupefied companion the arms hardly visible on the cover,
"do you see a wolf, which was originally of gold, and turtles of gales?
Those are the arms which Montluc has borne since the year 1554, when he
was made a citizen of Siena for having defended it so bravely against the
terrible Marquis de Marignan. As for the box," he took it in its turn to
study it, "these are really the half-moons of the Piccolominis. But what
does that prove? That after the siege, and just as it was necessary to
retire to Montalcino, Montluc gave his prayer-book, as a souvenir, to
some of that family. The volume was either lost or stolen, and finally
reduced to the state in which it now is. This book, too, is proof that a
little French blood was shed in the service of Italy. But those who have
sold it have forgotten that, like Magenta and Solferino, you have only
memory for hatred. Now that you know why I want your prayer-book, will
you sell it to me for five hundred francs?"
The bookseller listened to that discourse with twenty contradictory
expressions upon his face. From force of habit he felt for Montfanon a
sort of respect mingled with animosity, which evidently rendered it very
painful for him to have been surprised in the act of telling an untruth.
It is necessary, to be just, to add that in speaking of the great painter
Matteo and of Pope Pius II in connection with that unfortunate volume, he
had not thought that the Marquis, ordinarily very economical and who
limited his purchases to the strict domain of ecclesiastical history,
would have the least desire for that prayer-book. He had magnified the
subject with a view to forming a legend and to taking advantage of some
rich, unversed amateur.
On the other hand, if the name of Montluc meant absolutely nothing to
him, it was not the same with the direct and brutal allusion which his
interlocutor had made to the war of 1859. It is always a thorn in the
flesh of those of our neighbors from beyond the Alps who do not love us.
The pride of the Garibaldian was not far behind the generosity of the
former zouave. With an abruptness equal to that of Montfanon, he took up
the volume and grumbled as he turned it over and over in his inky
fingers:
"I would not sell it for six hundred francs. No, I would not sell it for
six hundred francs."
"It is a very large sum," said Montfanon.
"No," continued the good man, "I would not sell it." Then extending it
to the Marquis, in evident excitement, he cried: "But to you I will sell
it for four hundred francs."
"But I have offered you five hundred francs for it," said the nonplussed
purchaser. "You know that is a small sum for such a curiosity."
"Take it for four," insisted Ribalta, growing more and more eager, "not a
sou less, not a sou more. It is what it cost me. And you shall have
your documents in two days and the Hafner papers this week. But was that
Bourbon who sacked Rome a Frenchman?" he continued. "And Charles
d'Anjou, who fell upon us to make himself King of the two Sicilies? And
Charles VIII, who entered by the Porte du Peuple? Were they Frenchmen?
Why did they come to meddle in our affairs? Ah, if we were to calculate
closely, how much you owe us! Was it not we who gave you Mazarin,
Massena, Bonaparte and many others who have gone to die in your army in
Russia, in Spain and elsewhere? And at Dijon? Did not Garibaldi
stupidly fight for you, who would have taken from him his country? We
are quits on the score of service . . . . But take your prayer-book-
good-evening, good-evening. You can pay me later."
And he literally pushed the Marquis out of the stall, gesticulating and
throwing down books on all sides. Montfanon found himself in the street
before having been able to draw from his pocket the money he had got
ready.
"What a madman! My God, what a madman!" said he to himself, with a
laugh. He left the shop at a brisk pace, with the precious book under
his arm. He understood, from having frequently come in contact with
them, those southern natures, in which swindling and chivalry elbow
without harming one another--Don Quixotes who set their own windmills in
motion. He asked himself:
"How much would he still make after playing the magnamimous with me?"
His question was never to be answered, nor was he to know that Ribalta
had bought the rare volume among a heap of papers, engravings, and old
books, paying twenty-five francs for all. Moreover, two encounters which
followed one upon the other on leaving the shop, prevented him from
meditating on that problem of commercial psychology. He paused for a
moment at the end of the street to cast a glance at the Place d'Espagne,
which he loved as one of those corners unchanged for the last thirty
years. On that morning in the early days of May, the square, with its
sinuous edge, was indeed charming with bustle and light, with the houses
which gave it a proper contour, with the double staircase of La Trinite-
des-Monts lined with idlers, with the water which gushed from a large
fountain in the form of a bark placed in the centre-one of the
innumerable caprices in which the fancy of Bernin, that illusive
decorator, delighted to indulge. Indeed, at that hour and in that light,
the fountain was as natural in effect as were the nimble hawkers who held
in their extended arms baskets filled with roses, narcissus, red
anemones, fragile cyclamens and dark pansies. Barefooted, with sparkling
eyes, entreaties upon their lips, they glided among the carriages which
passed along rapidly, fewer than in the height of the season, still quite
numerous, for spring was very late this year, and it came with delightful
freshness. The flower-sellers besieged the hurried passers-by, as well
as those who paused at the shop-windows, and, devout Catholic as
Montfanon was, he tasted, in the face of the picturesque scene of a
beautiful morning in his favorite city, the pleasure of crowning that
impression of a bright moment by a dream of eternity. He had only to
turn his eyes to the right, toward the College de la Propagande, a
seminary from which all the missions of the world set out.
But it was decreed that the impassioned nobleman should not enjoy
undisturbed the bibliographical trifle obtained so cheaply and which he
carried under his arm, nor that feeling so thoroughly Roman; a sudden
apparition surprised him at the corner of a street, at an angle of the
sidewalk. His bright eyes lost their serenity when a carriage passed by
him, a carriage, perfectly appointed, drawn by two black horses, and in
which, notwithstanding the early hour, sat two ladies. The one was
evidently an inferior, a companion who acted as chaperon to the other, a
young girl of almost sublime beauty, with large black eyes, which
contrasted strongly with a pale complexion, but a pallor in which there
was warmth and life. Her profile, of an Oriental purity, was so much on
the order of the Jewish type that it left scarcely a doubt as to the
Hebrew origin of the creature, a veritable vision of loveliness, who
seemed created, as the poets say, "To draw all hearts in her wake." But
no! The jovial, kindly face of the Marquis suddenly darkened as he
watched the girl about to turn the corner of the street, and who bowed to
a very fashionable young man, who undoubtedly knew the late pontifical
zouave, for he approached him familiarly, saying, in a mocking tone and
in a French which came direct from France:
"Well! Now I have caught you, Marquis Claude-Francois de Montfanon!....
She has come, you have seen her, you have been conquered. Have your eyes
feasted upon divine Fanny Hafner? Tremble! I shall denounce you to his
Eminence, Cardinal Guerillot; and if you malign his charming catechist I
will be there to testify that I saw you hypnotized as she passed, as were
the people of Troy by Helen. And I know very positively that Helen had
not so modern a grace, so beautiful a mind, so ideal a profile, so deep a
glance, so dreamy a mouth and such a smile. Ah, how lovely she is! When
shall you call?"
"If Monsieur Julien Dorsenne," replied Montfanon, in the same mocking
tone, "does not pay more attention to his new novel than he is doing at
this moment, I pity his publisher. Come here," he added, brusquely,
dragging the young man to the angle of Rue Borgognona. "Did you see the
victoria stop at No. 13, and the divine Fanny, as you call her, alight?
. . . She has entered the shop of that old rascal, Ribalta. She will
not remain there long. She will come out, and she will drive away in her
carriage. It is a pity she will not pass by us again. We should have
had the pleasure of seeing her disappointed air. This is what she is in
search of," added he, with a gay laugh, exhibiting his purchase, "but
which she could not have were she to offer all the millions which her
honest father has stolen in Vienna. Ha, ha!" he concluded, laughing
still more heartily, "Monsieur de Montfanon rose first; this morning has
not been lost, and you, Monsieur, can see what I obtained at the
curiosity-shop of that old fellow who will not make a plaything of this
object, at least," he added, extending the book to his interlocutor, at
whom he glanced with a comical expression of triumph.
"I do not wish to look at it," responded Dorsenne. "But, yes," he
continued, as Montfanon shrugged his shoulders, "in my capacity of
novelist and observer, since you cast it at my head, I know already what
it is. What do you bet? . . . It is a prayer-book which bears the
signature of Marshal de Montluc, and which Cardinal Guerillot discovered.
Is that true? He spoke to Mademoiselle Hafner about it, and he thought
he would mitigate your animosity toward her by telling you she was an
enthusiast and wished to buy it. Is that true as well? And you,
wretched man, had only one thought, to deprive that poor little thing of
the trifle. Is that true? We spent the evening before last together at
Countess Steno's; she talked to me of nothing but her desire to have the
book on which the illustrious soldier, the great believer, had prayed.
She told me of all her heroic resolutions. Later she went to buy it.
But the shop was closed; I noticed it on passing, and you certainly went
there, too . . . . Is that true? . . . And, now that I have
detailed to you the story, explain to me, you who are so just, why you
cherish an antipathy so bitter and so childish--excuse the word!--for an
innocent, young girl, who has never speculated on 'Change, who is as
charitable as a whole convent, and who is fast becoming as devout as
yourself. Were it not for her father, who will not listen to the thought
of conversion before marriage, she would already be a Catholic, and--
Protestants as they are for the moment--she would never go anywhere but
to church . . . . When she is altogether a Catholic, and under the
protection of a Sainte-Claudine and a Sainte-Francoise, as you are under
the protection of Saint-Claude and Saint-Francois, you will have to lay
down your arms, old leaguer, and acknowledge the sincerity of the
religious sentiments of that child who has never harmed you."
"What! She has done nothing to me?" . . . interrupted Montfanon.
"But it is quite natural that a sceptic should not comprehend what she
has done to me, what she does to me daily, not to me personally, but to
my opinions. When one has, like you, learned intellectual athletics in
the circus of the Sainte-Beuves and Renans, one must think it fine that
Catholicism, that grand thing, should serve as a plaything for the
daughter of a pirate who aims at an aristocratic marriage. It may, too,
amuse you that my holy friend, Cardinal Guerillot, should be the dupe of
that intriguer. But I, Monsieur, who have received the sacrament by the
side of a Sonis, I can not admit that one should make use of what was the
faith of that hero to thrust one's self into the world. I do not admit
that one should play the role of dupe and accomplice to an old man whom
I venerate and whom I shall enlighten, I give you my word."
"And as for this ancient relic," he continued, again showing the volume,
"you may think it childish that I do not wish it mixed up in the shameful
comedy. But no, it shall not be. They shall not exhibit with words of
emotion, with tearful eyes, this breviary on which once prayed that grand
soldier; yes, Monsieur, that great believer. She has done nothing to
me," he repeated, growing more and more excited, his red face becoming
purple with rage, "but they are the quintessence of what I detest the
most, people like her and her father. They are the incarnation of the
modern world, in which there is nothing more despicable than these
cosmopolitan adventurers, who play at grand seigneur with the millions
filibustered in some stroke on the Bourse. First, they have no country.
What is this Baron Justus Hafner--German, Austrian, Italian? Do you
know? They have no religion. The name, the father's face, that of the
daughter, proclaim them Jews, and they are Protestants--for the moment,
as you have too truthfully said, while they prepare themselves to become
Mussulmen or what not. For the moment, when it is a question of God!....
They have no family. Where was this man reared? What did his father,
his mother, his brothers, his sisters do? Where did he grow up? Where
are his traditions? Where is his past, all that constitutes, all that
establishes the moral man?.... Just look. All is mystery in this
personage, excepting this, which is very clear: if he had received his
due in Vienna, at the time of the suit of the 'Credit Austro-Dalmate',
in 1880, he would be in the galleys, instead of in Rome. The facts were
these: there were innumerable failures. I know something about it. My
poor cousin De Saint-Remy, who was with the Comte de Chambord, lost the
bread of his old age and his daughter's dowry. There were suicides and
deeds of violence, notably that of a certain Schroeder, who went mad on
account of that crash, and who killed himself, after murdering his wife
and his two children. And the Baron came out of it unsullied. It is not
ten years since the occurrence, and it is forgotten. When he settled in
Rome he found open doors, extended hands, as he would have found them in
Madrid, London, Paris, or elsewhere. People go to his house; they
receive him! And you wish me to believe in the devoutness of that man's
daughter!.... No, a thousand times no; and you yourself, Dorsenne, with
your mania for paradoxes and sophisms, you have the right spirit in you,
and these people horrify you in reality, as they do me."
"Not the least in the world," replied the writer, who had listened to the
Marquis's tirade; with an unconvinced smile, he repeated: "Not the least
in the world.... You have spoken of me as an acrobat or an athlete.
I am not offended, because it is you, and because I know that you love
me dearly. Let me at least have the suppleness of one. First, before
passing judgment on a financial affair I shall wait until I understand
it. Hafner was acquitted. That is enough, for one thing. Were he even
the greatest rogue in the universe, that would not prevent his daughter
from being an angel, for another. As for that cosmopolitanism for which
you censure him, we do not agree there; it is just that which interests
me in him. Thirdly,.... I should not consider that I had lost the six
months spent in Rome, if I had met only him. Do not look at me as if I
were one of the patrons of the circus, Uncle Beuve, or poor Monsieur
Renan himself," he continued, tapping the Marquis's shoulder. "I swear
to you that I am very serious. Nothing interests me more than these
exceptions to the general rule--than those who have passed through two,
three, four phases of existence. Those individuals are my museum, and
you wish me to sacrifice to your scruples one of my finest subjects....
Moreover,"--and the malice of the remark he was about to make caused the
young man's eyes to sparkle "revile Baron Hafner as much as you like,"
he continued; "call him a thief and a snob, an intriguer and a knave,
if it pleases you. But as for being a person who does not know where his
ancestors lived, I reply, as did Bonhomet when he reached heaven and the
Lord said to him: 'Still a chimney-doctor, Bonhomet?'--'And you, Lord?'.
For you were born in Bourgogne, Monsieur de Montfanon, of an ancient
family, related to all the nobility-upon which I congratulate you--and
you have lived here in Rome for almost twenty-four years, in the
Cosmopolis which you revile."
"First of all," replied the Pope's former soldier, holding up his
mutilated arm, "I might say that I no longer count, I do not live.
And then," his face became inspired, and the depths of that narrow mind,
often blinded but very exalted, suddenly appeared, "and then, my Rome to
me, Monsieur, has nothing in common with that of Monsieur Hafner nor with
yours, since you are come, it seems, to pursue studies of moral
teratology. Rome to me is not Cosmopolis, as you say, it is Metropolis,
it is the mother of cities.... You forget that I am a Catholic in every
fibre, and that I am at home here. I am here because I am a monarchist,
because I believe in old France as you believe in the modern world; and I
serve her in my fashion, which is not very efficacious, but which is one
way, nevertheless.... The post of trustee of Saint Louis, which I
accepted from Corcelle, is to me my duty, and I will sustain it in the
best way in my power.... Ah! that ancient France, how one feels her
grandeur here, and what a part she is known to have had in Christianity!
It is that chord which I should like to have heard vibrate in a fluent
writer like you, and not eternally those paradoxes, those sophisms. But
what matters it to you who date from yesterday and who boast of it," he
added, almost sadly, "that in the most insignificant corners of this city
centuries of history abound? Does your heart blush at the sight of the
facade of the church of Saint-Louis, the salamander of Francois I and the
lilies? Do you know why the Rue Bargognona is called thus, and that near
by is Saint-Claudedes-Bourguignons, our church? Have you visited, you
who are from the Vosges, that of your province, Saint-Nicolas-des-
Lorrains? Do you know Saint-Yves-des-Bretons?"
"But," and here his voice assumed a gay accent, "I have thoroughly
charged into that rascal of a Hafner. I have laid him before you without
any hesitation. I have spoken to you as I feel, with all the fervor of
my heart, although it may seem sport to you. You will be punished, for
I shall not allow you to escape. I will take you to the France of other
days. You shall dine with me at noon, and between this and then we will
make the tour of those churches I have just named. During that time we
will go back one hundred and fifty years in the past, into that world in
which there were neither cosmopolites nor dilettantes. It is the old
world, but it is hardy, and the proof is that it has endured; while your
society-look where it is after one hundred years in France, in Italy,
in England--thanks to that detestable Gladstone, of whom pride has made a
second Nebuchadnezzar. It is like Russia, your society; according to the
only decent words of the obscene Diderot, 'rotten before mature!' Come,
will you go?"
"You are mistaken," replied the writer, "in thinking that. I do not love
your old France, but that does not prevent me from enjoying the new. One
can like wine and champagne at the same time. But I am not at liberty.
I must visit the exposition at Palais Castagna this morning."
"You will not do that," exclaimed impetuous Montfanon, whose severe face
again expressed one of those contrarieties which caused it to brighten
when he was with one of whom he was fond as he was of Dorsenne. "You
would not have gone to see the King assassinated in '93? The selling at
auction of the old dwelling of Pope Urban VII is almost as tragical! It
is the beginning of the agony of what was Roman nobility. I know. They
deserve it all, since they were not killed to the last man on the steps
of the Vatican when the Italians took the city. We should have done it,
we who had no popes among our grand-uncles, if we had not been busy
fighting elsewhere. But it is none the less pitiful to see the hammer of
the appraisers raised above a palace with which is connected centuries of
history. Upon my life, if I were Prince d'Ardea--if I had inherited the
blood, the house, the titles of the Castagnas, and if I thought I should
leave nothing behind me of that which my fathers had amassed--I swear to
you, Dorsenne, I should die of grief. And if you recall the fact that
the unhappy youth is a spoiled child of eight-and-twenty, surrounded by
flatterers, without parents, without friends, without counsellors, that
he risked his patrimony on the Bourse among thieves of the integrity of
Monsieur Hafner, that all the wealth collected by that succession of
popes, of cardinals, of warriors, of diplomatists, has served to enrich
ignoble men, you would think the occurrence too lamentable to have any
share in it, even as a spectator. Come, I will take you to Saint-
Claude."
"I assure you I am expected," replied Dorsenne, disengaging his arm,
which his despotic friend had already seized. "It is very strange that I
should meet you on the way, having the rendezvous I have. I, who dote on
contrasts, shall not have lost my morning. Have you the patience to
listen to the enumeration of the persons whom I shall join immediately?
It will not be very long, but do not interrupt me. You will be angry if
you will survive the blow I am about to give you. Ah, you do not wish to
call your Rome a Cosmopolis; then what do you say to the party with
which, in twenty minutes, I shall visit the ancient palace of Urban VII?
First of all, we have your beautiful enemy, Fanny Hafner, and her father,
the Baron, representing a little of Germany, a little of Austria, a
little of Italy and a little of Holland. For it seems the Baron's mother
was from Rotterdam. Do not interrupt. We shall have Countess Steno to
represent Venice, and her charming daughter, Alba, to represent a small
corner of Russia, for the Chronicle claims that she was the child, not of
the defunct Steno, but of Werekiew-Andre, you know, the one who killed
himself in Paris five or six years ago, by casting himself into the
Seine, not at all aristocratically, from the Pont de la Concorde. We
shall have the painter, the celebrated Lincoln Maitland, to represent
America. He is the lover of Steno, whom he stole from Gorka during the
latter's trip to Poland. We shall have the painter's wife, Lydia
Maitland, and her brother, Florent Chapron, to represent a little of
France, a little of America, and a little of Africa; for their
grandfather was the famous Colonel Chapron mentioned in the Memorial,
who, after 1815, became a planter in Alabama. That old soldier, without
any prejudices, had, by a mulattress, a son whom he recognized and to
whom he left--I do not know how many dollars. 'Inde' Lydia and Florent.
Do not interrupt, it is almost finished. We shall have, to represent
England, a Catholic wedded to a Pole, Madame Gorka, the wife of Boleslas,
and, lastly, Paris, in the form of your servant. It is now I who will
essay to drag you away, for were you to join our party, you, the feudal,
it would be complete.... Will you come?"
"Has the blow satisfied you?" asked Montfanon. "And the unhappy man has
talent," he exclaimed, talking of Dorsenne as if the latter were not
present, "and he has written ten pages on Rhodes which are worthy of
Chateaubriand, and he has received from God the noblest gifts--poetry,
wit, the sense of history; and in what society does he delight! But,
come, once for all, explain to me the pleasure which a man of your genius
can find in frequenting that international Bohemia, more or less gilded,
in which there is not one being who has standing or a history. I no
longer allude to that scoundrel Hafner and his daughter, since you have
for her, novelist that you are, the eyes of Monsieur Guerillot. But that
Countess Steno, who must be at least forty, who has a grown daughter,
should she not remain quietly in her palace at Venice, respectably,
bravely, instead of holding here that species of salon for transients,
through which pass all the libertines of Europe, instead of having lover
after lover, a Pole after a Russian, an American after a Pole? And that
Maitland, why did he not obey the only good sentiment with which his
compatriots are inspired, the aversion to negro blood, an aversion which
would prevent them from doing what he has done--from marrying an
octoroon? If the young woman knows of it, it is terrible, and if she
does not it is still more terrible. And Madame Gorka, that honest
creature, for I believe she is, and truly pious as well, who has not
observed for the past two years that her husband was the Countess's
lover, and who does not see, moreover, that it is now Maitland's turn.
And that poor Alba Steno, that child of twenty, whom they drag through
these improper intrigues! Why does not Florent Chapron put an end to the
adultery of her sister's husband? I know him. He once came to see me
with regard to a monument he was raising in Saint-Louis in memory of his
cousin. He respects the dead, that pleased me. But he is a dupe in this
sinister comedy at which you are assisting, you, who know all, while your
heart does not revolt."
"Pardon, pardon!" interrupted Dorsenne, "it is not a question of that.
You wander on and you forget what you have just asked me.... What
pleasure do I find in the human mosaic which I have detailed to you?
I will tell you, and we will not talk of the morals, if you please, when
we are simply dealing with the intellect. I do not pride myself on being
a judge of human nature, sir leaguer; I like to watch and to study it,
and among all the scenes it can present I know of none more suggestive,
more peculiar, and more modern than this: You are in a salon, at a
dining-table, at a party like that to which I am going this morning.
You are with ten persons who all speak the same language, are dressed
by the same tailor, have read the same morning paper, think the same
thoughts and feel the same sentiments.... But these persons are like
those I have just enumerated to you, creatures from very different points
of the world and of history. You study them with all that you know of
their origin and their heredity, and little by little beneath the varnish
of cosmopolitanism you discover their race, irresistible, indestructible
race! In the mistress of the house, very elegant, very cultured, for
example, a Madame Steno, you discover the descendant of the Doges, the
patrician of the fifteenth century, with the form of a queen, strength in
her passion and frankness in her incomparable immorality; while in a
Florent Chapron or a Lydia you discover the primitive slave, the black
hypnotized by the white, the unfreed being produced by centuries of
servitude; while in a Madame Gorka you recognize beneath her smiling
amiability the fanaticism of truth of the Puritans; beneath the artistic
refinement of a Lincoln Maitland you find the squatter, invincibly coarse
and robust; in Boleslas Gorka all the nervous irritability of the Slav,
which has ruined Poland. These lineaments of race are hardly visible in
the civilized person, who speaks three or four languages fluently, who
has lived in Paris, Nice, Florence, here, that same fashionable,
monotonous life. But when passion strikes its blow, when the man is
stirred to his inmost depths, then occurs the conflict of
characteristics, more surprising when the people thus brought together
have come from afar: And that is why," he concluded with a laugh, "I have
spent six months in Rome without hardly having seen a Roman, busy,
observing the little clan which is so revolting to you. It is probably
the twentieth I have studied, and I shall no doubt study twenty more, for
not one resembles another. Are you indulgently inclined toward me, now
that you have got even with me in making me hold forth at this corner,
like the hero of a Russian novel? Well, now adieu."
Montfanon had listened to the discourse with an inpenetrable air. In the
religious solitude in which he was awaiting the end, as he said, nothing
afforded him greater pleasure than the discussion of ideas. But he was
inspired by the enthusiasm of a man who feels with extreme ardor, and
when he was met by the partly ironical dilettanteism of Dorsenne he was
almost pained by it, so much the more so as the author and he had some
common theories, notably an extreme fancy for heredity and race. A sort
of discontented grimace distorted his expressive face. He clicked his
tongue in ill-humor, and said:
"One more question!.... And the result of all that, the object? To what
end does all this observation lead you?"
"To what should it lead me? To comprehend, as I have told you," replied
Dorsenne.
"And then?"
"There is no then," answered the young man, "one debauchery is like
another."
"But among the people whom you see living thus," said Montfanon, after a
pause, "there are some surely whom you like and whom you dislike, for
whom you entertain esteem and for whom you feel contempt? Have you not
thought that you have some duties toward them, that you can aid them in
leading better lives?"
"That," said Dorsenne, "is another subject which we will treat of some
other day, for I am afraid now of being late.... Adieu."
"Adieu," said the Marquis, with evident regret at parting. Then,
brusquely: "I do not know why I like you so much, for in the main you
incarnate one of those vices of mind which inspire me with the most
horror, that dilettanteism set in vogue by the disciples of Monsieur
Renan, and which is the very foundation of the decline. You will recover
from it, I hope. You are so young!" Then becoming again jovial and
mocking: "May you enjoy yourself in your descent of Courtille; I almost
forgot that I had a message to give to you for one of the supernumeraries
of your troop. Will you tell Gorka that I have dislodged the book for
which he asked me before his departure?"
"Gorka," replied Julien, "has been in Poland three months on family
business. I just told you how that trip cost him his mistress."
"What," said Montfanon, "in Poland? I saw him this morning as plainly as
I see you. He passed the Fountain du Triton in a cab. If I had not been
in such haste to reach Ribalta's in time to save the Montluc, I could
have stopped him, but we were both in too great a hurry."
"You are sure that Gorka is in Rome--Boleslas Gorka?" insisted Dorsenne.
"What is there surprising in that?" said Montfanon. "It is quite
natural that he should not wish to remain away long from a city where he
has left a wife and a mistress. I suppose your Slav and your Anglo-Saxon
have no prejudices, and that they share their Venetian with a
dilettanteism quite modern. It is cosmopolitan, indeed.... Well, once
more, adieu.... Deliver my message to him if you see him, and," his face
again expressed a childish malice, "do not fail to tell Mademoiselle
Hafner that her father's daughter will never, never have this volume.
It is not for intriguers!" And, laughing like a mischievous schoolboy,
he pressed the book more tightly under his arm, repeating: "She shall not
have it. Listen.... And tell her plainly. She shall not have it!"