NEW BOOKS.

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[THE FORGET-ME-NOT,

The first-born of the _Annuals_, comes to woo us with the kindred

charms of poetry and playful humour--romance and real life--full of

kindly feelings, sighs and tears, such as Niobe shed, and smiles that

with their witchery light up the finest affections to cherish drooping

nature, and guide our footsteps along this world of weal and woe. To

be more explicit, the character of the present volume is well told by

Mr. Haynes Bayly in its second page:--

a gift that friend to friend

At parting will deliver;

And love with his own name will blend

The dear name of the giver.

So pure, so blameless is this book,

That wise and wary sages

Will lead young Innocence to look

Upon its tasteful pages.

We can only particularize a few of the most striking papers. Among the

metrical gems is _Conradin_, a fine battle-piece, by Mr. Charles

Swain; an _Every-day Tale_, by Montgomery--one of "the short and

simple annals of the poor," written in behalf of a Society for

relieving distressed females in the first month of their widowhood, to

save their little households from being broken up before they can

provide means for their future maintenance: and _Far-off Visions_, by

Mary Howitt. The prose gem of the volume, to our taste, is

_Giulietta, a Tale of the Fourteenth Century, by L.E.L.,_

which we abridge. The scene lies at Genoa, where Giulietta

Aldobrandini, being at the point of death, commits her three daughters

to the care of their uncle the Cardinal Aldobrandini. The Countess

dies, and the three girls, Constanza, Bianca, and Giulietta, having

sprung up into graceful womanhood, arrive at the Cardinal's palace.]

It was early in a spring evening when the Aldobrandini arrived at

their uncle's dwelling. It was an old and heavy-looking building.

Constanza and Bianca, as the massy gate swung behind them, on their

arrival in the dark, arched court, simply remarked that they were

afraid it would be very dull: but Giulietta's imagination was

powerfully impressed; a vague terror filled her mind, which the gloom

of the huge and still chambers through which they were ushered did not

tend to decrease. At length, they paused in a large vaulted room,

while the aged domestic went on, to announce them to the cardinal.

Giulietta glanced around: the purple hangings were nearly black with

age, so was the furniture, while the narrow windows admitted shadows

rather than light. Some portraits hung on the walls, all dignitaries

of the church; but the colour of their scarlet robes had faded with

time, and each wan and harsh face seemed to turn frowning on the

youthful strangers. A door opened, and they were ushered into the

presence of their uncle. He was standing by a table, on which was a

crucifix and an open breviary, while a volume of the life of St.

Chrysostom lay open on the floor. A window of stained glass was half

screened by a heavy curtain, and the dark panels of carved oak added

to the gloom of the oratory. The sisters knelt before him, while

gravely and calmly he pronounced over them a welcome and a blessing.

Constanza and Bianca received them gracefully and meekly, but

Giulietta's heart was too full; she thought how different would have

been the meeting had they been but kneeling before parents instead of

the stern prelate. She bowed her head upon the breviary; and her dark

hair fell over her face while she gave way to a passionate burst of

tears. Next to indulging in the outward expression of feeling himself,

the cardinal held it wrong to encourage it in another. Gently, but

coldly, he raised the weeping Giulietta; and, with kind but measured

assurances of his regard and protection, he dismissed the sisters to

their apartment. Could Giulietta have known the many anxious thoughts

that followed her, how little would she have doubted her uncle's

affection!

* * * * *

The light of a few dim stars shed a variable gleam amid the thick

boughs of a laurel grove, too faint to mark the objects distinctly,

but enough to guide the steps of one who knew the place. The air was

soft and warm, while its sweetness told of the near growth of roses;

but a sweeter breath than even the rose was upon the air, the low and

musical whisper of youth and of love. Gradually, two graceful forms

became outlined on the dark air--the one a noble-looking cavalier, the

other Giulietta. Yet the brow of the cavalier was a gloomy one to turn

on so fair a listener in so sweet a night; and his tone was even more

sad than tender.

"I see no hope but in yourself. Do you think my father will give up

his life's hatred to the name of Aldobrandini, because his son loves

one of its daughters, and wears a sad brow for a forbidden bride? or,

think you, that yonder stern cardinal will give up the plans and power

of many years, and yield to a haughty and hereditary foe, for the sake

of tears even in thy eyes, Giulietta?"

"I know not what I hope," replied the maiden, in a mournful, but firm

voice; "but this I know, I will not fly in disobedience and in secrecy

from a home which has been even as my own."

"And what," exclaimed the cavalier, "can you find to love in your

severe and repelling uncle?"

"Not severe, not repelling, to me. I once thought him so; but it was

only to feel the more the kindness which changed his very nature

towards us. My uncle resembles the impression produced on me by his

palace: when I first entered, the stillness, the time-worn hangings,

the huge, dark rooms, chilled my very heart. We went from these old

gloomy apartments to those destined for us, so light, so cheerful,

where every care had been bestowed, every luxury lavished; and I said

within myself, 'My uncle must love us, or he would never be thus

anxious for our pleasure.'"

A few moments more and their brief conference was over. But they

parted to meet again; and at length Giulietta fled to be the bride of

Lorenzo da Carrara. But she fled with a sad heart and tearful eyes;

and when, after her marriage, every prayer for pardon was rejected by

the cardinal, Giulietta wept as if such sorrow had not been foreseen.

Her uncle felt her flight most bitterly. He had watched his favourite

niece, if not with tenderness of look and tone, yet with deep

tenderness of heart. When her elder sisters married and left his roof,

he missed them not: but now it was a sweet music that had suddenly

ceased, a soft light that had vanished. The only flower that, during

his severe existence, he had permitted himself to cherish, had passed

away even from the hand that sheltered it. It was an illusion fresh

from his youth: his love for the mother had revived in a gentler and

holier form for her child, and now that, too, must perish. He felt as

if punished for a weakness; and all Giulietta's supplications were

rejected: for pride made his anger seem principle. "I have been once

deceived," said he; "it will be my own fault if I am deceived again."

Yet how tenderly was his kindness remembered, how bitterly was his

indignation deplored, by the youthful Countess da Carrara!--for such

she now was--Lorenzo's father having died suddenly, soon after their

union. The period of mourning was a relief; for bridal pomp and gaiety

would have seemed too like a mockery, while thus unforgiven and

unblessed by one who had been as a father in his care. At her earnest

wish they fixed their first residence in the marine villa where her

mother died.

"And shall you not be sad, my Giulietta?" asked her husband. "Methinks

the memory of the dead is but a mournful welcome to our home."

"Tender, not mournful," said she. "I do believe that even now my

mother watches over her child, and every prayer she once breathed,

every precept she once taught, will come more freshly home to my

heart, when each place recalls some word or some look there heard and

there watched. It is for your sake, Lorenzo, I would be like my

mother."

They went to that fair villa by the sea; and pleasantly did many a

morn pass in the large hall, on whose frescoed walls was painted the

story of Oenone, she whom the Trojan prince left, only to return and

die at her feet. On the balustrade were placed sweet-scented shrubs,

and marble vases filled with gathered flowers; and, in the midst, a

fountain, whose spars and coral seemed the spoil of some sea-nymph's

grotto, fell down in a sparkling shower, and echoed the music of

Giulietta's lute. Pleasant, too, was it in an evening to walk the

broad terrace which overlooked the ocean, and watch the silver

moonlight reflected on the sea, till air and water were but as one

bright element.

And soon had Carrara reason to rejoice that he had yielded to his

wife's wish; for, ere they had been married three months, the plague

broke out in Genoa, with such virulence, as if, indeed, a demon had

been unchained upon earth. "The spirit of your mother, my sweet wife,

has indeed been our guardian angel," said the count, as he watched a

fresh sea-breeze lift up the long dark curls, and call the crimson

into Giulietta's cheek. Still, though safe themselves--for, though the

distance from Genoa was but short, their secluded situation and the

sea-air precluded all fear of infection--still an atmosphere of terror

and woe was around them, and their thoughts were carried out of their

own sweet home by dim and half-told tales of the dangers around them.

And among other things, Giulietta heard of her uncle's heroic conduct;

others fled from the devoted city--but he fled not; others shut

themselves up in their lonely palaces--he went forth amid the dead and

dying; his voice gave consolation to the sick man, and his prayer

called on Heaven for mercy to the departed soul. Giulietta heard, and

in the silence of her chamber wept; and, when her tears were done,

knelt, and gave thanks to God for her uncle.

For the first time hope arose within her, and she said to herself--"He

who walks now even as an angel among his fellow-men cannot but forgive

the errors and the weakness of earth." She went to meet her husband

with a lightened heart; but, as she met him on the terrace, she saw

that his brow was clouded, and his first words told her that important

business would oblige him to go for a week to an ancient castle on the

verge of the state, as his neighbours were disposed to question his

boundary rights. It was but a day's, a summer day's, journey, through

a healthy district; and yet how sorrowful was the parting! Alas! how

soon the presence of beloved ones becomes a habit and a necessity! but

a few weeks with them at our side, and we marvel how ever life was

endured without them. The young countess touched her lute--it had no

music; she gathered flowers--they had no sweetness; she turned to the

fairy page of Ariosto--but she took no interest in his knights or

dames; and at length the day was spent ere she had finished pacing the

hall, and imagining all the possible and impossible dangers that could

befal Carrara.

She was walking languidly on the terrace early the following morning,

when a hum of voices caught her ear; one name rivetted her attention:

a horrible conviction rushed upon her mind. She called a page, who at

first equivocated; but the truth was at last owned. The cardinal was

stricken with the plague. She signed to the page to leave her, and

sank for a moment against one of the columns. It was but for a moment.

She withdrew her hands from her face: it was pale, but tearless; and

she left the terrace for her chamber with a slow but firm step. Two

hours afterwards, the countess was sought by her attendants, but in

vain; a letter was found addressed to their master, and fastened by

one long, shining curl of raven darkness, which all knew to be hers.

Leaving the household to the dismay and confusion which such a

departure occasioned, we will follow the steps of the countess, who

was now on the road to Genoa. She had waited but to resume the black

serge dress, which, as a novice of St. Caterina's, she had worn, and

in which she knew she might pass for one of the sisters who had vowed

attendance on the sick; and, during the hour of the _siesta_, made her

escape unobserved. Giulietta had been from infancy accustomed to long

rambles by the sea-shore, or through the deep pine-forests; but now,

though her purpose gave her strength, she felt sadly weary; when, on

the almost deserted road, she overtook a man who was driving a small

cart laden with fruit and vegetables. She accosted him; and the offer

of a few piastres at once procured a conveyance to Genoa, for thither

was her companion bound.

"The plague," said he, "makes everything so scarce, that my garden has

brought me a little fortune; it is an ill wind that blows nobody

good."

"And are you not afraid of the infection?" asked the seeming Sister of

Charity.

"Nothing hazard nothing win. A good lining of ducats is the best

remedy for the plague," returned the gardener.

"Holy Madonna," thought Giulietta, "shall I not encounter for

gratitude and dear love the peril which this man risks for a few

ducats?"

The quarter where stood her uncle's palace was at the entrance of the

city, and to reach it they had to traverse the principal street. How

changed since last the countess passed that way! Then it was crowded

with gay equipages and gayer company. She remembered the six white

mules with their golden trappings, which drew the emblazoned coach of

her uncle along; and how she leant back upon its purple velvet

cushions, scarcely daring to glance amid the crowd of white-plumed

cavaliers who reined in the curvettings of their brave steeds, lest

she should meet Lorenzo da Carrara's eye, and betray their whole

secret in a blush. Now not one living creature walked the street, and

the sound of their light cart was like thunder. She was roused from

her reverie by observing that her companion was taking an opposite

direction to that of the palace; and requested to alight, mentioning

her destination.

"To the archbishop's! Why, you will not find one living creature

there. The good cardinal would have all the sick he could find brought

to his palace, but they fell off like dried leaves; and when he was

struck with the plague himself none ventured to approach it; for we

all agree that the air there must be more deadly than elsewhere, since

it has not even spared his eminence. So, if it is there you are bound,

Madonna, we part company; but it is just tempting Providence."

Giulietta's only answer was to offer the gardener a small sum for her

conveyance; but to her surprise he refused it. "No, no, you are going

on a holier errand than I; keep your money; you will want it all if

you stay in this city, every thing is so dear."

A sudden thought struck Giulietta. "I do not ask you," said she, "to

venture to a spot which seems marked for destruction; but if I meet

you here to-morrow will you bring with you a small supply of

provisions and fruit? I can afford to pay for them."

"I will come, be sure," replied the man; "and the saints keep you,

maiden, for your errand is a perilous one." He watched her progress

till she disappeared round a corner in the street. "I wish," muttered

he, "I had gone with her to the palace; at all events, I will be here

to-morrow; she is, for all her black veil and pale face, so like my

little Minetta. Ay, ay, if this plague lasts, I shall be able to tell

down her dowry in gold;" and the gardener pursued his way.

When Giulietta arrived at her uncle's palace, she paused for a moment,

not in fear but in awe, the stillness was so profound; not one

familiar sound broke upon her ear. The doors were all open, and she

entered the hall; pallets were ranged on each side, and on one or two

of the small tables stood cups and phials; but not a trace appeared of

an habitant. On she passed through the gloomy rooms; everything was in

disorder and out of place: it was indeed as if a multitude had there

suddenly taken up their abode and as suddenly departed. But Giulietta

hurried on to her uncle's sleeping apartment; it was vacant. Her heart

for the first time sank within her, and she leant against the

wainscot, sick and faint. "I have yet a hope," exclaimed she, and even

as she spoke she turned to seek the oratory. She was right. The

crucifix stood, and the breviary was open on the small table, even as

they were the first time she entered that room: and on a rude mattrass

beside it lay her uncle. She sank on her knees, for he lay motionless;

but, thanks to the holy Virgin, not breathless; no, as she bent over

him, and her lips touched his, she could perceive the breath, the

precious breath, of life: his hand too! it burnt in hers, but she

could feel the pulse distinctly.

Giulietta rose, and threw herself before the crucifix. A violent burst

of tears, the first she had shed, relieved her; and then calmly she

prayed aloud for strength to go through the task which she had

undertaken. The room was hot and oppressive; but she opened the

window, and the sweet air came in, fresh and reviving from the garden

below. She bathed her uncle's temples with aromatic waters, and poured

into his mouth a few drops of medicine. He opened his eyes, and turned

faintly on his pallet, but sank back, as though exhausted. Again he

stretched out his hand, as if in search for something, which failing

to find he moaned heavily. Giulietta perceived at once that parching

thirst was consuming him. From the balcony a flight of steps led to

the garden; she flew down them to the fountain, whose pure, cold water

made the shadow of the surrounding acacias musical as ever. She

returned with a full pitcher; and the eagerness with which the patient

drank told how much that draught had been desired. The cardinal raised

his head, but was quite unconscious; and all that long and fearful

night had Giulietta to listen to the melancholy complainings of

delirium.

The next day, she went to meet the gardener, who had waited, though,

as he owned, in hopelessness of her coming. How forcibly the sense of

the city's desolation rose before Giulietta, when she remembered that

her ignorance of the hour proceeded from there being no one now to

wind up the church-clocks! Again she returned to the unconscious

sufferer; but little needs it to dwell on the anxiety or the exertion

in which the next three days were passed. On the early morning of the

last, as she watched over her uncle's pillow, she perceived that there

was a slight moisture on his skin, and that his sleep was sound and

untroubled. His slumbers were long and refreshing; and when he awoke

it was with perfect consciousness. Dreading the effect of agitation,

Giulietta drew her veil over her face, and to his inquiry of "was any

one there?" she answered in a low and feigned voice.

"I am faint and want food; but who, daughter, are you, who thus

venture into the chamber of sickness and death?"

"A stranger; but one whose vow is atonement."

"Giulietta!" exclaimed the cardinal, and the next moment she was at

his side; and both wept the sweetest tears ever shed by affection and

forgiveness. Eagerly she prepared for him a small portion of food, and

then, exerting the authority of a nurse, forbade all further

discourse, and, soon exhausted, he slept again.

The cool shadows of the coming evening fell on the casement, when

Giulietta first ventured to propose that she should send a letter by

the gardener to Lorenzo, and desire that a litter might be sent to

convey her uncle to their villa.

"My sweet child, do with me as you will," said the cardinal; "take me

even to the house of a Carrara."

"And nowhere could you be so welcome," said a stranger entering, and

Giulietta, springing from her knees, found herself in the arms of her

husband. "I knew, Giulietta, I should find you here, though your

letter told me but of prayer and pilgrimage."

And what now remains to be told? The cardinal accompanied them to the

villa, where his recovery was rapid and complete: and the deep love

which he witnessed in that youthful pair made him truly feel how great

had been Giulietta's devotion to himself. The plague had done its

worst in Genoa; and men were enabled to return to their habits, their

occupations, and their duties, things ever inseparably connected. The

cardinal from that hour treated Lorenzo da Carrara as a son; and their

family union was happy as self-sacrifice and enduring affection could

make it. In the picture-gallery, there is still preserved a portrait

of the countess in her novice's garb; her cheek pale, her graceful

form hidden by the black serge robe, and her beautiful hair put out of

sight; and the count, her husband, used to say that "she never looked

more lovely."

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The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 573, October 27, 1832 · 第 19 / 29 题