called Black Hellebore, from the colour of its roots, and Melampodium,
in honour of Melampus, a learned physician who flourished at Pylos, in
Peloponnesus, 1530 years before the birth of Christ. Melampus travelled
into Egypt, then the seat of science, in order to study the healing
art, and there he became acquainted with the cathartic qualities of
the Hellebore, by noticing the effect it had upon some goats which
had fed upon the herb. He afterwards cured with Hellebore the mental
derangement of the daughters of Prœtus, King of Argos--ancient writers
affirm by causing the princesses to bathe in a cold fountain after
taking the drug; but according to Pliny, by prescribing the milk
of goats which had eaten this vegetable. From this circumstance,
Hellebore became celebrated as a medicine, and was speedily regarded
with superstitious reverence by the ignorant populace. Thus, Black
Hellebore was used to purify houses, and to hallow dwellings, and the
ancients entertained the belief that by strewing or perfuming their
apartments with this plant, they drove away evil spirits. This ceremony
was performed with great devotion, and accompanied with the singing
of solemn hymns. In similar manner, they blessed their cattle with
Hellebore, to keep them free from the spells of the wicked: for these
purposes it was dug up with certain attendant mystic rites; the devotee
first drawing a circle round the plant with a sword, and then, turning
to the east, offering a prayer to Apollo and Æsculapius, for leave to
dig up the root. The flight of the eagle was anxiously watched during
the performance of these rites, for if the bird approached the spot,
it was considered so ominous as to predict the certain death of the
persons who took up the plant, in the course of the year. In digging
up the roots of certain species of Hellebore, it was thought necessary
to eat Garlic previously, to counteract the poisonous effluvia of
the plant. Yet the root was eventually dried and pounded to dust, in
which state it was taken in the manner of snuff.----R. Turner, writing
in 1663, says that at that time Hellebore was thought to cure such
as seemed to be possessed with the Devil, and therefore was by some
called _Fuga Dæmonum_.----The ancient Gauls are said to have invariably
rubbed the points of their arrows with Hellebore, believing that it
rendered all the game killed with them more tender.----Hellebore in
ancient times was considered a certain antidote against madness. In
his ‘Anatomy of Melancholy,’ Burton introduces the Hellebore among the
emblematical figures of his frontispiece, with the following lines:--
“Borage and Hellebore fill two scenes,
Sovereign plants to purge the veins
Of melancholy, and cheer the heart
Of those black fumes which make it smart;
To clear the brain of misty fogs,
Which dull our senses, and soul clogs;
The best medicine that e’er God made
For this malady, if well assaid.”
Hellebore formerly grew in great abundance on the Island of Anticyra,
in the Gulf of Corinth: hence _Naviga ad Anticyram_ was a common
proverb applied to hypochondriacal persons.----Pausanias tells us
that when the Cirrhæans besieged Athens, Solon recommended that
Hellebore should be thrown in the river Plistus: this was done, and the
Cirrhæans, from drinking the water, were so powerfully attacked with
dysentery, that they were forced to abandon the siege.----The Hellebore
has long been considered a plant of evil omen, growing in dark and
lonely places. Thus Campbell says of it:--
“By the witches’ tower,
Where Hellebore and Hemlock seem to weave
Round its dark vaults a melancholy bower
For spirits of the dead at night’s enchanted hour.”
The plant, with certain accompanying exorcisms, was reputed to be
efficacious in cases of deafness caused by witchcraft. In Tuscany,
the peasantry divine the harvest from the appearance of the
Hellebore-plant. If it has four tufts, it will be good; if three,
mediocre; if two, bad.----Astrologers say that Hellebore is a herb of
Saturn.
=HELMET-FLOWER.=--The _Scutellaria_, or Skull-cap flower, is generally
known by the name of the Helmet-flower, the blossoms being shaped
similar to those of the Snap-Dragon. It is used in curing the tertian
ague.
=HEMLOCK.=--The common Hemlock (_Conium maculatum_) is described
by Dioscorides as a very evil, dangerous, hurtful, and poisonous
herb, “insomuch that whosoever taketh of it into his body dieth
remediless, except the party drank some wine before the venom hath
taken the heart.” It is the _Coneion_ of the ancients: that deadly
poison distilled from the juices of the Hemlock, that was drunk by
Socrates, Theramenes, and Phocion--the fatal drug given to him whom
the Areopagus had condemned to death--the unfailing potion gulped down
by ancient philosophers, who were weary of their lives, and dreaded
the infirmities of old age. Resolved on their fate, these men crowned
themselves with garlands, and with a smile upon their lips tossed off
the fatal _Coneion_--dying respected by their countrymen for their
fortitude and heroism.----The Hemlock is one of the deadly poisons
that kills by its cold quality. Hence Pliny tells us that serpents fly
from its leaves, because they also chill to the death: on this account
probably it has been called _Herba benedicta_, or Herb Bennett.----The
Eleusinian priests, who were required to remain chaste all their lives,
were wont to rub themselves with Hemlock.----In Russia, the Hemlock
under the name of _Beh_, is looked upon as a Satanic herb; and in
Germany, it is regarded as a funereal plant, and as a representative of
the vegetation of the infernal regions. In England, it was a favourite
plant of the witches, gathered by them for use in their potions and
hell-broths: it is still considered a plant of ill-omen, growing among
ruins and in waste places, and being unsavoury and offensive to the
senses.
“By the witches’ tower,
Where Hellebore and Hemlock seem to weave
Round its dark vaults a melancholy bower
For spirits of the dead at night’s enchanted hour.”
The Hebrew prophet Hosea says of this sinister plant: “Judgment
springeth up as Hemlock in the furrows of the field.”----At the end
of Summer the dead stalks of the Hemlock rattle in the wind, and are
called by country folk Kecksies, an old English word applied to the dry
hollow stalks of umbelliferous plants. Formerly the Hemlock was called
Kex.----Astrologers assign the plant to Saturn.
=HEMP.=--Herodotus speaks of Hemp (_Cannabis sativa_) as a novelty in
his time, lately introduced into Thrace from Scythia.----A curious
prophecy relating to English kings and queens, and the prosperity of
England, has been preserved by Lord Bacon, who heard of it when Queen
Elizabeth was “in the flower of her age”:--
“When Hempe is spun,
England’s done.”
“Whereby it was generally conceived that, after the princes had
reigned, which had the principal letters of that word Hempe (which
were Henry, Edward, Mary, Philip, and Elizabeth), England should come
to utter confusion, which is verified in the change of the name; for
that the king’s style is now no more of England, but of Britain.”----In
some parts of the country, on Midsummer Eve, but in Derbyshire on St.
Valentine’s Eve, as the clock strikes twelve, young women desirous
of knowing their future husbands go into a churchyard, and run round
the church, scattering Hemp-seed, and repeating the while, without
stopping, these lines:--
“I sow Hemp-seed: Hemp-seed I sow:
He that loves me the best
Come after me and mow.”
The sowing of Hemp-seed is performed by maidens, at midnight, on
Midsummer Eve in Cornwall, on St. Martin’s night in Norfolk, and on All
Hallow Eve in Scotland; the incantation being completed by the recital
of the following or similar lines:--
“Hemp-seed I sow thee,
Hemp-seed grow thee:
And he who will my true-love be
Come after me and show thee.”
The figure of the girl’s lover, it is then supposed, will appear and
run after her. In the poem of ‘The Cottage Girl,’ the rite of sowing
Hemp-seed is thus described:--
“To issue from beneath the thatch,
With trembling hand she lifts the latch,
And steps, as creaks the feeble door,
With cautious feet the threshold o’er;
Lest, stumbling on the horseshoe dim,
Dire spells unsinew ev’ry limb.
“Lo! shudd’ring at the solemn deed,
She scatters round the magic seed,
And _thrice repeats_, ‘The seed I sow,
My true-love’s scythe the crop shall mow.’
Straight, as her frame fresh horrors freeze,
Her true love with his scythe she sees.
“And next, she seeks the Yew-tree shade,
Where he who died for love is laid;
There binds, upon the verdant sod
By many a moonlight fairy trod,
The Cowslip and the Lily-wreath
She wove her Hawthorn hedge beneath;
And whisp’ring, ‘Ah! may Colin prove
As constant as thou wast to love!’
Kisses, with pale lip full of dread,
The turf that hides his clay-cold head!”
Perhaps the origin of this custom of Hemp-sowing is the fact that from
Hemp is made cord, which is used to bind, attach, or secure an object.
The Sicilians, indeed, employ Hemp as a charm to secure the affection
of those they love. De Gubernatis tells us that, on Friday (the day
consecrated to the remembrance of our Lord’s Passion), they take a
Hempen thread, and twenty-five needlefuls of coloured silk; and at
midnight they plait this, saying:
“_Chistu è cánnava di Christu,
Servi pi attaccari a chistu._”
Forthwith they go to the church with the plait in their hands, and
enter at the moment of the Consecration: then they tie three knots in
the plait, previously adding a little of the hair of the loved one;
after which they invoke all evil spirits to entice the person beloved
towards the person who craves his or her love.----In Piedmont, there
is a belief that Hemp spun on the last day of Carnival will bring bad
luck. On that day, in some districts, the following ceremony is gone
through to divine what sort of Hemp crop may be expected:--A bonfire
is lighted, and the direction of the flames is attentively watched: if
the flames mount straight upwards, the crop will be good; but if they
incline either way, it will be bad.----In the Côtes-du-Nord, France,
there is a belief that Hemp enrages those who have been bitten by dogs.
When fowls eat Hemp-seed, they cease to lay, and commence to sit. It is
customary to leave the finest sprig of Hemp, that the bird St. Martin
may be able to rest on it.----The Egyptians prepare an intoxicating
substance from Hemp, called _Hashîsh_. This they roll into balls the
size of a Chesnut, and after having swallowed a few of these, they
experience ecstatic visions.----The Arabians concoct a preparation of
Hemp, which produces the most varied hallucinations, so that those who
are intoxicated by it imagine that they are flying, or that they are
changed into a statue, that their head is cut off, that their limbs
stretch out to immense lengths, or that they can see, even through
stone walls, “the colour of the thoughts of others” and the words of
their neighbours.----In the Chinese _Liao chai chih ye_ (A.D. 60-70),
it is recorded that two friends wandering among the mountains culling
simples, find at a fairy bridge two lovely maidens guarding it; at
their invitation, the two friends cross this “azure bridge” and are
regaled with Huma (Hemp--the Chinese _Hashîsh_); forthwith they fall
deeply in love with their hostesses, and spend with them in the Jasper
City what appears to them a few blissful days: at length, becoming
home-sick, they return, to find that seven generations have passed,
and that they have become centenarians.----To dream of Hemp betokens
ill-luck.----Astrologers assign Hemp to the rule of Saturn.
=HENBANE.=--There are two species of Henbane (_Hyoscyamus_), the black
and the white: the black or common Henbane grows on waste land by
roadsides, and bears pale, woolly, clammy leaves, with venomous-looking
cream-coloured flowers, and has a fœtid smell. Pliny calls this black
Henbane a plant of ill omen, employed in funeral repasts, and scattered
on tombs. The ancients thought that sterility was the result of eating
this sinister plant, and that babes at the breast were seized with
convulsions if the mother had partaken of it.----Henbane was called
_Insana_, and was believed to render anyone eating it stupid and
drowsy: it was also known as _Alterculum_, because those that had
partaken of it became light-headed and quarrelsome.----According to
Plutarch, the dead were crowned with chaplets of Henbane, and their
tombs decorated with the baneful plant, which, for some unknown reason,
was also employed to form the chaplets of victors at the Olympic games.
Hercules is sometimes represented with a crown of Henbane. Priests
were forbidden to eat Henbane, but the horses of Juno fed on it; and
to this day, on the Continent, Henbane is prescribed for certain
equine disorders.----Albertus Magnus calls Henbane the sixth herb of
Jupiter, and recommends it especially for liver complaints.----In
Sanscrit, Henbane is called _Aj’amoda_, or Goat’s Joy. Both sheep and
goats will eat the plant sparingly, but swine are said really to like
it, and in England it is well known as Hog’s Bean.----In Piedmont,
there is a tradition that if a hare be sprinkled with Henbane juice,
all the hares in the neighbourhood will run away. They also have
a saying, when a mad dog dies, that he has tasted Henbane.----In
Germany, there is a superstitious belief that Henbane will attract
rain.----The English name of Henbane was given to the plant on account
of the baneful effects of its seed upon poultry, for, according to
Matthiolus, birds that have eaten the seeds perish soon after, as do
fishes also.----Anodyne necklaces, made of pieces of this root, are
sometimes worn by infants to facilitate teething, and the leaves are
smoked by country people to allay toothache. Gerarde says, “The root
boiled with vinegre, and the same holden hot in the mouth, easeth the
pain of the teeth. The seed is used by mountebank tooth-drawers, which
run about the country, to cause worms to come forth of the teeth, by
burning it in a chafing-dish of coles, the party holding his mouth over
the fume thereof; but some crafty companions, to gain money, convey
small lute-strings into the water, persuading the patient that those
small creepers came out of his mouth or other parts which he intended
to cure.”----The plant was one of those sought for by witches, and used
in their potions.
“And I ha’ been plucking plants among
Hemlock, Henbane, Adder’s-tongue.”--_Ben Jonson._
Astrologers place Henbane under the rule of Saturn.
=HENNA.=--In the Canticles, the royal poet says: “My beloved is unto
me as a cluster of Camphire in the vineyards of Engedi.” The Camphire
mentioned here, and in other parts of Scripture, is the same shrub
which the Arabs call Henna (_Lawsonia inermis_), the leaves of which
are still used by women in the East to impart a ruddy tint to the
palms of their hands and the soles of their feet. Throughout Egypt,
India, Persia, Arabia, and Greece, it is held in universal estimation
for its beauty and sweet perfume. Mohammed pronounced it the chief of
the sweet-scented flowers of this world and of the next. In Egypt,
the flowers are sold in the street, the vendor calling out as he
proceeds--“O, odours of Paradise! O flowers of the Henna!” The Egyptian
women obtain from the powdered leaves a paste, with which they stain
their fingers and feet an orange colour that will last for several
weeks. This they esteem an ornament. Gerarde describes the Henna, or
Henne-bush, as a kind of Privet, which in his day grew in Syria near
the city Ascalon, and he says “Bellonius writeth that not onely the
haire, but also the nether parts of man’s body, and nailes likewise,
are colored and died herewith, which is counted an ornament among the
Turks.”----The Hindus call the Henna-flower _Mindi_, and the females,
like the Egyptians, employ it to colour their nails, fingers, and the
soles of their feet an orange hue. The miraculous stone, which they
call _Gauri_, or _Parvati_, received its name and its ruddy colour
from being touched by the foot of the divine wife of Siva, which had
previously been stained with the juice of _Mindi_. Henna-flowers
are of a pale yellow tint, and emit a sweet perfume; they are made
into garlands by the Hindus, and offered to travellers in official
ceremonies; thus we read that at the reception of M. Rousselet by the
King of Gwalior, the ceremony concluded by the guests being decked with
garlands of Henna-flowers, placed around their necks and hands. An
extract prepared from these flowers is employed in religious ceremonies.
=HERB BENNETT.=--The Avens, Herb Bennett, or _Herba Benedicta_ (_Geum
urbanum_), occurs as an architectural decoration towards the end of the
thirteenth century, and is found associated with old church paintings.
The Holy Trinity and the five wounds of our Lord are thought to be
symbolised in its trefoiled leaf and the five golden petals of its
blossom. The flower has several rural names, such as Star of the Earth,
Goldy-flower, and Blessed Herb (a translation of the Latin _Herba
Benedicta_, of which Herb Bennett is simply a corruption). This last
name was given to it from an ancient belief that when the root is in
the house, the Devil is powerless and flies from it; wherefore it was
considered blessed above all herbs. Herb Bennett was also reported
to be hostile to all venomous beasts: if grown in a garden, no such
creature would approach within scent of it, and the root carried
about the person of any man ensured his immunity from the attacks of
monsters or reptiles.----Formerly, the appellation _Herba Benedicta_,
was applied not only to the Avens, but also to the Hemlock and the
Valerian. Dr. Prior remarks that “in point of fact the proper name of
these plants was not _Herba Benedicta_, but _Sti. Benedicti herba_, St.
Benedict’s herb (German, _Sanct Benedicten-kraut_), and was assigned to
such as were supposed to be antidotes, in allusion to a legend of St.
Benedict, which represents that, upon his blessing a cup of poisoned
wine which a monk had given to destroy him, the glass was shivered to
pieces.”----By astrologers, Avens is deemed a herb of Jupiter.
=HERB CARPENTER.=--The _Prunella vulgaris_, from its efficacy in
healing wounds inflicted by chisels, sickles, and other sharp
instruments used by working-men, was formerly known as Herb Carpenter,
Sickle-wood, and Hook-weed, as well as by the name it is still called
by--Self-heal.----It is a herb of Venus.
=HERB CHRISTOPHER.=--The name of Herb Christopher is applied by Gerarde
to a species of Aconite, and to the Osmund Fern. Parkinson gives the
Baneberry the same title.
=HERB GERARD.=--Aishweed, Gout-wort, or Herb Gerard (_Ægopodium
Podagraria_), was named after St. Gerard, who used to be invoked
against the gout, a disease for which this plant was highly esteemed as
a remedy.
HERB IMPIOUS.--See Everlasting Flower.
=HERB MARGARET.=--The Daisy (_Bellis perennis_) was also formerly
called _Herba Margarita_, Herb Margaret, or Marguerite (French).
The flower is erroneously supposed to have been named after the
virtuous St. Margaret of Antioch, “Maid Margarete, that was so meeke
and milde”--who was invoked because in her martyrdom she prayed for
lying-in women; whereas it derives its name from St. Margaret of
Cortona. (See MARGUERITE).
HERB OF GRACE.--See Rue.
=HERB OF THE CROSS.=--In Brittany, the Vervain (_Verbena officinalis_)
is called the Herb of the Cross, and is supposed to be endowed with
remarkable healing qualities. J. White (1624) writes thus of it:--
“Hallow’d be thou, Vervain, as thou growest in the ground,
For on the Mount of Calvary thou first was found.
Thou healedst our Saviour Jesus Christ,
And staunchedst His bleeding wound.
In the name of Father, Son, and Holy Ghost,
I take thee from the ground.”
In the Flax-fields of Flanders, a plant is found called the
_Roodselken_, the crimson spots on the leaves of which betoken the
Divine blood which trickled on it from the Cross, and the stain of
which neither snow nor rain has ever been able to wash off.----In
Palestine, the red Anemone is called “Christ’s Blood-drops,” from
the belief that the flower grew on Mount Calvary. In Cheshire, the
_Orchis maculata_, which is there called Gethsemane, is supposed to
have sprung up at the foot of the Cross. The Milk-wort, Gang-flower,
or Rogation-flower (_Polygala vulgaris_) is called the Cross-flower
from its blooming in Passion week. The _Galium cruciatum_ is called
Cross-wort because its leaves are placed in the form of a cross.
The early Italian painters, in their paintings of the Crucifixion,
introduced the Wood-Sorrel (_Oxalis acetosella_), probably from its
triple leaf symbolising the Trinity. The four-leaved Clover is an
emblem of the Cross. All cruciform flowers are of good and happy
augury, having been marked with the sign of the Cross.
=HERB PARIS.=--The narcotic plant called One-berry, Herb True-love,
or Herb Paris (_Paris quadrifolia_), has obtained the latter name
from the Latin _Herba paris_ (Herb of a pair--of a betrothed couple),
in allusion to the four broad leaves which proceed from the top of
its stalk, and form a cross; being, as Gerarde says, “directly set
one against another in manner of a Burgundian Crosse or True-love
knot: for which cause among the antients it hath been called Herbe
True-love.” Herb Paris bears flowers of a palish green--a colour
always suggestive of lurking poison. Every part of the herb contains
a poisonous principle, but the leaves and berries were formerly used
to expel poisons, especially Aconite, as well as the plague and other
pestilential diseases. Matthiolus says that “the chymical oil of the
black berries is effectual for all diseases of the eyes, so that it is
called _Anima oculorum_.”----The herb is under the dominion of Venus.
=HERB PETER.=--The Cowslip (_Primula veris_), the _Schlüsselblume_ of
the Germans, has obtained the name of Herb Peter from its resemblance
to the badge of St. Peter--a bunch of keys.
=HERB ROBERT.=--The species of Crane’s Bill called Herb Robert
(_Geranium Robertianum_) is thought to have derived its name from
the fact that it was employed in Germany to cure a disease known as
_Ruprechts-Plage_, from Robert, Duke of Normandy: hence its old Dutch
names of _Ruprechts-kraut_ and _Robrechts-kraut_. The Church, however,
connects Herb Robert with St. Robert, Abbot of Molesme, in the eleventh
century.----In olden times, the plant was used as a vulnerary; in
Wales, it is believed to be a remedy for gout; and in most country
places, it is considered efficacious as an insecticide.----Herb Robert
is under the rule of Venus.
=HERB ST. BARBARA.=--Herb St. Barbara, or St. Barbara’s Cress
(_Barbarea vulgaris_), was so called from its growing and being eaten
in the Winter, about the time of St. Barbara’s Day--December 4th, old
style.
HERB TRINITY.--See Pansy.
=HERB TWOPENCE.=--The Money-wort, or Creeping Loosestrife (_Lysimachia
nummularia_), obtained the name of Two-penny Grass, or Herb Twopence,
from its circular leaves, which are arranged in pairs, resembling money
in their form. The plant was formerly also called _Serpentaria_, from
a belief that if serpents were hurt or wounded, they healed themselves
with this herb. It was highly esteemed as a vulnerary.----Astrologers
assign the herb to Venus.
=HERB WILLIAM.=--Bishop’s Weed, or Ameos (_Ammi majus_), is said by
Gerarde to be called by some Bull-wort (Pool-wort) and Herb William,
but he does not give any reason for the name. The plant, according
to the old herbalist, was noted for its efficacy, when applied with
honey, in removing “blacke and blewe spots which come of stripes.” Its
seed was good “to bee drunken in wine against the biting of all manner
of venomous beasts, and hath power against all manner of poyson and
pestilent fevers, or the plague.”----It is under the dominion of Venus.
=HOLLY.=--The Holly or Holme (_Ilex Aquifolium_) derives its name from
the Anglo-Saxon _Holegn_, whilst another ancient designation, Hulver,
or as Chaucer wrote it, Hulfeere, has been taken from the old Norse
_Hulfr_. From the use made of its branches in decorating churches at
Christmas time, the monks, by an easy corruption, bestowed on the Holly
the designation of the Holy-tree.----The disciples of Zoroaster, or
Fire Worshippers, believe that the Holly-tree casts no shadow, and
both in Persia and India they employ an infusion of its leaves for
several purposes connected with their religious observances. They
also sprinkle the face of a newly-born child with water impregnated
with Holly-bark.---Pliny states that if the Holly, or Hulver-tree,
be planted about a house, it will keep away all malign spells and
enchantments, and defend the house from lightning. He also, among other
marvels, relates that the flowers of the Holly would freeze water, and
would repel poison, and that if a staff of its wood were thrown to any
animal, even if it did not touch him, it would so influence the animal
as to cause him to lie down beside it.----The custom of decorating
houses and churches with Holly at Christmas is probably derived from
the Romans, who were wont to send boughs to their friends during the
festival of the Saturnalia, which occurred about the same period, and
the Oaks being then bare of leaves, the priests obliged the people to
bring in boughs of Holly and Evergreens. There is little doubt that
the early Roman Christians, disregarding the church’s interdiction,
introduced the heathen practice of decorating their houses with Holly,
and in course of time connected it with their own faith.----There is
an old English superstition that elves and fairies join the social
gatherings at Christmas, and this led to branches being hung up in hall
and bower in order that the fays might “hang in each leaf, and cling
on every bough during that sacred time when spirits have no power to
harm.”----This Evergreen “Christmas” should be taken down on Candlemas
Eve. Herrick says:--
“Down with the Holly and Ivy all
Wherewith ye deck the Christmas hall;
So that the superstitious find
No one least branch there left behind;
For look how many leaves there be
Neglected there--maids ’tend to me--
So many goblins ye shall see.”
De Gubernatis tells us, that in certain parts of France, in
Switzerland, at Bologna, and in other Continental countries, there is
an old custom extant of cutting branches of Holly on Christmas Eve,
and hanging them in houses and stables, in the hope of driving away
evil spirits and witchcraft. As the Holly-leaf is prickly, it repulses
and drives away enemies. An English mediæval ballad illustrates this
custom:--
“Her commys Holly, that is so gent,
To please all men is his intent. Alleluia!
But lord and lady of this hall,
Who so ever ageynst Holly call. Alleluia!
Who so ever ageynst Holly do crye,
In a lepe shall he hang full hie. Alleluia!
Who so ever ageynst Holly do syng,
He maye wepe and handys wryng. Alleluia!”
In Germany, Holly is _Christdorn_--the Thorn woven into the crown
placed on our Saviour’s head at the Crucifixion.----Witches are reputed
to detest Holly: in its name they see but another form of the word
“holy,” and its thorny foliage and blood-red berries are suggestive
of the most Christian associations.----In Northumberland, Holly is
employed in a form of divination. There the prickly variety is called
He-Holly, and the smooth, She-Holly. It is the leaves of the latter
only that are deemed proper for divining purposes. These smooth leaves
must be plucked late on a Friday, by persons careful to preserve an
unbroken silence from the time they go out to the dawn of the following
morn. The leaves must be collected in a three-cornered handkerchief,
and on being brought home, nine of them must be selected, tied with
nine knots into the handkerchief, and placed beneath the pillow. Then,
sleep being obtained, dreams worthy of all credit will attend this
rite. In another form of divination, a maiden places three pails of
water on her bedroom floor, then pins to her night-dress, opposite her
heart, three leaves of green Holly, and so retires to rest. She will
be aroused from her first sleep by three terrible yells, followed by
three horse-laughs, after which the form of her future husband will
appear. If he is deeply attached to her, he will change the position of
the water pails; if not, he will glide from the room without touching
them. This spell is only effectual when performed on All Hallowe’en,
Christmas Eve, New Year’s Eve, and Beltane, or Midsummer Eve.----Holly
is under the dominion of Saturn.
=HOLY PLANTS.=--In England, the _Angelica sylvestris_, for its
“angel-like properties,” was, says Parkinson, called Holy Ghost; the
Vervain is the Holy Herb, from its use on ancient altars; the Holly
was called by the monks of old Holy-tree; and the Hollyhock, Holy Hoke
or Hock (an old name for Mallow); the _Anastatica Hierochuntina_ is
the Holy Rose of Jericho; the Lucern (_Medicago sativa_) is Holy Hay;
the _Holcus odoratus_ is the Northern Holy Grass; the _Hierochloe
borealis_, the German Holy Grass; the Hemp Agrimony (_Eupatorium
cannabinum_) is Holy Rope, so called from its Hemp-like leaves
betokening the rope with which the Saviour was bound; the seed of
Wormwood is Holy Seed (_Semen sanctum_); and _Carduus benedictus_ is
the Holy Thistle.
=HOMA.=--Homa, or Haoma, is the sacred Vine of the Zoroastrians, the
first of the trees planted by Ormuzd in the fountain of life, and from
which one of their religious ceremonials takes its name. This consists
in the extraction of the juice of the Homa-plant by the priest during
the recital of prayers; the formal presentation of the liquid extracted
to the sacrificial fire; the consumption of a small portion of it by
one of the officiating priests; and the division of the remainder among
the worshippers.----The Iranians describe two kinds of Haoma or Homa,
the white and the yellow. The former is a fabulous plant, the latter,
which is used in religious rites, and is extolled for its yellow
colour, grows on mountains, and was known to Plutarch.----It has been
attempted to identify the Zoroastrian Homa with the Vedic Soma, but
the Parsees deny that their sacred plant is ever found in India, and
those dwelling in Bombay use the branch of a particular tree, having a
knotted stem and leaves like those of the Jasmine. To obtain supplies
of the Homa-plant for sacred purposes, a priest is despatched from time
to time to Kirman, in Persia, where he receives it in a dry state.
=HONESTY.=--Honesty (_Lunaria biennis_) has a variety of names. It
is called Lunary and Moonwort, from the disk-like form of its great
flat seed vessels, or their silvery and transparent brightness.
This peculiarity accounts for its nicknames of White Satin-flower,
Money-flower, and Silver Plate.----The _Lunaria biennis_ is mentioned
by Chaucer as one of the plants used in incantations:--
“And herbes coude I tell eke many on,
As Egremaine, Valerian, and Lunarie,
And other swiche, if that me list to tarie,
Our lampes brenning bothe night and day,
To bring about our craft if that we may,
Our fournies eke of calcination,
And of wateres albification.”
Drayton also refers to the virtues of the plant:--
“Enchanting Lunary here lies,
In sorceries excelling.”
The poet likewise tells us that this Lunary was considered efficacious
in the cure of madness.
“Then sprinkles she the juice of Rue
With nine drops of the midnight dew,
From Lunarie distilling.”
There is a popular superstition that wherever the purple Honesty is
found flourishing, the cultivators of the gardens are exceptionally
honest.
=HONEYSUCKLE.=--The Honeysuckle, or Woodbine (_Lonicera_), is so
called on account of the honey-dew found so plentifully on its
foliage. Originally, the word Honeysuckle was applied to the Meadow
Clover (_Trifolium pratense_), which is still so called in the Western
Counties. French Honeysuckle (_Hedysarum coronarium_) is a foreign
forage-plant. Chaucer makes the Woodbine an emblem of fidelity:
“And tho’ that were chapelets on his hede
Of fresh Wodebind be such as never were
To love untrue in word, ne thought, ne dede,
But ay, stedfast, ne for pleasaunce ne fere,
Tho’ that they shudde their hertis all to tere,
Would never flit, but ever were stedfast,
Till that ther livis there assunder brast.”
_Caprifolium_, a specific name of the Honeysuckle, was poetically used
by old botanists because the leaf, or rather the stem, climbs over high
places where goats fear not to tread: hence the plant is sometimes
called by country folks, Goat’s-leaf. One of its French names, also,
is _Chèvrefeuille_, which country _patois_ abbreviates to _Cherfeu_,
or Dear Flame: hence the plant is presented by ardent lovers to their
sweethearts as an intimation of the state of their affections.----The
French are fond of planting Honeysuckle in their cemeteries, and
Alphonse Karr describes it as a plant which seems to devote itself
to the tomb, the most magnificent bushes being found in cemeteries.
He further says: “There is a perfume more exciting, more religious,
even than that of incense; it is that of the Honeysuckles which grow
over tombs upon which Grass has sprung up thick and tufted with them,
as quickly as forgetfulness has taken possession of the hearts of
the survivors.”----In olden times, consumptive invalids, or children
suffering from hectic fever, were thrice passed through a circular
wreath of Woodbine, cut during the increase of the March moon, and
let down over the body from head to foot. We read of a sorceress, who
healed sundry women, by taking a garland of green Woodbine, and causing
the patient to pass thrice through it: afterwards the garland was cut
in nine pieces, and cast into the fire.----Woodbine appears to have
been a favourite remedy with Scotch witches, who, in effecting magical
cures passed their patients (generally) nine times through a girth or
garland of green Woodbine.----In Lower Germany, the Honeysuckle is
called _Albranke_, the witch snare.----Astrologers consider Woodbine to
be under the rule of Mercury.
=HOP.=--The Hop (_Humulus Lupulus_) is referred to in an old English
proverb:--
“Till St. James’s day be come and gone,
There may be Hops and there may be none.”
The cultivated Hop, however, was not brought into England until the
reign of Henry VIII., when it was imported from Flanders, as recorded
in the distich:--
“Hops and turkeys, mackerel and beer,
Came to England all in one year.”
The Hop-leaf has become in Russia proverbial as the best of leaves.
King Vladimir, in 985, when signing a peace with the Bulgars, swore to
keep it till stone swam on the water, or Hop-leaves sank to the bottom.
It is a very old custom in Russia to cover the head of a bride with
Hop-leaves--typifying joy, abundance, and intoxication.----Astrologers
place Hops under the rule of Mars.
=HOREHOUND.=--Horehound (_Marrubium_) is the Herb which the Egyptians
dedicated to their god Horus, and which the priests called the Seed of
Horus, or the Bull’s Blood, and the Eye of the Star. Strabo attributed
to the plant magical properties as a counter-poison. Horehound is one
of the five plants which are stated by the Mishna to be the “bitter
herbs” ordered to be taken by the Jews at the Feast of the Passover.
An infusion of its leaves has an ancient reputation as being valuable
in consumptive cases, coughs, and colds, and, according to Gerarde,
“is good for them that have drunke poyson, or that have been bitten of
serpents.” It is a herb of Mercury, hot in the second degree and dry
in the third.----To dream of Horehound indicates that you will suffer
imprisonment.
=HORNBEAM.=--Gerarde tells us that the Horn Beam (_Carpinus Betulus_)
was so called from its wood having been used to yoke horned cattle,
as well by the Romans in olden times as in his own time and country,
and growing so hard and tough with age as to be more like horn than
wood. Hence it was also called Hardbeam and Yoke-Elm. Evelyn says
the tree was called Horse-Beech; and in Essex it is known as the
Witch-Hazel.----In the country districts around Valenciennes, there
is a pleasant custom on May-day morning, when, over the doorway of
their sweethearts, rustic lovers hasten to suspend, as a sign of their
devotion, branches of Hornbeam or Birch.
=HORSE-CHESNUT.=--It has been suggested that the Horse-Chesnut
(_Æsculus Hippocastanum_) derived its name from the resemblance of
the cicatrix of its leaf to a horse-shoe, with all its nails evenly
placed. The old writers, however, seem to have considered that the
Horse-Chesnut was so called from the Nuts being used in Turkey (the
country from which we first received the tree) as food for horses
touched in the wind. Thus we read in Parkinson’s ‘_Paradisus_’:--“They
are usually in Turkey given to horses in their provender to cure them
of coughs, and help them being broken winded.”----Evlia Effendi, a
Moslem Dervish, who travelled over a large portion of the Turkish
empire in the beginning of the seventeenth century, says: “The Santon
Akyazli lived forty years under the shade of a wild Chesnut-tree, close
to which he is buried under a leaden-covered cupola. The Chesnuts,
which are as big as an egg, are wonderfully useful in the diseases
of horses.” Tradition says that this tree sprang from a stick which
the saint once thrust in the ground, that he might roast his meat
on it.----The Venetians entertain the belief that one of these Nuts
carried in the pocket is a sure charm against hemorrhoids.----When
Napoleon I. returned to France on March 20th, 1814, a Horse-Chesnut in
the Tuileries garden was found to be in full blossom. The Parisians
regarded this as an omen of welcome, and in succeeding years hailed
with interest the early flowering of the _Marronnier du Vingt
Mars_.----(See also CHESNUT).
=HORSE-KNOT.=--The flowers of the Horse-knot _Centaurea nigra_ are also
called Hard-heads and Iron-Heads, from the resemblance of the knotted
involucre to an old weapon called Loggerhead, which consisted of a ball
of iron fixed to a long handle, the precursor of the life-preserver,
and the origin of the expression “coming to loggerheads.”----In the
Northern Counties, the following rite is frequently observed by young
people as a divination:--Let a youth or maiden pull from its stalk the
flower of the Horse-Knot, cut the tops of the stamens with a pair of
scissors, and lay the flower by in a secret place, where no human eye
can see it. Let him (or her) think through the day, and dream through
the night, of the beloved one: then, on looking at the flower the next
day, if the stamens have shot out, the anxious sweetheart may expect
success in love; but if not, disappointment. (See CENTAURY).
=HORSERADISH.=--The Horseradish (_Cochlearia Armoracia_) is stated to
be one of the five plants referred to by the Mishna, as the “bitter
herbs” ordered to be partaken of by the Jews during the Feast of the
Passover; the other four being Coriander, Horehound, Lettuce, and
Nettle.----Horseradish is under the dominion of Mars.
=HORSE-SHOE PLANT.=--The Horse-shoe Vetch (_Hippocrepis_) derives
its scientific name from the Greek words, _hippos_, a horse, and
_crepis_, a shoe, in allusion to its singular pods, which resemble a
number of horse-shoes united at their extremities. Gerarde grew this
plant in his garden, but he tells us that it is a native of Italy and
Languedoc, where it flourishes in certain untilled and sunny places.
Its Italian name is _Sferracavallo_, and in De Gubernatis’ _Mythologie
des Plantes_, we find a letter to the author from Mdme. Valérie de
Gasparin, detailing the superstition current in Italy respecting this
plant. The Countess writes:--“In our infancy, certain old people of
the village spoke of the plant which pulls off horse-shoes. My brother
tells me that this superstition is to be found in all countries. It
takes its origin from the fact that the seed of the plant has the form
of a horse-shoe.”----The plant is also reputed by some people to open
locks. An identical superstition exists in England with regard to the
Moonwort (_Botrychium Lunaria_), which is known as Unshoe-the-Horse.
(See MOONWORT).
=HOUND’S TONGUE.=--The _Cynoglossum_ was probably so named on account
of the form and soft texture of the leaf. It is called Hound’s Tongue
not only in England, but all over the Continent, and the reason given
by an old writer is, that “it ties the tongues of hounds; whether true
or not, I never tried; yet I cured the biting of a mad dog with this
only medicine.” Miraldus said, that if a portion of the plant were laid
beneath the feet, it would prevent dogs from barking at the wearer.
Robert Turner states that Hound’s Tongue “cures the biting of dogs,
either mad or tame. I lay fourteen weeks once under a chyrurgeon’s hand
for cure of a dog’s biting; but, at last, I effected the cure myself,
by applying to the wound Hound’s Tongue leaves, changing them once in
four-and-twenty hours.” The plant has a strong and disagreeable odour,
which Gerarde tells us caused the Dutchmen to change the plant’s name,
substituting for “Tongue” an impolite word, expressive of the odour of
the foliage.----_Cynoglossum_ is a herb of Saturn.
=HOUSELEEK.=--The House-leek (_Sempervivum_) had, in olden times, the
names of Jupiter’s Beard, Jupiter’s Eye, Bullock’s Eye, and Sengreene
(a word derived from the Anglo-Saxon, and expressing the same idea
as the plant’s Latin name _Sempervivum_, evergreen). The old Dutch
name of the Houseleek, _Donderbloem_, Thunder-flower, refers to the
popular belief that the plant was a preservative against thunder.
Charlemagne ordered the Houseleek to be planted on the roof of every
house on this account. Miraldus is stated to have declared that this
lowly plant preserves what it grows upon from fire and lightning; and
Sir Thomas Browne has left on record his belief that Houseleek is a
“defensative from lightning.”----In olden times there existed a belief
that Houseleek would suppress in children fevers given to them by
witchcraft or sorcery. According to Albertus Magnus, he who rubbed his
hands with the juice of the Houseleek would be insensible to pain when
taking red-hot iron in his hands.----It is considered unlucky to uproot
the Houseleek; and there is a curious notion, still in existence, that
it is also unlucky to let it blow; the flower-stalk is, therefore,
carefully cut off directly it begins to shoot up.----In Italy, on
Midsummer Eve, rustic maidens employ Houseleek for divining purposes.
They gather buds to represent their various lovers, and on the
following morning the bud which has flowered the most freely indicates
the future husband. In Tuscany, they pound the Houseleek the first
Friday after the birth of an infant, and administer to it the expressed
juice, which is thought to preserve the babe from convulsions, and to
ensure it a long life.----According to astrologers, Houseleek is a herb
of Jupiter.
HURT-SICKLE.--See Centaury.
=HYACINTH.=--From the time of Homer to the present day the Hyacinth
has been celebrated in the lays of the poets. Mythology tells us that
the flower sprang from the blood of Hyacinthus, a comely Laconian
youth, much beloved both by Apollo and Zephyr: preferring, however,
the sun to the wind, he kindled in the breast of the latter god a
feeling of jealousy and desire for revenge. The opportunity soon
came. Unsuspecting Hyacinthus playing a game of quoits with Apollo,
Zephyr, unperceived, seized the opportunity basely to cause his rival
to become the innocent means of their common favourite’s death: for
whilst a quoit thrown by the sun-god whirled through the air, Zephyr
treacherously blew it from its course till it struck the head of the
ill-fated Hyacinthus, and killed him, to the great sorrow of his
innocent slayer. Unable to restore his favourite companion to life,
Apollo, as a memorial of him, caused the flower which has since borne
his name to spring from his blood. Rapin refers to the story as
follows:--
“If spring proves mild ’tis Hyacinthus’ time,
A flower which also rose from Phœbus’ crime;
Th’ unhappy quoit which rash Apollo threw,
Obliquely flying, smote his tender brow,
And pale alike he fell, and Phœbus stood,
One pale with guilt, and one with loss of blood;
Whence a new flower with sudden birth appears,
And still the mark of Phœbus’ sorrow wears;
Spring it adorns, and Summer’s scenes supplies
With blooms of various forms and various dyes.”
Ovid gives a slightly different version of the tragedy, which he
narrates in the following lines:--
“The mid-day sun now shone with equal light
Between the past and the succeeding night;
They strip, then, smoothed with suppling oil, essay
To pitch the rounded quoit, their wonted play:
A well-pois’d disk first hasty Phœbus threw;
It cleft the air, and whistled as it flew;
It reach’d the mark, a most surprising length,
Which spoke an equal share of art and strength.
Scarce was it fall’n, when with too eager hand
Young Hyacinth ran to snatch it from the sand;
But the curst orb, which met a stony soil,
Flew in his face with violent recoil.
Both faint, both pale and breathless now appear,
The boy with pain, the am’rous god with fear.
He ran, and rais’d him bleeding from the ground,
Chafes his cold limbs, and wipes the fatal wound:
Then herbs of noblest juice in vain applies;
The wound is mortal, and his skill defies.”
* * * * *
“While Phœbus thus the laws of fate reveal’d,
Behold the blood which stained the verdant field
Is blood no longer; but a flower full blown
Far brighter than the Tyrian scarlet shone.
A Lily’s form it took; its purple hue
Was all that made a diff’rence to the view.
Nor stopp’d he here; the god upon its leaves
The sad expression of his sorrow leaves;
And to this hour the mournful purple wears
_Ai_, _Ai_, inscribed in funeral characters.
Nor are the Spartans, who so much are famed
For virtue, of their Hyacinth ashamed;
But still with pompous woe and solemn state,
The Hyacinthian feasts they yearly celebrate.”--_Ozell._
The solemnities called _Hyacinthia_ lasted three days, during which the
people ate no bread, but subsisted on sweetmeats, and abstained from
decorating their hair with garlands, as on ordinary occasions. On the
second day, a troop of youths entertained spectators by playing upon
the harp and flute, and chanting choruses in honour of Apollo. Numbers
appeared mounted upon richly-caparisoned horses, who sang rustic songs,
and were accompanied by a throng dancing to vocal and instrumental
music. Females engaged in chariot races, and the most beautiful
maidens, sumptuously attired, drove about in splendidly adorned
vehicles, singing hymns. Hundreds of victims were offered on the altars
of Apollo; and the votaries with free-handed hospitality entertained
their friends and slaves.----Many allusions are made by the poets to
the mournful letters A I, supposed to be visible on the petals of
“The languid Hyacinth, who wears
His bitter sorrows painted on his bosom.”
Hunt, after entering into the vexed question as to the particular
flower alluded to by Ovid, quotes a passage from Moschus, which he thus
translates:--
“Now tell your story, Hyacinth, and show
_Ai_, _Ai_, the more amidst your sanguine woe.”
There has been much diversity of opinion expressed about the Hyacinth
of the ancient poets. The claims of the modern flower to be the purple
blossom that sprang from the blood of Hyacinthus are disputed, and the
general opinion is that the Martagon Lily was the plant referred to
by the poet. The Gladiolus and the Larkspur, however, have both been
named as the flower bearing the expression of grief A I, A I, on the
petals.----Homer mentions the Hyacinth among the flowers which formed
the couch of Jupiter and Juno.
“Thick new-born Violets a soft carpet spread
And clust’ring Lotus swelled the rising bed,
And sudden Hyacinths the turf bestrow
And flow’ry Crocus made the mountains glow.”
In allusion to the crisped and curled blossoms of the Hyacinth, poets
have been fond of describing curly hair as Hyacinthine locks. Milton
writes:--
“And Hyacinthine locks
Round from his parted forelock manly hung
Clustering.”
Byron makes the same comparison, and says the idea is common to both
Eastern and Grecian poets. Collins has the same simile in his ‘Ode to
Liberty.’
“The youths, whose locks divinely spreading,
Like vernal Hyacinths in sullen hue.”
The old English Jacinth, or Harebell, called by the French _Jacinthe
des bois_ (Wood Hyacinth) is botanically distinguished as _Hyacinthus
non scriptus_, because it has not the A I on the petals, and is not
therefore the poetical Hyacinth. (See HAREBELL).
HYPERICUM.--See St. John’s Wort.
=HYSSOP.=--In the Bible, the name of Hyssop has been given to some
plant that has not been identified, but is popularly associated at the
present day with _Hyssopus officinalis_. In many early representations
of the Crucifixion, wild Hyssop has been depicted, it is presumed in
mockery, as forming the crown worn by our Saviour. Parkinson, in his
‘_Paradisus_,’ says of the Golden Hyssop, that the leaves “provoke
many gentlewomen to wear them in their heads and on their armes,
with as much delight as many fine flowers can give.”----To dream of
Hyssop portends that friends will be instrumental to your peace and
happiness.----The plant is under Jupiter’s dominion.
=ILEX.=--The Ilex (_Quercus Ilex_) is, perhaps, better known in England
as the Evergreen or Holm Oak: in France, it is called _Chêne vert_.
On account of its dark and evergreen foliage, the Ilex is regarded as
a funereal tree, and a symbol of immortality, like the Cypress, the
Cedar, and other conifers. It was consecrated to Hecate, and the Fates
wore chaplets of its leaves. The drunken Silenus was wont, also, to
be crowned with its foliage.----Virgil associates the Ilex with the
raven, and tells us that from its dark foliage may be heard issuing
the mournful croakings of that funereal bird. Ovid, on the other
hand, informs us that, in the Golden Age, the bees, living emblems
of the immortal soul, sought the Ilex, to obtain material for their
honey.----Pliny speaks of a venerable Ilex which grew in the Vatican
at Rome, which bore an inscription, and was regarded as a sacred tree;
and of three of these trees at Tibur, which the inhabitants venerated
as being almost the founders of the people.----The Ilex being very
combustible, and attracting lightning, was thought to render thereby a
service to man, in drawing upon itself the effects of the anger of the
gods: hence it is somewhat remarkable that in Greece it is regarded as
a tree of bad omen, and has the following legend attached to it:--When
it was decided at Jerusalem to crucify Christ, all the trees held a
counsel, and unanimously agreed not to allow their wood to be defiled
by becoming the instrument of punishment. But there was a second Judas
among the trees. When the Jews arrived with axes to procure wood for
the cross destined for Jesus, every trunk and branch split itself into
a thousand fragments, so that it was impossible to use it for the
cross. The Ilex alone remained whole, and gave up its trunk for the
purpose of being fashioned into the instrument of the Passion. So to
this day the Grecian woodcutters have such a horror of the tree, that
they fear to sully their axe or their hearth-stones by bringing them in
contact with the accursed wood. However, according to the _Dicta Sancti
Aegidii_ (quoted by De Gubernatis), Jesus Himself would seem to have
a preference for the tree which generously gave itself up to die with
the Redeemer; for we find that on most occasion when he appeared to the
saints, it was near an Ilex-tree.----In Russia, the Ilex, so far from
being regarded with disdain, is looked upon as a benefactor and worker
of miraculous cures among children. In certain districts, whenever a
child is ill, and especially when it is suffering from consumption,
they carry it into the forest, where they cleave in two the stem of an
Ilex, and pass the child thrice through the cleft, after which they
close the cut stem, and bind it securely with cord. Then they carry the
child round the tree thrice nine times (the number of days composing
the lunar month). Lastly they hang on the branches the child’s shirt,
so that the martyr-tree may generously take to itself all the disease
hitherto afflicting the child.
=INGUDI.=--In Bengal, they ascribe to the plant Ingudi (_Terminalia,
catappa_) the extraordinary property of begetting infants. According
to De Gubernatis, the _Tâpatasaru_ is also called the Tree of the
Anchorite, because with an oil extracted from the crushed fruit the
Indian ascetics prepare the oil for their lamps.
=IPECACUANHA.=--The root of the _Psychotria emetica_ is used generally
as an expectorant, but in India in cases of dysentery: its sexsyllabic
nomenclature has been thus immortalised by George Canning:--
“Coughing in a shady grove,
Sat my Juliana;
Lozenges I gave my love:
Ipecacuanha!”
=IPOMŒA.=--The Ipomœas are nearly allied to the _Convolvuli_, and are
among the most lovely of all shrubs. The rosy-red _Kâmalatâ_, the
Love’s Creeper of the Hindus, is a plant by which all desires are
granted to such as inherit the Indian Paradise. _Ipomœa Bona-nox_,
“Good-night,” is so named in allusion to its opening its flowers in the
evening.
=IRIS.=--The Iris of “all hues” derives its name from the goddess
Iris, one of the Oceanides, a messenger of the gods, and the especial
attendant of Juno. As goddess of the rainbow, she is represented with
its variegated colours glistening in her wings. Thus Virgil says:--
“Iris on saffron wings arrayed with dew
Of various colours through the sunbeams flew.”
Iris is usually depicted as descending from the rainbow, and her
glorious arch is said not to vary more in its colours than the flower
which bears her name. Columella observes--
“Nor Iris with her glorious rainbow clothed
So fulgent as the cheerful gardens shine
With their bright offspring, when they’re in their bloom.”
The Greeks plant the Iris on tombs, possibly because the goddess
Iris was believed to guide the souls of dead women to their last
resting-place, as Mercury conducted the souls of men. The Iris was one
of the flowers dedicated to Juno, and with the ancients was wont to
be employed as the symbol of eloquence or power; hence the Egyptians
placed this flower on the brow of the Sphinx, and on the sceptres
of their monarchs. The three leaves of the blossom represent faith,
wisdom, and valour. The Iris is supposed to be the flower which
forms the terminating ornament of the sceptre of the ancient kings
of Babylon and Assyria.----The Franks of old had a custom, at the
proclamation of a king, to elevate him upon a shield, or target, and
place in his hand a reed of Flag in blossom, instead of a sceptre,
and from thence the kings of the first and second race in France are
represented with sceptres in their hands like the Flag with its flower,
and which flowers became the armorial figures of France.----There
is a legend that Clotilda, the wife of the warlike king Clovis, had
long prayed for the conversion of her husband, and at length Clovis,
having led his army against the Huns, and being in imminent danger of
defeat, recommended himself to the God of his sainted wife. The tide
of battle turned, he obtained a complete victory, and was baptised by
St. Remi. On this occasion, owing to a vision of St. Clotilda, the
Lilies (Iris) were substituted in the arms of France for the three
frogs or toads which Clovis had hitherto borne on his shield. In the
pictures of St. Clotilda, she is generally represented attended by
an angel holding a shield on which are the three _Fleurs de Lys_.
This occurred early in the sixth century. Louis VII., in consequence
of a dream, assumed it as his device in 1137, when engaged in the
second expedition of the Crusaders, and the Iris-flower soon became
celebrated in France as the _Fleur de Louis_, which was first
contracted into _Fleur de Luce_, and afterwards into _Fleur de Lys_,
or _Fleur de Lis_ (Lily-flower--although it has no affinity to the
Lily), and was incorporated in the arms of France, and formed one of
the embellishments of the crown.----Pope Leo III. presented Charlemagne
with a blue banner, _semée_ of golden _Fleurs de Lys_, and the banner
coming from the Pope was supposed by the ignorant to have descended
from heaven.----Other traditions respecting this blue banner relate
that an angel gave it to Charlemagne, that St. Denis gave it to the
kings of France, and that an angel brought it to Clovis after his
baptism.----The _Fleur de Lys_ appertains to the Bourbon race, and
was made the ornament of the northern radius of the compass in honour
of Charles of Anjou, who was King of Sicily at the time of this great
discovery. When Edward III. claimed the crown of France in 1340, he
quartered the ancient shield of France with the lion of England. After
many changes of position, the _Fleur de Lys_ finally disappeared from
the English shield in the first year of the present century. (See also
FLOWER DE LUCE).
IRON-HEAD and HARD-HEAD.--See Horse-Knot.
=IVY.=--Kissos (Greek for Ivy) was the original name of the infant
Bacchus, who, abandoned by his mother Semele, was hidden under an
Ivy-bush, which was subsequently named after him. Another Hellenic
tradition makes Kissos a son of Bacchus, who, whilst dancing before
his father, suddenly dropped down dead. The goddess Gæa (the Earth),
compassionating the unfortunate youth, changed him into the Ivy, which
afterwards received his name--Kissos.----The god Bacchus is said to
have worshipped the Ivy under the name of _Kissos_; the plant was
sacred to him, and he is represented crowned with the leaves of Ivy as
well as with those of the Vine. The god’s thyrsus was also crowned with
Ivy. In Greece and Rome, Black Ivy was used to decorate the thyrsus of
Bacchus in commemoration of his march through India. This Ivy bears
yellow berries, and is common in the Himalayas; it was, therefore,
appropriately selected as the shrub wherewith to crown Alexander in his
Indian expedition.----According to Plutarch, the priests of Jupiter
were bound to shun the Vine (in order to preserve themselves from
intoxication), and to touch the Ivy, which was believed to impart a
sort of prophetic transport. Bacchus, therefore, crowned with Ivy,
became a god both victorious and prophetic.----At the Dionysian
festivals, the worshippers were crowned with Ivy, Vine-leaves, Fir,
&c. Certain of the men engaged in the procession wore chaplets of Ivy
and Violets, and the women--who, worked up into a kind of frenzy,
executed fantastic dances--often carried garlands and strings of
Ivy-leaves.----Pliny says that Ivy-berries, taken before wine, prevent
its intoxicating effects. Probably the Bacchanals’ chaplet and the
Ivy-bough formerly used as the sign of a tavern, both derived their
origin from the belief that Ivy in some form counteracted the effects
of wine.----On this point, Coles says: “Box and Ivy last long green,
and therefore vintners make their garlands thereof; though, perhaps,
Ivy is the rather used because of the antipathy between it and wine.”
Kennett tells us that, in olden times, “the booths in fairs were
commonly dressed with Ivy-leaves, as a token of wine there sold, the
Ivy being sacred to Bacchus; so was the tavern bush, or frame of wood,
drest round with Ivy forty years since, though now left off for tuns
or barrels hung in the middle of it. This custom gave birth to the
present practice of putting out a green bush at the door of those
private houses which sell drink during the fair.” De Gubernatis says,
that the Ivy to be seen over the doors of Italian wine-shops has the
same signification as the Oak-bough--it is a precaution to render the
wine innocuous. Chéruel tell us that the French, in suspending Ivy at
the door of their cabarets, intend it as a symbol of love.----Ivy,
which clings and embraces, has been adopted as the emblem of confiding
love and friendship.----There is an old Cornish tradition which
relates that the beauteous Iseult, unable to endure the loss of her
betrothed, the valiant Tristan, died broken-hearted, and was buried in
the same church, but, by order of the king, their graves were placed
far asunder. But soon from the tomb of Tristan came forth a branch of
Ivy, and from the tomb of Iseult there issued another branch. Both
gradually grew upwards, until at last the lovers, represented by
the clinging Ivy, were again united beneath the vaulted roof of the
sanctuary.----In Greece, the altar of Hymen was encircled with Ivy, and
a branch of it was presented to the newly-married couple, as a symbol
of the indissoluble knot. It formed the crown of both Greek and Roman
poets; and in modern times, female love, constancy, and dependence have
been expressed by it. Friendship is sometimes symbolised by a fallen
tree, firmly embraced by the verdant arms of the Ivy, with the motto:
“Nothing can part us.”----In Northern mythology, Ivy, on account of its
black colour, was dedicated to Thor, the god of thunder, and offered to
the elf who was supposed to be his messenger.----When, in Germany, they
drive the cattle for the first time to pasture, they deck them with a
branch of Ivy fashioned into a crown. They believe also that he who
carries on his head a crown of Ivy acquires the faculty of recognising
witches. In the Tyrol, a similar belief holds good, only there, Rue,
Broom, Maidenhair, and Agrimony must be bound together with Ground-Ivy
in a bundle, which is to be kept about the person.----In Ross-shire,
it is a May-day custom for young girls to pluck sprays of Ivy with the
dew on them that have not been touched by steel.----Ivy has long been
used in decorating churches and houses at Christmas: thus old Tusser
directs:--“Get Ivye and Hull [Holly], woman, deck up thine house.” It
seems in the middle ages to have been regarded as a most favoured and
auspicious plant; one old song couples the Ivy and Holly as plants
well adapted for Christmas time, and the following mediæval carol
sings loudly the plant’s praises:--
“The most worthy she is in towne;
He that sayeth other do amysse;
And worthy to bear the crowne:
_Veni, coronaberis_.
“Ivy is soft and meke of speech,
Ageynst all bale she is blysse;
Well is he that may hyre rech.
_Veni, coronaberis._
“Ivy is green, with coloure bright,
Of all trees best she is,
And that I prove will now be right.
_Veni, coronaberis._
“Ivy beryth berrys black,
God graunt us all His blysse,
For there shall we nothing lack.
_Veni, coronaberis._”
According to an old poem in the British Museum, however, Ivy was
considered by some good people only fit to ornament the porches and
outer passages of houses, but not the interior.
“Nay my nay, hyt shall not be I wis,
Let Holly have the maystry, as the maner ys.
Holly stoud in the hall, fayre to behold,
Ivy stoud without the dore, she ys ful sore a-cold.
Nay my nay.”
Corymbifer was a surname given to Bacchus, from his wearing a crown
of _corymbi_, or Ivy-berries. These berries were recommended by old
physicians as a remedy for the plague, and Pliny averred that when
taken before wine, they prevented its intoxicating effects.----There
is a popular tradition that an Ivy cup has the property of separating
wine from water--the former soaking through, and the latter remaining.
An old writer remarks that those who are troubled with the spleen shall
find much ease by the continual drinking out of a cup made of Ivy, so
as the drink may stand some time therein before it be drunk; for, he
adds, “Cato saith that wine put into the Ivy cup will soak through
it by reason of the antipathy that is between them;” this antipathy
being so great that a drunkard “will find his speediest cure if he
drunk a draught of the same wine wherein a handful of Ivy-leaves had
been steeped.”----The ancient Scottish clan Gordon claim Ivy as their
badge.----Ivy is under the dominion of Saturn. It is considered to be
exceedingly favourable to dream of the evergreen climber, portending
as it does, friendship, happiness, good fortune, honour, riches, and
success.
Ground-Ivy is a name which was formerly applied to the Periwinkle,
and to the Ground Pine or Yellow Bugle (called till the beginning
of the present century the Forget-Me-Not), but which was afterwards
transferred to the _Nepeta Glechoma_, a plant also known by the rustic
names of Gill and Gill-by-the-ground, Haymaids, Cat’s-foot, Ale-hoof,
and Tun-hoof. In olden times, it was put into ale, instead of hops, and
was also used to clear ale. The juice of the leaves, tunned up in ale,
was thought to cure the jaundice and other complaints.
JACINTH.--See Hyacinth.
JACK-BY-THE-HEDGE.--See Erysimum.
JACK-OF-THE-BUTTERY.--See Stonecrop.
=JACOB’S LADDER.=--The _Polemonium cœruleum_, from its leaflets being
arranged in successive pairs.
=JAMBU.=--The Jambu (_Eugenia Jambos_) is included among the great
Indian cosmogonic trees. It is called, says Prof. De Gubernatis, the
Fruit of Kings, on account of the great size of its fruit. According to
the _Vishnu purâna_, the continent _Jambudvîpa_ took its name from the
tree Jambu. The fruits of this tree are in point of fact very large,
but the fruits of the Indian mythological Jambu attain to the size
of an elephant; when they have ripened they fall from the mountain,
and the juice which exudes feeds the river Jambu, whose waters are
consequently richly endowed with salutary properties, and can neither
be tainted nor defiled. We learn from the _Dîrghâgama-Sûtra_, that
the four cardinal points were not only represented by the four
elephants which sustained the world, but by four trees of colossal
bulk and grandeur. These four trees were the _Ghanta_, the _Kadamba_,
the _Ambala_, and the _Jambu_. The _Jambu_ sprang, it is said, from
the south of the mountain Meru, of which the summit was believed to
represent the zenith. In the cosmogonic forest of the Himalaya towers
the stupendous bulk of the Jambu, and from its roots four great rivers,
whose waters are inexhaustible, take their source. It bears during the
entire _kalpa_ of the renovation an immortal fruit, like unto gold,
great as the vase called _Mahâkala_. This fruit falls into the rivers,
and its pips produce the golden seed which is carried away to the sea,
and which is sometimes washed up again, and to be found on its shores.
This gold is of incalculable value, and has not its equal in the world
for purity.----It appears, according to the _Saptaçataka_ of Hâla, that
Indian lovers are fond of secreting themselves beneath the leaves of
the _Eugenia Jambos_, and that the young Indian bride becomes sad with
jealousy when she sees her young husband approaching, with his ears
decked with the leaves of the Jambu.
=JASMINE.=--Perfumes and flowers play an important part in the poetry
of India, and the Jasmine, which Hindu poets call the “Moonlight
of the Grove,” has furnished them with countless images. Thus, in
_Anvár-i-Suhailî_ (translated by E. B. Eastwick), we read of a damsel
entering the king’s chamber, whose face charms like a fresh Rosebud
which the morning breeze has caused to blow, and whose ringlets are
compared to the twisting Hyacinth buried in an envelope of the purest
Musk:--
“With Hyacinth and Jasmine her perfumed hair was bound,
A posy of sweet Violets her clustering ringlets seemed;
Her eyes with love intoxicate, in witching sleep half drowned,
Her locks, to Indian Spikenard like,
with love’s enchantments beamed.”
De Tassy, the translator of the allegories of Aziz Eddin, points
out that the Arabian word _yâs-min_ is composed of the word _yâs_,
despair, and _min_, an illusion. In the allegories we read: “Then the
Jasmine uttered this sentence with the expressive eloquence of its
mute language: “_Despair is a mistake._ My penetrating odour excels
the perfume of other flowers; therefore lovers select me as a suitable
offering to their mistresses; they extract from me the invisible
treasures of divinity, and I can only rest when enclosed in the folds
and pleats which form in the body of a robe.”----An allusion to the
Jasmine is made in the following poetic description of a young girl
drooping from a sudden illness:--“All of a sudden the blighting glance
of unpropitious fortune having fallen on that Rose-cheeked Cypress,
she laid her head on the pillow of sickness; and in the flower-garden
of her beauty, in place of the Damask-Rose, sprang up the branch of
the Saffron. Her fresh Jasmine, from the violence of the burning
illness, lost its moisture, and her Hyacinth, full of curls, lost
all its endurance from the fever that consumed her.”----The Indians
cultivate specially for their perfume two species of Jasmine--viz., the
_Jasminum grandiflorum_, or _Tore_, and the _J. hirsutum_, or _Sambac_.
The _Moo-le-hua_, a powerful-smelling Jasmine, is used in China and
other parts of the East as an adornment for the women’s hair.----It
is believed that the Jasmine was first introduced into Europe by some
Spaniards, who brought it from the East Indies in 1560.----Loudon
relates that a variety of the Jasmine, with large double flowers and
exquisite scent, was first procured in 1699 from Goa, by the Grand Duke
of Tuscany, and so jealous was he of being the sole possessor of this
species, that he strictly forbade his gardener to part with a single
cutting. However the gardener was in love, and so, on the birthday of
his betrothed, he presented her with a nosegay, in the midst of which
was a sprig of this rare Jasmine. Charmed with its fragrance, the girl
planted the sprig in fresh mould, and under her lover’s instructions
was soon able to raise cuttings from the plant, and to sell them at
a high price: by this means she soon saved enough money to enable
her to wed the gardener, who had hitherto been too poor to alter his
condition. In memory of this tender episode, the damsels of Tuscany
still wear a wreath of Jasmine on their wedding days, and the event
has given rise to a saying that a “girl worthy of wearing the Jasmine
wreath is rich enough to make her husband happy.”----Yellow Jasmine
is the flower of the Epiphany.----To dream of this beautiful flower
foretells good luck; to lovers it is a sure sign they will be speedily
married.
=JERUSALEM.=--Many plants are found to have been named in olden times
after the Holy City. The Lungwort, _Pulmonaria officinalis_, is the
Jerusalem Cowslip; _Phlomis_ is Jerusalem Sage; and _Teucrium Botrys_
is the Oak of Jerusalem, called so from the resemblance of its leaf to
that of the Oak. In these three cases the prefix “Jerusalem” seems to
have been applied for no particular reason--probably because the plants
had an Eastern origin. Salsafy, _Tragopogon porrifolius_, is the Star
of Jerusalem, so named from the star-like expansion of its involucre;
and _Helianthus tuberosus_ is the Jerusalem Artichoke, a plant of the
same genus as the Sunflower, called Artichoke from the flavour of its
tubers. The soup made from it is termed Palestine Soup. In the last two
cases, Dr. Prior thinks the prefix “Jerusalem” is simply a corruption
of the Italian word _girasole_, turn-sun, and has been applied to these
plants from a popular belief that they turn with the Sun. The _Lychnis
Chalcedonica_ is the Jerusalem Cross, which has derived its name from
the fact that a variety of it has four instead of five petals, of the
colour and form of a Jerusalem Cross.
=JEWS’ EARS.=--The _Auricula Judæ_ is a Fungus resembling in shape
the human ear, which grows usually upon the trunks of the Elder, the
tree upon which Judas Iscariot is said by some to have hung himself.
Sir John Maundevile relates that he actually saw the identical tree.
Bacon says of this excrescence, “There is an herb called Jewes-Eare,
that groweth upon the roots and lower parts of the bodies of trees,
especially of Elders, and sometimes Ashes. It hath a strange propertie;
for in warme water it swelleth, and openeth extremely. It is not
greene, but of a darke browne colour. And it is used for squinancies
and inflammations in the throat, whereby it seemeth to have a
mollifying and lenifying vertue.”
=JOAN’S SILVER PIN.=--The red-Poppy (_Papaver Rhœas_) has acquired the
name of Joan’s Silver Pin, because, according to Parkinson, the gaudy
flower is “fair without and foul within” (in allusion to its yellow
juice). Joan’s Silver Pin was a contemptuous term applied to some
tawdry ornament displayed ostentatiously by a sloven.
=JOB’S TEARS.=--The pretty East Indian Grass, _Coix lacryma_, is called
Job’s Tears on account of the formation of its hard beard-like seeds,
of which Gerarde says “every graine resembleth the drop or teare
that falleth from the eye.”----Among the Arabs, the Fleabane (_Inula
dysenterica_) is also called Job’s Tears (See FLEABANE).
=JONAH’S GOURD.=--According to the Greek version of the Scriptures,
the plant under which Jonah sat was a Gourd, but the Vulgate considers
it a species of Ivy. The _Ricinus communis_, the Castor-oil-tree, with
its broad palmate leaves, has been, however, identified with the
_Kikayon_, which God caused to rise up and shelter Jonah.
JOSEPH’S FLOWER.--See Goat’s Beard.
=JUDAS TREE.=--The Fig, the Tamarisk, the Aspen, the Dog Rose, the
Elder, and the Cercis have all been named as the tree from whose
boughs the traitorous Judas, overcome with remorse, hung himself
in guilty despair. The idea that the Fig-tree was the tree whereon
Judas sought his fate, is a wide-spread one, and probably derives
its origin from the fact of our Lord having cursed an unproductive
Fig-tree,--the tradition being that, after this malediction, the tree
lost its foliage, and soon died; that its wood, when put in the fire,
produced smoke, but no flame; and that all its progeny from that
time forth became wild Fig-trees.----A Fig-tree growing on the coast
of Coromandel, bears the name of Judas’ Purse.----De Gubernatis, on
the authority of Dr. J. Pitré, states that, according to a Sicilian
tradition, Judas was not hung on a Fig, but on a Tamarisk-tree, called
_Vruca_ (_Tamarix Africana_), much more common than the _Tamarix
Gallica_. The _Vruca_ is only a shrub; but, say the Sicilians, once
upon a time it was a great tree, and very handsome. Since, however,
the traitor Judas hung himself from its boughs, the tree, owing to a
Divine malediction, became merely a shrub, ugly, mis-shapen, small,
useless, not even capable of lighting even the smallest fire; from
whence has arisen the proverb: “You are like the wood of the _Vruca_,
which neither yields cinders nor fire.”----A Russian proverb says:
“There is a tree which trembles, although the wind does not blow.”
In the Ukraine, they state that the leaves of the Aspen (_Populus
tremula_) have trembled and shaken ever since the day that Judas
hanged himself on a bough of that tree.----In Germany, the Dog Rose
(_Rosa canina_) is a tree of ill repute, and according to tradition,
one with which the Devil has had dealings. (See EGLANTINE). There is
a legend that Judas hanged himself on this tree; that in consequence
it became accursed, and ever after turned to the earth the points of
its thorns; and that from this cause its berries, to this day, are
called _Judasbeeren_.----In England and other countries, there has
long existed a tradition that the Elder was the tree on which the
traitor-disciple hanged himself. Sir John Maundevile, in his ‘Travels,’
declares that he saw the identical tree; and we read in ‘Piers
Plowman’s Vision’:--
“Judas, he japed
With Jewen silver,
And sithen _on an Eller_
Hanged hymselfe.”
Gerarde, however, in his ‘Herbal’ (1597) denies that the Elder was the
tree, but states that the _Arbor Judæ_, the Judas-tree, is the _Cercis
Siliquastrum_ (Wild Carob-tree). “It may,” says the old herbalist,
“be called in English Judas-tree, for that it is thought to be that
whereon Judas hanged himselfe, and not upon the Elder-tree, as it is
vulgarly said.” A similar belief is entertained by the French and
Italians, who regard the _Cercis Siliquastrum_ as an infamous tree.
The Judas-tree grows about twenty feet high, has pale green foliage
and purple papilionaceous flowers, which appear in the Spring in large
clusters: they are succeeded by long flat pods, containing a row of
seeds. Curiously enough, the Spaniards and Portuguese, on account of
what Gerarde terms its “braveness,” call it the “Tree of Love.”
=JUJUBE.=--The real Jujube-tree is _Zizyphus Jujuba_, a native of the
East Indies, nearly allied to the _Paliurus_, or Christ’s Thorn: it
bears similar yellow flowers and fruit about the size of a middling
plum. It is sweet and mealy, and highly esteemed by the natives of the
countries to which the tree is indigenous. The lozenges called Jujubes
are made from the fruit of _Zizyphus vulgaris_, which ripens abundantly
in the neighbourhood of Paris.
JULY FLOWER, the Stock Gilliflower.--See Stock.
=JUNIPER.=--The ancients called the Juniper generally by the name of
Cedar, although Pliny distinguishes the two. Thus Virgil is supposed to
have alluded to the Juniper in the line in his ‘Georgic’:--
“_Disce et odoratam stabulis accendere Cedrum._”
“But learn to burn within your sheltering rooms
Sweet Juniper.”
The Juniper was consecrated to the Furies. The smoke of its green
roots was the incense which the ancients deemed most acceptable to
the infernal gods; and they burned its berries during funerals to
ban malign influences.----The Juniper has always been looked upon
as a protective tree; its powerful odour is stated to defeat the
keen scent of the hound, and the hunted hare at the last extremity
will seek and find a safe retreat in the cover of its branches. It
sheltered the prophet Elijah from the persecutions of King Ahab, and
we read in 1 Kings xix., 4, that the prophet lay and slept “under
a Juniper-tree.”----According to a tradition common in Italy, the
Virgin Mary fled for safety with the infant Jesus, pursued by the
relentless soldiers of King Herod. Whilst on their road, the Brooms
and the Chick-Peas began to rustle and crackle, and by this noise
betrayed the fugitives. The Flax bristled up. Happily for her, Mary
was near a Juniper: the hospitable tree opened it branches as arms,
and enclosed the Virgin and Child within their folds, affording them
a secure hiding-place. Then the Virgin uttered a malediction against
the Brooms and the Chick-Peas, and ever since that day they have
always rustled and crackled. The Holy Mother pardoned the Flax its
weakness, and gave to the Juniper her blessing: on that account, in
Italy, branches of Juniper are hung up on Christmas Day in stables
and cattle sheds, just as in England, France, and Switzerland, Holly
is employed as a decoration.----In Thibet, they burn Juniper-wood as
incense in a gigantic altar, with an aperture at the top, which is
called _Song-boom_, and bears some resemblance to a limekiln.----The
old notion of the ancients that the burning of Juniper-wood expelled
evil spirits from houses evidently led to some superstitious practices
in this country in later times. Thus we find Bishop Hall writing:--
“And with glasse stills, and sticks of Juniper,
Raise the black spright that burns not with the fire.”
In some parts of Scotland, during the prevalence of an epidemic,
certain mysterious ceremonies are enacted, in which the burning of
Juniper-wood plays an important part.-----In Germany and Italy, the
Juniper is the object of a superstitious reverence on account of its
supposed property of dispersing evil spirits. According to Herr Weber,
in some parts of Italy, holes or fissures in houses are brushed over
with Juniper-boughs to prevent evil spirits introducing sickness;
in other parts, boughs of Juniper are suspended before doorways,
under the extraordinary belief that witches who see the Juniper are
seized with an irresistible mania to count all its small leaves,
which, however, are so numerous that they are sure to make a mistake
in counting, and, becoming impatient, go away for fear of being
surprised and recognised.----In Waldeck, Germany, when infants fall
ill, their parents place in a bunch of Juniper some bread and wool,
in order to induce bad spirits to eat, to spin, and so forget the
poor little suffering babe. In Germany, a certain _Frau Wachholder_
is held to be the personification and the presiding spirit of the
Juniper, who is invoked in order that thieves may be compelled to give
up their ill-gotten spoils: this invocation takes place with certain
superstitious ceremonies beneath the shadow of a Juniper, a branch of
which is bent to the earth. In Germany, also, the Juniper, like the
Holly, is believed to drive away from houses and stables, spells and
witchcraft of all description, and specially to cast out from cows
and horses the monsters which are sometimes believed mysteriously to
haunt them. For a similar reason, in Germany, in order to strengthen
horses, and to render them tractable and quiet, they administer to
them on three successive Sundays before sunrise, three handfuls of
salt, and seventy-two Juniper-berries. Prof. De Gubernatis tells us
that from a rare Italian book which he possesses, he finds that in
Bologna it is customary on Christmas Eve to distribute in most houses
branches of Juniper; and moreover, that the best authorities have
proved the omnipotence of Juniper against serpents and venomous beasts,
who by their bites represent sins; and that the Juniper furnished
the wood for the Cross of the Saviour and protected the Prophet
Elijah.----In Tuscany, the Juniper receives a benediction in church
on Palm Sunday.----In Venetia, Juniper is burnt to purify the air,
recalling the ancient Roman custom of burning it instead of incense on
the altars.----In Norway and Sweden, the floors are strewed with the
tops of Juniper, which diffuse a pleasant fragrance.----Evelyn says
that Juniper-berries afford “one of the most universal remedies in the
world to our crazy forester,” and he wonders that Virgil should condemn
the shadow of such a beneficial tree, but suspects him misreported as
having written the following lines:--
“Now let us rise, for hoarseness oft invades
The singer’s voice who sings beneath the shades:
From Juniper unwholesome dews distil.”
The old herbalists recommended the berries of the Juniper for use
as counter-poisons and other wholesome medicines, and water wherein
these berries had been steeped was held to be health-giving and
useful against poisons and pestilent fevers. The smoke of the leaves
and wood was said to drive away serpents, “and all infection and
corruption of the aire which bring the plague, or such-like contagious
diseases.”----The Juniper would appear to be potent in dreams; thus,
it is unlucky to dream of the tree itself, especially if the person
be sick; but to dream of gathering the berries, if it be in winter,
denotes prosperity; whilst to dream of the actual berries signifies
that the dreamer will shortly arrive at great honours, and become an
important person. To the married it foretells the birth of a male
child.----The Juniper is held to be under the dominion of the Sun.
=JUNO’S ROSE.=--The _Lilium candidum_ has derived its name of Juno’s
Rose from the legend that relates how Jupiter, to make his infant son
Hercules immortal, put him to the breast of the sleeping Juno; and how,
when the babe withdrew from her, the milk which fell from his lips
formed the Milky Way, and, falling on earth, caused the White Lily to
spring up. (See Lily).
=JUNO’S TEARS.=--A name originally given by Dioscorides to the _Coix
lacryma_ (now called Job’s Tears), but for some unknown reason
transferred to the Vervain (_Verbena officinalis_).
=JUPITER’S PLANTS.=--The Pink (_Dianthus_) is Jove’s flower; the Oak is
sacred to him because he first taught mankind to live upon Acorns; his
sceptre is of Cypress. The Dodonæan Jupiter is usually depicted with a
wreath of Oak-leaves; the Olympian Jove wears a wreath of Olive, and
his mantle is decorated with various flowers, particularly the Lily;
to Jupiter Ammon the Beech is dedicated. The House-leek (_Sempervivum
tectorum_) has obtained its name of Jupiter’s Beard (_Jovis Barba_)
from its massive inflorescence resembling the sculptured beard of
Jupiter. The same plant is also called Jupiter’s Eye from its stellate
form: in its centre is a bud, and on the surrounding petals can
be distinguished a little eye, from which circumstance has arisen
the superstition, mentioned by Dioscorides, that this plant cures
inflammation of the eyes. Jupiter’s Staff is the Mullein (_Verbascum
Thapsus_). Jupiter’s Distaff is the Yellow Clary (_Salvia glutinosa_).
Gerarde thus describes it: “_Jovis Colus_ representeth in the highest
top of the stalk a distaffe, wrapped about with yellow Flax, whereof
it took its name.”----The Couch of Jupiter and Juno was formed of the
blossoms of Lotus, Lily, Hyacinth, Crocus, and Asphodel.
=KAIL.=--Writing of the Cabbage or Colewort, Gerarde tells us “the
apothecaries and the common herbalists do call it _Caulis_, of the
goodnesse of the stalke.” The old English name Cole and the Scotch
Kail are both derived from this Latin word _Caulis_, a stalk.----In
Scotland, it is a custom on Hallowe’en for the young people, after
being duly blindfolded, to go forth into the Kail-yard, or garden,
and pull the first stalk they meet with. Returning to the fireside,
they determine, according as the stalk is big or little, straight or
crooked, what the future wife or husband will be. The quantity of earth
adhering to the root is emblematic of the dowry to be expected, and
the temper is indicated by the sweet or bitter taste of the _motoc_ or
pith. Lastly, the stalks are placed in order over the door, and the
Christian names of persons afterwards entering the house signify in the
same order those of the wives and husbands _in futuris_.
=KATAKA.=--The Kataka (_Strychnos potatorum_) is an East Indian plant,
the seeds of which are sold in the bazaars for the purpose of cleansing
muddy water, &c. The vessel containing the water, milk, &c., is first
rubbed round the inside for a minute or two with one of the seeds,
after which, by allowing the liquid to settle for a short time, however
impure it may have been before, it becomes clear. The confidence of the
superstitious Hindus in this property of the Kataka became so great,
that in course of time they ignorantly thought the mere name of Kataka
would be sufficient to cleanse water. It became, therefore, necessary
to state in one of their Codes that although the seeds of the Kataka
purify water, its name alone was insufficient for that purpose.
=KATHARINE’S FLOWER.=--The _Nigella Damascena_ has been called
Katharine’s or St. Katherine’s-flower, from the persistent styles
spreading like the spokes of a wheel, the symbol of St. Katharine,
who was martyred upon a wheel. As regards the seed of this plant,
Gerarde tells us that if dried, powdered, and wrapped in a piece of
fine lawn or sarcenet, it “cureth all murs, catarrhes, rheumes, and
the pose, drieth the braine, and restoreth the sence of smelling unto
those which have lost it, being often smelled unto from day to day,
and made warme at the fire when it is used.”----This plant bears
also the names of Fennel-flower, Bishop’s-wort, Old Man’s Beard, and
Kiss-me-twice-before-I-rise.
=KESARA.=--The Kesara (_Mimusops Elengi_) is an Indian tree sacred to
Krishna. According to Jones, the flowers of the _Kesara_ ornament
conspicuously the Garden of Paradise. An odoriferous water is distilled
from the flowers, and the bark is used medicinally.
=KERNEL-WORT.=--The _Scrophularia nodosa_ has obtained the name of
Kernel-wort, from its having kernels or tubers attached to its roots,
and, therefore, as Gerarde remarks, “it is reported to be a remedy
against those diseases whereof it tooke his name.” It appears to have
been more particularly employed as a cure for the King’s-evil; but
the old herbalist tells us that “divers do rashly teach that if it be
hanged about the necke, or else carried about one, it keepeth a man in
health.”
=KERZEREH.=--The Kerzrah, or Kerzereh, is the name of an Eastern
flower, the odour of which would seem to have deadly properties. It
is well known in Persia, and there, it is commonly said, that if a
man inhale the hot south-wind, which in June or July passes over the
Kerzereh-flowers, it will undoubtedly kill him.
=KETAKI.=--The Indian name of the Screw Pine, _Pandanus odoratissimus_,
is Ketaki, the male and female flowers of which are borne on separate
trees. The male flowers are dried, and are then much in vogue as a
scent by Indian ladies. These flowers are said by the native poets to
be dear to the god Siva; and so exquisite is their perfume, that the
bee, intoxicated by it, mistakes the golden blossom for a beauteous
nymph, and, blinded with passion, loses its wings.
=KING’S CUP.=--The Buttercup (_Ranunculus bulbosus_) is also called
King’s Cup, from the resemblance of its buds to a gold stud such as
Kings wore. This flower was dedicated in mediæval times to the Virgin
Mary, and is the Mary-bud alluded to by Shakspeare in ‘Cymbeline’--
“And twinkling Mary-buds begin
To ope their golden eyes.”
KISS-ME-ERE-I-RISE.--See Pansy.
KISS-ME-TWICE-BEFORE-I-RISE.--See Katharine’s Flower.
KNIGHT’S SPURS.--See Larkspur.
=KNOT GRASS.=--The Centinode, or Knot Grass (_Polygonum aviculare_)
derives its name from the knottiness of its stem and its Grass-like
leaves. In ‘A Midsummer Night’s Dream,’ Shakspeare refers to this plant
as “the hindering Knotgrass,” because its decoction was, in olden
times, believed to be efficacious in stopping or retarding the growth
of children, as well as of the young of domestic animals. Thus, in
Beaumont and Fletcher’s ‘Coxcomb,’ we read:--
“We want a boy,
Kept under for a year with milk and Knotgrass.”
Gerarde says that “it is given unto swine with good success when they
are sick, and will not eat their meat, whereupon country people do call
it Swine’s-grass or Swine’s-skir.”
=KOVIDARA.=--The Kovidara (_Bauhinia variegata_) is one of trees which
are represented as growing in the Indian Paradise. The flowers of this
Mountain Ebony are of a purplish-red colour, marked with white, and
with yellow bottoms.
=KOUNALNITZA.=--In Russia, a plant dedicated to the Slave-God Kounala,
protector of the harvest, is named after him _Kounalnitza_. It would
seem, however, to be now considered a herb of St. John. De Gubernatis
tells us that on the eve of St. John’s Day it is customary in Russia to
deck the floors of bath-rooms with this plant. _Kounalnitza_ is thus
described by a Russian lady:--“It is a herb as delicate as an arrow,
having on each side nine leaves and four colours--black, green, red,
and blue. This herb is very salutary. He who has gathered it on St.
John’s Day, and carries it about him with a piece of gold or silver
money attached, need neither fear the Devil nor wicked men at night. In
course of time he will prevail against all adversaries, and will become
the friend of Tzars and princes. The root of this plant is equally
miraculous: if a woman be childless, she has only to drink a potion in
which this plant has been powdered, and she will have children and be
able to protect them from all infantile diseases. _Kounalnitza_ is also
gathered as a protection against sorcerers, who by their cries scare
reapers and workers in the fields.”
=KUDDUM.=--The Kuddum, or Cadamba (_Anthocephalus Cadamba_), is one
of the most sacred trees of India. According to the Chinese Buddhist
scriptures, there grows to the east of the mountain Sume a great ring
of trees called _Kadamba_, of vast proportions. The tree of Buddha
sprang spontaneously from a kernel of this _Kadamba_, dropped in the
soil. “In one moment the earth split, a shoot appeared, and the giant
tree raised itself, embracing within its shadow a circumference of
three hundred cubits. The fruits of this miraculous tree are a source
of bitter vexation to the enemies of Buddha, and against these the
Devas launch all the fury of the tempest.” The yellowish-brown flowers
of the Kuddum are small and collected in dense balls: they open at
the commencement of the rainy season, and they are represented by
the Indian poets as having the power of recalling to lovers, with
irresistible vividness, the beloved absent one.
=KUSA GRASS.=--The sacred Vedic herb _Kusa_ (_Poa cynosuroides_) is
known in the Sanscrit writings as the Ornament of the Sacrifice, the
Pure Herb, the Purifier, &c. With its long pointed leaves, the sacred
beverages are purified, the altar is covered, and the sacrificing
priest is furnished with a natural carpet. According to the Vedas, the
sacrifices offered in the Hindu temples of the Indian Trinity, Brahma,
Vishnu, and Siva, consisted of a fire of fragrant woods lighted at
each of the cardinal points. The flames were fed now and again with
consecrated ointment, and around the fire was scattered the sacred
herb _Kusa_. Thus, in the drama of ‘_Sakuntalâ_,’ written by Kâlidâsa
two thousand years ago, we find that Kanva, the father of the heroine
(who is the chief of the hermits), offers one of these sacrifices, and
exclaims:--
“Holy flames, whose frequent food
Is the consecrated wood,
And for whose encircling bed,
Sacred Kusa-grass is spread;
Hear, oh, hear me when I pray,
Purify my child this day!”
In those times it was apparently considered no sin to apply the sacred
grass to private purposes, for one of Sakuntalâ’s handmaids compounds
perfumes and unguents with consecrated paste and the Kusa-grass,
to anoint the limbs of her mistress, previous to her nuptials. In
the Vedas, the Kusa-grass, or _Darbha_, is often invoked as a god.
According to the _Atharvaveda_, it is immortal, it never ages, it
destroys enemies, and Indra, the god of thunder, employs it as his
weapon.----The Vedic rituals contain directions for the employment of
Kusa-grass for various mystic purposes. To cleanse butter, the priest
held a small stalk of the sacred Grass, without nodes, in each hand,
and, turning towards the east, he invoked Savitar, Vasu, and the rays
of the sun. At the new moon, and at the full moon, they bound and
fastened together the sacrificial wood and the Kusa-grass. In the third
year of its age, it was customary for a Hindu child to be brought
by its parents to the priest, that its hair might be cut. Then the
father, placed to the south of the mother, held in his hand twenty-one
stalks of Kusa-grass, which symbolised the twenty-one winds, and an
invocation was made to Vâyu, the god of the winds. The father, or, in
his absence, a Brahman, took three stalks at a time, and inserted them
in the child’s hair seven times, the points turned towards the infant’s
body; at the same time devoutly murmuring, “May the herb protect thee!”
According to the Vedas, a house ought to be erected in a locality where
the Kusa-grass abounds; the foundations are sprinkled with it, and
care is taken to extirpate all thorny plants. When reading the sacred
books, the devout Hindu should be seated either on the ground or on a
flooring strewn with Kusa-grass, upon which once rested Brahma himself.
It was customary, upon leaving a seminary, for the Vedic student to
take, among other things, by way of memento, and as a presage of
good fortune, a few blades of Kusa-grass. Anchorites employed the
sacred Grass as a covering to their nudity, and it was also used as a
purification in funeral rites. In the Buddhist ritual, the Vedic Kusa
appears under the name of _Barhis_, and serves as a kind of carpet, on
which come Agni and all the gods to seat themselves. Of such importance
is the sacred Grass considered, that the name _Barhis_ is sometimes
even employed to signify in a general manner the sacrifice itself.
=KUSHTHA.=--Wilson identifies the Indian mythological tree _Kushtha_
with the _Costus speciosus_, a swamp plant bearing snow-white flowers
and celebrated for the sweetness of its fruits. The Kushtha forms one
of the trees of heaven. In the _Atharvaveda_, it is stated to flourish
in the third heaven, where the ambrosia is to be found: it possesses
magical properties, will cure fevers, and is considered as the first
of medicinal plants. It is represented also as a great friend and
companion of Soma, the god of the ambrosia, and it descends from the
mountain Himavant as a deity of salvation.
LAD’S LOVE.--See Southernwood.
=LADY’S PLANTS.=--When the word “lady” occurs in plant names, it
alludes in most cases to Our Lady, the Virgin Mary, on whom the monks
and nuns of old lavished flowers in profusion. All white flowers were
regarded as typifying her purity and sanctity, and were consecrated
to her festivals. The finer flowers were wrested from the Northern
deities, Freyja and Bertha, and from the classic Juno, Diana, and
Venus, and laid upon the shrine of Our Lady. In Puritan times, the
name of Our Lady was in many instances replaced by Venus, thus
recurring to the ancient nomenclature: for example: Our Lady’s Comb
became Venus’s Comb (_Scandix Pecten Veneris_); _Galium verum_ is
called Our Lady’s Bedstraw, from its soft, puffy, flocculent stems,
and its golden flowers. The name may allude more particularly to the
Virgin Mary having given birth to her Son in a stable, with nothing
but wild flowers for her bedding. _Clematis vitalba_, commonly called
Traveller’s Joy, from the shade and shelter it affords to weary
wayfarers, is also called Lady’s Bower, from “its aptness in making
arbours, bowers, and shadie covertures in gardens.” _Statice Armeria_,
the clustered Pink, which is called Thrift, from the past participle of
the verb to thrive, is, on account of its close cushion-like growth,
termed Lady’s Cushion. _Alchemilla vulgaris_ is named Lady’s Mantle
from the shape and vandyked edge of the leaf; and _Campanula hybrida_
(from the resemblance of its expanded flower, set on its elongated
ovary, to an ancient metallic mirror on its straight handle) is the
Lady’s Looking-glass. Two plants with soft inflated calyces (_Anthyllis
vulneraria_ and _Digitalis purpurea_) are Lady’s Fingers. _Neottia
spiralis_, with its flower-spikes rising above each other like braided
hair, is Lady’s Tresses; and the Maidenhair Fern is Our Lady’s Hair.
Dodder (_Cuscuta_), from its string-like stems, is called Lady’s Laces;
and _Digraphis arundinacea_, from the ribbon-like striped leaves,
Lady’s Garters. In Wiltshire, _Convolvulus sepium_ is called Lady’s
Nightcap. _Cypripedium Calceolus_, from the shape of its flower, is
called Lady’s Slippers; and _Cardamine pratensis_, from the shape of
its flowers, like little smocks hung out to dry, is the Lady’s Smock,
all silver white, of Shakspeare. Lady’s Thimble is a name of the Blue
or Hare Bell (_Campanula rotundifolia_); and Lady’s Seal is now the
Black Briony. _Carduus Marianus_ is the Lady’s Thistle, the blessed
Milk Thistle, whose green leaves have been spotted white ever since
the milk of the Virgin fell upon it when she was nursing Jesus, and
endowed it with miraculous virtues.
=LARCH.=--There has long been a superstitious belief that the wood
of the Larch-tree (_Pinus Larix_) is impenetrable by fire, and a
story is told by Vitruvius of a castle besieged by Cæsar, which,
from being built largely of Larch timber, was found most difficult
to consume.----Evelyn calls the Larch a “goodly tree, which is of so
strange a composition, that ’twill hardly burn; whence the Mantuan,
_Et robusta Larix igni impenetrabile lignum_, for so Cæsar found
it.”----Tiberius constructed several bridges of this timber, and the
Forum of Augustus, at Rome, was built with it.----Evelyn tells of a
certain ship found many years ago in the Numidian Sea, twelve fathoms
under water, which was chiefly built of Larch and Cypress, so hardened
as long to resist the fire or the sharpest tool. Nor, he adds, “was
anything perished of it, though it had lain above a thousand and four
hundred years submerged.”----A Manna is obtained from the Larch,
called in the South of France _Manna de Briançon_; it is very rare,
and met with only in little drops that adhere to the leaves.----In
the case of a forest fire, if Larches are scorched to the pith, the
inner part exudes a gum, called Orenburg gum, which the mountaineers
masticate in order to fasten their teeth. Ben Jonson, in the ‘Masque of
Queens,’ speaks of the gum or turpentine of the Larch as being used in
witchcraft. A witch answers her companion:--
“Yes, I have brought (to help your vows)
Horned Poppy, Cypress-boughs,
The Fig-tree wild, that grows on tombs,
And juice that from the Larch-tree comes,
The basilisk’s blood and the viper’s skin:
And now our orgies let’s begin.”
According to a Tyrolean tradition, the Seliges Fräulein, dressed
in white, repairs to an aged Larch beneath whose shelter she
sings.----Lucan includes the “gummy Larch” among the articles burned
to drive away serpents.----M. de Rialle, quoted in _Mythothologie des
Plantes_, relates that a group of seven Larches constituted for the
Ostiaks a sacred grove. Everyone passing was expected to leave an
arrow, and formerly it was customary to suspend skins there, so that in
course of time an immense quantity was accumulated. As these offerings
were frequently stolen by strangers, the Ostiaks decided to fell one
of the Larches and remove the stump to some secret locality where they
might pay their devotions without fear of sacrilege. M. de Rialle
found the same Larch worship at Bérézof: there a tree fifty feet high,
and so old that only its top bore foliage, received the homage of the
Ostiaks, who showed their piety by turning to good account its singular
conformation: about six feet from the ground the trunk of the tree
became divided into two limbs, which joining again a little higher up,
left a cleft in the centre: this aperture the devotees dedicated to the
reception of their offerings.
=LARKSPUR.=--The Larkspur, the _Delphinium_ or Dolphin-flower of the
ancients, was considered by Linnæus and many other botanists to be
none other than the Hyacinth of the classic poets. It is not, however,
generally recognised as the flower that sprang from the blood of the
unfortunate Hyacinthus, and which to this day bears his name; but is
rather regarded as the flower alluded to in the enigma propounded by a
shepherd in one of the Eclogues of Virgil.
“_Dic quibus in terris inscripti nomina regum
Nascuntur flores._”
“Say in what country do flowers grow with the names of kings
written upon them.”
Tradition states that from the life-blood of the disappointed
and infuriated Ajax sprang the _Delphinium_--the flower which we
now know as the Larkspur, upon whose petals it is said may be
read the letters A I A, and which the botanists consequently term
_Delphininium Ajacis_--truly a flower upon which the name of a king
is written.----The legend concerning the origin of the flower is as
follows:--Ajax, the son of Telamon and Hesione, was next to Achilles
worthily reputed the most valiant of all the Greeks at the Trojan war,
and engaged in single combat with Hector, the intrepid captain of the
Trojan hosts, who was subsequently slain by Achilles. After the death
of Achilles, Ajax and Ulysses both claimed the arms of the deceased
hero: the latter was awarded them by the Greeks, who preferred the
wisdom and policy of Ulysses to the courage of Ajax. This threw Ajax
into such a fury, that he slaughtered a flock of sheep, mistaking
them for the sons of Atreus; and then, upon perceiving his error,
stabbed himself with the sword presented to him by Hector; the blood
spurting from his self-inflicted death-wound, giving birth, as it fell
to the earth, to the purple _Delphinium_, which bears upon its petals
the letters at once the initials of his name and an exclamation of
grief at the loss of such a hero.----The generic name of the plant
is derived from the Greek _delphinion_, a dolphin; the flower-buds,
before expansion, being thought to resemble that fish. In England, the
flower is known by the names of Larkspur, Lark’s-heel, Lark’s-toe,
Lark’s-claw, and Knight’s-spur.
=LAUREL.=--Daphne, daughter of Peneus and the goddess Terra, inspired
Apollo with a consuming passion. Daphne, however, received with
distrust and horror the addresses of the god, and fled from his
advances. Pursued by Apollo, she adjured the water-gods to change her
form, and, according to Ovid--
“Scarce had she finished when her feet she found
Benumb’d with cold and fastened to the ground:
A filmy rind about her body grows;
Her hair to leaves, her arms extend to boughs.
The nymph is all into a Laurel gone
The smoothness of her skin remains alone.
* * * * *
To whom the god: because thou canst not be
My mistress, I espouse thee for my tree:
Be thou the prize of honour and renown;
The deathless poet and the poem crown.
Thou shalt the Roman festivals adorn,
And after poets, be by victors won.
Thou shalt returning Cæsar’s triumph grace
When pomps shall in a long procession pass;
Wreath’d on the posts before his palace wait;
And be the sacred guardian of the gate,
Secure from thunder, and unharmed by Jove,
Unfading as th’ immortal powers above;
And as the locks of Phœbus are unshorn,
So shall perpetual green thy boughs adorn.”--_Dryden._
The classical Laurel, known as the “Royal,” or “Augustan,” was the
Sweet Bay, or Daphne (_Laurus nobilis_). Formerly the Bay-tree was
called Laurel, and the fruit only named Bayes, a word derived from
the French _baie_, a berry. By the Greeks and Romans the tree was
considered sacred. The Romans decorated with Laurel the gods Apollo
and Bacchus, the goddesses Libertas and Salus, Æsculapius, Hercules,
&c. The victors of the Pythian games, held to commemorate Apollo’s
triumph over the Pythons, wore crowns of Laurel, Palm, or Beech. Paris
(called in Homer, Alexander) was crowned with Alexandrian Laurel
(_Ruscus racemosus_), as victor in the public games, whence its names
in Apuleius, _Daphne Alexandrina_ and _Stephane Alexandrina_. Of all
the honours decreed to Cæsar by the Senate, he is said to have valued
most the privilege of wearing a crown of Alexandrian Laurel, because it
covered his baldness, which was reckoned a deformity among the Romans
as well as among the Jews. This is the Laurel generally depicted on
busts, coins, &c. The palace gates of the Cæsars, and the high pontiffs
were decorated with Laurel. Victorious Roman generals sent their
letters and dispatches to the Senate enclosed in Laurel-leaves. The
letter announcing the victory was called _literæ laureatæ_, and its
bearer carried a branch of Laurel, which was placed in the breast of
Jupiter Optimus Maximus. The soldiers’ spears, tents, ships, &c., were
all dressed up with Laurel, and in the triumph each soldier carried a
branch in his hand. According to Plutarch, Scipio entered Carthage,
holding in one hand a sceptre and in the other a branch of Laurel.
Sophocles relates how Œdipus, seeing Creon arrive crowned with Laurel,
believed that he brought good news. The goddess Victoria is represented
as crowned with Laurel, and bearing the branch of a Palm-tree.
According to Hesiod, the Muses hold Laurel in their hands.
The prophetess Manto, a daughter of the prophet Tiresias, was sometimes
called Daphne (Laurel).
The bough of a Laurel was considered to give to prophets the faculty
of seeing that which was hidden. Dionysius calls the Laurel the
prophetical plant; and Claudian, _venturi præscia Laurus_. Fulgentius
states, that a Laurel-leaf placed beneath the pillow will cause coming
events to be foreseen in a dream; thereby greatly assisting the
prediction of future events. Diviners, like the priests of Apollo, wore
Laurel wreaths, and Laurel was used in the composition of incense.
Evelyn relates that the Laurel and _Agnus Castus_ were reputed to be
“trees which greatly composed the ‘phansy,’ and did facilitate true
visions; and that the first was especially efficacious to inspire a
poetical fury. Such a tradition there goes of Rebekah, the wife of
Isaac, in imitation of her father-in-law. The instance is recited
out of an ancient ecclesiastical history, by Abulensis.” From hence,
Evelyn thinks the Delphic Tripos, the Dodonean Oracle in Epirus, and
others of a similar nature, took their origin. The Pythia, or priestess
of Apollo, at Delphi, before delivering the oracles from the sacred
tripod, shook a Laurel-tree and sometimes chewed the leaves with which
she crowned herself, casting them afterwards into the sacred fire.
The temple of Apollo at Delphi, where the celebrated oracles were
delivered, was at first only a structure of Laurel-branches, which
enclosed a fissure in the earth, from which a stupefying exhalation
arose. Over the fissure was placed a tripod, on which the Pythia or
prophetess sat, and, becoming excited by the ascending vapour, she
fell into an ecstacy, and prophesied. After a temple of stone had been
constructed, the Pythia prophesied in an inner and secluded cell,
the only opening to which, accessible to questioners, was covered
with Laurel-leaves. The Laurel being sacred to Apollo as well as to
Æsculapius, was used in the temples of both these divinities, partly
to induce sleep and dreams, partly to produce beneficial effects in
various diseases. Whosoever wished to ask counsel was bound to appear
before the altar crowned with Laurel-twigs and chewing Laurel-leaves.
Every ninth year, a bower, composed of Laurel-branches, was erected in
the forecourt of the temple at Delphi.
The Bœotian fêtes, held every ninth year at Thebes in honour of Apollo,
were designated Daphnephoria. On these occasions, an Olive-bough,
adorned with Laurel, was carried by a beautiful and illustrious youth,
dedicated to the service of Apollo, and who was called _Daphnephoros_
(Laurel-bearer). The origin of the Daphnephoria was as follows:--The
Ætolians had invaded Bœotia, but both invaders and defenders suspended
hostilities to celebrate the festival of Apollo, and having cut down
Laurel-boughs from Mount Helicon, they walked in procession in honour
of the divinity: that same day the Bœotian general, Polemates, dreamed
that a youth presented him with a suit of armour, and commanded the
Bœotians to offer prayers to Apollo, and to walk in procession, with
Laurel-boughs in their hands, every ninth year. Three days later,
Polemates defeated the invaders, and immediately instituted the
Festival of Daphnephoria.
The Laurel formerly had the power ascribed to it of being a safeguard
against lightning, of which Tiberius was very fearful, and in order to
avoid which he is stated to have crept under his bed and protected his
head with Laurel-leaves. In Sicily, it has long been popularly believed
that the shrub is a protection from thunder and lightning. The same
superstition survived till recently in our own country. W. Browne tells
us that “Baies being the material of poets’ ghirlands, are supposed
not subject to any hurt of Jupiter’s thunder-bolts, as other trees
are.” Culpeper alludes to the old belief that neither witch nor devil,
thunder nor lightning, will hurt a man where a Bay-tree is; and remarks
further, that Laurels resist “witchcraft very potently, as also all the
evils old Saturn can do the body of man, and they are not a few. The
berries are very effectual against all poisons of venomous creatures,
as also against the pestilence and other infectious diseases.”
The decay of the Bay-tree, which is generally rapid, was formerly
considered as an omen of disaster. It is said that before the death
of Nero, though in a very mild winter, all these trees withered to
the root, and a great pestilence in Padua is reputed to have been
preceded by the same phenomenon. So great a reputation had the Laurel
for clearing the air and resisting contagion, that the Emperor Claudius
was advised by his physicians during a raging pestilence to remove
his court to Laurentum. That city, in the reign of Latinus, was the
capital of Latium, whose inhabitants were called Laurentini from the
great number of Laurels which flourished in their country. King Latinus
discovered one of unusual size and beauty when about to build a temple
to Apollo, and the tree was consecrated to the god, and preserved with
religious care.
The Laurel had the reputation of being generally propitious to man.
At Rome, on the 15th of May, merchants used to celebrate a festival
in honour of Mercury, and proceeding to a public fountain, they drew
water wherein they dipped a Laurel-branch, which they then employed
to bless all their merchandise. The Laurus (Bay) was held in high
esteem by the old Greek physicians; and among the people there existed
a belief that spirits could be banished by its means. The Greeks had
a saying, “I carry a branch of Laurel,” to indicate that the speaker
had no fear of poison or sorcery. They had a custom of affixing a
Laurel-bough over the doorway, in the case of a severe illness, in
order to avert death and drive away evil spirits. Presumably from these
associations, it became the fashion to crown young doctors of physic
with Laurel-berries (_Bacca Lauri_), and the students were called
Baccalaureats, Bay-laureats, or Bachelors. Theophrastus tells us that
in his time the superstitious kept Bay-leaves in their mouths all day,
to guard them from misfortune. Theocritus says that young girls were
wont to burn Laurel as a charm to recall errant lovers. The Bolognese
use Laurel to obtain an augury of the harvest: they put Laurel-leaves
in the fire, and if in burning they crackle, it is a sign that the
harvest will be good; if not, it will be bad. Tibullus chronicles a
similar superstition in his time.
In the days of Pliny, there still existed on Mount Aventine a
plantation of Laurels, of which the branches were employed for
expiations. On the other hand, there grew on the shores of the Euxine
a Laurel bearing a sinister reputation, close to where Amycus, the
son of Neptune, was killed and buried. The Argonauts, when passing
there, broke off a branch of this Laurel, and they immediately began
to quarrel among themselves: the quarrel ceased, however, directly the
branch was thrown away.
Petrarch made the Laurel the constant theme of his verse, associating
it with the name of his beloved mistress, Laura; and when publicly
crowned in the Roman Capitol with a wreath of Laurel, the poet
acknowledged himself to have experienced the greatest delight.
Sir Thomas Browne refers to a custom common in Christian countries of
throwing a sprig of Bay upon the coffin when interred. In England, it
has long been used, together with Holly, Rosemary, &c., to decorate
houses and churches at Christmas. In Greece, on Holy Saturday, they
spread Laurel-leaves on the church floor. In Corsica, they deck with
Laurel-leaves the doorway of the house where a wedding is being
celebrated.
To dream of a Laurel-bush is a token of victory and pleasure. If the
dreamer is married it denotes an inheritance through the wife. If
a married woman dreams of seeing or smelling Laurel, it is a sign
that she shall bear children; if a maid, it denotes that she will be
suddenly married. Astrologers consider the Laurel a tree of the Sun,
under the celestial sign Leo.
The Roumanians have a legend that there was once a nymph, known as the
Daughter of the Laurel, who dwelt in the midst of a Laurel-bush. One
evening the Laurel had opened its branches that she might, as was her
wont, issue forth and dance in the flowery valley. Whilst tripping
along she was accosted by a handsome youth, who extolled her beauty,
expressed his passion for her, and finally endeavoured to embrace her;
but the Laurel nymph fled, and pursued by the stranger, disappeared in
the flowery groves.... “The Star Queen sleeps in her palace of clouds;
sleep also, gentle and lovely girl; try to calm thy sighs.” So sings
the handsome stranger, and the Daughter of the Laurel falls to sleep
in his arms, murmuring a prayer that her lover may never abandon her.
At her waking, alas! the youth is nowhere to be seen. She shrieks
for him wildly, and calls to the night; to the stars; to the rivulet
running through the wood; but in vain. “Open thy branches, beautiful
Laurel-tree!” then cries the deserted girl; “the night is already
flying, and if I remain longer here I shall dissolve away into dew.”
“Away, young and beautiful girl,” replies the Laurel-tree mournfully;
“the star wreath of honour has fallen from thy brow; there is no longer
any place for thee here.” Then the sun rose over the mountain, and the
Daughter of the Laurel dissolved away into dew.
=LAVENDER.=--The ancients employed Lavender (_Lavandula Spica_) largely
in their baths, whence its name, derived from the Latin verb, _lavare_,
to wash. The expression “Laid up in Lavender” has arisen from the old
custom of using the plant to scent newly-washed linen.
“Its spike of azure bloom
Shall be erewhile in arid bundles bound,
To lurk amid the labours of the loom,
And crown our kerchiefs clean with mickle rare perfume.”
The ancients used the French Lavender (_L. Stœchas_), which formerly
grew in great abundance on the islands near Hyères, in France, that
were named after the plant, the Stœchades. Gerarde calls this French
Lavender, Sticadove, and says the herb was also known as Cassidonie,
corrupted by simple country folk into “Cast-me-down.” Shakspeare makes
Perdita class Lavender among the flowers denoting middle-age:--
“Here’s flowers for you;
Hot Lavender, Mints, Savory, Marjoram.
The Marygold, that goes to bed with the sun,
And with him rises weeping; these are the flowers
Of middle Summer, and, I think, they are given
To men of middle age.”
English Lavender was formerly called Lavender Spike, and Gerarde says
it was thought by some to be the sweet herb Cassia, mentioned by Virgil
in his ‘Bucolics’:--
“And then she’ll Spike and such sweet herbs unfold,
And paint the Jacinth with the Marigold.”
It was formerly believed that the asp, a dangerous species of viper,
made Lavender its habitual place of abode, for which reason the
plant was approached with extreme caution.----In Spain and Portugal,
Lavender is used to strew the floors of churches and houses on festive
occasions, or to make bonfires on St. John’s Day.----In Tuscany,
it is employed to counteract the effect of the Evil Eye on little
children.----The Kabyle women attribute to Lavender the property of
protecting them from marital cruelty, and invoke it for that purpose.
=LEEK.=--Biblical commentators say that the Leek (_Allium Porrum_),
as well as the Onion and Garlic, was included among those Egyptian
luxuries after which the Children of Israel pined. White and green were
the old Cymric colours, and these colours are found combined in the
Leek, which is the national emblem of the Welsh. The following lines
are from a MS. in the Harl. Col., British Museum:--
“I like the Leeke above all herbes and floures;
When first we wore the same the field was ours.
The Leeke is white and green, whereby is ment
That Britaines are both stout and eminente.
Next to the lion and the unicorne,
The Leeke’s the fairest emblym that is worne.”
Shakspeare, in Henry V., tells us that the Leek, worn by Welshmen on
St. David’s Day (March 1st), is “an ancient tradition, begun upon an
honourable respect, and worn as a memorable trophy of pre-deceased
valour.” This vegetable “trophy” is said to be in memory of a great
victory obtained by the Welsh over the Saxons; on which occasion,
they, by order of St. David, placed Leeks in their caps in order to
distinguish themselves. It has also been supposed that the wearing
of the Leek may have originated in the custom of _Cymortha_, still
observed among the farmers of the country, where, in assisting one
another in ploughing their land, they bring each their Leeks to the
common repast of the whole party.----Drayton relates another legend,
which runs as follows:--
“There is an aged cell, with Moss and Ivy grown,
In which not to this day the sun has ever shone.
That reverend British saint, in zealous ages past,
To contemplation lived, and did so truly fast,
As he did only drink what crystal Hodney yields,
And fed upon the Leeks he gathered in the fields;
In memory of whom, in each revolving year,
The Welshmen on his day that sacred herb do wear.”
Pliny states that Nero brought Leeks into great repute among the Romans
by eating them with oil to clear his voice for singing. His folly in
this respect obtained for him the satirical name of _Porrophagus_, the
Leek Eater. Martial, referring to the disagreeable effects of the Leek
upon the breath of the eater, says:--
“The juice of Leeks who fondly sips,
To kiss the fair, must close his lips.”
----In Poland, the flower-stalk of the Leek is placed in the hands
of the statues of our Saviour on certain special days, to represent
the Reed given to Him at the Crucifixion.----Among the Sicilians,
the mother of the Apostle Peter is the subject of many legends. She
is always represented as bad and niggardly. The only thing she ever
gave away was the leaf of a Leek, which she flung to a beggar, who
importuned her one day as she was washing her potherbs. When she died,
hell received her. Years afterwards, Peter, the doorkeeper of Paradise,
heard a piteous voice saying: “Son Peter, see what torments I am in.
Go, ask the Lord to let me out.” So Peter went and asked. But the Lord
said: “She never did a nail-paring of good. Except this Leek-leaf,
she never once gave a scrap away. However, here is a Leek-leaf: this
angel shall take it, and shall tell her to lay hold of the other end,
while he pulls her up.” So Peter’s mother grasped the Leek-leaf; but
all the souls in torment ran after her, and clung to her skirts, so
that the angel was dragging quite a string of them after her. Her evil
disposition, however, would not permit her to keep quiet. It grieved
her avaricious temperament that anyone besides herself should be saved;
so she struggled and kicked, in order to shake the poor souls off, and
in so doing tore the saving Leek-leaf, and fell back again, and sank
deeper than before.
=LENT LILIES.=--The Daffodil is the Lent Lily. Mingled with Yew, which
is the emblem of the Resurrection, it forms an appropriate decoration
for Easter. Lent Lilies are called by the French _Pauvres Filles de
Ste. Clare_. (See NARCISSUS).
=LENTIL.=--Like almost all vegetables, Lentils are traditionally
regarded as funereal plants: formerly they were forbidden at all
sacrifices and feasts.----St. Hilarion, when he arrived at man’s
estate, subsisted for three years upon Lentils steeped in cold
water.----To dream of Lentils is supposed to indicate sorrow and
anxiety.
=LETTUCE.=--Pythagoras, we are told, was extremely fond of Lettuces,
which formed a large portion of his diet; but Eubulus is said to have
bitterly reproached his wife for having served up at a meal Lettuces,
which were only recommended for funeral repasts.----The ancients
considered the Lettuce (_Lactuca_) as an aliment appropriate in times
of mourning, and they employed it largely in their funeral repasts in
commemoration of the death of Adonis, son of Myrrha, whom Venus had
concealed in a bed of Lettuces, and whose death had occurred from a
wound inflicted by a wild boar that had come to feed on the Lettuces,
and so surprised the beautiful youth.----Another legend states that
the young man hidden by Venus in the Lettuce bed was Phaon, the
handsome boatman of Lesbos, and not Adonis.----In mediæval days, it
was superstitiously thought that an evil spirit lurked in a bed of
Lettuces, and a species known by women as _Astylida_ was believed to
affect mothers adversely, and to cause grievous ills to newly-born
infants. Perhaps this may account for a saying often heard at Richmond,
Surrey:--“O’er-much Lettuce in the garden will stop a young wife’s
bearing.”----The old poets prescribed a bed of Lettuce for those who
were unable to obtain repose; and Pliny states that Lettuces of all
descriptions were thought to cause sleep. Pope, referring to its
soporific qualities, has said of the Lettuce:--
“If your wish be rest,
“Lettuce and Cowslip wine, _probatum est_.”
Gerarde remarks that, if eaten after supper, this vegetable prevents
the drunkenness resulting from too free indulgence in wine.----Lettuce
is stated by the Mishna to be one of the five “bitter herbs” ordered
to eaten by Jews at the Feast of the Passover.----To dream of eating
salads made of Lettuce, &c., is supposed to portend trouble and
difficulty in the management of affairs.
=LILY.=--The white Lily (_Lilium candidum_) was held in the highest
regard by the heathen nations; it was one of the flowers employed
to form the couch of Jupiter and Juno, and under the name of _Rosa
Junonis_ was consecrated to the imperious queen of the heavens, from
whose milk, indeed, the flower is stated to have originally sprung. The
legend is as follows:--Jupiter being desirous of rendering the infant
Hercules immortal, that he might rank among the divinities, caused
Somnus to prepare a nectareous sleeping-draught, which he persuaded
Juno to take. The Queen of the Gods fell immediately into a profound
slumber, and Jupiter then placed the little Hercules to the celestial
breast, in order that the babe might imbibe the ambrosial milk that
would ensure its immortality. The infant, over-eager to enjoy the
delightful nutriment, drew the milk faster than he could swallow, and
some drops falling to the earth, there immediately sprang from it the
white Lily, the emblem of purity: some of the milk is also said to have
dropped over that portion of the heavens which, from its whiteness,
still retains the name of the Milky Way (_lactea via_). Another version
of the myth states that originally all the Lilies were Orange-coloured,
but that those on which Juno’s milk fell were rendered white, and
produced the _Lilium candidum_.----The Lily was doubtless cultivated by
the ancient Egyptians, and probably held in great esteem, for we find
it appearing in their hieroglyphical representations, and may therefore
conclude that the flower possessed some special significance. With
the Greeks and Romans, the Lily was a favourite flower, and Columella
tells us that the latter were wont to preserve Lilies by planting them
in baskets. The frequent allusions made to the plant in the Scriptures
are sufficient proof that the Hebrew race thought highly of the beauty
and grace of the Lily. In their language, the name Susannah signifies
a Lily. There are great diversities of opinion as to what was the
particular Lily alluded to by our Saviour when He said, “Consider the
Lilies of the field.” Some think the Tulip, others the _Amaryllis
lutea_, others again the white Lily to be the flowers to which Solomon
in all his glory was not to be compared.----In nearly every Catholic
country, the White Lily is dedicated to the Virgin Mary, and is held
to be emblematic of her purity: hence the flower is frequently used to
decorate her shrine, and especially so on the feast of the Visitation
of Our Lady and the Annunciation. The Continental order of the Blessed
Lady of the Lily was instituted by Garcia, fourth King of Navarre, on
account of an image of the Holy Virgin being miraculously found, as it
was reported, in a Lily, which is believed to have cured this prince
of a dangerous disorder.----Rapin, the French Jesuit poet, has the
following lines on the Lily, which he evidently confounds with the
Iris, or _Fleur de Luce_ (see IRIS), as being the representative flower
of the French nation. He says:--
“With Lilies our French monarchs grace their crown,
Brought hither by the valiant Hector’s son,
From Trojan coasts, when Francus forc’d by fate
Old Priam’s kingdom did to France translate:
Or, if we may believe what legends tell,
Like Rome’s Ancilia, once from heav’n they fell.
Clovis, first Christian of our regal line,
Of heav’n approved, received the gift divine
With his unblemished hands, and by decree
Ordained this shield giv’n by the gods should be
Preserved, the nation’s guard to late posterity.”
The Roman Catholics assigned to the Madonna, as Queen of Heaven, the
White Lily (_Lilium candidum_), the symbol of purity, and it is the
flower appropriated to the Annunciation and to the Visitation of Our
Lady. According to the Romish legend, St. Thomas, who was absent at
the death of the Virgin, would not believe in her resurrection, and
desired that her tomb should be opened before him; and when this was
done, it was found to be full of Lilies and Roses. Then the astonished
Thomas, looking up to heaven, beheld the Virgin ascending, and she,
for the assurance of his faith, flung down to him her girdle.----In a
picture by Gozzoli, in the National Gallery, representing St. Jerome
and St. Francis kneeling at the foot of the Virgin, a red Rose-bud
has sprung up at the knees of St. Jerome, and a tall White Lily at
those of St. Francis--these flowers typifying the love and purity of
the Virgin Mother. In the works of Italian masters, a vase of Lilies
stands by the Virgin’s side, with three flowers crowning three stems.
St. Joseph, husband of the Virgin Mary, is depicted with the Lily in
his hand; his staff, according to the legend, having put forth Lilies.
Later painters of this school depict the angel Gabriel with a branch
of White Lilies.----As the emblem of purity and chastity, the Lily
is associated with numbers of saints, male and female; but, being
consecrated to the Virgin, it is always placed, in the paintings of
the early Italian masters, near those saints who were distinguished
by their devotion to the Mother of Jesus, as in the pictures of St.
Bernard.----As protector of youth, St. Louis de Gonzague bears a Lily
in his hand, and the flower is also dedicated to St. Anthony, as a
guardian of marriages. The flower is likewise the characteristic of St.
Clara, St. Dominick, and St. Katherine of Siena. The crucifix twined
with the Lily signifies devotion and purity of heart: it is given
particularly to St. Nicholas of Solentine.----Lilies being emblematic
of the Virgin, an order of knighthood was instituted by Ferdinand of
Aragon, in 1403, called the “Order of the Lily,” the collar of which
was composed of Lilies and gryphons.----From the Virgin being the
patron Saint of Dundee, that town bears Lilies on its arms.----To dream
of Lilies during their blooming season is reputed to foretell marriage,
happiness, and prosperity; but a vision of Lilies out of their season,
or withered, signifies frustration of hopes, and the death or severe
illness of someone beloved.----Astrologers state that Lilies are under
the dominion of the Moon.