Susanna was standing under the tree, gazing intently upwards; and she
was vehemently shaking her fist at its foliage, and making, from the
point of her lips, a sound, sibilant, explosive (something like
"Ts-s-s! Ts-s-s-s! Ts-s-s-s-s!"), that was clearly meant as an
intimidation. She had on a dark-blue frock, blue flannel I think,
plain to the verge of severity: a straight-falling jacket, a straight,
loose skirt: plain, but appropriate to the hour no doubt; and, instead
of a hat, she wore a scarf of black lace, draped over her black hair
mantilla-wise.
Anthony, glowing with a sense that he was in great luck, and trying to
think what practical step he should take to profit by it, watched her
for a minute before she caught sight of him. An obvious practical
step, she having evidently some trouble on her hands, might have been
to approach her with an offer of assistance. But if all who love are
poets, men near to love will be poets budding; and who was it said that
the obvious is the one thing a poet is incapable of seeing?
When, however, she did catch sight of him, abruptly, without
hesitation, she called him to her.
"Come here--come here at once," she called, and made an imperious
gesture. (I wonder whether she realised who he was, or thought no
further as yet, in her emergency, than just that here, providentially,
was a man who could help.)
Marvelling, palpitating, Anthony flew to obey.
"Look," said Susanna, breathlessly, pointing into the tree. "What is
one to do? He won't pay the slightest attention to me, and I have
nothing that I can throw."
She had, in her left hand, a small leather-bound book, apparently a
prayer-book, and, twisted round her wrist, a red-coral rosary; but I
suppose she would not have liked to throw either of these.
Bewildered a little by the suddenness with which the situation had come
to pass, but conscious, acutely, exultantly conscious of it as a
delectable situation,--exultantly conscious of her nearness to him, of
their solitude together, there in the privacy (as it were) of the
morning,--and tingling to the vibrations of her voice, to the freshness
and the warmth of her strong young beauty, Anthony was still able,
vaguely, half-mechanically, to lift his eyes, and look in the direction
whither she pointed. . .
The spectacle that met him banished immediately, for the moment, all
preoccupations personal.
On one of the lower of the flowering branches, but high enough to be
beyond arm's reach, or even cane's reach, in the crook of the bough,
crouched, making ready to spring, a big black cat, the tip of his tail
twitching with contained excitement, his yellow eyes fixed murderously
on the branch next above: where, in the agitation of supreme distress,
a chaffinch, a little grey hen-chaffinch, was hopping backwards and
forwards, sometimes rising a few inches into the air, but always
returning to the branch, and uttering a succession of terrified,
agonised, despairing tweets.
It was a hateful thing to see. It was the genius of cruelty made
manifest in a single intense tableau.
"Why does n't the bird fly away?" Susanna painfully questioned. She
was pale, and her lips were strained; she looked sick and hopeless.
"Is she fascinated? The cat will surely get her."
"No--her nest must be somewhere there--she is guarding her nestlings,"
said Anthony.
Then he raised his stick menacingly, and, in tones of stern command,
addressed the cat.
"Patapouf! I am ashamed of you. Come down--come down from there--come
down directly."
And he emphasised each staccato summons by a sharp rap of his stick
against the highest point of the tree that he could reach.
The cat turned his head, to look--and the spell was broken. His
attitude relaxed. Anthony put his hands on the tree, and made as if to
climb it. The cat gave a resigned shrug of the shoulders, and came
scrambling down. Next instant, (if you please), unabashed, tail erect,
back arched, he was rubbing his whiskers against Anthony's legs,
circling round them, s-shaping himself between them, and purring
conciliations, as who should say, "There, there. Though you _have_
spoiled sport, I won't quarrel with you, and I _am_ delighted to see
you." The bird, twittering, flew up, and disappeared in the higher
foliage.
Susanna breathed a deep sigh of relief.
"Oh, thank you, thank you," she said, with fervour. Then she shook her
finger, and frowned, at Patapouf. "Oh, you bad cat! You cruel cat!"
And raising eyes dark with reproach to Anthony's, "Yet he seems to be a
friend of yours?" she wondered. (By this time, of course, she must
have realised who he was. Very likely she had her emotions.)
Anthony, the bird in safety, could tingle anew to the deep notes of her
voice, could exult anew in their dual solitude.
"Yes," he acknowledged, "Patapouf is a friend of mine--he is even a
member of my household. You must try not to think too ill of him. He
really is n't half a bad sort at bottom. But he 's English, and he
lives in the country. So, a true English country gentleman, he has
perhaps an exaggerated passion for the pleasures of the chase--and when
questions touching them arise, seems simply to be devoid of the ethical
sense. He 's not a whit worse than his human neighbours--and he 's a
hundred times handsomer and more intelligent."
Susanna, smiling a little, looked down at Patapouf, and considered.
"He is certainly very handsome," she agreed. "And--Patapouf? I like
his name. I will not think too ill of him if he will promise never
again to try to catch a--a _fringuello_. I don't remember the English
for _fringuello_?"
Her glance and her inflection conveyed a request to be reminded.
But Anthony shook his head.
"And I shall at once proceed to forget it. _Fringuello_ is so much
prettier."
Susanna gave a light little trill of laughter.
"What a delicious laugh," thought he that heard it.
And, laughing, "But before it has quite gone from you, do, pray, for my
instruction, just pronounce it once," she pleaded.
"How extraordinarily becoming to her that mantilla is," he thought.
"How it sets off her hair and her complexion--how it brings out the
sparkle of her eyes."
Her fine black hair, curling softly about her brow, and rippling away,
under the soft black lace, in loose abundance; her warm, clear
complexion; the texture of her skin, firm and smooth, with tiny blue
veins faintly showing at the temples; her sparkling, spirited dark
eyes, their merriment, their alertness, their graver underglow; the
spirited, high carriage of her head; that dark-blue, simple,
appropriate frock; and then her figure, upright, nervous, energetic,
with its fluent lines, with its fragrance of youth and of
womanhood,--oh, he was acutely conscious of them, he was thrilled by
his deep sense of their nearness to him, alone there, in the wide sunny
circle of green landscape, in the seclusion of that unfrequented hour.
"The word comes back to me dimly," he said, "as--as something like
_finch_."
"Finch?" said Susanna. "Thank you very much. Ah, yes,"--with an air
of recalling it,--"_finch_, to be sure. You are right," she smiled,
"_fringuello_ is prettier."
"What an adorable mouth," thought he. "The red of it--the curves it
takes--and those incredible little white teeth, like snow shut in a
rose."
"And this is a morning meet for pretty words, is it not?" he suggested.
"It might strike an unprejudiced observer as rather a pretty morning."
"Oh, I should be less reticent," said Susanna. "If the unprejudiced
observer had his eyes open, would n't it strike him as a perfectly
lovely morning?"
"We must not run the risk of spoiling it," Anthony cautioned her,
diminishing his voice, "by praising it too warmly to its face."
She gave another light trill of laughter.
"Her laugh is like rainbow-tinted spray. It is a fountain-jet of
musical notes, each note a cut gem," thought the infatuated fellow.
"I trust," he hazarded, "that you will not condemn me for a swaggerer,
if I lay claim to share with you a singularity. The morning is a
morning like another. God is prodigal of lovely mornings. But we two
are singular in choosing to begin it at its sweeter end."
"Yes," Susanna assented, "that is a singularity--in England. But in
Italy, or in the part of Italy where my habits were formed, it is one
of our lazy customs. We like always to be abroad in time to enjoy what
we call 'the hours immaculate,'--_l'ure immacolae_, in our dialect."
"The hours immaculate? It is an uncommonly fine description," approved
Anthony. "They will be a race of poets in your part of Italy?"
The graver underglow in Susanna's eyes eclipsed, for an instant, their
dancing surface lights.
"They _were_ a race of poets," she said regretfully, "before they
learned how to read and write. But now, with the introduction of
popular education,"--she shook her head,--"the poetry is dying out."
"Ah," said Anthony, with a meaning flourish of his stick, "there it is.
The poetic spirit always dies at the advance of that ghastly fetich."
Then he spoke sententiously. "Popular education is a contrivance of
the devil, whereby he looks to extinguish every last saving grace from
the life of the populace. Not poetry only, but all good things and all
good feelings,--religion, reverence, courtesy,--sane contentment,
rational ambition,--the right sort of humility, the right sort of
pride,--they all go down before it: whilst, in the ignorance which it
disseminates, blasphemy, covetousness, bumptiousness, bad taste (and
bad art and bad literature, to gratify it), every form of
wrong-headedness and wrong-heartedness flourish like the seven plagues
of Egypt. But it was all inevitable from the day that meddling German
busybody invented printing--if not from the day his heathenish
precursor invented letters."
He delivered these sentiments with a good deal of warmth.
Susanna's eyes brightened. I am not sure there was n't a quick little
flash of raillery in their brightness.
"I would seem," she mused, "to have touched by accident upon a subject
that is near your heart."
Anthony threw up a deploring hand.
"There!" he grieved. "The subjects that are near my heart, it is the
study of my life to exclude from my conversation. But sometimes one
forgets oneself."
Susanna smiled,--a smile, perhaps, that implied a tacit memorandum and
reflection, a subdued, withheld, occult little smile. Again, I am not
sure it had n't its tinge of raillery.
"And since I _have_ forgotten myself," Anthony pursued, "I wonder
whether you will bear with me if I continue to do so twenty seconds
longer?"
"Oh, I beg of you," Susanna politely hastened to accede.
"There is another subject equally near my heart," said he.
Her eyes were full of expectancy.
"Yes--?" she encouraged him.
"I was disappointed not to find you at home when I called yesterday,"
said he. "I rejoice for a hundred reasons that chance has led to our
meeting this morning. Not to mention ninety-nine of them, I am anxious
to discharge, with as little loss of time as may be, the very onerous
debt I owe you."
Susanna opened her eyes, in puzzlement.
"A debt? I am your creditor unawares."
"My debt of apologies and condolences," he explained.
She knitted her brows, in mental effort.
"I am ignorant alike of my grievance and of your offence," she said.
"I am deeply sensible of your magnanimity," said he; "but I will not
abuse it. They have let you the ugliest house in the United Kingdom;
and, as the owner, the ultimate responsibility must come home to me."
"Oh," cried Susanna.
It was a gay, treble little cry, that told him he had been fortunate
enough to amuse as well as to surprise her. She shook her head, while
her eyes were liquid with mirth.
"The house is ugly?" she enquired. "I have read of it as 'a vast and
imposing edifice in the style of the Renaissance.'"
"As a confessor of the True Faith," Anthony warned her, "you must never
believe what you read in the _County History_. It was compiled by a
Protestant clergyman; it teems with misinformation; it ought to be
placed upon the Index. The house in question is a vast and pompous
contiguity of stucco, in the style of 1830. It looks like a Riviera
hotel a good deal run to seed. It looks like a shabby relation of
Buckingham Palace. It looks like a barrack decorated with the
discoloured trimmings of a bride-cake."
"Ah, well, be it so," consented Susanna. "The house is ugly--but it is
comfortable. And, in any case, your conscience is too sensitive. The
ultimate responsibility for my having taken it comes home to no one,
unless--well, to be strictly just, unless to a grandfather of mine, who
has been dead these many long years."
Which pronouncement may very possibly have struck her listener as
enigmatic. But I daresay he felt that he scarcely knew her well enough
to press for an elucidation. And, anyhow, without pause, she went on--
"Besides, everything else--the park, the country--is beyond words
beautiful."
"Yes," acquiesced Anthony, "the country is beautiful, at this season.
That's why everyone abandons it, and scuttles up to town."
Susanna's face lighted, with interest.
"Indeed? Is _that_ the reason? I had observed the fact, but I was at
a loss to think what the reason for it could be."
"No," said Anthony, eating his words, "that is not the reason. It were
base to deceive you. A normally-constituted Englishman no more objects
to beauty, than a deep-sea fish objects to dry weather or the
income-tax. He abandons the country during the three pleasantest
months of the year, not because it is beautiful, for he is sublimely
unconscious that it's beautiful, but because, during those months, in
the country, there's nothing that he can course, hunt, or shoot."
Susanna pondered.
"I see," she said. "And is--is there anything that he can course,
hunt, or shoot in town?"
"Not exactly," Anthony admitted. "But there are people--to whom he can
do the next best thing. There are people whom he can bore. It is an
interim sport. It is an annual national tournament. The good knights
flock together from the four corners of England, to tilt at one
another, and try who shall approve himself the most indefatigable, the
most indomitable bore."
Susanna gazed dreamily at the distance for a moment. Then, with sudden
actuality, "Apropos of interim sports," she demanded, "what are you
going to do about that cat of yours?" A movement of her head indicated
Patapouf.
Hovering near them, Patapouf was busy with a game of
make-believe--pretending that the longish grass was a jungle, and
himself a tiger, stalking I know not what visionary prey: now gingerly,
with slow calculated liftings and down-puttings of his feet, stealing a
silent march; now, flat on his belly, rapidly creeping forward; now
halting, recoiling, masking himself behind some inequality of the
ground, peering warily over it, while his tail swayed responsive to the
eager activity of his brain; and now, having computed the range to a
nicety, his haunches wagging, now, with a leap all grace and
ruthlessness,--a flash of blackness through the air,--springing upon
the creature of his fancy.
Susanna and Anthony watched him for a little without speaking.
"You can't deny that he has imagination," said Anthony, at length,
turning towards her.
"He is beautiful and clever," said Susanna, "I could wish he were as
virtuous. This, of course, is sheer play-acting. He 's simply waiting
till our backs are turned, to renew his designs upon the bird's nest."
"When I turn my back I 'll carry him with me," Anthony answered. But
in his soul he said: "What 's the good of telling her that that will
only be to defer the evil moment? Of course he has marked the tree.
He will come back to it at his leisure."
"I beg your pardon," said Susanna. "That will merely be to put the
evil off. The cat certainly knows the tree. Directly he 's at
liberty, he will come back."
"Oh--?" faltered Anthony, a trifle disconcerted. "Oh? Do--do you
think so?"
"Yes," she said. "There 's not a doubt of it. But I am acquainted
with a discipline, which, if I have your sanction to apply it, will
unnerve Monsieur Patapouf, so far as this particular tree is concerned,
until the end of time. Cats have a very high sense of their personal
freedom--they hate to be tied up. Well, if we tie Monsieur Patapouf to
this tree, so that he can't get away, and leave him alone here for an
hour or two, he will conceive such a distaste for everything connected
with this tree that he will never voluntarily come within speaking
distance of it again."
"Really? That seems very ingenious," commented Anthony.
"'T is an old wives' remedy," said Susanna. "You don't happen to have
such a thing as a piece of string in your pocket? It does n't matter.
But you have a penknife? Thank you. Now please catch your cat."
Anthony called Patapouf, exerting those blandishments one must exert
who would coax a hesitating cat.
Patapouf, by a series of étapes and délours, approached, and was
secured.
Susanna, meanwhile, having laid her rosary and prayer-book on the
grass, unbuttoned her blue flannel jacket, and removed from round her
waist, where it was doing duty as a belt, a broad band of
cherry-coloured ribbon. This, with Anthony's penknife, she slitted and
ripped several times lengthwise, till she had obtained a yard or two of
practicable tether.
"Now, first, we must make him a collar," she said, measuring off what
she deemed ribbon sufficient for that purpose.
Anthony held Patapouf, who, flattered by their attentions, and
unsuspicious of their ulterior aim, submitted quietly, while Susanna
adjusted the collar to his neck. They had to stand rather close
together during this process; I am not sure that sometimes their
fingers did n't touch. From Susanna's garments--from her hair?--rose
never so faint a perfume, like the perfume of violets. I am quite sure
that Anthony's heart was in a commotion.
"There," she remarked, finishing the collar with a bow, and bestowing
upon the bow a little tap of approbation; "red and black--it's very
becoming to him, is n't it?"
Then she tied Patapouf to the tree, leaving him, in charity, perhaps
twice his own length of tether free, and resumed possession of her book
and beads.
An instant later, she had slightly inclined her head, smiled a good-bye
into Anthony's eyes, and was moving briskly away, in the direction of
Craford New Manor.